Wickford, England – September 24, 2008 – EAW is pleased to announce that Vedano al Lambro, Italy-based distributor Exhibo S.p.A. has sold the first EAW NTL720 Self-Powered Line Array System to Milan rental firm Star Service, a loyal EAW patron since 1992. Dario and Alberto Frigerio, owners of the prestigious Milan rental company, explain the reasons behind their choice, the product demo process and their history as EAW users: “We asked to try out the system as soon as news leaked out regarding its existence – the first unofficial photos taken at a U.S. expo and the first technical descriptions swirling around pre-announcement,” Dario Frigerio stated. “Then there was the eagerly awaited announcement that production had begun and the inevitably long waiting list for all those who had requested it all throughout the world. Then, thanks to the commitment of Exhibo, EAW’s Italian distributor, we managed to test the first system that arrived in Europe. As long-time EAW users, we wanted to confirm that this new system, with its unusual dimensions and on-board technology, performed like its important predecessors, which we use on an ongoing basis for our work: the impressive KF750 High Output Array Loudspeaker, used for events held in large outdoor venues, the versatile KF650z Compact Array Loudspeaker, which were the first EAW products we bought, the KF730 Compact Line Array Module, which we consider one of the best line arrays in its class, and the small JFX260i, JFX100i and JFX88 Compact Full-Range Loudspeakers, which enable us to finish off our set-ups with the same high standards. We expected the NTL720 to be of the same pedigree, and it did not disappoint.” “The demo was held in a large cinema theatre to recreate as precisely as possible the customary working conditions for this loudspeaker enclosure system,” Exhibo’s EAW product Manager Edoardo Ravelli adds. “The participation of EAW Application Support Group specialist Steve Badham guaranteed us a better understanding of the countless possibilities at sound engineers’ disposal for controlling the system. Although a precise project strategy chosen by the EAW team means that the sound generated by the NTL720 as it comes out of the box might seem particularly neutral without any coloring of the sound (thanks to the Gunness Focusing technology, already employed successfully on the NT series), in fact the endless control possibilities offered by EAW Pilot software enable sound engineers to create exactly the sound they want, adjusting all the system’s parameters – even the details of the individual enclosures in the cluster. This is all done by means of U-net, the EAW proprietary protocol that enables audio and data to be transported via CAT5 cable.” Dario Frigerio continues: “Once we’d verified the quality of the rig and familiarized ourselves with the controls, we decided to buy this product and continue to use it with satisfaction for all our projects requiring very high quality audio performance and low on-site visual impact, such as fashion parades by top stylists, conventions by important companies, etc. We obviously also intend using the NTL720 for music shows, concerts, musicals and much more. The feature that struck us most with this product is the possibility it offers sound engineers of customizing and tailoring even the smallest details in their system’s sound. We’re really proud to be the first to have the EAW NTL720. Thanks to the level of technology integrated, it’s one of the most advanced sound reinforcement systems currently on the market, and it sounds really great.” ### About EAW Founded in 1978 and celebrating its 30th Anniversary, Eastern Acoustic Works (EAW) is a global leader in producing high-performance professional audio equipment trusted by the most discerning professionals for every possible sound reinforcement application. EAW is a registered trademark of LOUD Technologies Inc. in the United States and other countries. All other trademarks are the property of their respective owners.
Lightweight, Mobile Line Array Ideal for Variety of Uses
Whitinsville, MA, USA – September 30, 2008 – EAW, a world leader in audio system solutions, announces that the new JFL210 Compact Constant Curvature Line Array is now shipping and will be available in EAW warehouses worldwide in mid-October. The JFL210 compact line array features a range of EAW’s most innovative line array technologies within a mobile, lightweight package that’s an ideal solution for a multitude of small- and medium-sized applications, including portable and installed A/V as well as musician/DJ uses. Incorporating constant curvature line array design principles, JFL210 modules form easily configured arrays with very predictable output and coherence and coverage that is both horizontally symmetric and consistent from short to long throws. And, despite the compact size, modules and arrays both deliver exceptionally high output capability and predictable pattern control. The JFL210 can be flown or stacked in a variety of ways. The enclosure size, shape, weight and rigging are optimized for ease of transport and handling. Arrays may be easily flown or ground stacked, and up to two enclosures may be mounted on a tripod loudspeaker stand or on a pole above a pole-mount capable subwoofer. Each two-way, full-range JFL210 module utilizes neodymium drivers that provide optimum performance and tireless durability while also further reducing weight. Two 10" (2.5" coil) woofers deliver tight, punchy low-frequency performance, while the 3" (1.4"-exit) compression driver is closely matched with a horn that provides precise directivity. These high-end components contribute to a maximum peak output of more than 130 dB SPL, allowing JFL210 arrays to comfortably fill vast spaces. Performance can be optimized even more precisely with an EAW UX8800 digital processor (4 inputs by 8 outputs) that functions as an excellent overall system manager, processor and controller, while its Gunness Focusing™ alignment and driver processing algorithms dramatically enhance JFL210 line array performance. Dual Neutrik® Speakon® STX Series jacks are provided on each JFL210. The STX Series’ all-metal housings are extremely rugged and provide weather protection to IP54 when mated with a complimentary STX Series cable connector. The input panel also houses recessed powering mode and HF Shading switches. Both are shrouded with a rubber boot for weather protection. Yes, it’s extremely small and light and easy to handle, but make no mistake – the JFL210 packs an unmatched performance punch in comparison to any other loudspeaker system in its class. Key Features: - Remarkably small footprint (314 mm / 12.4" H x 631 mm / 24.8" W x 397 mm / 15.6" D)
- Light weight (23.6 kg / 52 lb.)
- Neodymium drivers for superior performance and durability
- Nominal beamwidth: 110° horizontal and 15° vertical
- Easy construction of vertical arrays of up to six units
- User switchable single- and bi-amp modes
- HF Shading switch-optimized array high frequency response in single-amp powering mode
- Optimization for transport by just one person
- EAW UX8800 with Gunness Focusing, further enhancing performance and control
- Easy pole mounting, flying and ground stacking capability
- Integral, high-strength rigging system 10:1 design factor, providing confidence in all flying applications
- Enclosures protection by EAW’s tough RoadCoat finish
The EAW JFL210 Compact Constant Curvature Line Array is now shipping. ### Photo & Caption 
Image 1 – EAW_JFL210_1.JPG | 
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EAW_JFL210_2.JPG | 
Image 3 – EAW_JFL210_3.JPG | About EAW Founded in 1978 and celebrating its 30th Anniversary, Eastern Acoustic Works (EAW) is a global leader in producing high-performance professional audio equipment trusted by the most discerning professionals for every possible sound reinforcement application.
Williams Brice Stadium Now Has Concert-Quality Sound and Is Still Within Budget, Thanks to EAW’s Remarkable KF Series Sound System Components
Whitinsville, MA – October 14, 2008 – College football stadiums are often the last place to look for musicality in a PA system, but that’s not the case at Williams Brice Stadium in Columbia, South Carolina, home of the University of South Carolina’s powerhouse Gamecocks football team. Just before this year’s NCAA season kicked off, the stadium was outfitted with a completely new stadium sound system based on the EAW KF900 Series, featuring EAW’s remarkable proprietary Phased PointSource Technology™ (PPST), a pioneering development in large-format loudspeaker array management. Thanks to EAW innovation, the Gamecocks now have what is arguably the best-sounding 85,000-seat stadium in the NCAA. The new sound system was designed and installed by ACS Sound & Lighting, in Columbia, South Carolina. The new KF900 Series system at Williams Brice Stadium consists of ten KF920P Mid-Frequency Loudspeakers, four KF910P Long-Throw High-Frequency Loudspeakers, four custom KF914P High-Frequency Upfill Loudspeakers and two KF913 High-Frequency Medium-Throw Downfill Loudspeakers, as well as a dozen EAW BH622 2x12 Bent Horn Subwoofer and eight BH2312 3x12 Low-Frequency Loudspeaker enclosures. Seven EAW UX8800 Digital Signal Processors manage the main PA system. In addition, four KF755P Downfill Array Loudspeakers are used to fill in under the scoreboard, and a pair of KF750P High Output Array Loudspeakers are attached to the rear of the scoreboard and facing onto the stadium’s parking lot for general announcement applications. All of the EAW KF900 Series speakers are fully weatherproofed. “The KF900 Series is an amazing system design,” says Troy Gwin, General manager of ACS Sound & Lighting. “Additionally, the EAW line is incredibly comprehensive, and we were able to pull from the BH series components to add additional low-end power in a very cost-effective manner for the school.” In fact, EAW did more than create a great sound system – they also manufactured it on a just-in-time basis, at EAW’s Whitinsville, Massachusetts woodworking facility, assuring that the team would have its new sound system in time for the new season. This new KF900 Series system is the successor to an EAW KF760 system that the school had rented from ACS for the last two seasons. “After we brought in that system in 2006 for a big SEC game, the school said they would never use their old existing sound system again,” Gwin recalls. A year later, the BH Series subs were added, making Williams Brice Stadium the only collegiate arena to utilize subwoofers as part of its main sound system. “The intro music for the team is the theme from 2001: A Space Odyssey, and they really wanted the sound to rumble,” says Gwin. “And it did.” This year, the athletic staff at USC remains even more impressed with the KF900 system’s performance. Even Gwin was surprised when, during the initial tuning of the system by KF Series designer Dave Gunness, he found himself thinking that a particular piece of music he was hearing sounded pretty good. “Then I realized, I was sitting 700 feet from the speakers, in the farthest reaches of the stadium!” he says. “To have music sound that good from that far away is unheard of. You can pick out cymbal details and fret noise on a bass guitar. Incredible. No other stadium system can sound that good so far away.” And the final signifier that University of South Carolina had made the right decision when it came to their new sound system? The Gamecocks won their opener against North Carolina State, 34-0.
About the KF900 Series EAW’s KF900 Series of PPST Systems is engineered for massive spaces and consists of six different components: the KF910 Long-Throw HF Loudspeaker, the KF911 Downfill HF Loudspeaker, the KF913 Medium-Throw Downfill HF Loudspeaker, the KF920 Mid-Frequency Loudspeaker, the KF930 Long-Throw LF Loudspeaker and the KF940 Bent Horn Subwoofer. Designed specifically to act as a single acoustical entity, the PPST/KF900 array comprises several frequency-specific modules optimized to take advantage of the PPST process. Digital signal processing integrates the output of the many drivers in the array, providing intelligible, yet powerful, sound reinforcement over 600 feet. ### Photo & Caption 
Image 1 – EAW_SCarolinaFootball1.JPG
About EAW Founded in 1978 and celebrating its 30th Anniversary, Eastern Acoustic Works (EAW) is a global leader in producing high-performance professional audio equipment trusted by the most discerning professionals for every possible sound reinforcement application. EAW is a registered trademark of LOUD Technologies Inc. in the United States and other countries. All other trademarks are the property of their respective owners.
Wickford, England – September 22, 2008 – EAW recently honored this year’s top distributors in the Europe, Middle East and Africa (EMEA) region with an awards ceremony, held during PLASA08 in London. Receiving “Distributor of the Year” honors was Barcelona-based Pro3 & Co., EAW’s distributor for Spain. Petah Tikva-based Pro Touch Ltd., EAW’s Israeli distributor, won “Most Improved Distributor.” EAW’s distributor for the Netherlands, Amsterdam-based Holland PA Services BV, won “Most Consistent Distributor.” The awards were presented by European Sales Manager Sean Martin during the company’s annual EMEA Distributor Meeting at the Chelsea Football Stadium on September 6th.
Martin credits these key distributors, as well as the entire EAW EMEA sales force, with producing record numbers in the first half of 2008. He had particularly complimentary things to say about each of this year’s three award winners.
“Pro3 [2008 Distributor of the Year] has been EAW Europe’s number one distributor in terms of sales for the past few years. They have a great team who fully support and represent the brand exactly as it should be, so it is no surprise that this effort and enthusiasm is reflected in their stellar results.
“Pro Touch [2008 Most Improved Distributor] finds homes for a remarkable amount of EAW product in Israel. Their increase in sales volume in recent years is nothing short of meteoric. No stone is left unturned by Pro Touch.
“Holland PA [2008 Most Consistent Distributor] is one of EAW’s most long-standing distributors, and regardless of market or industry ups and downs, their performance never drops. They are possibly the archetypal distributor model to which all distributors should aspire.”
Martin continued, “These awards reflect EAW’s commitment and personal relationship with the distributor/sales force in the EMEA region. No one works harder than our distributors, and they help us post the numbers to prove it. These award-winners set a high bar, and I look forward to working with our entire team of distributors to match and surpass it through the rest of 2008 and into 2009.”
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Photo File 1: Plasa_Sean_awards1.JPG
Photo Caption 1: Pictured L-R: Shmulik Mazuz of Pro Touch Ltd., EAW’s Israeli Distributor and winner of “Most Improved Distributor” honors, and EAW European Sales Manager Sean Martin, at an awards ceremony at EAW’s annual EMEA Distributor Meeting at PLASA08. |
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Photo File 2: Plasa_Sean_awards2.JPG
Photo Caption 2: Pictured L-R: Martien Verdonk of Holland PA Service BV, EAW’s Distributor for the Netherlands and winner of “Most Consistent Distributor” honors, and EAW European Sales Manager Sean Martin, at an awards ceremony at EAW’s annual EMEA Distributor Meeting at PLASA08. |
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Photo File 3: Plasa_Sean_awards3.JPG
Photo Caption 3: Franc Gatell (Left) and Sylvia Baulies (Right) of Pro3 & Co., EAW’s Spanish Distributor and winner of “Distributor of the Year” honors, with EAW European Sales Manager Sean Martin (Center), at an awards ceremony at EAW’s annual EMEA Distributor Meeting at PLASA08. |
About EAW
Founded in 1978 and celebrating its 30th Anniversary, Eastern Acoustic Works (EAW) is a global leader in producing high-performance professional audio equipment trusted by the most discerning professionals for every possible sound reinforcement application.
EAW is a registered trademark of LOUD Technologies Inc. in the United States and other countries. All other trademarks are the property of their respective owners.
Wickford, England – September 17, 2008 – EAW announces that March, April, May and June were each record sales months for EAW and EAW Commercial in the Europe, Middle East and Africa region (EMEA). This set of milestones is particularly timely, as EAW is in the midst of celebrating its landmark 30th anniversary year.
Sean Martin, Director of EAW European Operations, attributes the growth to several key factors. First of all, the EAW Europe headquarters in Wickford, England, has altered its setup and operations, improving efficiency in regards to customer service as well as the sales and shipping of new product and spares/replacement parts. The division has also made a point of keeping a greater inventory holding, resulting in order fulfillment being more direct. Additionally, EAW Europe has placed special attention on increasing its market profile and building brand loyalty by comprehensively training customers and reps.
Martin also notes the particular commitment of EAW distributors to the following new products: the UMX.96 Digital Live Console, the UX8800 Digital Signal Processor and the NTL720 Self-Powered Line Array System.
Martin stated, “As EAW marks its 30th year, it is an occasion to celebrate EAW’s successes and look to the future. These particularly fruitful four months set the tone for 2008, and we look forward to continued success in the remaining months of the 2008 fiscal year and beyond. Our new products and new personnel will continue to provide us the opportunity to set new benchmarks as we exercise our passion for sound and our dedication to our customer base.”
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About EAW
Founded in 1978 and celebrating its 30th Anniversary, Eastern Acoustic Works (EAW) is a global leader in producing high-performance professional audio equipment trusted by the most discerning professionals for every possible sound reinforcement application.
EAW is a registered trademark of LOUD Technologies Inc. in the United States and other countries. All other trademarks are the property of their respective owners.
Wickford, England – August 14, 2008 – EAW has announced two new personnel changes to the EAW Europe Sales and Application Support Group (ASG). The appointments were announced by Sean Martin, Director of EAW European Operations.
Kevin McNally will be joining EAW Europe as the UK Sales Manager, effective August 18, 2008. He will be responsible for all sales activities in the UK territory for both live and installed applications. Kevin comes to EAW from an active career in installed sound design, including a stint at Metropolis AV and FX in Surrey. “EAW is one of the most respected names in pro audio and seems to have a solution for every application. I am really looking forward to working with such a well rounded product line and helping the brand expand its presence in the UK Market.” says McNally. Kevin will be based out of the company’s offices in Wickford, England, and can be reached at +44 (0)1268 562592 or Kevin.McNally@eaw.com.
Previous UK Sales Manager, Moray McMillin, will be taking over European ASG duties, effective August 1, 2008. McMillin has been looking after UK Sales for the past two years and now moves his considerable talents to the support of the entire EMEA region from the technical application standpoint. Moray is uniquely qualified to provide in-depth design and technical support for all things live sound, given his long and prestigious career in pro audio. In over three decades of international touring, Moray has worked with the likes of Deep Purple, Black Sabbath, Ozzy Osbourne, Siouxsie & the Banshees, Public Image Ltd. and, on the softer side, Suzanne Vega. “I am really looking forward to getting my hands dirty playing with gear full time again. Sales is fun, but I’m a gearhead at heart,” says Moray. He can be reached via his existing EAW contacts at +44 (0)7917 350517 or at Moray.McMillin@eaw.com.
Comments Martin on the moves, “We are thrilled to have Kevin on board with EAW. His wealth of experience in the UK contracting market will be a hugely beneficial addition to our sales efforts, and I have every confidence that he will serve the UK market with the passion and professionalism that people have come to expect from the EAW brand. And with Moray now taking over the European ASG function, we can all rest easy that there will not be a technical question or design challenge anywhere that will go unanswered. Moray is one of the best in the business at what he does, and our customers will surely benefit from that.”
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Photo & Caption
Image 1 – “Kevin McNally, EAW UK Sales Manager”
Image 2 – “Moray McMillin, EAW European ASG Manager”
About EAW
Founded in 1978 and celebrating its 30th Anniversary, Eastern Acoustic Works (EAW) is a global leader in producing high-performance professional audio equipment trusted by the most discerning professionals for every possible sound reinforcement application.
Whitinsville, MA – August 14, 2008 – Eastern Acoustic Works (EAW) has announced the appointment of Nashville- and New York-based firm Clyne Media, Inc. to handle its public relations. The announcement was made by Jeffrey Cox, Vice President of the EAW Brand Group, and illustrates EAW’s continuing commitment to their professional audio, live sound/touring, sound contracting and fixed installation markets.
“We are thrilled to have Clyne Media as part of our marketing team,” stated Cox. “Robbie and his group are as passionate about public relations as EAW is about designing loudspeakers, which makes this an especially well suited relationship. They will undoubtedly be a tremendous asset for both our company and our end users.”
Clyne Media is one of the nation’s premier specialized marketing communications/media relations agencies, serving the needs of leaders in the high-technology entertainment market sector and related industries. The company will pursue new editorial opportunities on behalf of EAW and help focus public relations efforts with industry editors and independent journalists worldwide.
Agency President/CEO Robert Clyne will handle the account management, while dedicated company staff will cover media relations, technical writing, editing and other marketing communications initiatives.
“We are very excited to be working with EAW,” Robert Clyne commented. “EAW’s reputation for innovative, groundbreaking products, as well as an extremely organized marketing department, makes them the type of client with whom we are proud to work. They are an excellent complement to our current roster of clients.”
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About EAW
Founded in 1978 and celebrating its 30th Anniversary, Eastern Acoustic Works (EAW) is a global leader in producing high-performance professional audio equipment trusted by the most discerning professionals for every possible sound reinforcement application.
EAW is a registered trademark of LOUD Technologies Inc. in the United States and other countries. All other trademarks are the property of their respective owners.
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FOR IMMEDIATE RELEASE
Monitor Engineer Karrie Keyes Selects EAW MicroWedge
For Pearl Jam Summer 2008 Concert Tour
Whitinsville, MA - June 17, 2008 -The summer 2008 concert tour by Pearl Jam that just kicked off is featuring EAW MicroWedge MW12 stage monitors deployed by Monitor Engineer Karrie Keyes to provide monitor sound on stage for several band members.
Easily one of the most influential bands of the past 20 years, Pearl Jam continues to be a top concert act, noted for its dynamic, deeply compelling live performances. The legendary band is headed by the Eddie Vedder, (lead vocals, guitar), while Mike McCready (lead guitar), Jeff Ament (bass guitar), Stone Gossard (rhythm guitar), and Matt Cameron (drummer) generate a tight, cohesive, and truly one-of-a-kind rock sound.
The 2008 Pearl Jam tour kicked off in June 2008, with the band serving as the headline act for the Bonnaroo Music Festival. They then move on to at least a dozen shows in the Eastern United States.
Keyes has served as the band's monitor engineer since its inception in the early 1990s, and also has worked with a wide range of other top musical acts. For Pearl Jam, the monitor system is straightforward, elegant in its simplicity, and devoid of gates, compressors, and elaborate effects packages. She notes that she has utilized previous MicroWedge models to a limited extent, but that's changed given the significantly upgraded performance of the new EAW MicroWedge Series.
"There are two types of wedges - those that are loud, and those that sound good. Usually a wedge is not both, but the new MicroWedge is the exception," explains Keyes. "Another big plus is that they are small. Pearl Jam and Ed's solo tour both use a very small amount of stage space, and we're always looking for ways to reduce the footprint on stage."
Keyes first deployed MicroWedge during Vedder's just-concluded solo tour, using six MW12 for opening act Liam Finn. "When I fired them up in rehearsals, I was blown away. They had power, were clear and just kept going," she says.
As a result, dual MicroWedge MW12's are being deployed with Pearl Jam for Eddie Vedder's guitar mix, as well as for Jeff Ament's mix. "I'm also very excited to try MicroWedge on the drum mix, because again, we're always looking for smaller options that deliver top quality," Keyes adds. "In my evaluations, I've come to believe this new version has the performance capabilities to more than keep up in arenas and sheds."
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Photos & Captions
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 Pearl Jam in concert. (Photo courtesy of Rat Sound Systems Inc.)
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 Pearl Jam Monitor Engineer Karrie Keyes. (Photo courtesy of Rat Sound Systems Inc.)
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About EAW
Eastern Acoustic Works (EAW) is a global leader in producing high-performance professional audio equipment trusted by the most discerning professionals for every possible sound reinforcement application. EAW is a registered trademark of LOUD Technologies Inc. in the United States and other countries. All other trademarks are the property of their respective owners.
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FOR IMMEDIATE RELEASE
EAW UMX.96 Digital Console Selected By Engineer Don Dodge
For Summer U.S. Concert Tour By Foreigner
Whitinsville, MA - May 28, 2008 - The upcoming U.S. concert tour by legendary rock band Foreigner will feature veteran engineer Don "Dodger" Dodge utilizing an EAW UMX.96 digital console, revisiting the successful formula employed during the band's 2007-08 world concert tour.
"Things could not have gone better with the UMX.96 during the dozens of shows we did all over the world on the previous tour," states Dodge. "I utilized the console in the scorching heat of North America sheds in the summer and the deep freeze of Eastern Europe in winter, but flawless performance remained a constant.
"I had previously not been a fan of digital boards, but the UMX is so good that it erased that viewpoint. This console is not just competitive with others - it's a clear winner," he continues. "It has an analog mix feel, while the intuitive, comprehensive digital design cuts my workload in half - no more tape layouts of input mods, labeling outboard racks of comps and gates, or routing of verbs and effects. And, every setting can be stored and instantly recalled at the push of a button, which is also extremely helpful."
Foreigner kicks off its U.S. tour in California in late May, performing across the country for several months. In addition, Dodge also expects to utilize a UMX.96 for house mix duties for Bryan Adams and his band when they join the tour as a featured act over the summer.
The news comes on the heels of EAW announcing that production models of the UMX.96 are now shipping. First shown in prototype form in late 2005, the console has been in a consistent development and refinement process that culminated with the Foreigner tour.
Even as it underwent the strenuous refinement process, the UMX.96 retained its original design tenant of presenting mix engineers with an integrated live sound environment that includes a 3 by 12 system processor, a 16 by 8 Matrix, and the first console integration of the EAW Smaart tuning/analysis platform. The other primary design tenant of engineer comfort and familiarity was maintained as well, with the console's surface including all 48 input channel faders as well as a master section bringing together a 15-inch touch-sensitive color LCD with a rotary encoder ("Big Knob") that changes its "feel" depending on the parameter selected.
"The 48 channel layout of the UMX.96 puts every channel at my fingertips, and unlike most digital consoles that cram a ton of information on a tiny screen, the very large LCD screen is extremely easy to read and use at a glance," Dodge concludes. "The mic preamps sound fantastic, and the console as a whole has a very warm, pleasing sonic quality."
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Photos & Captions (All photos by Ron Baker, WJHW)
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 Veteran mix engineer Don Dodge at the UMX.96 he's once again selected as his FOH console for Foreigner on tour.
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 Don Dodge at work on the EAW UMX.96 digital console during Foreigner in concert.
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About EAW
Eastern Acoustic Works (EAW) is a global leader in producing high-performance professional audio equipment trusted by the most discerning professionals for every possible sound reinforcement application. EAW is a registered trademark of LOUD Technologies Inc. in the United States and other countries. All other trademarks are the property of their respective owners.
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FOR IMMEDIATE RELEASE
Venue-Wide Sound System For New Nationals Ballpark
Features EAW Loudspeakers, Exclusively
Whitinsville, MA - May 22, 2008 - Nationals Ballpark, the new 41,000-seat ballpark of the Washington, D.C. Major League Baseball (MLB) franchise, offers a dynamic venue-wide sound reinforcement system featuring EAW full-range loudspeakers, exclusively.
The system, serving serves all outdoor seating regions, was designed by Wrightson, Johnson, Haddon & Williams (WJHW) of Dallas, with Principal Ron Baker serving as lead designer. Tech Inc. of Latham, Maryland handled the fast-track installation, while the Columbia, Maryland offices of AVI-SPL supplied custom system engineering services.
As they've done frequently with ballpark sound reinforcement projects, WJHW elected to deploy a distributed system. "There are numerous benefits to this approach. It places the loudspeakers much closer to each listener, so delay times are dramatically reduced in comparison to a longer throw center cluster," explains Baker. "This is advantageous both in matching sound to the numerous video presentations that are now a big contributor to the ballpark experience, as well as putting sound much more in sync with on-field performers."
Frequency response is also much broader, and there's much better overall management of sonic energy. And, portions of the system can also be turned off when not needed or different program sources can easily be directed to difference areas of the venue. The bottom line is vastly improved control over the entire production.
The system includes more than 450 EAW loudspeakers, with the majority being compact, two-way members of the MK Series that have proven popular in numerous large-scale stadium and ballpark projects due to their quality sonic properties, durability, and compact footprint. Most of these loudspeakers are outfitted with either 12-inch or 15-inch woofers, although some MK Series enclosures with 8-inch woofers also proved fortuitous in regions dictating a particularly low profile.
All three major decks comprising the main grandstand that surrounds more than 75 percent of the playing surface receive primary reinforcement from sets of three MK Series loudspeakers. Mounted to the underside of the seating decks (and the canopy on the upper deck), these supply long-, medium-, and short-throw output to carefully defined zones.
A sizable number of "dual face" loudspeakers, developed for exactly this type of application by WJHW and the EAW Engineering Department, were also deployed. These special models incorporate two MK Series loudspeakers within a single compact enclosure with a 60-degree splay between the two sets of transducers.
"The two-in-one approach removes the need to install an additional loudspeaker at numerous locations, while we still get the same benefits of coverage and output," Baker notes. "The transducers are independently driven, so each set can be optimized to best serve its respective coverage area, while additional infrastructure needs, cost and complexity are lessened."
Zones of lower level seating running along the edge of the playing field are better reached via high-output EAW MQV Series loudspeakers mounted on the fascia of the upper deck. More MQV Series loudspeakers are positioned toward the top of the largest stadium scoreboard in the U.S., delivering coherent, intelligible long-throw (well in excess of 100 feet) coverage to a large seating section in right field. Other bleacher areas beyond the outfield are served by MK Series loudspeakers mounted on poles.
All loudspeakers for the project were supplied with additional weatherproofing to provide suitable protection from direct exposure to the weather elements. Further, all were painted a custom color by EAW that perfectly matches and blends into the color scheme of the stadium's primary structural elements.
Following a comprehensive tuning and alignment process, the system was pronounced ready for the historic grand opening. "The overall quality and capability of ballpark audio systems is moving ahead nicely," Baker concludes.
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Photos & Captions (All photos by Ron Baker, WJHW)
(Click on thumbnail for hi-res version of image)
 Grand opening of the new Nationals Ballpark in Spring, 2008, with President Bush on hand to throw out the ceremonial first pitch.
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 Perspective of the main grandstand of the new Nationals Ballpark on opening night, 2008. .
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 EAW loudspeaker sets serving a portion of the lower grandstand at Nationals Ballpark, including a look at some of the custom "dual face" loudspeakers developed especially for stadium systems. .
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About EAW
Eastern Acoustic Works (EAW) is a global leader in producing high-performance professional audio equipment trusted by the most discerning professionals for every possible sound reinforcement application. EAW is a registered trademark of LOUD Technologies Inc. in the United States and other countries. All other trademarks are the property of their respective owners.
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FOR IMMEDIATE RELEASE
EAW Introduces MicroWedge Series MW12 Stage Monitor
Whitinsville, MA – June 18, 2008 - The new EAW MicroWedge Series MW12 stage monitor raises the legendary sonic performance and superior design principles of previous MicroWedge versions to a new level.
The MW12 is the first model of the EAW MicroWedge Series to be released since an agreement was reached between LOUD Technologies Inc. and MicroWedge developer Rat Sound Systems Inc. in late 2007, stipulating that EAW would serve as the exclusive manufacturer and distributor of MicroWedge products. Additional MicroWedge Series products will be introduced throughout the coming year and beyond.
The MW12 provides dramatically enhanced fidelity, power handling and reliability in comparison to earlier MicroWedge models, attained with an optimum blend of upgraded transducers and EAW’s hallmark crossover design techniques. Mechanical durability has been advanced as well, joined by enhancements in enclosure fabrication, ergonomics and interconnection, along with dramatic weight reduction.
The MW12 features a coaxial driver arrangement that pairs a 12-inch woofer with a 3-inch (diaphragm) HF compression driver on a horn delivering full yet tightly controlled 90-degree horizontal dispersion. This design path guarantees that all frequencies emanate from the exact same point, eliminating crossover region problems and time/phase irregularities, as well as optimizing coherency. The coaxial approach also contributes to a very compact, low-profile footprint that stays out of sight-and camera-lines, but attained without sacrificing fidelity and high output levels.
The MW12 is processor enhanced (rather than processor dependant) for true “plug and play” operation, and eliminating the need to also purchase additional processing is very budget friendly. In addition, it offers switchable passive or active modes.
The physical profile is visually appealing while serving another valuable function by focusing upward-firing coverage to the area most comfortable for performers – close to the wedge. This is particularly a significant advantage when stage space is in short supply. And, the curved front affords more flexibility in visually placing wedges that are optimally focused.
A large port on the front of the cabinet serves to enhance LF response in coupling with the floor, and in another upgrade, this port also now houses both the carrying handle and the passive/active mode switch. The resulting look is very clean, with the switch easily accessible (but protected from accidental changes) and the handle location fostering very balanced, single-hand carrying, enhanced by reduced enclosure weight.
Further, the port houses dual input connectors, keeping them concealed and protected while also facilitating an ideal way of making sure cables run very close to the floor where they can easily be secured in place with tape. The connector location also allows wedges to be placed as close together as desired, and again, there’s no cabling between wedges that can trip the performers. Additional cable can be stored in the port without impacting LF performance, and it is also sized to accept a leg of a tripod microphone stand, providing added stability and security.
The trapezoidal enclosure sides allow wedges to be placed very close together in “arc” configurations, while the addition of rubber feet to the bottom of the enclosure reduces abrasion. New integral rigging hardware – also mounted on the enclosure bottom – means easy flying when desired.
Finally, MicroWedge Series MW12 is very capable of withstanding the rigors of club and touring life. The Baltic birch cabinets are protected with EAW’s proprietary RoadCoat™ finish that’s highly resistant to dings and scratches, and the rugged steel grille keeps its distinctive shape, even when stood upon by performers. All transducer components are highly liquid tolerant - virtually impervious to spilled drinks as well as natural elements like rain.
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 The new EAW MicroWedge MW12 stage monitor, side view.
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 The new EAW MicroWedge MW12 stage monitor, top view.
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About EAW
Eastern Acoustic Works (EAW) is a global leader in producing high-performance professional audio equipment trusted by the most discerning professionals for every possible sound reinforcement application. EAW is a registered trademark of LOUD Technologies Inc. in the United States and other countries. All other trademarks are the property of their respective owners.
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Introduction Of EAW Commercial DX1208 Matrix Mixer
Whitinsville, MA – June 18, 2008 - The new EAW Commercial DX1208 is a 12-input, 6-output DSP matrix mixer designed for commercial and install applications.
Four inputs are mic/line capable, with selectable 48-volt phantom power provided when the user selects mic level. Four “consumer level” inputs (unbalanced RCA connectors) facilitate easy interface of consumer-type source devices, while an additional four digital inputs are available on S/PDIF with sample rate conversion between 44.1kHz and 48kHz. All 12 inputs are included in the audio matrix and can be assigned DSP functions prior to distributing signal at line level.
The DX1208 can also receive up to 6 logic inputs and send up to 3 logic outputs, combined on a single 18-pin connector and programmable via the included EAW Pilot control software. Control of the DX1208 via third party systems (i.e., AMX and Crestron) is easily attained with a serial connection (DB9) on the rear panel. Two RJ-45 connections are provided as well for linking multiple (up to eight) DX Link enabled products together in a ring network topology.
A remote control port (3-position Phoenix connector) is included on the rear panel, facilitating the linking (using RS-485) of three different types of remotes, all mounted on wall panels. Up to eight remotes per zone can be attached to the DX1208, and each is individually addressable.
EAW Pilot’s graphic user interface (GUI) presents simple, intuitive programming, and is capable of operation within the Gabriel environment. Up to 24 programmable presets are available per unit, with the software running under Windows 2000, XP, and Vista formats. The programming interface is flexible, with connection via the USB port on the front panel or the Ethernet jack or DB9 connector on the rear panel.
The DX1208 employs a universal power supply, 90-240VAC, 50/60Hz.
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 The EAW Commercial DX1208 matrix mixer.
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About EAW
Eastern Acoustic Works (EAW) is a global leader in producing high-performance professional audio equipment trusted by the most discerning professionals for every possible sound reinforcement application. EAW is a registered trademark of LOUD Technologies Inc. in the United States and other countries. All other trademarks are the property of their respective owners.
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EAW Shipping UMX.96 Digital Console To Europe, Asia Pro Audio Markets
Whitinsville, MA – June 18, 2008 - The much-anticipated EAW UMX.96 digital console has officially landed in Europe, with the company’s distributors in Spain, Poland and Greece the first in the world to take delivery of fully tested and approved production models. In addition, the company reports it is simultaneously filling orders from several distributors in the Asian pro audio marketplace as well, with production of the consoles now in full swing.
The UMX.96, the first console offering from EAW, was first shown in prototype form at several trade shows beginning in 2006. From that point, it has been on constant display by the company as the development and refinement process continued, culminating with a UMX.96 serving as the house console for FOH Engineer Don Dodge on Foreigner’s 2007-2008 world tour.
“The UMX.96 puts every channel at my fingertips, and overall, there’s a very analog feel to the board,” confirms Dodge. “The sonic signature is the other aspect that really impresses me. The mic preamps sound fantastic, and the console as a whole has a very warm, pleasing sonic quality.” (NOTE: Dodge has again selected the UMX.96 for the current 2008 U.S. concert tour by Foreigner, and will also utilize the UMX.96 when Bryan Adams and his band join the tour later in the summer.)
Even as it underwent the strenuous refinement process, the UMX.96 retained its original design tenant of presenting mix engineers with an integrated live sound environment that includes a 3 by 12 system processor, a 16 by 8 Matrix, and the first console integration of the EAW Smaart tuning/analysis platform, with RTA microphone also provided. The other primary design tenant of engineer comfort and familiarity was maintained as well, with the console’s surface including all 48 input channel faders as well as a master section bringing together a 15-inch touch-sensitive color LCD with a rotary encoder (“Big Knob”) that changes its "feel" depending on the parameter selected.
After initial assembly at EAW’s Far East production facilities, every UMX.96 is then shipped to the company’s Woodinville, Washington (USA) location for final assembly as well as exhaustive inspection, testing and verification. This is a “fine-toothed comb” process where every single component, and then the console as a whole, is addressed by the production team.
Highlights include a 72-hour static "burn-in" period, followed by a visit to the facility’s environmental chamber, where each UMX.96 runs continuous for 48 hours while being cycled through a range of thermal cycles. Further, every PC board is removed and examined via a precision “Micro-Vu” video inspection system, with boards only put back into place after passing this rigorous test.
”A final set of tests are performed on every input and output, as well as every DSP function,” adds Martyn “Ferrit” Rowe, UMX.96 product manager for EAW. “The consoles also must pass our own critical listening tests before we consider them suitable for our customers. The overall process calls to mind a ‘hand-built Ferrari’ approach.”
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 The EAW JFL210 UMX.96 digital console.
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About EAW
Eastern Acoustic Works (EAW) is a global leader in producing high-performance professional audio equipment trusted by the most discerning professionals for every possible sound reinforcement application. EAW is a registered trademark of LOUD Technologies Inc. in the United States and other countries. All other trademarks are the property of their respective owners.
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EAW Debuts JFL210 Extremely Compact Line Array
Whitinsville, MA – June 18, 2008 - The JFL210 compact line array module packs a whole lot of technology and innovation into a miniscule, light weight package that’s an ideal solution in meeting the needs of a multitude of small- and medium-sized applications, including a wide range of portable and installed A/V, as well as musician/DJ.
Incorporating constant curvature line array design principles, JFL210 modules form easily configured arrays with very predictable output and coherence, with coverage that is both horizontally symmetric and consistent from short to long throws. And, despite the compact size, modules and arrays both deliver exceptionally high output capability and predictable pattern control.
The JFL210 can be flown or stacked in a variety of ways. The enclosure size, shape, weight, and rigging are optimized for transport and deployment by one person. Each module measures just 12.3 inches (h) by 24.8 inches (w) by 13.6 inches (d) and weighs only slightly more than 50 pounds. Enclosures can be pole-mounted, and arrays can also be easily flown, ground stacked, and even attached to existing structures in applications such as theatre, where stage and/or balcony fascias may exist.
Each two-way, full-range JFL210 module incorporates neodymium drivers that provide superior performance and tireless durability while also further reducing weight. Two 10-inch (2.5-inch voice coil) woofers deliver tight, punchy low-frequency performance, while the 3-inch (1.4-inch-exit) compression driver is closely matched with a horn that provides precise pattern control for optimum array performance. These high-wattage components contribute to a maximum peak output of more than 130 dB (SPL), allowing JFL210 arrays to comfortably fill vast spaces.
JFL210 modules offer a nominal 15 degrees vertical beamwidth to go with a 90-degree nominal horizontal beamwidth. This allows vertical of up to six units to be easily constructed, and with added flexibility to attain optimum performance and coverage results.
Both single- and bi-amp modes are provided (user switchable). In single-amp (passive) mode, an array compensation switch on each module provides further tailoring. As a result, arrays and single boxes can be further refined to meet specific applications in terms of factors like air loss, with the user able to select between multi-box long, multi-box short and single box settings.
Performance can be further tailored with an EAW UX8800 digital processor (8 inputs by 4 outputs) that functions as an excellent overall system manager, processor and controller, while its Gunness Focusing alignment and driver processing algorithms dramatically enhance JFL210 line array performance.
EAWPilot control software provides comprehensive DSP control of the UX8800, while its renowned Wizard modeling software helps in automatically configuring array DSP for optimal performance fitting specific audience areas, greatly simplifying system setup and alignment.
The dual Neutrik NL4 Speakon connectors on every JFL210 module are wired in parallel so that either jack accepts input from the amplifier(s) and loops the signal(s) through to the second jack. The input panel also houses the recessed powering mode switch and the array compensation switch.
JFL210 enclosure shape, size, and weight are optimized for transport by just one person, with side handles further easing lifting and carrying. One person can build arrays of up to four modules via the integral rigging system that offers features a 10:1 safety factor as well as superior balance and stability, with an optimized flybar available as well.
Installed applications can benefit from a more simple flying with eyebolts on the top of the cabinets. The array angle can be set using a pull-back line affixed to additional eyebolts on the bottom enclosure. Further, up to two modules can be pole mounted via a dual-angle pole socket on the bottom of each enclosure that provides aiming flexibility.
Overall construction matches the high standards long applied EAW portable products. Cabinets are protected by our tough RoadCoat finish that is highly scratch-resistant, and the grille is durable stainless steel. Cabinets come in black and white as standard.
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 The new EAW JFL210 line array.
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 A new EAW JFL210 line array module.
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About EAW
Eastern Acoustic Works (EAW) is a global leader in producing high-performance professional audio equipment trusted by the most discerning professionals for every possible sound reinforcement application. EAW is a registered trademark of LOUD Technologies Inc. in the United States and other countries. All other trademarks are the property of their respective owners.
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Additions To The EAW Commercial CIS Series Of Ceiling Loudspeakers
Whitinsville, MA – June 18, 2008 - EAW Commercial has introduced three new high-output additions to its CIS Series of ceiling loudspeakers that all provide exceptional performance in large, tall structures while fitting seamlessly within ceiling installation grids.
Both the new EAW Commercial CIS961 and CIS991 feature three-way designs, while the new CIS120 utilizes a coaxial design. All three come with fully appointed steel back cans - with transducers already installed - that mount within 24-inch ceiling grids.
The CIS961 (60-degree by 60-degree dispersion) and CIS991 (90-degree by 90-degree dispersion) incorporate four 5.25-inch LF cone woofers, four 4-inch MF cone woofers and a 1-inch-exit HF compression driver mounted on a large horn that fosters superior pattern control. The application of proprietary frequency shading techniques facilitates the eight cone woofers working together to provide LF output and impact equal to that of a 12-inch LF woofer.
The physical configuration of the CIS961/991 LF/MF drivers, along with the frequency shading, is designed to maximize directivity over the widest possible frequency range, extending useful pattern control to below 500 Hz. Additionally, using the smaller drivers to cross over to the HF subsystem optimizes reproduction of critical midrange frequencies without sacrificing LF output capabilities.
The coaxial approach of the CIS120 (80-degree by 80-degree dispersion) utilizes a 12-inch coaxial driver and 1-inch-exit compression driver on a precision horn. This combination delivers coherent point-source reproduction as well as superior low-frequency performance.
All three new CIS Series loudspeakers are supplied with an integral 70.7V/100V line transformer, rated to a maximum of 128 watts. Tap settings are adjustable by means of a recessed rotary switch on the front bezel that allows selection of 128-, 64-, 32-, and 16-watt taps at 70 volts, and 128-, 64-, and 32-watt taps at 100 volts. In addition, the transformer can be bypassed, presenting an 8-ohm load to low-impedance systems.
The sealed, painted, 18-gauge steel back cans are square in shape, and are designed to mount in a 24-inch ceiling grid. Back cans include a recessed Euroblock input connector, with detachable mating plug, concealed behind a hinged metal cover plate.
A ceramic screw terminal block is also present. A powder-coated perforated steel grill is easily installed once the wattage tap has been selected. Optional installation kits include a four-piece cable kit for suspension and a four-piece square trim ring kit to dress the baffle into suspended ceiling tile surrounds.
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 The new EAW Commercial CIS961 high-output ceiling loudspeaker.
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About EAW
Eastern Acoustic Works (EAW) is a global leader in producing high-performance professional audio equipment trusted by the most discerning professionals for every possible sound reinforcement application. EAW is a registered trademark of LOUD Technologies Inc. in the United States and other countries. All other trademarks are the property of their respective owners.
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New EAW KF737 Module Brings High-Q Capabilities
To KF730 Series Line Arrays
Whitinsville, MA – June 18, 2008 - The new EAW KF737 line array module brings high-Q, longer throw capabilities to EAW KF730 Series compact line arrays, furthering their ability to deliver concert-level output and performance in an exceptionally wide range of applications.
Common applications include placement of one or more KF737 modules at the top of a KF730 array to project focused energy over long distances, and to use the KF737 as a stand-alone solution in “shoe-box” style (long, narrow) halls in order to minimize the potential of sidewall reflections.
The KF737’s three-way design incorporates two 10-inch woofers (LF), two 7-inch woofers (MF), and two 1-inch compression drivers (HF). One large MF/HF horn, providing 75-degree (h) by 12-degree (v) dispersion, fills the entire face of the KF737 enclosure, which better maintains horizontal pattern control throughout the MF/HF passband. The side-mounted LF drivers provide a forward-firing, figure-8 type pattern. The drivers are spaced so that the LF beamwidth matches the MF through crossover.
A bi-amplified power configuration (passive mid/high) reduces system cost and complexity. Processing for the arrays is intentionally simple and can be greatly enhanced with the EAW UX8800 dual-mode digital processor, which supplies proprietary Gunness Focusing™ alignment and driver processing algorithms, dramatically enhancing sonic performance.
The KF737 offers very friendly truck-pack dimensions, measuring just 13 inches (h) by 28.5 inches (w) by 17.6 inches (d), with weight at less than 75 pounds. The integral rigging system is fully compatible with the KF730 full-range module as well as the SB730 subwoofer. The versatile rigging design fosters fast construction of arrays ranging from 4 to 18 enclosures.
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 The new EAW KF737 High-Q line array module.
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About EAW
Eastern Acoustic Works (EAW) is a global leader in producing high-performance professional audio equipment trusted by the most discerning professionals for every possible sound reinforcement application. EAW is a registered trademark of LOUD Technologies Inc. in the United States and other countries. All other trademarks are the property of their respective owners.
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New EAW Commercial SMS Series Surface-Mount Loudspeakers
Whitinsville, MA – June 18, 2008 - New EAW Commercial SMS Series surface-mount loudspeakers are designed for a wide range of foreground, background, and paging applications. All models incorporate sophisticated electro-acoustic technologies that provide optimum directionality, high output levels, and pristine sound quality, along with a proprietary mounting system affording an unprecedented level of installation ease.
At the heart of each SMS Series two-way loudspeaker is EAW’s proprietary Theta Technology, which utilizes tuned driver spacing to create low-frequency (LF) pattern control by placing pairs of smaller woofers symmetrically around the high-frequency (HF) subsystem. The spaced woofers maintain pattern control into the LF range to complement the wide-by-narrow coverage delivered by the specially designed HF subsystems. The result is wide, well-controlled horizontal patterns, meaning fewer loudspeakers are needed per project.
Further, the well-controlled vertical patterns allow the installer to easily avoid projecting sound onto ceilings and other highly reflective surfaces, while transient response is optimized for maximum intelligibility, with high efficiency translating to lower power requirements. (A variety of coverage dispersion options are available.)
Three models currently make up the series, with additions to the line expected regularly. Current SMS Series models include:
SMS2124 – 4 x 3-inch LF, 2 x 2-inch HF
SMS2990 – 4 x 3-inch LF, 1 x 1.3-inch HF
SMS1990 – 2 x 3-inch LF, 1 x 1.3-inch HF
SMS Series loudspeakers also feature Clip-Fit, a new proprietary mounting system. All connections for the loudspeaker are contained within the Clip-Fit wall-mount unit via a single Molex connector, with the wall-mount unit pre-mounted at the designed position on a wall. The installer then just “clips” the loudspeakers on to the Clip-Fit arm, and in one motion, the audio connection is terminated and the loudspeaker is live. The wall-mount unit also provides a pan/tilt positioning range for precise aiming.
For basic installations, SMS loudspeakers are also provided with U-brackets allowing conventional wiring methods and adjustment of the loudspeaker’s down-tilt. Cabinets (as well as Clip-Fit mounts) are offered in a choice of black or white cabinet colors..
In addition, two versions of the Clip-Fit mounting system are available. The CF-TX includes a low-loss transformer for high impedance 70-volt/100-volt applications, with tap settings selectable via a switch on the front of the Clip-Fit unit. The CFLZ provides straight-through connection for low impedance applications.
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 Front view of the new EAW SMS2990 surface-mount loudspeaker.
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 Rear view of the new EAW SMS2990 surface-mount loudspeaker.
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About EAW
Eastern Acoustic Works (EAW) is a global leader in producing high-performance professional audio equipment trusted by the most discerning professionals for every possible sound reinforcement application. EAW is a registered trademark of LOUD Technologies Inc. in the United States and other countries. All other trademarks are the property of their respective owners.
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EAW Commercial Introduces CAM Series
Integrated Audio Mixers-Power Amplifiers
Whitinsville, MA – June 18, 2008 -New EAW Commercial CAM160 and CAM80 integrated audio mixers-power amplifiers are outfitted with comprehensive input/output facilities and feature sets to provide exceptional versatility from a highly cost-effective package. Designed for a wide range of fixed installation applications, the CAM Series offers “all in one” functionality without need for add-ons such as expansion modules.
Both models are equipped with six actively balanced combination mic/line inputs as well as individual adjustable potentiometers for line level input, mic level input and mic level input with 24-volt DC phantom power. Input 1 also offers the flexibility of an integrated transformer for connection to telephone paging systems.
Inputs 1 and 2 are divided into four discrete input sections: a combination XLR/TRS connector, Phoenix connector, or terminal strip. Meanwhile, Inputs 3, 4, 5 and 6 offer both Phoenix connectors and terminal strips. Two pairs of RCA connectors allow unbalanced auxiliary (Aux) signals to enter the amplifier via Aux 1 and Aux 2, both of which are attenuated by a potentiometer on the front of the amplifier.
Two levels of priority can be established on Inputs 1 and 2, initiated with external contact closures or adjustable signal threshold levels. External volume control is possible through a Phoenix connector and user supplied potentiometer. A two-position Phoenix connector allows the internal fault relay to be connected to redundant systems. And, an adjustable pre-announcement chime is also included.
Front panel controls include a level control for each input, a toggle switch for Aux 1 or Aux 2 selection, and one Aux master level control for the selected Aux. Low and high EQ controls offer 12 dB of boost or cut at 100 Hz and 10 kHz, respectively. A master volume control offers output volume control, while distinctive LEDs indicate power (green), signal (amber), overload (red), and fault (red).
The CAM160 provides 160 watts of output power at 100-volt, 70.7-volt, 25-volt and 4 Ohms, while the CAM80 offers 80 watts of output for the same power configurations. An intelligent output stage is fully protected against permanent damage caused by overloading, shorts and thermal faults.
Both units operate on 100 volts to 240 volts AC power (50/60 Hz), and are supplied by a detachable IEC power cord. A combination banana plug/binding post connection is also provided for connecting an external 24-volt DC backup battery.
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 EAW CAM160 audio mixer-power amplifier, front view.
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 EAW CAM160 audio mixer-power amplifier, back panel view.
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About EAW
Eastern Acoustic Works (EAW) is a global leader in producing high-performance professional audio equipment trusted by the most discerning professionals for every possible sound reinforcement application. EAW is a registered trademark of LOUD Technologies Inc. in the United States and other countries. All other trademarks are the property of their respective owners.
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Proaktiv Systems Selects EAW Commercial Loudspeakers, Power Amplifiers For System Serving New Singapore Airport
Whitinsville, MA – May 15, 2008 -The Singapore offices of Proaktiv Systems just finished the installation of a large-scale Emergency Overriding system headed by EAW Commercial loudspeakers and power amplifiers for the new Terminal 3 at Singapore Changi International Airport, which opened to great fanfare earlier this year.
The $1.75 billion Terminal 3 is able to handle more than 2 million passengers a year, offering a multitude of facilities for travelers, including 140 retail shops and F&B outlets spread within the public and transit areas.
Proaktiv Systems, which has offices in Singapore as well as Malaysia, Indonesia, Moscow and Central Asia, was awarded the contract to specify, supply, install and commission the system for numerous shops in Terminal 3, with Bvlgari, Coach, Vertu, Harry’s at T3 (a F&B outlet) and Luxury Fashion among them.
Proaktiv chose EAW Commercial components for the system, including CIS50 ceiling loudspeakers and SMS3 full-range surface-mount loudspeakers. All loudspeakers are driven by EAW Commercial CXA160 power amplifiers. (The system also includes a Tapco Mix.120 mixer.)
“As the coverage areas are small, we used EAW models that were small and compact yet did not compromise sound quality," explains Chandan Mahtani, managing director of Proaktiv Systems. With the EAW Commercial components already in their inventory, the company was able to deliver the project very quickly, within just a week of the start time. And, as they’ve done on previous projects, Proaktiv Systems worked closely with the Civil Aviation Authority of Singapore (CAAS) on the project, insuring that the highly stringent requirements for the system were fully met.
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 A view of the new Terminal 3 at Singapore Changi International Airport, served by a system headed by EAW Commercial components.
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 A view of the new Terminal 3 at Singapore Changi International Airport, served by a system headed by EAW Commercial components.
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About EAW
Eastern Acoustic Works (EAW) is a global leader in producing high-performance professional audio equipment trusted by the most discerning professionals for every possible sound reinforcement application. EAW is a registered trademark of LOUD Technologies Inc. in the United States and other countries. All other trademarks are the property of their respective owners.
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EAW Line Arrays And Subwoofers Deliver Sound Reinforcement
For 2008 Carnaval de Vinaros In Spain
Whitinsville, MA – May 12, 2008 -Every year for two weeks, the small city of Vinarós in Castellón, Spain, is transformed with the celebration of the Carnaval de Vinarós, a huge fiesta featuring vibrant shows with various themes, with sound reinforcement for this year's recently concluded Carnaval led by EAW KF Series line arrays and SB Series subwoofers.
E.J.R. SYSTEMS S.L, a sound and lighting rental company based in Benicarló, headed the sound reinforcement effort, collaborating with production suppliers Dodinuf and Yapadú Produccions on a main system featuring 32 KF730 Series small line array modules joined by 16 EAW SB1000z double-18-inch subwoofers.
”Day after day, I honestly enjoy my job more," states Eduardo Soriano, sound technician and co-owner of Yapadú Produccions. "I’m working with an unbeatable team of world-class brands such as EAW. They are exceptional - great to use, and the quickest and easiest set-up and adjustments I’ve ever experienced.
"For this event, we had a clear goal: excellent sound with a great sound pressure level. And we got it, as well as the congratulations from the organizer of the event,” Soriano adds.
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 Perspective of the festivities at the recent 2008 Carnaval de Vinarós in Spain, with EAW KF730 Series line arrays and SB Series subwoofers providing sound reinforcement.
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 One of the EAW KF730 Series line arrays put together by the sound providers for the 2008 Carnaval de Vinarós. .
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About EAW
Eastern Acoustic Works (EAW) is a global leader in producing high-performance professional audio equipment trusted by the most discerning professionals for every possible sound reinforcement application. EAW is a registered trademark of LOUD Technologies Inc. in the United States and other countries. All other trademarks are the property of their respective owners.
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Audio System At New Club Hotel Nightclub In Greece By Eurosound S.A.
Features EAW Avalon Series Loudspeakers
Whitinsville, MA – May 9, 2008 - Club Hotel, a new 500-square-meter nightclub in Greece, features a dynamic sound system designed and installed by Eurosound S.A. that features a variety of EAW Avalon Series club loudspeakers.
The nightclub offers a wide range of entertainment as the newest premier nightspot in Thessaloniki, the second-largest city in Greece and the capital of Macedonia, the nation's largest region. Eurosound S.A. is also based in Thessaloniki.
Already one of the largest and most prestigious club venues in the city, the high-end dance system at Club Hotel has an all-EAW loudspeaker line-up, headlined by six Avalon Series DC2 larger format full-range loudspeakers spaced throughout the club. These are joined by six more Avalon Series DC4 smaller format full-range loudspeakers, with both DC models offering cutaway upper-rear cabinet corners that allow them to tuck up next to the ceiling while being angled downward to provide optimum coverage.
Dual Avalon SeriesDCT1 supertweeter arrays deliver optimized 360-degree horizontal high-frequency dispersion from centrally mounted locations. Low-frequency energy to fill out the sonic spectrum is supplied by six EAW SB1000z dual-18-inch-loaded subwoofers. All loudspeakers are driven by Lab.gruppen amplifiers.
"The management of the club had first heard the EAW components in another club, and as a result of that dynamic demonstration of EAW quality, selected them for their own venue," notes Apostolos Kanakaris of Eurosound S.A.
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 Club Hotel, the newest nightclub in Thessoloniki, Greece, features a sound reinforcement system headed by EAW Avalon Series club loudspeakers.
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 Club Hotel, the newest nightclub in Thessoloniki, Greece, features a sound reinforcement system headed by EAW Avalon Series club loudspeakers.
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 Club Hotel, the newest nightclub in Thessoloniki, Greece, features a sound reinforcement system headed by EAW Avalon Series club loudspeakers. -------------------------------------------------------------------------------------------------------------------------------------------
About EAW
Eastern Acoustic Works (EAW) is a global leader in producing high-performance professional audio equipment trusted by the most discerning professionals for every possible sound reinforcement application. EAW is a registered trademark of LOUD Technologies Inc. in the United States and other countries. All other trademarks are the property of their respective owners.
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FOR IMMEDIATE RELEASE
Monitor Engineer George Squiers Chooses EAW MicroWedge
Stage Monitors For Upcoming R.E.M. World Tour
Whitinsville, MA – May 6, 2008 - The upcoming world concert tour by R.E.M. will feature EAW MicroWedge MW12 stage monitors deployed by Monitor Engineer George Squiers to provide monitor sound on stage for all band members.
Among the most popular and enduring artists in the history of rock music, R.E.M. is touring in support of the critically acclaimed album Accelerate, released earlier this year, which debuted at number two on the Billboard charts. The band continues to be led by iconic lead singer Michael Stipe, with Peter Buck on guitar and Mike Mills on bass. They are supported by Scott McCaughey as a second guitarist, keyboardist and utility man, as well as Bill Rieflin on drums.
The tour kicks off in late May with a month of North American dates before moving on to an extensive set of European dates over the summer. Oxnard, California-based Rat Sound Systems Inc. is serving as the sound reinforcement company for the tour, and is supplying the 22 EAW MicroWedge MW12 wedges under the direction of Squiers.
“The new EAW MicroWedge is a very loud and a great-sounding design,” states Squiers. “I love the smooth natural high-end and the amazing low-end it reproduces. The low-end is leaps and bounds over any single 12-inch design I've run across, competing with and exceeding most single 15-inch designs. Single source point philosophy also goes very far in my book.”
The MW12 offers a coaxial driver arrangement that pairs a 12-inch woofer with a 3-inch (diaphragm) HF compression driver on a horn delivering full yet tightly controlled 90-degree horizontal dispersion. A large port on the front of the cabinet serves to enhance LF response in coupling with the floor. Further, the MW12 operates in passive or active modes, selectable by the user via a mode switch within the port.
Four MW12’s will be utilized for Michael Stipe at his central stage position, arrayed in an arc with two for vocals and two for instruments. Dual MW12’s are to be dedicated to Buck, Mills and McCaughey on the frontline, while Mills also gets another pair of MW12’s at the midstage position where he plays piano and synth, and yet another pair at downstage right, a location he frequents during shows. McCaughey will also be supplied with another pair of MW12’s at his keyboard position.
“The air movement and warmth on stage is very important for these guys,” Squiers explains. “I don’t have sidefills filling in the lower registers, so the wedges need to be able to stand on their own.”
Yet another pair of MW12 is dedicated to Rieflin’s drum position. (“He loves the push we get out of his kick drum and floor toms in these wedges,” Squiers notes.) More wedges are in consideration to be flown at points around the stage to supply additional fill, with the rated flytrack incorporated in each MW12 enclosure making this much easier as well as far more stable than other approaches.
“Michael Stipe also loves to hop on his wedges, and prefers the comfort and stability of the MicroWedge low-profile design to anything else we or he has run across,” Squiers adds with a laugh. For this tour, each pair of MW12 wedges for the floor is mounted to plywood and secured by aluminum clamps in their ports, providing even further stability. It also simplifies and quickens setup and strike during changeovers.
The MW12 is the first EAW MicroWedge Series product to be released since an agreement was reached between LOUD Technologies Inc. and MicroWedge developer Rat Sound Systems Inc. in late 2007, stipulating that EAW will serve as the exclusive manufacturer and distributor of MicroWedge products.
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 Monitor Engineer George Squiers with one of the EAW MicroWedge MW12 stage monitors he will be utilizing for the upcoming world tour by R.E.M. .
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 Monitor Engineer George Squiers with one of the EAW MicroWedge MW12 stage monitors he will be utilizing for the upcoming world tour by R.E.M. .
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About EAW
Eastern Acoustic Works (EAW) is a global leader in producing high-performance professional audio equipment trusted by the most discerning professionals for every possible sound reinforcement application. EAW is a registered trademark of LOUD Technologies Inc. in the United States and other countries. All other trademarks are the property of their respective owners.
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FOR IMMEDIATE RELEASE
Adam Howarth Joins EAW ASG Team
As Application Support Specialist
Whitinsville, MA – April 3, 2008 - Eastern Acoustic Works (EAW) has announced the appointment of Adam Howarth to the Application Support Group (ASG), the company’s multifaceted team offering a wide range of specialized technical services to its worldwide customer base. The appointment was announced by Joe Fustolo, manager of EAW ASG.
As an Application Support Specialist based at the company’s Whitinsville, MA facilities, Howarth provides the EAW customer base with in-depth technical support for all EAW professional audio products, including the Smaart tuning and analysis platform. He joins the ASG team with a background in live event system design and engineering, and has served as a live and recording engineer, an audio instructor, and as a design consultant for theaters, production companies, and educational institutions.
Howarth received a Macintyre Award for Theatrical Design in 2000, and also was nominated for an Ovation Award in Sound Design for his work on the production Macbeth a Modern Ecstasy. He holds a Master of Fine Arts (MFA) degree in Sound Design from the California Institute of the Arts, as well as a Bachelor of Arts (BA) degree in Theater from the College of Wooster.
"We're beyond pleased to be able to provide EAW customers with access to the real-world knowledge and problem-solving skills that someone of Adam’s considerable experience brings to the table,” states Fustolo. “It further enhances our abilities to provide invaluable reality-based insights regarding the many challenging issues that come up daily in the world of systems design and integration.”
The EAW ASG team now includes four sound system designers, three phone technical support specialists, and a special projects coordinator.
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 Adam Howarth of EAW
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About EAW
Eastern Acoustic Works (EAW) is a global leader in producing high-performance professional audio equipment trusted by the most discerning professionals for every possible sound reinforcement application. EAW is a registered trademark of LOUD Technologies Inc. in the United States and other countries. All other trademarks are the property of their respective owners.
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FOR IMMEDIATE RELEASE
New EAW SB1002 Large-Format Dual-18 Subwoofer
Whitinsville, MA – April 2, 2008 - The new EAW SB1002 is a large-format dual-18-inch-loaded subwoofer that can be groundstacked or easily flown via an integral rigging system, making it ideal for a wide range of high-output live and installed sound applications.
Following in the footsteps of the legendary EAW SB1000z subwoofer, the new SB1002 offers a direct radiating design, with driver mounting that maximizes cone area and minimizes frontal area. The result is acoustical performance and physical configuration well suited for creating large subwoofer arrays.
The two 18-inch drivers – designed specifically for the SB1002 - offer very large (4.5-inch) voice coils as well as powerful neodymium magnet structures that also reduce weight. The operating range of the SB1002 is 27 Hz – 161 Hz (+/-3 dB), while maximum sound pressure levels are 129 dB (average) and 135 dB (peak).
The SB1002 rigging system, similar to that of EAW’s popular KF760 Series line arrays, features a fast, easy-to-use two-point approach that accommodates flown arrays of up to 12 SB1002 units. A handle on the rear upper corner of the SB1002 enclosure provides added guidance and convenient “push-pull” ability in the flying process.
Dual Neutrik Speakon NL4 connectors are positioned on a rear-mounted section of the cabinet that is angled inward at approximately 45 degrees, allowing the SB1002 to be positioned flush against walls in groundstack applications. The rugged grille protecting the drivers matches that of the KF760 Series, while the cabinet finish is a durable, scratch-resistant Chemline coating.
An optional caster pallet for easy transport of two SB1002 units at once is available from EAW, as is an SB1002 fly bar.
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 The new EAW SB1002 large-format subwoofer.
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About EAW
Eastern Acoustic Works (EAW) is a global leader in producing high-performance professional audio equipment trusted by the most discerning professionals for every possible sound reinforcement application. EAW is a registered trademark of LOUD Technologies Inc. in the United States and other countries. All other trademarks are the property of their respective owners.
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FOR IMMEDIATE RELEASE
EAW MicroWedge Series Monitors Make Public Debut At Concert
Featuring Brian Wilson, Kris Kristofferson & Was (Not Was)
Whitinsville, MA – March 26, 2008 - A recent concert at the Orpheum Theater in Los Angeles by Don Was and the Was (Not Was) band, featuring legendary performers Brian Wilson and Kris Kristofferson, served as the public debut of new EAW MicroWedge Series stage monitors.
Oxnard, California-based Rat Sound Systems Inc. supplied the sound reinforcement systems and support for the concert – including EAW MicroWedge MW12 wedges for all performers – under the direction of crew chief Tom Caraisco, with Andy Turner serving as monitor engineer.
“We really, really like the performance of these new wedges,” notes Caraisco. “Once Andy got things going on stage and went through all of the mixes, he was genuinely pleased.”
The MW12 is the first EAW MicroWedge Series product to be released since an agreement was reached between LOUD Technologies Inc. and MicroWedge developer Rat Sound Systems Inc. in late 2007, stipulating that EAW will serve as the exclusive manufacturer and distributor of MicroWedge products.
“The old MicroWedge was solid and performed well when compared to other wedges, but these new ones are night-and-day superior,” states MicroWedge Inventor Dave Rat, who is working closely with the EAW Engineering Group on the development of the new series. “This is a whole new deal. I knew the wedges were a big step forward, but what I did not expect was such an overwhelming embrace so quickly from our own engineers as well as the artists and band engineers."
Rat Sound had taken delivery of 32 MW12 wedges just prior to the concert and dispatched them immediately. “We already have a major tour going out with MicroWedges, and the first 32 were directly turned around and sent out on gigs, including the Ragga Muffins Festival in Long Beach,” adds Rat. "The reports from all gigs were stellar. We immediately put in an order for an additional 24 MicroWedges to further increase our touring inventory."
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 Brian Wilson and Was (Not Was) performing in concert at the Orpheum Theater with EAW MicroWedge MW12 stage monitors.
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About EAW
Eastern Acoustic Works (EAW) is a global leader in producing high-performance professional audio equipment trusted by the most discerning professionals for every possible sound reinforcement application. EAW is a registered trademark of LOUD Technologies Inc. in the United States and other countries. All other trademarks are the property of their respective owners.
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Presse-Kontakt:
Peter Brüning
PR LOUD Technologies Deutschland
Tel.: 0251-20 33 246
Mobil: 0179 – 110 1485
e-mail: Peter.Bruening@mackie.com
Neuer EAW SB1002 Subwoofer
Der neue EAW SB1002 ist ein professioneller Doppel-18” Subwoofer mit integrierter Rigging Harware.
Der EAW SB1002 knüpft an die Tugenden seines legendären Vorgängers EAW SB1000z an. Der neue EAW SB1002 ist ein direktabstrahlender doppel 18“ Subwoofer, der mit maximaler Membranfläche und minimaler Frontfläche überzeugt.
Die für den EAW SB1002 speziell entwickelten 18” Chassis verfügen über eine sehr große 4,5” Schwingspule und einem leistungsfähigen Neodym-Magnet, der erheblich zur Gewichtsreduktion beiträgt. Der Arbeitsbereich des EAW SB1002 reicht von 27 Hz bis 161 Hz (+/-3 dB), während der Schalldruck bei 129 dB (avarage) und 135 dB (peak) liegt. Das Ergebnis ist ein Subwoofer, der sich sowohl akustisch als auch physikalisch für große Subwoofer-Arrays eignet.
Das integrierte Rigging-System des EAW SB1002 ist sehr einfach und schnell einzusetzen und zudem mittels einem Adapterframe mit dem der EAW KF760 Line-Arrys Serie kompatibel. Mit dieser 2-Punkt Aufhängung ist es möglich, maximal 12 EAW SB1002 in einem Array zu fliegen. Das um 45° gewinkelte Anschlussfeld mit zwei Neutrik Speakon NL4 Buchsen erleichtert zudem die Positionierung der Subwoofer im Groundstack direkt vor einer Wand.
Der EAW SB1002 verfügt weiterhin über ein sehr stabiles Frontgitter und dem EAW eigenen RoadCoat™ Lack - eine widerstandsfähige und kratzunempfindliche Beschichtung. Optional ist auch noch ein Transport-Dolly für maximal zwei EAW SB1002 erhältlich.
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The new EAW SB1002 subwoofer.
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Presse-Kontakt:
Peter Brüning
PR LOUD Technologies Deutschland
Tel.: 0251-20 33 246
Mobil: 0179 – 110 1485
e-mail: Peter.Bruening@mackie.com
Neue Installationslautsprecher der EAW Commercial SMS Serie
Hervorragende Klangqualität gepaart mit modernster Lautsprechertechnologie sorgen für hohe Effektivität und bestes Abstrahlverhalten: Mit dem einfach zu montierendem Aufhängesystem ist die neue SMS Serie die erste Wahl für anspruchsvolle AV Installationen, wo unauffällige Lautsprechersysteme erforderlich sind.
Die neuen Installationslautsprecher der EAW Commercial SMS Serie wurden speziell für den professionellen AV Bereich entwickelt. Sie eignen sich für alle Arten von Haupt- und Hintergrund- Beschallung. Alle Modelle verfügen über ausgezeichnete elektroakustische Eigenschaften und verfügen über ein optimales Abstrahlverhalten über den gesamten Frequenzbereich bei gleichzeitig hohen Ausgangspegeln und exzellentem Klang. Das einzigartige und innovative Montage- und Aufhängesystem garantiert eine schnelle und einfache Installation.
Jeder 2-Weg Lautsprecher der SMS Serie ist mit der Theta Technology™ von EAW ausgestattet. Darunter versteht man die spezielle symmetrische Anordnung der Basschassis, wodurch auch im LF-Bereich ein kontrolliertes Abstrahlverhalten möglich wird. Dadurch wird das Abstrahlverhalten des LF Bereichs an den des HF Bereichs angeglichen.
Das Ergebnis ist ein ausgeglichenes und optimiertes horizontales Abstrahlverhalten. Das ebenfalls gute vertikale Abstrahlverhalten erlaubt es, wenig Schallenergie auf Decken oder andere reflektierende Flächen zu richten, um somit Sprachverständlichkeit und Effektivität des Gesamtsystems zu optimieren (mehrere Abstrahlwinkel sind erhältlich).
Alle SMS Lautsprecher unterstützen die neue Clip-Fit™ Installations-Lösung. Dahinter verbirgt sich ein neues und einzigartiges Montagesystem. Alle Verbindungen zum Lautsprecher werden im montierten Clip-Fit™ Wandmontageteil über einen Molex-Stecker an der Montageposition hergestellt. Der Installateur klickt den Lautsprecher dann einfach auf die Wandhalterung und stellt damit gleichzeitig die elektrische Verbindung her. Mit dieser Wandhalterung lässt sich der Lautsprecher zusätzlich noch schwenken und neigen, so dass eine optimale Ausrichtung erfolgen kann.
Für einfachere Installationen sind alle SMS Lautsprecher zusätzlich mit einem U-Bügel ausgestattet, der herkömmliche Montage- und Anschlussarbeiten zulässt. Die Gehäuse sowie die Clip-Fit™ Montagesysteme sind ab Werk in schwarz oder weiß erhältlich. Die Serie besteht derzeit aus drei Modellen:
SMS2124 – 4 x 3” Bass, 2 x 2” HF
SMS2990 – 4 x 3” Bass, 1 x 1,3” HF
SMS1990 – 2 x 3” Bass, 1 x 1,3” HF
Es sind zwei Clip-Fit™ Montagevarianten erhältlich. Die CF-TX Version beinhaltet einen integrierten verlustarmen Übertrager für 70-Volt/100-Volt Anwendungen. In der Front der Clip-Fit™ Einheit ist die Anpassung per Schalter möglich. Die CF-LX Variante ist ohne Übertrager für niederohmige Anwendungen vorgesehen.
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Front view of the new EAW SMS2990 surface-mount loudspeaker.
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Rear view of the new EAW SMS2990 surface-mount loudspeaker.
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FOR IMMEDIATE RELEASE
EAW Introduces MicroWedge Series MW12 Stage Monitor
Whitinsville, MA – March 5, 2008 - The new EAW MicroWedge Series MW12 stage monitor raises the legendary sonic performance and superior design principles of previous MicroWedge versions to a new level.
The MW12 is the first model of the EAW MicroWedge Series to be released since an agreement was reached between LOUD Technologies Inc. and MicroWedge developer Rat Sound Systems Inc. in late 2007, stipulating that EAW would serve as the exclusive manufacturer and distributor of MicroWedge products. Additional MicroWedge Series products will be introduced throughout the coming year and beyond.
The MW12 provides dramatically enhanced fidelity, power handling and reliability in comparison to earlier MicroWedge models, attained with an optimum blend of upgraded transducers and EAW’s hallmark crossover design techniques. Mechanical durability has been advanced as well, joined by enhancements in enclosure fabrication, ergonomics and interconnection, along with dramatic weight reduction.
The MW12 features a coaxial driver arrangement that pairs a 12-inch woofer with a 3-inch (diaphragm) HF compression driver on a horn delivering full yet tightly controlled 90-degree horizontal dispersion. This design path guarantees that all frequencies emanate from the exact same point, eliminating crossover region problems and time/phase irregularities, as well as optimizing coherency. The coaxial approach also contributes to a very compact, low-profile footprint that stays out of sight-and camera-lines, but attained without sacrificing fidelity and high output levels.
The MW12 is processor enhanced (rather than processor dependant) for true “plug and play” operation, and eliminating the need to also purchase additional processing is very budget friendly. In addition, it offers switchable passive or active modes.
The physical profile is visually appealing while serving another valuable function by focusing upward-firing coverage to the area most comfortable for performers – close to the wedge. This is particularly a significant advantage when stage space is in short supply. And, the curved front affords more flexibility in visually placing wedges that are optimally focused.
A large port on the front of the cabinet serves to enhance LF response in coupling with the floor, and in another upgrade, this port also now houses both the carrying handle and the passive/active mode switch. The resulting look is very clean, with the switch easily accessible (but protected from accidental changes) and the handle location fostering very balanced, single-hand carrying, enhanced by reduced enclosure weight.
Further, the port houses dual input connectors, keeping them concealed and protected while also facilitating an ideal way of making sure cables run very close to the floor where they can easily be secured in place with tape. The connector location also allows wedges to be placed as close together as desired, and again, there’s no cabling between wedges that can trip the performers. Additional cable can be stored in the port without impacting LF performance, and it is also sized to accept a leg of a tripod microphone stand, providing added stability and security.
The trapezoidal enclosure sides allow wedges to be placed very close together in “arc” configurations, while the addition of rubber feet to the bottom of the enclosure reduces abrasion. New integral rigging hardware – also mounted on the enclosure bottom – means easy flying when desired.
Finally, MicroWedge Series MW12 is very capable of withstanding the rigors of club and touring life. The Baltic birch cabinets are protected with EAW’s proprietary RoadCoat™ finish that’s highly resistant to dings and scratches, and the rugged steel grille keeps its distinctive shape, even when stood upon by performers. All transducer components are highly liquid tolerant - virtually impervious to spilled drinks as well as natural elements like rain.
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The new EAW MicroWedge MW12 stage monitor, side view.
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The new EAW MicroWedge MW12 stage monitor, top view.
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About EAW
Eastern Acoustic Works (EAW) is a global leader in producing high-performance professional audio equipment trusted by the most discerning professionals for every possible sound reinforcement application. EAW is a registered trademark of LOUD Technologies Inc. in the United States and other countries. All other trademarks are the property of their respective owners.
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Presse-Kontakt:
Peter Brüning
PR LOUD Technologies Deutschland
Tel.: 0251-20 33 246
Mobil: 0179 – 110 1485
e-mail: Peter.Bruening@mackie.com
Neues engabstrahlendes Line-Array Modul KF737 von EAW
Mit dem neuen Line-Array Modul EAW KF737 wird die kompakte KF730 Small-Line-Array Serie von EAW um ein engabstrahlendes Element für Long-Throw Anwendungen erweitert. Die EAW KF737 ist in der Lage konzerttaugliche Pegel über große Distanzen zu übertragen und eignet sich damit für viele Anwendungen.
Oftmals kann es notwendig sein, die Schallenergie durch den Einsatz von ein oder zwei EAW KF737 Modulen im oberen Bereich eines EAW KF730 Arrays über eine große Entfernung gezielt zu übertragen. Eine weitere Anwendung wäre der Einsatz der EAW KF737 als Stand-Alone Lösung, um in langen und schmalen Räumen die seitlichen Wandreflexionen zu minimieren.
Das 3-Weg System EAW KF737 ist mit zwei 10” Basschassis, zwei 7“ Mitteltönern und zwei 1“ HF-Kompressionstreibern ausgestattet. Durch das große MF/HF-Horn, das die Front des KF737 Gehäuses vollständig ausfüllt, wird ein Abstrahlwinkel von 75° horizontal und 12° vertikal über den gesamten MF/HF Frequenzbereich erzielt. Die seitlich angeordneten 10“ Basschassis erzeugen eine Achter-Charakteristik, die die Abstrahlung der Schallenergie nach vorn verbessert.
Durch den „Bi-Amp Only“ Betrieb (MF/HF mit passiver Frequenzweiche) sowie einer Impedanz von jeweils 16 Ohm werden die Systemkosten für Endstufen erheblich reduziert und das Handling vereinfacht. Die EAW KF730 Small Array Serie kann durch den Einsatz des neuen digitalen EAW UX8800 Dual-Mode Prozessor perfektioniert werden. Dieser verbessert den Sound durch die einzigartige Gunness Focusing™ Technologie.
Das EAW KF737 Modul bietet ein LKW-taugliches Packmaß von nur 33cm Höhe, 72,5cm Breite und knapp 45cm Tiefe. Es wiegt dabei weniger als 34kg. Das integrierte Riggingsystem ist zu dem der EAW KF730 und des EAW SB730 Subwoofers vollständig kompatibel. Das innovative Riggingsystem unterstützt das schnelle Bilden von Arrays bis maximal 18 Elementen.
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The new EAW KF737 High-Q line array module.
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FOR IMMEDIATE RELEASE
Marshank Sales Appointed New EAW Sales Rep Firm
For Southern California & Southern Nevada
Whitinsville, MA – February 27, 2008 - Marshank Sales has been appointed the new EAW independent sales representative for Southern California and Southern Nevada (Las Vegas). The announcement was made by Scott Pizzo, EAW Director of U.S. Sales.
Marshank Sales is the longest established representative firm in the professional audio systems industry, founded in 1920, and under the guidance of Gary Marshank, the company is now celebrating its third generation as a family business. Recently, pro audio industry veteran Paul Hugo also joined the Marshank team as a partner, where he will be working directly with the company’s deep staff in focusing on the live sound, systems integration and broadcast market segments.
“We’re beyond pleased to be working with a firm as respected and experienced as Marshank Sales,” says Pizzo. “They’ve earned a well-deserved reputation for excellence with a full-service approach that includes strong, consistent business relationships and a devotion to technical and product training. This is perfectly in line with our own goals as an organization.”
Marshank Sales is based in a 1,600-square-foot office and warehouse space that is centrally located in Tarzana, California. In addition to Gary Marshank and Paul Hugo, the company team, is comprised of several professionals in numerous audio disciplines, including Jens May, Grendal Hanks, Michael Mostert, Jim Agnello, Chris Gagon and Robin Pitigliano.
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About EAW
Eastern Acoustic Works (EAW) is a global leader in producing high-performance professional audio equipment trusted by the most discerning professionals for every possible sound reinforcement application. EAW is a registered trademark of LOUD Technologies Inc. in the United States and other countries. All other trademarks are the property of their respective owners.
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Presse-Kontakt:
Peter Brüning
PR LOUD Technologies Deutschland
Tel.: 0251-20 33 246
Mobil: 0179 – 110 1485
e-mail: Peter.Bruening@mackie.com
Neue Hochleitungs-Deckeneinbaulautsprecherserie von EAW Commercial
EAW Commercial hat seine CIS Serie um drei neue Hochleistungslautsprecher für den Deckeneinbau erweitert. Diese sind speziell für den Einsatz in großen Räumen mit hohen Deckenabständen gedacht und lassen sich aufgrund ihrer Baumform hervorragend in abgehängte Decken integrieren.
Die beiden neuen Modelle EAW Commercial CIS961 und CIS991 sind als 3-Weg System aufgebaut, während der neue CIS120 ein Koaxialsystem ist. Alle drei Modelle werden mit rückwärtigen Stahltöpfen ausgeliefert, in die die Lautsprechersysteme eingebaut sind. Sie lassen sich passgenau in 61cm Deckerastersysteme einfügen.
Der CIS961 (60° x 60° Abstrahlung) und der CIS991 (90°x 90° Abstrahlung) besitzt jeweils vier 5,25” LF Chassis, vier 4” MF Chassis und einen 1“ HF-Kompressionstreiber, der auf ein großes Horn arbeitet und somit für eine gleichmäßige Abstrahlung sorgt. Durch den Einsatz der Frequency-Shading Technologie werden insgesamt 8 Chassis zur Erzeugung von tiefen Frequenzen eingesetzt, wodurch die Systeme mit einem 12“ Chassis vergleichbar sind.
Mit dieser Technik und der physikalischen Anordnung der Chassis gelingt es den Treibern der CIS961/991, die Directivity über einen weiten Frequenzbereich zu maximieren und zudem ein kontrolliertes Abstrahlverhalten auch unterhalb von 500Hz zu erreichen. Durch den Einsatz der kleinen Chassis wird zudem der Übergang zum Hochtonsystem verbessert, ohne dass dabei Einbußen im Bassbereich entstehen.
Das koaxiale Modell CIS120 (80° x 80° Abstrahlung) besitzt einen 12” Koaxialtreiber und einem 1” HF-Kompressionstreiber, der auf ein Präzisionshorn arbeitet. Diese Kombination stellt eine kohärente Punktschallquelle dar und zeichnet sich durch sehr gute Basswiedergabe aus.
Alle drei neuen CIS Lautsprecher werden mit integriertem 70,7V/100V Übertrager ausgeliefert und sind maximal 128 Watt belastbar. Durch einen Drehschalter in der Front lassen sich folgende Anpassungen vornehmen: 128W, 64W und 32W bei 100 Volt. Bei 70V Anwendungen ist zusätzlich noch eine vierte 16W Einstellung wählbar. Um die Systeme niederohmig zu betreiben, lassen sich die Übertrager auch komplett umgehen. Die Systeme haben dann 8 Ohm Nennimpedanz.
Der geschlossene rückwärtige Feuertopf aus Stahl ist quadratisch geformt. Das Lautsprechersystem ist für den Einsatz in 61cm Rasterdecken gedacht. Der Anschluss erfolgt über einen integrierten, steckbaren Euroblock-Verbinder, der hinter einer Metallplatte verborgen ist. Zudem ist ein Klemmanschlussblock aus Keramik vorhanden.
Das pulverbeschichtete Frontgitter lässt sich einfach und sicher installieren, nachdem die Leistungsanpassung vorgenommen wurde. Optional sind ein Installations-Set zum Abhängen des Lautsprechers und ein vierteiliger Rahmen erhältlich, mit dem der Lautsprecher in eine vorhandene Abdeckung montiert werden kann.
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The new EAW Commercial CIS961 high-output ceiling loudspeaker.
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Presse-Kontakt:
Peter Brüning
PR LOUD Technologies Deutschland
Tel.: 0251-20 33 246
Mobil: 0179 – 110 1485
e-mail: Peter.Bruening@mackie.com
EAW MicroWedge MW12 – der neue Bühnenmonitor
Der neue Bühnenmonitor MW12 der EAW MicroWedge Serie hebt den legendären Sound und das ausgetüftelte Design früherer MicroWedge Versionen auf eine neue Ebene.
Der EAW MW12 ist das erste Produkt der im Jahr 2007 getroffenen Vereinbarung zwischen LOUD Technologies Inc. und der MicroWedge Entwicklungsfirma Rat Sound Systems Inc. Durch diese Vereinbarung wurde EAW exklusiver Hersteller und weltweiter Distributor der neuen MicroWedge Produkte. Weitere MicroWedge Produkte werden in den nächsten Monaten vorgestellt.
Im Vergleich zu dem früheren MicroWedge Modell besticht der EAW MW12 nicht nur durch einen besseren Sound, sondern auch durch die gesteigerte maximale Belastbarkeit. Die Gründe sind sicherlich in den neuen und leistungsstärkeren Treibern sowie der innovativen EAW Frequenzweichenschaltungstechnik zu finden. Neben der mechanischen Robustheit wurden gleichzeitig die Fertigungsqualität der Gehäuse und die Ergonomie verbessert. Diese und weitere Faktoren haben zur erheblichen Reduzierung des Gewichts geführt.
Der EAW MW12 ist in koaxialer Anordnung mit einem 12“ LF-Chassis und einem 3“ HF Kompressionstreiber sowie einem 90° Horn (horizontal) bestückt. Durch diese Bauform als Punktschallquelle sind somit Probleme bei Übernahmefrequenzen behoben und das Zeit- und Phasenverhalten sowie die Kohärenz optimiert Zudem ermöglicht die koaxiale Technik eine sehr kleine und flache Bauweise, die den EAW MW12 selbst im Studiobetrieb vor Kameras nahezu unsichtbar sein lässt ohne auf Performance und Output zu verzichten
Besonders wenn Bühnenplatz zur Mangelware wird ist die abgerundete Front ein weiterer Vorteil, wenn es um optimale aber auch flexible Aufstellung des Lautsprechers geht. Durch das physikalische Profil des EAW MW12 ist der Sound genau dort, wo er benötigt wird.
Die große Reflexöffnung der EAW MW12 erweitert nicht nur die Basswiedergabe durch Kopplung mit dem Boden sondern ist gleichzeitig auch der Griff der Box. Dieser erweist sich als sehr ausbalanciert, so dass das Tragen mit nur einer Hand ohne weiteres möglich ist – nicht zuletzt auch ein Verdienst der Gewichtsreduzierung. Zudem ist der Aktiv/Passiv-Umschalter in der Reflexöffnung untergebracht. Der EAW MW12 kann daher sowohl passiv als budgetfreundlicher „Plug and Play“ Monitor als auch aktiv mit einem Systemprozessor Betrieben werden.
Weiterhin beherbergt die Öffnung auch noch die beiden Speakon Anschlussbuchsen, die dadurch gleichzeitig wie der Umschalter gut geschützt werden. Ein weiterer Vorteil dieser Anordnung ist die resultierende Kabelführung am Boden. Das Positionieren von zwei EAW MW12 dicht nebeneinander ist dadurch möglich. Ein Kabel als Stolperfalle zwischen den Monitoren ist nicht vorhanden. Überschüssige Kabellängen können darüber hinaus in der Öffnung verstaut werden, ohne dass diese die Basswiedergabe beeinträchtigen. Die Reflexöffnung kann sogar ein Mikrofonstativ-Fuß aufnehmen und dieses gegen Umfallen sichern.
Der EAW MW12 ist für den harten Alltag im Club- oder Touringbetrieb bestens vorbereitet. Das Gehäuse aus baltischer Birke wird durch den EAW eigenen RoadCoat™ Lack geschützt, der effektiv vor Dellen und Kratzern schützt. Rutschfeste Gummifüße sowie die integrierte Rigging-Hardware befinden sich am Gehäuseboden. Das stabile Frontgitter behält sogar dann seine Form, wenn der Künstler meint, darauf stehen zu müssen. Sämtliche Treiber sind feuchtigkeitsunempfindlich und verkraften selbst Getränke oder andere natürliche Flüssigkeiten, wie z.B. Regen.
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The new EAW MicroWedge MW12 stage monitor, side view.
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The new EAW MicroWedge MW12 stage monitor, top view.
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Presse-Kontakt:
Peter Brüning
PR LOUD Technologies Deutschland
Tel.: 0251-20 33 246
Mobil: 0179 – 110 1485
e-mail: Peter.Bruening@mackie.com
EAW NTL720 Self-Powered Very Compact Line Array Module
Die Grundlage für das neue EAW NTL720 ist ein vollwertiges 3-Weg Konzept, das einzigartige Performance mit unübertroffener Klarheit, besonders im Vocalbereich, vereint. Die komplette Gehäusefront wird von einem großem Mid/High-Horn beherrscht, das für eine horizontale Abstrahlung von 110° sowie eine vertikale Abstrahlung von 12° sorgt. Dieses Hornkonzept wurde erstmalig bei der EAW KF Line-Array Serie und der EAW KF750 Serie verwendet. Das einzigartige Horndesign zeichnet sich für die sehr breitbandige Kontrolle des Abstrahlverhalten des MF/HF Bereiches verantwortlich.
Die hohen Frequenzen werden von insgesamt sechs 1“ Dome-Tweetern erzeugt, die aus zwei Gruppen mit jeweils drei übereinander montierten Treibern bestehen. Sie sind auf einen Hornflansch montiert und strahlen ihre Energie über einen Schlitz in der Mitte des Horns ab. So sorgen sie für eine hocheffektive Kontrolle des Vertikalbereichs.
Neben der HF-Sektion befinden sich zwei 6” Treiber, die für den MF-Bereich zuständig sind. Sie arbeiten auf das gleiche Horn, so dass minimaler Abstand zwischen den HF und den MF Treibern zugunsten der Kohärenz und des Abstrahlverhaltens neben der Hauptachse erreicht wird. Zudem minimiert die für die EAW AX-Serie entwickelte „Concentric Summation Array“ (CSA) Technologie Interferenzen im HF-Bereich hervorragend.
Abgerundet wird die Anordnung durch die „Phased PointSource Technologie“ (PPST), die die Array-Module zu einem einzigen akustischem Element verschmelzen lässt. Durch die in der EAW KF760 Serie eingesetzten „Divergence Shading“ Technologie wird eine weitere Verbesserung der Schallübertragung, besonders über größere Distanzen, erreicht.
Die LF-Sektion besitzt die gleiche phasenkorrigierte Treiberanordnung, die schon in der EAW KF730 Serie zum Einsatz kam. Sie besteht aus zwei 6” Basstreibern, die in einer Achter-Anordnung montiert sind und so die horizontale Abstrahlung verbessern, indem sie die akustische Energie auf die Hauptabstrahlachse konzentrieren. Der Übertragungsbereich der MF-Treiber geht hinunter bis 100Hz, um den Druck im Bassbereich zu steigern.
Die integrierte aktive Elektronik aus der EAW NT-Series wurde weiterentwickelt und so für die EAW NTL720 angepasst. Sie besteht aus drei individuell abgestimmten 500 Watt Class-D (digital) Endstufenmodulen, die die jeweiligen Treiber im LF, LF/HF und HF-Bereich ansteuern. Sie werden dabei durch jeweils eigene DSP-Power unterstützt.
Das derzeitige Highlight im Processingbereich ist das revolutionäre Gunness Focusing™ von EAW, was schon bei der EAW NT-Serie für das korrekte Alignment und Treiberprocessing sorgte. Gunness Focusing™ ist seit einiger Zeit nicht nur für die EAW NT-Serie verfügbar, sondern mittels des digitalen Signal-Prozessors EAW UX8800 auch für andere Modelle nutzbar. Gunness Focusing™ eliminiert das unangenehme “Beißen” und verleiht so Hornsystemen die Performance von direkt abstrahlenden Studiomonitoren.
Mit der EAWPilot Steuerungssoftware bietet EAW ein leistungsfähiges Tool zur Steuerung von DSP-Funktionen sowie zur Überwachung von Endstufenzuständen. Mit EAWPilot lassen sich alle in einem Netzwerk angeschlossenen EAW NTL720 Lautsprecher überwachen. Dabei ist nicht nur jeder einzelne Lautsprecher steuerbar, auch komplette Arrays lassen sich als eine Einheit behandeln. EAWPilot hilft nicht nur, die vielen Parameter zu verwalten. Die Wizard Software unterstützt sogar die automatische Konfiguration von Array DSP Funktionen, um so die Systeme schnell und einfach an unterschiedliche Beschallungsaufgaben anpassen zu können.
Ebenso einfach wie flexibel ist die Eingangssektion der EAW NTL720. Der User hat hier die Wahl zwischen analog, AES 1, AES 2 und dem EAW U-Net. Letzteres kann als Signal von einem EAW UX8800 oder anderen EAW Produkten kommen. Mit U-Net hat man die komplette digitale Kontrolle über jedes Gerät im System. Dieses umfasst das Audiosignal selbst, die Processing Parameter, das Routing und die zusätzliche Möglichkeit, die Mess- und Analysesoftware EAW Smaart einzubinden.
Die Kommunikationsanschlüsse bieten viele Möglichkeiten: Ein U-Net Anschluss ist ebenso vorhanden wie ein USB-Port zum Zugriff auf den DSP. Auf dem rückwärtigen Anschlussfeld findet man Einstellmöglichkeiten für HF Boost und für Anpassungen des Nahfeldverhaltens. Zusätzlich sind hier eine Reihe von LED´s für Signal, Limiter, Clip, Eingangsquelle, U-Net Status, Endstufenstatus und die Aktivität der zuvor genannten Klangkorrekturen vorhanden.
Wirklich einzigartig an der EAW NTL720 ist das integrierte FastLatch™ Rigging System. EAW hat mehr als zwei Jahrzehnte größte Anstrengungen unternommen, um für diese kritische Aufgabe eine optimale Lösung zu finden. Dieses neue Rigging System führt leicht, schnell und sicher zum Ziel, nämlich das Array aufzuhängen und gleichzeitig zu sichern. Die wichtigsten Komponenten sind dabei zwei stabile Scharniere sowie ein Sicherungsmechanismus auf der Unterseite des Gehäuses.
Die Öffnungswinkel (zur Verfügung stehen 12°, 9°, 6°, 3° und 0°) sind leicht über die Trägerplatte der Scharniere einstellbar. Zudem hat der Flugrahmen neben seiner ursprünglichen Funktion noch die Aufgabe, eine stabile Basis im Groundstacking-Betrieb zu bilden.
Dabei erlaubt die Rigging-Konstruktion z.B. auch das einfache Austauschen von einzelnen Komponenten wie auch kompletter Module innerhalb der Array-Anordnung, egal ob im Flug- oder im Groundstacking-Betrieb. Zwei stabile, verriegelbare Steckverbinder verbinden das Endstufenmodul direkt mit der Platine innerhalb des Gehäuses. Zudem sind die Gehäuse mit einem stabilen Aluminiumgitter sowie unserem neu entwickeltem RoadCoat™, einem wetterbeständigen und kratzfesten Lack, ausgestattet.
Das EAW NTL720 ist der Beweis für das kreative Denken und die harte Arbeit des gesamten EAW Entwicklungsteams, das seit mehr als 25 Jahren immer wieder neue Maßstäbe setzt um neue Ideen mit exzellenter Audioperformance zu kombinieren.
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 The new NTL720 with front grille attached.
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 The new NTL720 without front grille.
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 The rear panel of the NTL720 offers numerous interconnect options.
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An NTL720 array.
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Presse-Kontakt:
Peter Brüning
PR LOUD Technologies Deutschland
Tel.: 0251-20 33 246
Mobil: 0179 – 110 1485
e-mail: Peter.Bruening@mackie.com
EAW Commercial CAM160/CAM80
Die neuen Mischverstärker der CAM Serie von EAW für Festinstallationsanwendungen
Die beiden neuen EAW Commercial Modelle CAM160 und CAM80 sind Mischverstärker, die mit vielen praktischen Ein- und Ausgängen sowie weiteren nützlichen Funktionen ausgestattet sind. Mit ihnen lassen sich kostengünstig viele Installationsanforderungen erfüllen. Die EAW CAM Serie stellt dabei eine Komplettlösung dar, die zusätzliche Module überflüssig macht.
Beide Modelle sind mit sechs symmetrischen Mic/Line-Eingängen ausgestattet. Sowohl die Mikrofon-Eingänge wie auch die Line-Eingänge sind mit eigenen Reglern für die Eingangsempfindlichkeit ausgestattet. Selbstverständlich verfügt jeder Kanal über einen Pegelregler sowie über Phantomspeisung (24V). Der erste Eingang besitzt zudem einen integrierten Übertrager, so dass auch der Anschluss von Telefonanlagen zu Durchsagezwecken kein Problem darstellt.
Die Eingänge 1 und 2 verfügen jeweils über vier verschiedene Anschlussmöglichkeiten: Einer Kombination aus XLR/Klinkenbuchse, einem Phoenix-Verbinder und Schraubklemmen. Die Eingänge 3, 4, 5 und 6 besitzen jeweils Phoenix-Verbinder und Schraubklemmen. Über zwei Cinchbuchsenpaare lassen sich weitere, asymmetrische Signale (AUX) in den Verstärker einspeisen. Diese Aux 1 und Aux 2 Signale sind im Pegel auf der Frontplatte einstellbar.
Die Verstärker verfügen über zwei Prioritätsebenen in den Eingängen 1 und 2. Die Prioritäten werden entweder über Kontakte oder über einstellbare Schwellpegel der Signale ausgelöst. Weiterhin besteht die Möglichkeit, ein externes Potentiometer zur Fernsteuerung des Gesamtpegels anzuschließen. Mit einem weiteren Phoenix-Verbinder lässt sich über das interne Störmelderelais ein externes Havariesystem aktivieren. Der einstellbare interne Aufmerksamkeitsgong rundet die umfangreiche Ausstattung ab.
Auf der Front finden sich Pegelregler für jeden Eingang, ein Schalter zur Anwahl von Aux 1 oder Aux 2 sowie ein Aux-Pegelregler. Die Klangreglung besteht aus einem Tiefton- und einem Hochtonregler mit einem Regelbereich von +/-12dB bei 100 Hz bzw. 10 kHz. Die Gesamtlautstärke kann mit einem Pegelregler eingestellt werden. Mehrere LEDs zeigen den Status des Verstärkers an: Power (grüne LED), Signal vorhanden (gelbe LED), Übersteuerung (rote LED) und Störung (rote LED).
Der EAW CAM160 liefert 160 Watt Ausgangsleistung bei 100-Volt, 70,7-Volt, 25-Volt und an 4 Ohm, während der EAW CAM80 80 Watt an die genannten Leitungsnetze bzw. Lasten abgeben kann. Eine intelligente Ausgangsstufe schützt das Gerät gegen Überlast, Kurzschluss oder Übertemperatur.
Beide Geräte arbeiten an Netzspannungen von 100 Volt bis 240 Volt (50/60 Hz) und werden mit einem Kaltgerätekabel ausgeliefert. Über Schraubklemmanschlüsse besteht die Möglichkeit, eine Notstromeinheit (+24V DC) anzuschließen, um den Betrieb bei Netzausfall weiterhin aufrechterhalten zu können.
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EAW CAM160 audio mixer-power amplifier, front view.
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Presse-Kontakt:
Peter Brüning
PR LOUD Technologies Deutschland
Tel.: 0251-20 33 246
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e-mail: Peter.Bruening@mackie.com
EAW präsentiert die neue digitale Live-Konsole UMX.96
EAW bringt mit der neuen UMX.96 ein revolutionäres Konzept im Bereich der digitalen Live-Konsolen auf den Markt. Die EAW UMX.96 ist ein digitales Mischpult mit 24-Bit Verarbeitung bei 96 kHz, das eine erweiterbare Signalmatrix mit 56 x 44 Analog-I/Os, integriertem 3 x 12 Lautsprecher Management System, vollständiger Integration der EAW Mess-Software SmaartLive™, ein 15” Touchscreen und einzigartigen Endlosdrehreglern mit sehr intuitivem User-Interface besitzt.
Dieses einzigartige User-Interface wurde speziell für einfache Bedienung im Live-Betrieb optimiert: Die Mastersektion der EAW UMX.96 verfügt über ein 15” LCD-Touchscreen, das in Verbindung mit den Endlosdrehreglern, bei denen die Einstellungen fühlbar sind, unvergleichbaren Bedienkomfort bietet. Zusätzlich kann ein Laptop angeschlossen werden, um weitere Parameter darzustellen. Mit den acht berührungsempfindlichen Penny & Giles Fader lassen sich die VCAs der Konsole oder angewählte Kanäle komfortabel von der optimalen Hörposition bedienen.
Die Eingangskanäle der EAW UMX.96 besitzen 48 berührungsempfindliche Penny & Giles Fader in zwei übereinander angeordneten Reihen zu je 24 Fadern. Diese Fader erlauben den direkten Zugriff auf alle 48 Eingangskanäle, alternativ lassen sie sich in 8er-Gruppen zu Masterfadern bestimmter Sektionen umkonfigurieren. Damit kann zu häufiges Hin- und Herschalten zwischen den verschiedenen Bedienebenen des EAW UMX.96 vermieden werden.
Darüber hinaus ist die EAW UMX.96 die erste Livekonsole, die die Messfunktionen der EAW SmaartLive Software zur Verfügung stellt. Sie ist damit in der Lage jederzeit aktuelle akustische Messungen durchzuführen. EAW SmaartLive, welches ein Ein- oder Ausgangssignal der Konsole als Mess-Signal nutzt, zeigt RTA-Messungen direkt auf einem EQ-Screen darstellt, so dass Änderungen an EQ Einstellungen sofort sichtbar sind.
Die EAW UMX96 ist mit EQs, Crossovern und Limitern ausgestattet, die bei EAW entwickelt wurden. Damit ist ein Lautsprecher Management System, ein Zonenmischer oder auch ein Audioverteiler direkt in der EAW UMX.96 realisierbar. Mit einer optionalen Steckkarte kann die neue revolutionäre Gunness Focusing™ Technologie von EAW in die Konsole integriert werden.
Merkmale der EAW UMX.96
Integriertes Mess- und Analysetool “EAW SmaartLive”:
• Ein eigener Messeingang sowie das zum Lieferumfang gehörende Messmikrofon stellen sicher, dass die integrierte Mess-Software EAW SmaartLive jederzeit fehlerfrei genutzt werden kann.
• Smaart Follows Select Button: In diesem Betriebsmodus wird der Referenzeingang der Smaart Software vom jeweils angewählten Ein- bzw. Ausgang mit Signal versorgt. Gleichzeitig kann eine RTA Darstellung über die EQ Kurve des jeweiligen Signals gelegt werden, um so Einstellungen am EQ direkt visualisieren zu können.
• Zusätzlicher SPL Pegelmesser: Die integrierte SPL LCD Pegelanzeige informiert jederzeit über den aktuellen Lautstärkepegel.
Eingebautes 3 x 12 EAW Lautsprecher Management Systemloudspeakerprocessor:
• EAW Lautsprecher-Setups, wie EQs, Crossover, Delay oder Limiter erlauben mehr kanaliges Lautsprecher Alignment, die Verteilung von Audiosignalen oder Multizonenbeschallung direkt aus dem Mischpult heraus.
• Abspeicherbare Presets erlauben dem User, eigene optimierte Crossover, EQ und Aligment-Setups für ein beliebiges Lautsprechersystem einfach per Knopfdruck aufzurufen.
Sehr intuitives und leistungsfähiges Userinterface:
• Die Mastersektion besitzt das einzigartige Touch & Spin Mix-Control, das aus einem 15“ Farbtouchscreen und dynamischen Drehreglern besteht. Durch Auswahl eines Parameters über den Touchscreen verändert sich der zugehörige Drehregler fühlbar
• 48 berührungsempfindliche P&G Kanalfader sind in zwei Reihen á 24 Fader angeordnet. Damit sind liegen alle 48 Eingangskanäle im direkten Zugriff – Menüanwahlvorgänge werden reduziert.
• Dreifarbige Kanalzuweisungsbuttons sorgen für das Erfassen der Konfiguration von Mutes, Gruppen, VCAs, AUX/Gruppen, interner Effekte und mehr auf einen Blick.
On-Board I/O – Das UMX.96 verfügt bereits in der Standardkonfiguration über zahlreiche Ein- und Ausgänge auf dem Anschlussfeld:
• 48 steuerbare Mikrofonvorstufen: Per Snapshot aufrufbare Pegel, Polarität, Pad und Phantompower-Einstellungen. Pro Kanal ist je ein symmetrischer Insert Send, ein Insert Return sowie ein Direct Out in Klinkenausführung vorhanden.
• 8 Stereo Line Eingänge als XLR Buchsenpaare
• 24 Aux/Gruppen: Jeder Bus kann als Aux-Send mit variablen Pegel, als Pre- oder als Post Pan Gruppen konfiguriert werden. Weiterhin lassen sich mehrere Aux-Sends, Gruppen oder Kombinationen aus beiden realisieren.
• 16x8 Matrix Plus: Der integrierte Matrix-Mixer ist der umfangreichste in dieser Preisklasse. Durch das digitale Patching von jedem Eingang oder jedem Bussignal in die Matrix ist sie außerdem äußerst flexibel.
• 12 Systemprozessor Ausgänge: Typischerweise werden diese mit den Signalen des linken, des rechten und des Center-Ausgangs belegt. Das flexible Routing erlaubt aber auch die Zuweisung von jedem anderen Ausgangssignal zu den 12 XLR Buchsen, wie z.B. die Hauptsumme, Aux/Gruppen und die Matrixbusse.
Professionelle Funktionalität:
• 4 interne Stereo Multieffekt Prozessoren
• 16 Virtual Control Attenuator (VCA) Gruppen
• 8 Mute Gruppen
• 8 vom User definierbare Tasten
• 24 Bit – 44,1/48/88,2/96kHz Betrieb
• LCR und L/R+Mono Modes
• Leistungsfähiger interner Speicher bietet nahezu unbegrenzten Platz für Snapshots / Venues-Setups / Presets
• Externes Netzteil mit redundanter Funktionalität
• Externes Erweiterungs-Rack bietet zusätzliche Kartenslots und Anschlussmöglichkeiten für ein digitales Multicore
• Modularer Aufbau ermöglicht schnellen Austausch einzelner Kanäle im Servicefall
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 The new EAW UMX.96 digital mixing console.
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Event Productions USA Expands With EAW KF730 Series
Line Arrays and UX8800 Digital Processors
Whitinsville, MA – February 22, 2008 - Charlotte, North Carolina-based production company Event Productions USA recently added EAW KF730 line array modules, EAW UX8800 digital signal processors, and EAW SB1000z subwoofers to its growing audio system inventory.
Founded and owned by Tom Durban, Event Productions USA has specialized in serving the production needs of the corporate AV marketplace, nationwide, for 15 years. Providing video and lighting systems with expert staff services has been the company’s primary focus until recently, when Durban responded to customer requests to also offer professional audio systems and services, with the EAW loudspeakers and processing serving as the foundation of this effort.
“We selected the EAW components based upon numerous recommendations from experienced audio professionals,” Durban explains. “Our customers demand clean, highly intelligible sound quality, and from equipment meeting the stringent aesthetic requirements of all high-end corporate-industrial systems.”
Event Productions USA’s 16 KF730 compact three-way modules and eight SB1000z dual-18-inch-loaded subwoofers present additional value due to their scalability, with premium performance and coverage often able to be attained with fewer components. As a result, the loudspeaker inventory can be divided into two fully functional systems capable of serving multiple events. Further, the new audio inventory serves as a lynchpin for the company to expand into other AV markets.
The two UX8800 dual-mode digital processors further optimize the performance of the KF730 line arrays, providing overall system processing in addition to specially customized Gunness Focusing alignment and driver processing algorithms that deliver the sonic quality of premium studio monitors from larger, horn-loaded systems. The processors are split between two very clean, low-profile portable equipment racks that also house new QSC Power Light 3 Series power amplifiers.
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 Event Productions USA's new EAW KF730 Series line arrays being utilized at one of the company's recent corporate events.
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About EAW
Eastern Acoustic Works (EAW) is a global leader in producing high-performance professional audio equipment trusted by the most discerning professionals for every possible sound reinforcement application. EAW is a registered trademark of LOUD Technologies Inc. in the United States and other countries. All other trademarks are the property of their respective owners.
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FOR IMMEDIATE RELEASE
Renowned Italian Harpist Vincenzo Zitello Selects EAW NT Series
Self-Powered Loudspeakers For All Live Performances
Whitinsville, MA – February 21, 2008 - Renowned harpist Vincenzo Zitello, recognized as one of the finest Italian musical artists, performs live in concert with sound reinforcement by EAW NT Series self-powered loudspeakers.
In fact, in January 2008, Zitello performed at Théâtre Max Jacob in Bretagna-France, a highly prestigious award for an Italian artist to play Breton music in its homeland. Also widely respected for his skills as a composer, Zitello's compositions have often been played in Saint Peter’s Square in Rome to accompany special worship services.
For live performances, Zitello travels with his own custom sound reinforcement system under the direction of Vittorio Sorrentino. The system is headed by up to four EAW NT26 two-way self-powered loudspeakers, joined by NTS22 self-powered subwoofers, selected following an intensive live evaluation involving numerous loudspeakers.
"The EAW NT26's are extremely high-quality loudspeakers, the only ones that can reproduce the unique sound of the harp with all the harmonics and the complete dynamic range without any coloration or distortion," explains Sorrentino. "We use two or four NT26, depending on the venue size. They are coupled with NTS22 subwoofers when Vincenzo performs with other musicians.”
The NT Series was the first EAW loudspeaker line to incorporate the company’s landmark Gunness Focusing technology, which employs sophisticated, custom DSP algorithms that correct loudspeaker anomalies. Response is so flat - and distortion so low - that even the most subtle EQ adjustments are immediately audible, while extremely high gain-before-feedback and exceptional peak output capability convey all of the power of live performance. This is furthered by digital amplifier modules that are perfectly aligned with the onboard DSP.
Zitello’s premium sound reinforcement system also includes custom microphones installed in his harps, along with several premium Neumann overhead mics and an Allen & Heath compact digital mixing console.
Photos & Captions
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 Vincenzo Zitello performing during a recent concert.
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About EAW
Eastern Acoustic Works (EAW) is a global leader in producing high-performance professional audio equipment trusted by the most discerning professionals for every possible sound reinforcement application. EAW is a registered trademark of LOUD Technologies Inc. in the United States and other countries. All other trademarks are the property of their respective owners.
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FOR IMMEDIATE RELEASE
Leslie Faretty Appointed
Inventory Manager For EAW
Whitinsville, MA – February 14, 2008 - EAW has appointed inventory and warehouse management veteran Leslie Faretty to the position of Inventory Manager. The appointment was announced by Jon Bosaw, EAW Business Director.
Faretty brings 10-plus years of experience to the position, where she is charged with managing global EAW product inventory, focusing in particular on the crucial issue of the stocking and tracking of replacement parts around the world, as well as related pricing matters. She also works directly with customers on inventory and parts issues.
Based at the company’s Woodinville, WA offices, Faretty joins EAW following exceptional work with EAW parent company LOUD Technologies, where she served in a variety of key roles, including warehouse management and customer service.
“During her tenure with LOUD, Leslie has consistently demonstrated a very strong command of the complex world of inventory and parts management,” notes Bosaw. “Her in-depth understanding of this vital facet of our business, as well as her proven responsiveness to our customers, are both huge assets as EAW continues to grow.”
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 Leslie Faretty, EAW Inventory Manager
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About EAW
Eastern Acoustic Works (EAW) is a global leader in producing high-performance professional audio equipment trusted by the most discerning professionals for every possible sound reinforcement application. EAW is a registered trademark of LOUD Technologies Inc. in the United States and other countries. All other trademarks are the property of their respective owners.
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ML Group Deploying EAW KF760 Series
For 2008 Iron Maiden World Concert Tour
Whitinsville, MA – January 30, 2008 - Leading hire company ML Group will be supplying the largest EAW KF760 Series line array loudspeaker contingent ever to tour Europe as the key components of a large-scale sound reinforcement system for the upcoming Iron Maiden “Somewhere Back in Time" 2008 world tour.
Kicking off in India early in February, the tour will visit more than 30 countries on several continents in the coming months, and comes to Europe for its final leg beginning in late June through mid-August. ML Group, with offices in the U.K. and U.S., enjoys a steady relationship with Iron Maiden, previously supplying a large-scale EAW-based system for the band’s 2006 “Matter of Life or Death” concert tour.
"For the stadium tour of Europe, we'll be supplying four main hangs of 18 EAW KF760 large-format line array modules and two EAW KF761 wide dispersion modules," explains Gary Marks, managing director of ML Group. "That's a total of 80 cabinets on the main four hangs, plus 24 EAW SB1000 subwoofers per side. Also, because the stages will be very wide, we'll use six more KF761 modules flown in the center to serve as a vocal fill."
Marks is also coordinating system issues with partner companies around the globe, such as Norwest Productions of Sydney, Australia and Brantley Sound Associates of Nashville. As he did on the 2006 tour, Michael Hackman is again serving as the line array system technician for the tour, also performing system analysis and optimization at each stop with an assist from EAW Smaart v.6.
Go to http://www.ironmaiden.com/ for the current tour itinerary.
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 Michael Hackman, line array technician for the 2008 Iron Maiden world tour, utilizing EAW Smaart for system analysis.
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About EAW
Eastern Acoustic Works (EAW) is a global leader in producing high-performance professional audio equipment trusted by the most discerning professionals for every possible sound reinforcement application. EAW is a registered trademark of LOUD Technologies Inc. in the United States and other countries. All other trademarks are the property of their respective owners.
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EAW Commercial Introduces CAM Series
Integrated Audio Mixers-Power Amplifiers
Whitinsville, MA – February 5, 2008 -New EAW Commercial CAM160 and CAM80 integrated audio mixers-power amplifiers are outfitted with comprehensive input/output facilities and feature sets to provide exceptional versatility from a highly cost-effective package. Designed for a wide range of fixed installation applications, the CAM Series offers “all in one” functionality without need for add-ons such as expansion modules.
Both models are equipped with six actively balanced combination mic/line inputs as well as individual adjustable potentiometers for line level input, mic level input and mic level input with 24-volt DC phantom power. Input 1 also offers the flexibility of an integrated transformer for connection to telephone paging systems.
Inputs 1 and 2 are divided into four discrete input sections: a combination XLR/TRS connector, Phoenix connector, or terminal strip. Meanwhile, Inputs 3, 4, 5 and 6 offer both Phoenix connectors and terminal strips. Two pairs of RCA connectors allow unbalanced auxiliary (Aux) signals to enter the amplifier via Aux 1 and Aux 2, both of which are attenuated by a potentiometer on the front of the amplifier.
Two levels of priority can be established on Inputs 1 and 2, initiated with external contact closures or adjustable signal threshold levels. External volume control is possible through a Phoenix connector and user supplied potentiometer. A two-position Phoenix connector allows the internal fault relay to be connected to redundant systems. And, an adjustable pre-announcement chime is also included.
Front panel controls include a level control for each input, a toggle switch for Aux 1 or Aux 2 selection, and one Aux master level control for the selected Aux. Low and high EQ controls offer 12 dB of boost or cut at 100 Hz and 10 kHz, respectively. A master volume control offers output volume control, while distinctive LEDs indicate power (green), signal (amber), overload (red), and fault (red).
The CAM160 provides 160 watts of output power at 100-volt, 70.7-volt, 25-volt and 4 Ohms, while the CAM80 offers 80 watts of output for the same power configurations. An intelligent output stage is fully protected against permanent damage caused by overloading, shorts and thermal faults.
Both units operate on 100 volts to 240 volts AC power (50/60 Hz), and are supplied by a detachable IEC power cord. A combination banana plug/binding post connection is also provided for connecting an external 24-volt DC backup battery.
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EAW CAM160 audio mixer-power amplifier, front view.
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EAW CAM160 audio mixer-power amplifier, back panel view.
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About EAW
Eastern Acoustic Works (EAW) is a global leader in producing high-performance professional audio equipment trusted by the most discerning professionals for every possible sound reinforcement application. EAW is a registered trademark of LOUD Technologies Inc. in the United States and other countries. All other trademarks are the property of their respective owners.
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Concert Sound Supplies EAW KF760 And KF730 Series
Line Arrays For European Tour By Joe Cocker
Whitinsville, MA – January 14, 2008 - Leading U.K. hire company Concert Sound just finished up providing a large-scale sound reinforcement system for the latest European concert tour by the legendary Joe Cocker, including extensive EAW line array and loudspeaker sets.
Based in Luton, England, Concert Sound worked closely with FOH Engineer Chris Madden in formulating the system for the arena tour, which traveled throughout Europe in support of the 2007 release of the acclaimed Hymn For My Soul album.
The scalable concert system, under the care of System Engineer Dave Dixon, was comprised of left and right main hangs of up to 14 EAW 760 full-range line array modules and three KF761 wide-dispersion modules, with EAW KF730 small-format line array modules on the deck to bolster front-fill needs. Side-fill came from 10 EAW KF750 Series three-way concert loudspeakers flown per side, with a low-frequency contingent of up to 18 EAW SB1000 dual-18-inch-loaded subwoofers split left and right.
“I loved the consistency of this system – it sounded great every day throughout the 13-week tour, performing in a widely differing variety of venues,” noted Madden. “The system also provided very fast load-ins and load-outs, and further, it didn't suffer a single component failure during the whole tour.”
“The EAW KF760 Series boxes have yet again proved to be rich and clean sounding. In tandem with our Lab.gruppen fP 6400 amplifiers, we were able to provide a powerful, great-quality system,” added Dixon. Other key sound team members for the tour included Monitor Engineer Niall Slevin and System Techs Ben Byford and Adrian Fitzpatrick.
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 The sound team for the recent Joe Cocker European concert tour. Left to right, Ben Byford, Adrian Fitzpatrick, Chris Madden, Niall Slevin, and Dave Dixon.
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About EAW
Eastern Acoustic Works (EAW) is a global leader in producing high-performance professional audio equipment trusted by the most discerning professionals for every possible sound reinforcement application. EAW is a registered trademark of LOUD Technologies Inc. in the United States and other countries. All other trademarks are the property of their respective owners.
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EAW Establishes Dedicated Europe Operation To
Enhance Service To European Marketplace
WICKFORD, Essex, UK – December 17, 2007 - Eastern Acoustic Works (EAW) has established a new operation – exclusively focused on the EAW brand – that dramatically upgrades the company’s ability to serve the crucial European professional audio marketplace.
The new EAW Europe, which officially opens its doors on January 2, 2007, is based in Wickford, Essex, UK, and is headed by Sean Martin, the company’s veteran European Sales Manager. He is directing a team of six full-time, highly experienced professionals who will work in support of the EAW brand and its European customer base.
The new operation offers the complete inventory of EAW products on the European continent in order to dramatically shorten delivery times. An expansive inventory of repair and replacement parts are kept on hand as well, with an EAW Product Service Center also instituted in Wickford, in very close proximity to the offices of EAW Europe.
“EAW Europe has been established to directly serve all of the specialized needs of our customers in Europe, streamlining not only the communication process but also the entire way we do business,” explains Sean Martin. “As EAW continues to move impressively forward in developing groundbreaking new technologies, those efforts are being matched by an uncompromising attitude in taking care of our customers, saving them time, expense and hassle.”
In addition to Sean Martin, the EAW Europe team is comprised of UK Sales Manager Moray McMillin, Application Support Group (ASG) Specialist Steve Badham, Service Manager Mark Keeble, Sales Administrator Juliane Becker and Office Manager Lesley Townsend.
“This is a team to truly be proud of,” notes Sean Martin. “These individuals bring years of hands-on experience to their respective positions, and that’s matched by their dedication to excellence on behalf of the organization and its products.”
The directive to establish a strong, dedicated EAW brand footprint is the brainchild of EAW Brand Group Vice President Jeffrey Cox, teamed with Sean Martin’s extensive knowledge and understanding of the unique needs of the European marketplace. It comes as the company continues to increase its focus on Europe’s pro audio community, highlighted by educational efforts such as the B4 Roadshow - conducted by EAW's training and educational staff - held across the continent earlier this year. (Note that EAW also offers a dedicated office serving Germany, and this continues.)
“Not only is EAW a technology company; it is also absolutely committed to supporting its customers. This is something we’ve been addressing with exceptional energy over the past year - product service, technical support, enhanced product and company information communicated via an increasing number of channels, and so on,” states Cox. “The bottom line is that Europe has been, and remains, a very important market for EAW. That’s why we have invested the resources and personnel in establishing a dedicated EAW brand operation in Europe.”
Specific location and mailing address for the new operation, effective January 2, 2007:
EAW Europe
Unit 3 Blenheim Court
Hurricane Way
Wickford
Essex SS11 8YT
E-mail inquiries should still be directed to Sean Martin at sean.martin@eaw.com
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 Sean Martin, EAW European Sales Manager
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About EAW
Eastern Acoustic Works (EAW) is a global leader in producing high-performance professional audio equipment trusted by the most discerning professionals for every possible sound reinforcement application. EAW is a registered trademark of LOUD Technologies Inc. in the United States and other countries. All other trademarks are the property of their respective owners.
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New EAW SB1002 Large-Format Dual-18 Subwoofer
Whitinsville, MA – March 11, 2008 - The new EAW SB1002 is a large-format dual-18-inch-loaded subwoofer that can be groundstacked or easily flown via an integral rigging system, making it ideal for a wide range of high-output live and installed sound applications.
Following in the footsteps of the legendary EAW SB1000z subwoofer, the new SB1002 offers a direct radiating design, with driver mounting that maximizes cone area and minimizes frontal area. The result is acoustical performance and physical configuration well suited for creating large subwoofer arrays.
The two 18-inch drivers – designed specifically for the SB1002 - offer very large (4.5-inch) voice coils as well as powerful neodymium magnet structures that also reduce weight. The operating range of the SB1002 is 27 Hz – 161 Hz (+/-3 dB), while maximum sound pressure levels are 129 dB (average) and 135 dB (peak).
The SB1002 rigging system, similar to that of EAW’s popular KF760 Series line arrays, features a fast, easy-to-use two-point approach that accommodates flown arrays of up to 12 SB1002 units. A handle on the rear upper corner of the SB1002 enclosure provides added guidance and convenient “push-pull” ability in the flying process.
Dual Neutrik Speakon NL4 connectors are positioned on a rear-mounted section of the cabinet that is angled inward at approximately 45 degrees, allowing the SB1002 to be positioned flush against walls in groundstack applications. The rugged grille protecting the drivers matches that of the KF760 Series, while the cabinet finish is a durable, scratch-resistant Chemline coating.
An optional caster pallet for easy transport of two SB1002 units at once is available from EAW, as is an SB1002 fly bar.
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The new EAW KF737 High-Q line array module.
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About EAW
Eastern Acoustic Works (EAW) is a global leader in producing high-performance professional audio equipment trusted by the most discerning professionals for every possible sound reinforcement application. EAW is a registered trademark of LOUD Technologies Inc. in the United States and other countries. All other trademarks are the property of their respective owners.
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EAW Debuts UMX.96 Digital Mixing Console; Shipping In April 2008
Whitinsville, MA – March 11, 2008 - Following an extensive field evaluation and refinement process, the new EAW UMX.96 digital console will be shipping to the EAW customer base in April, 2008.
The UMX.96 presents open-ended architecture and next-generation processing that make it an integrated live sound environment, providing end-to-end control of the signal chain - from microphone inputs to the onboard DSP for system tuning. Yet it retains the ergonomics and feel of the most comfortable analog boards, with a very natural interface presenting ease of use in even the most hectic live sound situations.
Highlights of this approach include 48 input channel faders as well as the unique master section, which brings together a very large 15-inch touch-sensitive color LCD display with a tactically dynamic rotary encoder that is able to change its “feel” depending on the specific parameter selected via the touch screen.
The 24-bit, 96-kHz performance is combined with expandable on-board 56 x 44 analog I/O, with on-board 3 × 12 system processing and open architecture that will facilitate the addition of recent cutting-edge EAW developments like Gunness Focusing™ custom loudspeaker algorithms, EAWPilot control software and U-Net digital audio. Topping it off is the first console integration of EAW Smaart, the industry standard analysis platform.
The 48 Penny+Giles™ touch-sensitive faders in the channel section are arranged in stacked rows of 24. These faders provide dedicated control of all 48 input channels simultaneously or can be assigned in master groups of 8 to specific sections, resulting in far less bank switching. The master section also incorporates 8 touch-sensitive Penny+Giles VCA faders that bring the VCAs or desired channels to the center of the mixer for convenient access.
Tri-color channel assign buttons provide at-a-glance indication of current channel assign functions for Mute Groups, VCAs, Aux/Groups, internal effects, and more. Each group of 8 channels has an associated scribble strip that displays the custom channel name and V-Pot (virtual potentiometer) information using black text on a brightly backlit white background for maximum contrast.
The 3 x 12 system processor offers EAW-designed EQ, crossover, delay and limiter algorithms, allowing multi-way loudspeaker alignment, audio distribution and zoning directly from the mixer. Further, recallable presets allow the user to optimize crossover, EQ, and alignment settings. Powerful internal hard drive memory provides virtually unlimited snapshot, venue, and preset storage.
The Smaart measurement capabilities provide instant system measurement and calibration. When selected, an input or output feeds Smaart, which in turn provides measurement data on the EQ screen of any channel post EQ in order to show the instant effects of the EQ on the signal. The user can choose to view this information in RTA or Spectrograph form. An on-board LCD SPL meter provides constant dB-SPL display from the supplied measurement mic.
The standard UMX.96 configuration includes 48 digitally controlled mic preamps with balanced TRS send and return inserts and a TRS direct output. Each input channel has a gate, compressor, and 4-band EQ with dedicated HPF and LPF. Eight stereo line inputs on dual XLR connectors feed a stereo compressor and EQ, while the 24 Aux/Groups can be individually configured as an Aux Send with variable level or as a Group. Each of these outputs feeds a 4-band EQ, compressor/limiter, and 31-band graphic EQ which can also display Smaart information for the user.
The 16 x 8 Matrix Plus is one of the largest matrix mixers found on any console in this price range, and digital patching of any input or output signal into the matrix also makes it the most flexible. The system processor outputs are typically fed by the Left, Right and Center outputs, but these offer flexible routing of any output signal to any system processor input or output leg.
The module design of the UMX.96 has been conceived with easy field serviceability in mind, and the console’s external power supply offers standard redundant operation. And as always, EAW’s renowned Application Support Group (ASG) and service department stand ready to provide complete support.
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The new EAW UMX.96 digital mixing console.
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About EAW
Eastern Acoustic Works (EAW) is a global leader in producing high-performance professional audio equipment trusted by the most discerning professionals for every possible sound reinforcement application. EAW is a registered trademark of LOUD Technologies Inc. in the United States and other countries. All other trademarks are the property of their respective owners.
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New EAW Commercial SMS Series Surface-Mount Loudspeakers
Whitinsville, MA – March 11, 2008 - New EAW Commercial SMS Series surface-mount loudspeakers are designed for a wide range of foreground, background, and paging applications. All models incorporate sophisticated electro-acoustic technologies that provide optimum directionality, high output levels, and pristine sound quality, along with a proprietary mounting system affording an unprecedented level of installation ease.
At the heart of each SMS Series two-way loudspeaker is EAW’s proprietary Theta Technology, which utilizes tuned driver spacing to create low-frequency (LF) pattern control by placing pairs of smaller woofers symmetrically around the high-frequency (HF) subsystem. The spaced woofers maintain pattern control into the LF range to complement the wide-by-narrow coverage delivered by the specially designed HF subsystems. The result is wide, well-controlled horizontal patterns, meaning fewer loudspeakers are needed per project.
Further, the well-controlled vertical patterns allow the installer to easily avoid projecting sound onto ceilings and other highly reflective surfaces, while transient response is optimized for maximum intelligibility, with high efficiency translating to lower power requirements. (A variety of coverage dispersion options are available.)
Three models currently make up the series, with additions to the line expected regularly. Current SMS Series models include:
SMS2124 – 4 x 3-inch LF, 2 x 2-inch HF
SMS2990 – 4 x 3-inch LF, 1 x 1.3-inch HF
SMS1990 – 2 x 3-inch LF, 1 x 1.3-inch HF
SMS Series loudspeakers also feature Clip-Fit, a new proprietary mounting system. All connections for the loudspeaker are contained within the Clip-Fit wall-mount unit via a single Molex connector, with the wall-mount unit pre-mounted at the designed position on a wall. The installer then just “clips” the loudspeakers on to the Clip-Fit arm, and in one motion, the audio connection is terminated and the loudspeaker is live. The wall-mount unit also provides a pan/tilt positioning range for precise aiming.
For basic installations, SMS loudspeakers are also provided with U-brackets allowing conventional wiring methods and adjustment of the loudspeaker’s down-tilt. Cabinets (as well as Clip-Fit mounts) are offered in a choice of black or white cabinet colors..
In addition, two versions of the Clip-Fit mounting system are available. The CF-TX includes a low-loss transformer for high impedance 70-volt/100-volt applications, with tap settings selectable via a switch on the front of the Clip-Fit unit. The CFLZ provides straight-through connection for low impedance applications.
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Front view of the new EAW SMS2990 surface-mount loudspeaker.
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Rear view of the new EAW SMS2990 surface-mount loudspeaker.
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About EAW
Eastern Acoustic Works (EAW) is a global leader in producing high-performance professional audio equipment trusted by the most discerning professionals for every possible sound reinforcement application. EAW is a registered trademark of LOUD Technologies Inc. in the United States and other countries. All other trademarks are the property of their respective owners.
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New EAW KF737 Module Brings High-Q Capabilities
To KF730 Series Line Arrays
Whitinsville, MA – March 11, 2008 - The new EAW KF737 line array module brings high-Q, longer throw capabilities to EAW KF730 Series compact line arrays, furthering their ability to deliver concert-level output and performance in an exceptionally wide range of applications.
Common applications include placement of one or more KF737 modules at the top of a KF730 array to project focused energy over long distances, and to use the KF737 as a stand-alone solution in “shoe-box” style (long, narrow) halls in order to minimize the potential of sidewall reflections.
The KF737’s three-way design incorporates two 10-inch woofers (LF), two 7-inch woofers (MF), and two 1-inch compression drivers (HF). One large MF/HF horn, providing 75-degree (h) by 12-degree (v) dispersion, fills the entire face of the KF737 enclosure, which better maintains horizontal pattern control throughout the MF/HF passband. The side-mounted LF drivers provide a forward-firing, figure-8 type pattern. The drivers are spaced so that the LF beamwidth matches the MF through crossover.
A bi-amplified power configuration (passive mid/high) reduces system cost and complexity. Processing for the arrays is intentionally simple and can be greatly enhanced with the EAW UX8800 dual-mode digital processor, which supplies proprietary Gunness Focusing™ alignment and driver processing algorithms, dramatically enhancing sonic performance.
The KF737 offers very friendly truck-pack dimensions, measuring just 13 inches (h) by 28.5 inches (w) by 17.6 inches (d), with weight at less than 75 pounds. The integral rigging system is fully compatible with the KF730 full-range module as well as the SB730 subwoofer. The versatile rigging design fosters fast construction of arrays ranging from 4 to 18 enclosures.
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The new EAW KF737 High-Q line array module.
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About EAW
Eastern Acoustic Works (EAW) is a global leader in producing high-performance professional audio equipment trusted by the most discerning professionals for every possible sound reinforcement application. EAW is a registered trademark of LOUD Technologies Inc. in the United States and other countries. All other trademarks are the property of their respective owners.
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Additions To The EAW Commercial CIS Series Of Ceiling Loudspeakers
Whitinsville, MA – March 11, 2008 - EAW Commercial has introduced three new high-output additions to its CIS Series of ceiling loudspeakers that all provide exceptional performance in large, tall structures while fitting seamlessly within ceiling installation grids.
Both the new EAW Commercial CIS961 and CIS991 feature three-way designs, while the new CIS120 utilizes a coaxial design. All three come with fully appointed steel back cans - with transducers already installed - that mount within 24-inch ceiling grids.
The CIS961 (60-degree by 60-degree dispersion) and CIS991 (90-degree by 90-degree dispersion) incorporate four 5.25-inch LF cone woofers, four 4-inch MF cone woofers and a 1-inch-exit HF compression driver mounted on a large horn that fosters superior pattern control. The application of proprietary frequency shading techniques facilitates the eight cone woofers working together to provide LF output and impact equal to that of a 12-inch LF woofer.
The physical configuration of the CIS961/991 LF/MF drivers, along with the frequency shading, is designed to maximize directivity over the widest possible frequency range, extending useful pattern control to below 500 Hz. Additionally, using the smaller drivers to cross over to the HF subsystem optimizes reproduction of critical midrange frequencies without sacrificing LF output capabilities.
The coaxial approach of the CIS120 (80-degree by 80-degree dispersion) utilizes a 12-inch coaxial driver and 1-inch-exit compression driver on a precision horn. This combination delivers coherent point-source reproduction as well as superior low-frequency performance.
All three new CIS Series loudspeakers are supplied with an integral 70.7V/100V line transformer, rated to a maximum of 128 watts. Tap settings are adjustable by means of a recessed rotary switch on the front bezel that allows selection of 128-, 64-, 32-, and 16-watt taps at 70 volts, and 128-, 64-, and 32-watt taps at 100 volts. In addition, the transformer can be bypassed, presenting an 8-ohm load to low-impedance systems.
The sealed, painted, 18-gauge steel back cans are square in shape, and are designed to mount in a 24-inch ceiling grid. Back cans include a recessed Euroblock input connector, with detachable mating plug, concealed behind a hinged metal cover plate.
A ceramic screw terminal block is also present. A powder-coated perforated steel grill is easily installed once the wattage tap has been selected. Optional installation kits include a four-piece cable kit for suspension and a four-piece square trim ring kit to dress the baffle into suspended ceiling tile surrounds.
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The new EAW Commercial CIS961 high-output ceiling loudspeaker.
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About EAW
Eastern Acoustic Works (EAW) is a global leader in producing high-performance professional audio equipment trusted by the most discerning professionals for every possible sound reinforcement application. EAW is a registered trademark of LOUD Technologies Inc. in the United States and other countries. All other trademarks are the property of their respective owners.
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Andy Jordan Appointed To Further Bolster
EAW Application Support Group
Whitinsville, MA – December 11, 2007 - Eastern Acoustic Works (EAW) has announced the appointment of Andy Jordan to the Application Support Group (ASG), the company’s multifaceted team offering a wide range of specialized technical services to its worldwide customer base. The appointment was announced by Joe Fustolo, manager of EAW ASG.
In his new role, Jordan is providing in-depth technical support for all EAW loudspeakers. Previously he worked for more than 10 years with the EAW engineering department as technical services coordinator, where he was responsible for leading a group of technicians in building and facilitating the overall documentation and testing of built-to-order (BTO) and standard EAW products.
"We're confident that Andy's deep working knowledge of the engineering process and the internal workings of virtually all EAW loudspeakers is going to make him a highly valuable asset of ASG, allowing us to take another important step in further being able to assist and troubleshoot customer issues with even greater accuracy and efficiency," Fustolo states.
The addition of Jordan further bolsters the ASG team, which now includes four sound system designers, three phone technical support specialists, and a special projects coordinator.
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 Andy Jordan, EAW Application Support Group
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About EAW
Eastern Acoustic Works (EAW) is a global leader in producing high-performance professional audio equipment trusted by the most discerning professionals for every possible sound reinforcement application. EAW is a registered trademark of LOUD Technologies Inc. in the United States and other countries. All other trademarks are the property of their respective owners.
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EAW Introduces NTL720 Self-Powered, Very Compact
Line Array Loudspeaker System
Whitinsville, MA – December 3, 2007 - The new EAW NTL720 is a self-powered line array loudspeaker system featuring a true three-way design and numerous other EAW patented and proprietary technologies housed in an extremely compact (9.4” x 24” x 14.3”) and low-weight (less than 50 pounds) package.
The entire enclosure face of each NTL720 module is filled by a full-sized mid/high horn providing 110-degree (horizontal) by 12-degree (vertical) dispersion. The extreme horn size insures broadband pattern control throughout the entire MF/HF pass-band.
High frequencies are produced by six 1-inch dome tweeters, configured in two vertical columns (each with three tweeters) mounted on a manifold that feeds a single slot in the center of the horn, highly effective in controlling vertical dispersion. Flanking the HF section, dual 6-inch cone woofers handle the MF range, also loading on to the horn, with minimal space between the MF and HF components enhancing coherency and improving overall off-axis response.
The LF section features EAW’s proprietary Phase Aligned approach, first deployed in KF730 Series line arrays. Both 6-inch LF drivers are positioned in a side-mounted “figure-8” configuration that extends horizontal pattern control while directing more acoustical energy on axis. The response of the MF drivers is also extended down to 100 Hz, furthering low-end presence and impact.
The onboard self-powering technology includes three individual modified 500-watt Class-D (digital) amplifier modules, each tailored for its respective subsection (LF, LF/MF, and HF - all 4-ohm loads). Each amplifier module is accompanied by its own precisely matched digital signal processor. Headlining the DSP is EAW’s Gunness Focusing™ alignment and driver processing algorithms that produce horn-loaded performance comparable to premium direct-radiating studio monitors.
EAWPilot control software provides comprehensive DSP control as well as monitoring of amplifier status; when connected, all NTL720 loudspeakers comprise a network in which EAWPilot recognizes each individual loudspeaker as well as arrays acting as a single unit. Not only does EAWPilot assist in optimizing a wide range of loudspeaker/array parameters, but its Wizard modeling software helps in automatically configuring array DSP for optimal performance fitting specific audience areas, greatly simplifying system setup and alignment.
Input selection provided on NTL720 cabinets is both simple and flexible – the user has a choice of EAW’s proprietary U-Net as well as analog, AES 1, and AES 2. U-Net provides full digital control of each device in a system, including audio signal, processing parameters, routing – in addition to accommodating the EAW Smaart tuning and analysis platform.
Communication connection options also include U-Net, as well as a USB port on the back panel for interfacing with the DSP. Each back panel also offers HF boost and nearfield contour controls, along with a range of LED indicators for signal, limiter, clip, input selection, U-Net status, amplifier status, HF boost engagement and nearfield contour engagement.
One of the most notable aspects of the NTL720 is its proprietary FastLatch™ integral rigging system. It offers an easy, convenient “hinge-and-latch” approach, with the essential components being two heavy-duty hinge mechanisms on the back of each cabinet and a latch mechanism on the underside of each cabinet.
Splay angles (a choice of 12, 9, 6, 3, and 0 degrees) are easily selectable by carrier brackets that accompany the hinges. And, the flybar can also be used as a stable, safe groundstack platform.
The rigging design also allows individual components and even entire modules to be replaced within built array structures, whether flown or stacked. Two plug connectors that directly connect the amplifier module to the PCB inside of the cabinet ensure a solid, lock-tight fit and eliminate the hassles of cable connections. NTL720 cabinets are finished with EAW’s durable RoadCoat™ weather-resistant textured finish that is highly scratch-resistant, and the grille is durable aluminum.
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The new NTL720 with front grille attached.
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The new NTL720 without front grille.
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The rear panel of the NTL720 offers numerous interconnect options.
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An NTL720 array.
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About EAW
Eastern Acoustic Works (EAW) is a global leader in producing high-performance professional audio equipment trusted by the most discerning professionals for every possible sound reinforcement application. EAW is a registered trademark of LOUD Technologies Inc. in the United States and other countries. All other trademarks are the property of their respective owners.
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Performance Sound Chooses New EAW UX8800
Dual-Mode Digital Processing
Whitinsville, MA – November 26, 2007 - Performance Sound, a growing live sound reinforcement company based in the Chicago area (Mokena, Illinois), recently added EAW’s new UX8800 dual-mode digital signal processing with Gunness Focusing to its inventory, where it is being utilized in tandem with a lead sound reinforcement system that features EAW KF730 Series line arrays.
Founded and headed by Martin Bilecki, Performance Sound has been providing concert sound and full support for live concert performances, corporate events, fairs, festivals, and event promoters for more than 15 years. The company also provides backline, staging, and lighting services/systems, in addition to offering complete studio recording facilities and services.
Performance Sound is an early adopter of UX8800 digital processing, and has attained exceptional results since implementing it. “Gunness Focusing is amazing in making the mids and highs truly transparent and very smooth. At the same time, the dual-mode capability is invaluable in helping to meet all other system processing needs,” notes Bilecki.
“The benefit for every sound company, large or small, is that EAW is providing a tool providing that significantly upgrades audio performance without need of spending hundreds of thousands of dollars to attain this,” he adds. “I’d also like to point out that every mix engineer using our system has been completely impressed with the UX8800 processors and the KF730 system.”
Performance Sound is a member of ELAN (EAW Line Array Network), a valuable association network provided by the company that allows members to promote their inventories as well as secure additional EAW inventory when needed. The UX8800 processors and KF Series line arrays join a wide range of other EAW components utilized by the company, including KF650e full-range systems, LA400 subwoofers as well as SM222 and SM200 stage monitors.
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 Performance Sound Owner Martin Bilecki with one of his company’s new EAW UX8800 digital signal processors.
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About EAW
Eastern Acoustic Works (EAW) is a global leader in producing high-performance professional audio equipment trusted by the most discerning professionals for every possible sound reinforcement application. EAW is a registered trademark of LOUD Technologies Inc. in the United States and other countries. All other trademarks are the property of their respective owners.
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FOR IMMEDIATE RELEASE
SPL Systems Bolsters Inventory With EAW UX8800 Dual-Mode
Digital Processors, KF730 Series Line Arrays
Whitinsville, MA – October 25, 2007 - New England-based sound company SPL Systems recently added dual EAW UX8800 dual-mode digital processors with Gunness Focusing, as well as 12 EAW KF730 small line array modules, to its live system inventory.
Located in West Springfield, Massachusetts and founded/owned by Bill Forbes, SPL Systems has been providing full production services for live concert performances, corporate events, fairs, festivals, and event promoters throughout New England for more than a decade. The company also performs top-notch system installation and integration services.
“The UX8800 processors and KF730 line arrays further expand the scope of sound system services that we’re able to supply to our growing live and concert customer base,” states Forbes. “In fact, these components have been working almost non-stop in a wide variety of applications since we took delivery of them.”
SPL Systems is a member of ELAN (EAW Line Array Network), a valuable association network provided by the company that allows members to promote their inventories as well as secure additional EAW inventory when needed. The UX8800 and KF Series line arrays join a wide range of other EAW components utilized by the company KF850z, LA400, FR129z, UB2199 and JF80z loudspeakers.
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Photos & Captions
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 Bill Forbes of SPL Systems with some of the new EAW KF730 Series line array modules that have recently joined his company's inventory.
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About EAW
Eastern Acoustic Works (EAW) is a global leader in producing high-performance professional audio equipment trusted by the most discerning professionals for every possible sound reinforcement application. EAW is a registered trademark of LOUD Technologies Inc. in the United States and other countries. All other trademarks are the property of their respective owners.
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FOR IMMEDIATE RELEASE
EAW AX Series, MK Series Installation Loudspeakers Selected For Premium Performance At Evangel Assembly Of God Church
Whitinsville, MA – October 15, 2007 - A recent sound system upgrade project at the sanctuary of Evangel Assembly of God Church of Bismarck, North Dakota by Tricorne Audio of Fargo utilizes a variety of EAW full-range installation loudspeakers to provide much-needed performance audio quality in supporting worship services and music/drama productions.
Working closely with the church sound/music team, Tricorne Audio chose to utilize three bi-amplified EAW AX Series loudspeakers flown left-center-right to cover the sanctuary’s entire main floor. Specifically, two AX364 provide 60-degree by 45-degree coverage for left/right, and a single AX366 with 60-degree by 60-degree coverage handles the center.
Three EAW MK2300 Series two-way loudspeakers bolster output to the balcony that runs the length of the sanctuary's back wall, with two MK2366 for 60-degree by 60-degree coverage to the sides and a MK2396 for 90-degree by 60-degree coverage in the center. Four EAW Commercial VR61 full-range loudspeakers utilizing their optional built-in 70-volt transformers handle the shadowed underbalcony, flown in their low-profile horizontal cabinet orientation (90-degree by 60-degree coverage with horn rotated).
The new monitoring portion of the system serving the front platform includes an EAW Commercial VR21 full-range loudspeaker flown for the choir as well as four traditional mixes provided via EAW Commercial VRM12 compact stage monitors. A personal mixing system with six remote mixers is also available.
"The end result produced by this new system is quite nice. We have very even coverage, excellent gain before feedback and a system that can truly handle full contemporary concerts, intimate theatre productions, and, of course, daily worship activities," notes Dallas Anderson of Tricorne Aud
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 The EAW AX Series loudspeakers flown in left-center-right configuration by Tricorne Audio to provide all main floor coverage at Evangel Assembly Of God Church.
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About EAW
Eastern Acoustic Works (EAW) is a global leader in producing high-performance professional audio equipment trusted by the most discerning professionals for every possible sound reinforcement application. EAW is a registered trademark of LOUD Technologies Inc. in the United States and other countries. All other trademarks are the property of their respective owners.
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Stock Audio Enjoys Sonic Upgrade At Memorial Concert Due To Addition Of EAW UX8800 Dual-Mode Digital Processors
Whitinsville, MA – October 2, 2007 -Stock Audio & Light recently provided a high-end sound reinforcement system featuring dual EAW UX8800 digital processors in tandem with EAW KF760 Series line arrays for a memorial concert by the Limburg Symphony Orchestra that marked the liberation of the Netherlands in World War II.
The concert, held on the grounds of the American Battle Cemetery and Memorial in Margraten, the Netherlands, was highlighted by a performance of Verdi’s Requiem, accompanied by the Vocal Collective, a 60-member choir from Belgium. Stock Audio, based in Geleen, the Netherlands, worked with the concert’s front-of-house engineer, Jo Smeets, to assemble a system providing enough headroom to reach a coverage area spanning beyond 150 meters (approximately 500 feet), while also capable of presenting a very natural sonic signature.
The sound team responded with a main system featuring dual line arrays, each comprised of six EAW KF760 modules above two KF761 wide-dispersion modules, flown stage left and right. Low-frequencies were reinforced with eight EAW LA400 subwoofers with bent horn technology, groundstacked in groups of four beneath the main arrays.
Holland PA, EAW’s distributor for the region, supplied two EAW UX8800 digital processors with Gunness Focusing to enhance this system. During soundcheck the day prior to the concert, Stock Audio Owner Paul Pelen immediately noted the significant upgrade in sonic performance provided by the UX8800 units, and in fact, decided on the spot to purchase them.
During both rehearsals and the concert, FOH Engineer Smeets, who’s primary focus is studio mixing, concurred with Pelen’s assessment. “This live system was like mixing in a studio, with all of the instruments sounding exactly the same as they do in my control room,” he states.
Guido Olischläger of Olischläger Soundengineering, Beek, the Netherlands, was also on hand to provide system technician services. He notes that “the main EQ wasn't used, and on the mixing channels, only the gain knobs and high-pass filter were used. In fact, very few channels had something done with EQ.
“With the system providing coverage out over 150 meters, it was great to provide the entire audience with a balanced mix and sonic presentation,” Olischläger concludes.
Photos & Captions
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 A perspective of the stage and sound reinforcement system within the grounds of American Battle Cemetery and Memorial in Margraten, the Netherlands.
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 A view of the memorial concert in progress, with the large audience on hand served by EAW KF760 Series line arrays and new EAW UX8800 digital processing.
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 One of Stock Audio's two EAW KF760 Series line arrays flown for the memorial concert.
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 A view of the audio system and stage from the back of the audience area, which reached more than 150 meters in depth.
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About EAW
Eastern Acoustic Works (EAW) is a global leader in producing high-performance professional audio equipment trusted by the most discerning professionals for every possible sound reinforcement application. EAW is a registered trademark of LOUD Technologies Inc. in the United States and other countries. All other trademarks are the property of their respective owners.
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FOR IMMEDIATE RELEASE
Qatar-Based Creative Events Adds EAW UX8800 Digital Processors,
KF760 And KF730 Series Line Arrays To Inventory
Whitinsville, MA – September 25, 2007 - Creative Events, a leading sound reinforcement company serving the Middle East, recently added EAW UX8800 digital processors with Gunness Focusing technology, as well as EAW KF760 Series and KF730 Series line arrays, to its growing inventory of top-flight professional audio equipment.
Creative Events is one of several companies of Creative Communication Group (CCG), a thriving full-service event management and production venture based in Qatar. Under the direction of managing partner Jalal Dudin, Creative Events provides sound reinforcement systems and services to numerous high-profile concerts, theatrical productions, festivals and other events held throughout the Middle East.
For example, a notable Creative Events project was supplying all audio, video and technical support at more than 110 sports venues during the 2006 Doha Asian Games 2006. In addition, they’ve supported first-time concert tours in the Middle East by performers such as Lionel Richie, Jose Carreras and the late Luciano Pavarotti, among many.
“After extensive research and consultancy from our experts in the events business, we decided not to waste our time or money with any brands other than EAW for our audio supply,” states Jalal Dudin. “EAW is a worldwide technological leader in the design and manufacture of high-performance professional loudspeaker systems.”
Creative Events is a member of ELAN (EAW Line Array Network), a valuable association network provided by the company that allows members to promote their inventories as well as secure additional EAW inventory when needed. The UX8800 and KF Series line arrays join other EAW components utilized by Creative Events, including SB Series subwoofers, LA Series loudspeakers, SM Series stage monitors and more.
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 Jalal Dudin of Creative Events with some of his company's EAW inventory, including new KF760 Series line arrays.
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 The new EAW UX8800 dual-mode digital processors with Gunness Focusing technology that have joined the Creative Events racks.
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About EAW
Eastern Acoustic Works (EAW) is a global leader in producing high-performance professional audio equipment trusted by the most discerning professionals for every possible sound reinforcement application. EAW is a registered trademark of LOUD Technologies Inc. in the United States and other countries. All other trademarks are the property of their respective owners.
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Michael Perry, Justin Walker Appointed To
EAW Application Support Group
Whitinsville, MA – September 18, 2007 - Eastern Acoustic Works (EAW) has announced the appointment of Michael Perry and Justin Walker to the EAW Application Support Group (ASG), the company’s multifaceted team offering a wide range of specialized technical services and detailed customer support. The appointment was announced by Joe Fustolo, manager of EAW ASG.
Perry’s primary focus is providing in-depth technical support for all EAW Commercial products, in addition to assisting with the entire EAW line. He comes to EAW from LOUD Technologies support and service, and as an active sound system operator and musician, he also brings a great deal of relevant real-world experience to his new position. Based in Woodinville, WA, Perry adds additional hours to the company’s U.S. support basis and is fluent in Spanish.
Walker is responsible for service requests and return issues, as well as providing technical support for all EAW loudspeakers. He has been with the company for several years, holding a variety of customer-oriented positions, and previously, he worked with Bose in market analysis and inside sales roles. He is based in Whitinsville, MA.
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 Michael Perry, EAW Application Support Group
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 Justin Walker, EAW Application Support Group
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About EAW
Eastern Acoustic Works (EAW) is a global leader in producing high-performance professional audio equipment trusted by the most discerning professionals for every possible sound reinforcement application. EAW is a registered trademark of LOUD Technologies Inc. in the United States and other countries. All other trademarks are the property of their respective owners.
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EAW To Manufacture, Distribute MicroWedge Series
Of Stage Monitors In Agreement With Rat Sound
Whitinsville, MA – September 13, 2007 -Eastern Acoustic Works (EAW) is pleased to announce that it will be the exclusive manufacturer and distributor of the renowned MicroWedge Series of stage monitor products under the terms of a new agreement between LOUD Technologies Inc. and MicroWedge developer Rat Sound Systems Inc. of Oxnard, CA.
The Perpetual License agreement between the two entities calls for current products to be branded “EAW MicroWedge,” fully supported by the resources of EAW. Further, Rat Sound Founder Dave “Rat” Levine, creator of MicroWedge and other acclaimed sound reinforcement designs, will be working closely with the EAW Engineering Department on the development of new MicroWedge models as well as other EAW touring products.
“In securing this preeminent floor monitor line for our worldwide customer base, EAW is once again demonstrating its commitment to true performance audio by bringing the best in both design and talent to the EAW brand,” explains Jeffrey Cox, Vice President of the EAW Brand Group, who reached the agreement with Dave Rat. “We continually populate the EAW family and brand relationships with experienced, talented visionaries who combine their unique skills to push audio forward. Our partnership with Dave is a prime example of this philosophy.”
MicroWedge is noted as the choice of hundreds of discerning performers and has earned widespread touring rider acceptance. The highly respected product line has been cultivated over Dave Rat’s decades of audio industry experience, a process enhanced because he also heads up Rat Sound Systems, a leading concert touring company noted for its work with U.S. and world tours by the Red Hot Chili Peppers, Pearl Jam, Foo Fighters and dozens of other top-line artists. In addition, the company is the primary sound vendor for Coachella, one of the largest music festivals in the U.S.
As a result of this experience, Dave Rat is uniquely qualified to develop products directly with sound engineers at a grassroots level, and even more specifically, for the critical ears of monitor engineers. Consequently, MicroWedge is a product line developed to meet the wants and needs of working sound professionals, rather than products created in a vacuum and pushed into the marketplace.
“As a system designer, sound engineer and president of a sound rental company, I have considerable exposure to the needs of the artists, audio engineers, sound vendors and the realities of design challenges. I feel like I am an adapter between what the artist/engineers seek and the technical engineers,” notes Dave Rat. “I speak both languages and am comfortable moving in the worlds of both design/development and usage/execution. That is one of the key things I hope to bring to the table for EAW and for our future product development relationship.”
The result of several years of research, the MicroWedge Series was inspired by the seemingly obvious oversights and lack of addressing key issues in commercially available stage monitor designs. Tenants of the approach include a smooth, clear and consistent response with exceptional gain before feedback in a compact, coaxial design offering high power handling and processor enhanced - rather than processor dependant - “plug and play” operation.
“Over the past 27 years, I’ve devoted a tremendous amount of effort to designing and building innovative products for real world, live performance audio, and this is exemplified by the MicroWedge Series,” Dave Rat adds. “The new partnership with EAW is an exciting step towards realizing the product the way I have always envisioned it. The brilliance of the people, the culture of the company and the knowledge and desire to push audio to it’s highest level that is evident at EAW makes working with them a dream come true. I am excited as this alliance will allow MicroWedge and other designs that I have been working on for many years to finally come to fruition.”
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 Dave Rat (left) and Jeffrey Cox
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About EAW
Eastern Acoustic Works (EAW) is a global leader in producing high-performance professional audio equipment trusted by the most discerning professionals for every possible sound reinforcement application. EAW is a registered trademark of LOUD Technologies Inc. in the United States and other countries. All other trademarks are the property of their respective owners.
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EAW AX & MK Series Loudspeakers For New Distributed Sound Reinforcement System At Calgary’s Olympic Oval
Whitinsville, MA – September 5, 2007 -More than 60 EAW AX Series and MK Series full-range loudspeakers were recently installed as the key components of a new facility-wide distributed sound reinforcement system at the Olympic Oval in Calgary, a premier speed skating site and training facility, with new EAW Smaart version 6 (v.6) also utilized for the system analysis and alignment process.
Constructed for the 1988 Winter Olympic Games, the 10,000-seat venue continues to serve as a premier speed skating site in addition to hosting a wide range of athletic practices and events that keep it in constant use seven days a week. It offers a structure of pre-cast, pre-stressed concrete that completely covers a long-track speed skating oval encircling two international sized ice rinks for short-track speed skating and ice hockey, with the long-track surrounded by a running track.
The new sound system at the Oval replaces the outdated original system that relied upon a main centralized loudspeaker cluster, requiring supplemental rental systems to meet major-event expectations. Seeking a permanent solution, Olympic Oval Director of Operations Kameron Kiland began discussions with Terry McConaghy of Allstar Show Industries, a leading integrator with offices in Calgary, regarding a new system to provide dramatically improved coverage to the grandstand and portable seating areas, as well as the ability to simultaneously support multiple events.
McConaghy notes that EAW attracted his interest because of its deep line of installation loudspeakers capable of meeting the unique high output and directivity requirements of this project, furthered by the support of the Application Support Group (ASG), an EAW team of experienced audio professionals that supply design support and review services. SF Marketing, EAW’s distributor in Canada, provided additional support, and they also enlisted Arthur Skudra, a veteran electro-acoustic design consultant based in Windsor, to focus on loudspeaker selection, location and positioning throughout the entire venue.
Two ceiling catwalks (an “inner” and “outer” catwalk) running above the oval surface proved quite opportune as mounting positions for most of the system’s 66 EAW AX Series (longer throw) and MK Series (shorter throw) full-range loudspeakers. They’re positioned to cover at least a dozen different areas that are broken down into individual zones, with both series of loudspeakers offering a variety of coverage patterns that fit the often-unique dispersion requirements of certain areas.
The six-week system installation process was headed up by Keith Watson of Allstar, with the venue’s constant use every day of the week dictating workdays starting at 10 pm and lasting until 5 am. Skudra returned to the venue immediately following installation to perform two nights of system tuning and optimization, utilizing new EAW Smaart v.6 measurement and analysis software.
Specifically, he deployed Smaart v.6 on his MacBook Pro computer, noting, “this proved to be a really awesome combination. I was easily able to set time delays in such a way that the system is very transparent in terms of imaging, which can be a problem in such a huge venue and with such a huge system.”
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 A panorama view of the Olympic Oval in Calgary, where many of the EAW loudspeakers installed as part of the venue's new distributed sound system can be seen, mounted to catwalks.
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 A look at several EAW AX and MK Series loudspeakers flown from an Oval catwalk, providing sound reinforcement around one of the huge venue’s curves.
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About EAW
Eastern Acoustic Works (EAW) is a global leader in producing high-performance professional audio equipment trusted by the most discerning professionals for every possible sound reinforcement application. EAW is a registered trademark of LOUD Technologies Inc. in the United States and other countries. All other trademarks are the property of their respective owners.
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Kati Naish Named Brand Administrative
Coordinator For EAW
Whitinsville, MA – August 23, 2007 - EAW has appointed Kati Naish to the position of Brand Administrative Coordinator. The appointment was announced by Karen Anderson, EAW Director of Marketing Communications.
Based in the Woodinville, WA facility, Naish is handling a wide range of responsibilities, including overall administrative support, meeting scheduling and planning, marketing project logistics, trade show and event planning, as well as rep and distributor support.
Naish offers a diverse background in administration and marketing, coming to EAW from previous stints at Microsoft as Corporate Event Manager, in addition to serving as a paralegal for a law firm and providing marketing services for a medical staffing company.
“We’re very fortunate to have someone of Kati’s diverse experience come aboard to contribute on many levels to the EAW team,” notes Anderson. “Her adaptability and enthusiasm will be invaluable, particularly as we continue to expand the services and programs provided in support of EAW’s worldwide customer base.”
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Kati Naish, EAW Brand Administrative Coordinator
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About EAW
Eastern Acoustic Works (EAW) is a global leader in producing high-performance professional audio equipment trusted by the most discerning professionals for every possible sound reinforcement application. EAW is a registered trademark of LOUD Technologies Inc. in the United States and other countries. All other trademarks are the property of their respective owners.
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Consorcio Audiovisa Utilizes EAW Loudspeakers
For 2007 Festival Ollin Kan In Mexico
Whitinsville, MA – August 15, 2007 - The recent 2007 Festival Internacional Ollin Kan, a month-long celebration of music and dance in Mexico that culminates with massively attended outdoor shows held at Mexico City’s famed Zocalo Main Square, received top-quality sound reinforcement by leading hire company Consorcio Audiovisa S.A. de C.V. of Mexico City utilizing a variety of EAW concert loudspeakers.
This year’s version of the lively annual festival highlighted performance styles from several continents around the globe. Based upon its successful work in 2006, Consorcio Audiovisa was again selected this year to support the event with a large-scale concert sound system headed by EAW KF730 compact line arrays and EAW SB1000 subwoofers, as well as EAW LA Series loudspeakers for stage monitoring.
Owned by José Luis and Alex Morales and an ELAN (EAW Line Array Network) company, Consorcio Audiovisa deployed a total system comprised of 48 KF730 modules and 28 SB1000 subwoofers. The number and configuration of loudspeakers were tailored to each of the festival’s diverse individual venue requirements.
To insure total coverage throughout the open-air Zocalo Main Square audiences of more than 50,000, main arrays of KF730 modules flown to the left and right of the large stage were joined by more KF730 arrays posted to the very far sides of the stage, expanding coverage to the extremely wide audience area. Each full-range array was accompanied by a stack of SB1000 concert subs at ground level beneath.
"There are numerous things to like about KF730's, starting with their great response," explains Alex Morales. "They provide huge SPL from such small boxes, so the size-to-power relationship is outstanding. Further, the mid/high signature is excellent. KF730's are also very easy to transport due to their compact size and low weight, and they're really easy to fly.”
As noted, Consorcio Audiovisa was selected to supply sound and support for this year’s festival following a highly successful debut last year, one based upon providing superior service and equipment. Morales points to the KF730 as playing significant role in that strategy.
"In general, the KF730 has helped us enhance the events we work, and has opened doors to expand our client base,” he concludes. “More specifically with Festival Ollin Kan, where we have artists and engineers from so many different countries around the world, not only do the vast majority of their riders specify EAW systems, but they’re also very happy we’re able to provide them.”
Photos & Captions
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 A live performance at 2007 Festival Ollin Kan by Banda Bassotti of Italy at Zocalo Main Square utilizing EAW LA Series stage monitors, with one of the main EAW KF730 line arrays in the background.
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 A view of the system at Zocalo Main Square prior to the 2007 Festival Ollin Kan performances, including the additional EAW KF730 line arrays on the very far sides to supply additional coverage to the extremely wide audience area.
About EAW
Eastern Acoustic Works (EAW) is a global leader in producing high-performance professional audio equipment trusted by the most discerning professionals for every possible sound reinforcement application. EAW is a registered trademark of LOUD Technologies Inc. in the United States and other countries. All other trademarks are the property of their respective owners.
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Chemtrol División Teatro Selects EAW Loudspeakers
For New Centro Cultural Miguel Delibes
Whitinsville, MA – August 9, 2007 - Internationally hailed as a spectacular live performance environment, the new Centro Cultural Miguel Delibes in Valladolid, Spain features high-end AV systems developed by the División Teatro (Theatre Division) of Madrid-based Chemtrol that offer premium pro audio components, headed by a variety of EAW loudspeakers.
The multifaceted venue houses three significant performance spaces, including a 1,700-capacity auditorium, which is the host venue of the Symphony Orchestra of Castile and Leon in addition to featuring a wide range of other productions. It’s joined by a beautiful 500-seat conservatory as well as a reconfigurable experimental theatre with seating for up to 600.
All of the performance spaces have excellent natural acoustics, with each sound system formulated under the direction of Fernando García Carrión, head of the AV Department of Chemtrol División Teatro, which is noted for two decades of excellence in providing AV designs for many top theatrical venues throughout Spain. All audio components for this project were supplied and fully supported by distributor Pro3 & Co. S.A. of Barcelona.
Both the auditorium and the experimental theatre offer main systems headed by EAW KF730 Series line arrays, and in both cases, the arrays are made up of 18 modules split evenly into flown left-right configurations flanking the stages. In the auditorium, EAW SB730 flyable subwoofers are also incorporated into the line array structures, four per side.
“The KF730 offers a pleasant, natural sonic signature, and its output very controllable from the lowest frequencies to the highest,” explains Carrión. “These arrays have plenty of throw for this application, but with very tight, clean intelligibility.”
Shadowed areas of the auditorium receive bolstered coverage from four EAW UB12e ultra-compact loudspeakers on delay. Dual EAW LA215 loudspeakers provide stage fill, and four EAW SM129z wedges can be utilized for stage monitoring.
Also in the experimental theatre, Chemtrol División Teatro chose to supplement the system with premium EAW NT Series self-powered loudspeakers featuring Gunness Focusing technology that produce studio sonic quality at much higher output levels. In total, four NT59 (15-inch woofer) and two NT29 (12-inch woofer) loudspeakers are available.
The conservatory, meanwhile, is outfitted with a less complex system. Four EAW MK2396 high-quality two-way loudspeakers supply reinforcement, backed by dual EAW JF50z compact two-way loudspeakers.
“The entire Chemtrol Divisón Teatro team is very pleased with the systems devised for this project, with the client equally pleased with what has been accomplished in terms of sonic quality and system operability in each application,” concludes Carrión. “We are very glad to have such a great working with relationship with Pro3, and really appreciate their unwavering support of our efforts, as well as the excellence of the top brands they represent.”
Photos & Captions
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 A perspective of the auditorium of the new Centro Cultural Miguel Delibes, where EAW KF730 Series line arrays provide primary sound reinforcement.
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About EAW
Eastern Acoustic Works (EAW) is a global leader in producing high-performance professional audio equipment trusted by the most discerning professionals for every possible sound reinforcement application. EAW is a registered trademark of LOUD Technologies Inc. in the United States and other countries. All other trademarks are the property of their respective owners.
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Gemini Sound Selects EAW KF730 Series Line Arrays To Lead New System At Abilene’s Historic Paramount Theatre
Whitinsville, MA – July 25, 2007 - The Paramount Theatre in downtown Abilene, Texas, a monument to an earlier time of movie palaces and vaudeville performance, now offers a new, dynamic sound reinforcement system designed and installed by Gemini Sound of Dallas that's highlighted by EAW KF730 compact line arrays as well as JF50S two-way loudspeakers and SM200iH stage monitors.
Built in 1930, the distinctive Spanish-Moorish architecture of the Paramount Theatre received a new lease on life with a 1986 renovation that has led to it serving as a valuable community asset in providing live and motion picture entertainment of many varieties. The restoration and renovation took over six months and resulted in a prestigious Texas Award for Historic Preservation from the Texas Historical Commission.
Late last year, Gemini Sound began the process of developing a new sound reinforcement system for the 1,199-seat theatre, which has a main floor as well as lower, middle, and upper balconies. In formulating the design, the system team collaborated with key theatre personnel that included Executive Director Betty Hukill, Artistic Director Barry Smoot and Technical Director Jennifer Lashley.
"We didn't want to utilize a trapezoidal box approach with this design," explains Gemini Sound President Tim Cain. "There were aesthetic and infrastructure issues to address, with a line array design much more capable of eliminating those concerns while also meeting coverage and concert-type performance goals. The KF730 Series furthers this with its very compact size-to-output ratio, and its sonic signature is excellent."
The line arrays are flown to the left and right of the stage, tucked well up and out of the way. Each is comprised of two SB730 flying subwoofers that fit seamlessly within the array structure, with five KF730 full-range modules below, tapered back into a classic "J" shape.
The arrays are able to provide seamless coverage from front to back and side to side, with careful placement and the inherent pattern control of the boxes helping to keep output off of side walls and balcony faces to prevent reflections and reverberation. They're supported by compact JF50S loudspeakers on the stage that supply mid/high fill to the first few seating rows, with four EAW SM200iH wedges available for any stage monitoring needs.
"This is a well-executed system, fully taking into account the current and future needs of the client - and then some," Cain concludes. "We all agree that it's an optimum solution in meeting sonic requirements in a challenging retrofit situation."
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 The new EAW KF730 Series line arrays shown in perspective with the Spanish-Moorish architecture of the Paramount Theatre.
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 One of the two EAW KF730 compact line arrays, topped by dual SB730 subwoofers, installed at the Paramount Theatre by Gemini Sound.
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About EAW
Eastern Acoustic Works (EAW) is a global leader in producing high-performance professional audio equipment trusted by the most discerning professionals for every possible sound reinforcement application. EAW is a registered trademark of LOUD Technologies Inc. in the United States and other countries. All other trademarks are the property of their respective owners.
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EAW Introduces UX8800 Dual-Mode
Digital Signal Processor
Whitinsville, MA – July 11, 2007 - The new EAW UX8800 is a 4-input by 8-output digital signal processor that brings the company’s landmark Gunness Focusing technology to an ever-increasing number of conventional EAW loudspeakers, with true dual-mode capability making it equally adept as a loudspeaker processor or an overall system processor.
Gunness Focusing involves the application of sophisticated, custom DSP algorithms designed specifically to correct loudspeaker response anomalies. The result is the elimination of the time smear, horn "honk" and low-frequency cone resonances that plague conventional reinforcement system designs. (EAW is rapidly developing Gunness Focusing settings for its loudspeaker systems, posted on a regular basis for free download on www.eaw.com.)
In addition, the UX8800 is intimately linked to both EAW Smaart and EAW FChart acoustic measurement and analysis platforms. This is crucial to users and engineers in that it guarantees processing that exactly matches the processor settings determined in the laboratory by EAW engineers.
In the UX8800’s loudspeaker processor mode, the user can establish up to four individual loudspeaker specific processing units, each with locked down product-specific settings for crossover, equalization, alignment processing, and limiting. Output channels are assigned for each of the loudspeaker's separately amplified subsystems (2-way, 3-way, etc.).
Further, by entering the gain and maximum voltage ratings of the power amplifiers being driven by each output channel, the UX8800 calculates the correct output limiter settings (such as excursion and power handling) of the individual drivers. In addition, a distance and humidity-dependent air loss pre-emphasis filter can be engaged to overcome expected air losses over longer projection distances.
Also in loudspeaker processing mode, each processing unit offers a full complement of user-adjustable DSP parameters (EQ, level, delay and polarity). This provides the critical alignment control that is normally required for overall system alignment and adjustment.
In system processor mode, all settings and parameters for both inputs and outputs are user-adjustable. The processor's 4-input x 8-output architecture is custom-configured by the user to suit the particular application.
The powerful UX8800 digital engine features state-of-the-art 48-bit/96-kHz efficiency. Both input and output connectors are XLR type, with digital inputs to accommodate AES/EBU and the coming EAW U-Net connectivity while eliminating A/D and D/A stages.
The front panel offers access to all operational, user-controllable parameters via buttons, encoders and a brightly back-lit LCD panel. More advanced setup and tailoring can be done via EAW Pilot software (supplied with the unit) on a PC plugged in via an RJ45 port on the front panel.
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 The new EAW UX8800 dual-mode digital processor with Gunness Focusing technology.
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About EAW
Eastern Acoustic Works (EAW) is a global leader in producing high-performance professional audio equipment trusted by the most discerning professionals for every possible sound reinforcement application. EAW is a registered trademark of LOUD Technologies Inc. in the United States and other countries. All other trademarks are the property of their respective owners.
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Scott Pizzo Appointed Director Of U.S. Sales At EAW
Whitinsville, MA – July 3, 2007 - EAW has appointed professional audio industry veteran Scott Pizzo to the position of Director of U.S. Sales. The appointment was announced by Jeffrey Cox, Vice President of the EAW Brand Group.
Pizzo brings 20-plus years of pro audio experience to the position, where he will lead the company’s overall sales efforts in addition to directing EAW’s team of 17 U.S.-based independent sales rep firms. He will be based at the company’s Whitinsville, MA offices.
Pizzo joined EAW more than four years ago as a member of the technical sales team, focusing on the installation, touring and retail channels. Previously he held a position in technical sales for Lexicon, and prior to that, worked as an independent sound engineer.
“During his tenure with EAW, Scott has consistently demonstrated great responsiveness in serving the needs of our growing customer base,” noted Cox. “His in-depth understanding of the market and technology are also a huge asset both for the company and our customers.”
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 Scott Pizzo, EAW U.S. Director Of Sales
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About EAW
Eastern Acoustic Works (EAW) is a global leader in producing high-performance professional audio equipment trusted by the most discerning professionals for every possible sound reinforcement application. EAW is a registered trademark of LOUD Technologies Inc. in the United States and other countries. All other trademarks are the property of their respective owners.
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Acoustics By Design Specifies EAW KF730 Series Line Arrays At Fine Arts Auditorium In Michigan
Whitinsville, MA – June 26, 2007 - The new 1,600-seat Fine Arts Auditorium at East Kentwood (Michigan) High School features a high-end sound reinforcement system headed by EAW KF730 compact line arrays in left-center-right configuration, accompanied by EAW SB730 flown subwoofers.
The system – an important component of a complete renovation of the original facility built in 1969 – was specified by Acoustics By Design, a noted acoustical and system consulting firm based in Grand Rapids, Michigan. Tim Hamilton of Acoustics By Design took the point on the project, working closely with Rick Westers, a veteran of more than 20 years of teaching production at the school who also works as a free-lance sound engineer.
After a great deal of discussion, Hamilton and Westers decided line arrays would be appropriate for the space, which hosts a busy schedule of national concert and theatrical tours in addition to serving school production needs and functioning as a learning environment for students. After intensive analysis of the room, Hamilton recommended three line arrays in left-center-right configuration, with all three arrays made up of six KF730 modules in a gentle “J” configuration.
The arrays provide complete full-range coverage from the front row to the back, without the need for additional delay loudspeakers that can sometimes overcomplicate systems of this nature, while also adding cost. "There's definitely no need for delay with this system," Hamilton says. "That's one of the big advantages of a premium line array system like the KF730, where you're guaranteed solid, tight coverage throughout a room of this size and overall large volume."
"I've always been a big EAW fan in general, and really like the sound quality and coverage provided by the KF760 line arrays," Westers adds. "But they would be a bit too much for this room, so I was thrilled when the KF730 was introduced. Following a live, working demo of KF730's for a gig I mixed at Michigan International Speedway, I knew the 730's were something very special."
East Kentwood High School is Westers’ first experience with the SB730 subwoofers, and he's impressed. Dual SB730 subs are mounted at the catwalk level adjacent to the left and right KF730 arrays. "I'm pleased. While I always love the double-18 power of the (EAW) SB1000's, these subs are perfect for this application, doing a great job while being up off the floor and out of the way."
Westers is more than pleased with both the new facility and its high-end sound reinforcement system, which also includes a couple of EAW SM109z compact stage wedges. "This system fits the essence of exactly what is needed for every production that appears on this stage," he concludes. "The sound quality, fidelity and coverage are at the highest capacity, and the system is very well designed now and for the future."
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 A view of the new Fine Arts Auditorium at East Kentwood High School, with sound reinforcement supplied by flown left-center-right EAW KF730 line arrays, with dual SB730 subwoofers positioned adjacent to left and right arrays.
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 Tim Hamilton of Acoustics By Design at the Fine Arts Auditorium house mix position.
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About EAW
Eastern Acoustic Works (EAW) is a global leader in producing high-performance professional audio equipment trusted by the most discerning professionals for every possible sound reinforcement application. EAW is a registered trademark of LOUD Technologies Inc. in the United States and other countries. All other trademarks are the property of their respective owners.
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MMC Chooses EAW AX Series Loudspeakers At Meng Concert Hall
Whitinsville, MA – June 12, 2007 - The 800-seat Meng Concert Hall at the new Performing Arts Center at California State University, Fullerton, features a high-end sound reinforcement system designed by Multi-Media Consulting Inc.(MMC) of Los Angeles that incorporates EAW AX Series loudspeakers and SB Series subwoofers.
MMC Founding Principal Rick Wells took the lead role in the system design process for Meng Concert Hall, specifying three sets of dual EAW AX366 loudspeakers to provide seamless full-range coverage throughout the room. The loudspeakers are flown in a "one above the other" configuration at carefully selected positions above the front edge of the room's large stage, with each set joined by a single EAW SBX220 subwoofer. All loudspeaker cabinets are painted a custom color selected to blend in with the aesthetics of the space.
The AX Series is a versatile collection of arrayable loudspeaker modules that meet the higher output demands of larger venues. All AX enclosures have an identically sized, dual trapezoidal shape that permits creating horizontally or vertically orientated arrays in a variety of beamwidths, with precise horizontal and vertical pattern symmetry maintaining the proper relationship between the polar patterns.
Wells, whose firm provides full-service media systems design and consulting, selected AX Series loudspeakers for this prestigious project following an extensive demo process that included numerous leading competitive loudspeaker models. MMC also supplied system designs for several other live performance spaces housed within the venue.
Criss Niemann of Audio Geer, Huntington Beach, California, contributed valuable input at the early stages of the design, with expert system installation by GroggWorks Inc. of San Diego.
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 Perspective of Meng Concert Hall, with the system's EAW AX Series loudspeakers in left-center-right configuration above the stage.
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 A closer look at two of the three AX Series arrays at Meng Concert Hall.
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About EAW
Eastern Acoustic Works (EAW) is a global leader in producing high-performance professional audio equipment trusted by the most discerning professionals for every possible sound reinforcement application. EAW is a registered trademark of LOUD Technologies Inc. in the United States and other countries. All other trademarks are the property of their respective owners.
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Pronorte Sonido Supplies EAW KF730 Line Arrays For Les Luthiers Concerts In Madrid
Whitinsville, MA – June 12, 2007 - Premier PA hire company Pronorte Sonido of Asturias, Spain, supplied EAW KF730 compact line arrays as key components of a complete sound reinforcement system for recent concert performances in Madrid by Argentinian comedy-musical group Les Luthiers.
Formed in 1967, Les Luthiers is popular in both Europe and South/Central America. The group is known for its homemade musical instruments (the term “luthiers” is French for "musical instrument maker"), which are employed in their performances, accompanied by refined humor.
The sold-out Madrid shows, titled “Las Obras de Ayer,” were held throughout May, 2007, at the 1,900-seat Palacio Municipal de Congresos. As they have in several trips to Spain, Les Luthiers once again relied upon Pronorte Sonido to provide the concert sound system as well as technical support.
Miguel Zagorodny of Buenos Aires, sound technician for Les Luthiers over the past 10-plus years, is most concerned with exceptional intelligibility and solid coverage throughout the entire listening area. Working with Pronorte, he formulated a left-center-right main loudspeaker rig to meet these goals for the Madrid dates.
“Usually we tour with the larger EAW KF760 larger-format line arrays, but the lesser scale of the Palacio Municipal made the KF730 the optimum choice to meet all of our sound reinforcement goals,” Zagorodny notes.
This marks the fifth consecutive time Pronorte has been selected to provide the system and support for Les Luthiers in Spain. As Pronorte Director José Javier García explains, “Miguel (Zagorodny) is a very exacting sound technician, with a great deal of experience. He’s studied all of the top loudspeaker systems available, so he is obviously quite pleased with EAW supplied by Pronorte. The system is quick and efficient to install, has an exceptionally natural midrange and is very predictable to adjust, providing Miguel with more time to work on microphone issues with voices and the unusual assortment of instruments.”
Pronorte began utilizing EAW equipment more than 15 years ago, providing the venerable EAW KF850 Virtual Array system for a wide range of concert tours, including Placido Domingo and the New York Metropolitan Orchestra.
“The efficiency of all EAW loudspeakers we’ve utilized, and their widespread acceptance with tours, has been an enhancement to our profitability,” García adds. “The KF760 and KF730 Series follow the same EAW philosophy: efficiency, reliability, ease of operation and exceptional overall sound quality.”
Photos & Captions
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 The popular group Les Luthiers in concert in May, on the stage at for a series of sold-out shows at Palacio Municipal de Congresos in Madrid.
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 One of the three EAW KF730 compact line arrays deployed in left-center-right configuration for Les Luthiers live at Palacio Municipal de Congresos in Madrid.
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About EAW
Eastern Acoustic Works (EAW) is a global leader in producing high-performance professional audio equipment trusted by the most discerning professionals for every possible sound reinforcement application. EAW is a registered trademark of LOUD Technologies Inc. in the United States and other countries. All other trademarks are the property of their respective owners.
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Peak Sound & Light Invests In EAW KF730 Series Line Arrays
Whitinsville, MA – May 20, 2007 - Peak Sound and Light of Cheltanham, U.K., has recently chosen to invest in EAW KF730 Series SLAM line arrays (16 KF730 full-range modules and eight SB730 subwoofers) as the latest addition to its rental PA inventory.
“I’ve been a big fan of EAW for a number of years, and when the need for a new system arose, my first thoughts turned to the SLAM (Small Line Array Module) system from EAW,” says Karl Ashman, managing director at Peak, “the company and products have always impressed me.”
Peak selected the KF730 Series primarily due to its scalability and modular design, Ashman explains. “As a company we work on a wide variety of events – everything from a small conference to large outdoor events – and the system we have bought will give us the capability to cover all of the events we work on.”
Peak was founded almost 30 years ago, but it is the last few years that have seen massive growth in the company. From relatively humble beginnings providing disco and theatre lighting, the company is now involved in a number of large conferences and events all over the U.K. In fact the EAW system was barely in the warehouse before being shipped straight to central London for its first job – less than a week after it arrived.
“We were asked to provide sound services for the Making our Mark event – a march through central London followed by a concert in Kennington Park – and the system worked perfectly,” says Ashman. “And then just a few weeks later we were at the Winter Gardens in Blackpool for the Assemblies of God conference. It just goes to show the diversity of the system – one week we are in a field for 3,000 people, and the next we are inside a conference hall for 2,500.”
The system works in conjunction with another recent purchase - a pair of Litec D30 Flying Towers that are “a perfect match,” according to Peak General Manager Stu Petersen. “The system works equally well when ground stacked, or flown – it’s very easy to fly, so that is our preferred option.”
But it isn’t all about the system itself. Peak also joins the ELAN (EAW Line Array Network) which will lead to more opportunities both for networking with other EAW owners as well as collaborations on future projects. This has been further enhanced by the recent B4 Roadshow educational tour of Europe, which was attended by Ashman as well as FOH engineers Dave Cleaves and Dan Keating.
“We were impressed by the forward thinking nature of the team at EAW, particularly their focus on the end user,” concludes Ashman. “It’s great to see the advances that the company is making, and I hope that this is the first step in a life-long partnership”
For more information about Peak Sound and Light, please visit www.peaksoundandlight.co.uk, email rob.haworth@peaksoundandlight.co.uk or call 0870 333 1701 / 07977 498170.
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 The EAW KF730 Series arrays provided by Peak Sound and Light for Making Our Mark in Kennington Park.
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 Peak Sound and Light’s new EAW KF730 Series line arrays, including SB730 flying subwoofers, deployed for the Assemblies of God Conference in Blackpool.
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About EAW
Eastern Acoustic Works (EAW) is a global leader in producing high-performance professional audio equipment trusted by the most discerning professionals for every possible sound reinforcement application. EAW is a registered trademark of LOUD Technologies Inc. in the United States and other countries. All other trademarks are the property of their respective owners.
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Carlson Audio Supplies EAW KF760 Line Arrays For Modest Mouse Concert Tour
Whitinsville, MA – May 11, 2007 - Carlson Audio of Seattle is providing the sound reinforcement system and experienced technical support for the current North America concert tour by indie rock band Modest Mouse, with the system headlined by EAW KF760 Series line arrays. The band is touring in support of their recently released album, We Were Dead Before The Ship Even Sank, which debuted at number one on the U.S. Billboard chart.
Carlson Audio, headed by company founder Mark Carlson, has dispatched veteran sound engineer Allan Bagley to serve as head system tech, where he rides herd over a rig that varies from show to show due to the diverse styles of venues being visited by the tour. Generally, the flown main arrays are made up of several KF760 full-range line array modules above two to three KF761 specialized wide-dispersion modules that help meet coverage needs at the front of the audience areas.
"The KF760 rig is doing its usual fine job of meeting and exceeding whatever full-range coverage needs that happen to come up along the way," Bagley noted during system setup prior to a sold-out show at Chicago's Auditorium Theatre.
The system is enhanced with EAW SB1000 dual-18-inch-loaded subwoofers as well as compact EAW loudspeakers placed at the front of the stage when needed to offer additional front-fill to the very first rows. Further, EAW KF850 full-range concert loudspeakers are supplying stage fill. And, the drive racks for the system feature EAW MX8750 digital signal processors.
Since investing in EAW KF760 Series line arrays several years ago, Carlson Audio has supplied them for a wide range of concert touring acts, such as Pearl Jam, REM and Queensryche, and they also continue to serve a busy schedule of regional and local concert events.
Photos & Captions
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 Dual EAW KF760 line arrays flown by Carlson Audio for Modest Mouse for a sold-out show at Chicago’s Auditorium Theatre.
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 Carlson Audio’s Allan Bagley, system tech for the tour, with one of the stacks of EAW SB1000 subwoofers being utilized on the tour.
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About EAW
Eastern Acoustic Works (EAW) is a global leader in producing high-performance professional audio equipment trusted by the most discerning professionals for every possible sound reinforcement application. EAW is a registered trademark of LOUD Technologies Inc. in the United States and other countries. All other trademarks are the property of their respective owners.
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Exhibo, EAW Team Up For Prestigious Galileo Awards
Whitinsville, MA – May 10, 2007 - EAW LS432 line source loudspeakers and JF50 compact loudspeakers were deployed to provide highly intelligible sound reinforcement at the Galileo Awards, held recently in Padua, Italy, to honor scientific inquiry and literature.
The prestigious event was fittingly hosted at the historic Palazzo della Ragione in Padua, the city that was the site of Galileo's observatory in the early 1600's when he helped complete an astronomical revolution. Palazzo della Ragione is one of the most important ancient buildings of the European Age of Commons, constructed starting in 1218.
The beautiful hall, measuring 82 meters long and 27 meters wide, has a roof shaped as a reversed hull, with hard surfaces abounding. These physical parameters create a very difficult acoustic situation for amplified sound reinforcement.
The sound team appointed for the event - Target Due of Padova and Full Sound Service of Pressana, both supported by EAW Italy Distributor Exhibo S.p.A. – devised a distributed sound approach utilizing just 16 loudspeakers, most of them stand-mounted. The LS432 loudspeakers were positioned along the long walls of the hall and then supplemented in specific regions by JF50's.
"Due to its extremely high reverberation time, the room has always been a nightmare for rental companies," explains Riccardo Rasponi of Exhibo. “With speech intelligibility being by far the highest of priorities for this event, it dictated loudspeakers with extremely narrow and controlled vertical coverage patterns within the speech frequency spectrum. The LS432 did this job perfectly."
Exhibo Electroacoustic Designer Guido Diamanti adds: "We did some careful calculations in order to determine the exact right number of loudspeakers, to be sure that not only could enough sound pressure level be attained, but also to avoid stray energy that would serve as reverberated sound."
All went very well with the application, Rasponi notes, and in fact, Padua authorities have already requested that the same system be utilized for other events being held later this year at Palazzo della Ragione.
Photos & Captions
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 EAW LS432 line source loudspeakers positioned on stands along one of the long walls of the Palazzo della Ragione to provide focused distributed sound reinforcement.
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About EAW
Eastern Acoustic Works (EAW) is a global leader in producing high-performance professional audio equipment trusted by the most discerning professionals for every possible sound reinforcement application. EAW is a registered trademark of LOUD Technologies Inc. in the United States and other countries. All other trademarks are the property of their respective owners.
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Joe Fustolo Named Manager Of The EAW Application Support Group (ASG)
Whitinsville, MA – May 1, 2007 - Professional audio industry veteran Joe Fustolo has been named Manager of the EAW Application Support Group (ASG), the company’s multifaceted team offering a wide range of specialized technical services to the EAW customer base. The appointment was announced by Jeffrey Cox, Vice President of the EAW Brand Group.
Fustolo brings more 15 years of hands-on pro audio experience in leading the ASG team, which serves to provide in-depth technical and system information which includes product and application guidance, loudspeaker system design and review, as well as hands on training and educational tools such as white papers and CD-ROMs. ASG also provides answers and input via EAW’s popular on-line technical forum established on the company website (www.eaw.com).
Fustolo joined EAW five years ago as an ASG Specialist, and previously served as a sound system designer/installer for a leading system integration firm in the Boston area. Prior to that, he served as FOH and monitor engineer for a large sound reinforcement company based in New England, in addition to a stint as a recording engineer.
“I plan to not only continue the exceptionally high standards set by ASG in serving our customers, but to expand upon EAW’s overall long-standing tradition of providing the best support possible,” Fustolo notes. “It’s truly a privilege to work with cutting-edge products and the brightest, most passionate people in the pro audio industry.”
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 Joe Fustolo, Manager Of EAW ASG
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About EAW
Eastern Acoustic Works (EAW) is a global leader in producing high-performance professional audio equipment trusted by the most discerning professionals for every possible sound reinforcement application. EAW is a registered trademark of LOUD Technologies Inc. in the United States and other countries. All other trademarks are the property of their respective owners.
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EAW Launches B4 Roadshow Education Initiative
Whitinsville, MA – April 23, 2007 - EAW has launched the B4 Roadshow, an education initiative encompassing both general audio training as well as focus on new EAW technologies and products. The B4 Roadshow kicks off with several dates this coming spring (2007) in Europe before moving to North America for coast-to-coast dates. (The latest itinerary can be viewed at www.eaw.com/support/b4/.)
Based upon the highly successful B3 ("Brains, Boxes & Beyond") education sessions presented to hundreds of audio professionals in 2006, the B4 Roadshow goes well beyond that landmark effort, conducted by EAW's training and educational staff that offers decades of collective real-world pro audio experience.
Each two- and three-day B4 event features a full day of Smaart School, focusing on the fundamentals of EAW Smaart and the new Smaart v.6 measurement and analysis software. Taught by EAW Smaart experts Jamie Anderson and Martyn “Ferrit” Rowe, the class will also include tips and techniques for large-scale system alignment and response optimization.
This is followed by a day of "System Bootcamp" – led by EAW Training Manager Bernie Broderick – where attendees are provided with diverse live and installed audio coursework as well as a step-by-step overview of configuring, rigging, powering, processing, and tuning a full-scale sound reinforcement system. Training is also being provided on new EAW products such as the UX8800 digital processor providing Gunness Focusing for an ever-growing list of current EAW loudspeakers.
Attendees are also introduced to other new EAW developments including the UMX.96 digital live console, SB1002 flyable subwoofers, EAW Commercial CAM Series mixer/amplifiers and CXA Series power amplifiers, and more.
It's all topped off with a demonstration of EAW's latest technologies and products in action, presented in a “Tradeshow" format. In addition, members of the EAW Application Support Group (ASG), sales team and product development group will be on hand to discuss products and answer questions.
Pre-registration at www.eaw.com is required for the Smaart School course, at a cost of $300 (USD) that includes breakfast, lunch and all course-related materials. There is no cost for System Bootcamp and the Tradeshow, which are open to all interested audio professionals.
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 Jamie Anderson, EAW Touring Products Manager & Smaart School Instructor
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 Bernie Broderick, EAW Technical Training Manager
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About EAW
Eastern Acoustic Works (EAW) is a global leader in producing high-performance professional audio equipment trusted by the most discerning professionals for every possible sound reinforcement application. EAW is a registered trademark of LOUD Technologies Inc. in the United States and other countries. All other trademarks are the property of their respective owners.
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Anderson Audio Adds 20 EAW KF760 Series Line Array Loudspeakers And 16 SB1000 Subwoofers To Inventory
Whitinsville, MA – April 14, 2007 - Anderson Audio of Harrisburg, Pennsylvania, has added 20 EAW KF760 Series line array loudspeakers to its diverse audio system inventory. The new KF760 full-range and KF761 down-fill modules are capable of providing high-impact sound reinforcement for arena and stadium applications.
In addition, Anderson Audio has further bolstered its concert sound capabilities with the addition of 16 EAW SB1000 double-18-inch subwoofers. All of these new components join EAW KF730 compact line array loudspeakers as well as EAW JF80 compact loudspeakers and EAW SM200 stage monitors that were already in the company’s inventory.
Anderson Audio has long specialized in providing a wide range of production services for corporate and theatrical clients as well as high-profile special events, and the new EAW inventory now positions them to fully serve the needs of concert sound reinforcement as well. In fact, the new line array system and subwoofers have already been utilized for a just-completed Midwestern U.S. tour swing by popular country artist Vince Gill.
“The KF760 line arrays and SB1000 subs, as well as the supporting electronic products we added concurrently, are ideal for the concert portion of the market while also providing more flexibility to our entire customer base,” explains Chris Anderson, president and founder of the company.
“Everyone who gets in front of this new system has offered rave reviews,” he adds. “The sound quality is unmistakably EAW, and one engineer in particular was amazed that so little needs be done with the rig to attain a superior concert signature.”
For more information about Anderson Audio Inc., go to http://www.andersonaudio.com
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No photos available with this news release.
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About EAW
Eastern Acoustic Works (EAW) is a global leader in producing high-performance professional audio equipment trusted by the most discerning professionals for every possible sound reinforcement application. EAW is a registered trademark of LOUD Technologies Inc. in the United States and other countries. All other trademarks are the property of their respective owners.
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Calvary Church Benefits From Dynamic System Headed
By EAW KF730 Series Line Arrays
Whitinsville, MA – April 7, 2007 - The worship center at Calvary Church of Santa Anna (California) now benefits from a new sound reinforcement system offering concert-type performance and functionality, headed by EAW KF730 compact, high-output line array loudspeakers.
Gates Sound, based in nearby Buena Park, California, is headed by Doug Gates, who has successfully transitioned his work in live sound to a thriving installation business, counting work with churches as a primary specialty. On this project, he worked closely with Calvary Church Technical Arts Director Trevor Behrns in devising a system solution and then making it a reality.
The biggest challenge is the width of the room, which requires well over 100 degrees of horizontal coverage from the loudspeakers. Three leading line array models, all providing wide enough coverage for this application, were identified and subsequently brought in for evaluation in the worship center.
A group of church representatives made the final decision based upon this direct comparison, choosing EAW KF730 small-format line arrays that offer 110-degree horizontal dispersion and plenty of output despite their compact footprint. Each KF730 includes dual 1.75-inch-voice-coil compression drivers and dual 7-inch cone drivers both working with a mid-/high-frequency horn that fills the entire face of the enclosure, maintaining horizontal pattern control throughout the MF/HF pass-band.
In addition, the low-frequency section offers EAW’s proprietary Phase Aligned design that extends the full 110 degrees of horizontal coverage all the way down to 160 Hz. The design also spaces the dual 10-inch LF cone drivers so that their bandwidth matches that of the MF through crossover.
“What we wanted, and what has been delivered by the KF730’s, is a really full, warm sound signature,” Behrns says. “We didn’t need gigantic rock music levels, even though this system can deliver it, but rather, full-bandwidth and very even coverage at every seat, without variance. When someone would complain about the old system, we’d ask ‘where did you sit?’ because the coverage was so spotty. We don’t have to worry about that anymore.”
EAW KF730 Wizard software provided an assist in determining array structure, cabinet count and aiming. Audio Geer, EAW’s sales representative firm for the region, provided support on this facet, and later returned to offer an assist with final tuning and analysis, deploying SIA Smaart-Live.
The system is configured in stereo, with left and right line arrays made up of seven modules each, flown above the very far sides of the stage. Modeling had shown this approach to be optimum in terms of coverage, except for a slight “hole” in mid-/high-frequency presence at the very front/center seats. The small gap was addressed with dual KF730 modules flown centrally above the front of the stage, tucked tightly up to the ceiling.
Standard KF730 flying hardware was used to securely fix the arrays to a load-rated beam traversing the stage. Splay brackets included in the hardware package allowed the installers to easily fix the splay angles between enclosures.
“This was really an easy install as far as the loudspeakers,” Gates notes. “The arrays go together very easily and the hardware is precise and solid.”
Photos & Captions
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 A view of the worship center at Calvary Church now receiving sound reinforcement via EAW KF730 line arrays flown left and right above the platform.
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 System collaborators Doug Gates (left) and Trevor Behrns at the Calvary Church house mix position.
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About EAW
Eastern Acoustic Works (EAW) is a global leader in producing high-performance professional audio equipment trusted by the most discerning professionals for every possible sound reinforcement application. EAW is a registered trademark of LOUD Technologies Inc. in the United States and other countries. All other trademarks are the property of their respective owners.
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New EAW Smaart v.6 Now Released And Available
Whitinsville, MA – March 28, 2007 - New EAW Smaart v.6 for PC and Mac has been released and is available for download at the EAW website (specific URL: http://www.eaw.com/smaart).
This Smaart v.6 download can be run as a fully functional 30-day demo, and can be unlocked into a full license through the on-line purchase of a Smaart v.6 license code for $795. Additionally, as an EAW branded product, Smaart v.6 can also be purchased as a physical software package via the standard EAW dealer and distributor network.
Smaart v.6 sound system measurement and analysis software features a comprehensive re-write of its underlying architecture that dramatically enhances multi-tasking, in addition to a new streamlined interface for simpler operation and for the first time ever, full compatibility with Macintosh OS X.
Specifically, Smaart v.6 is now a Universal application designed to take full advantage of the performance increases delivered by Intel-based Macs. It is now built from a unified cross-platform source base with near-complete parity between both Mac OS X and Windows versions, in addition to working with Core Audio and ASIO drivers.
Further, Smaart v.6 can receive multi-channel inputs via ASIO under Windows or Core Audio on
Mac OS X, enabling selection of measurement signals from a multi-channel device within Smaart. This new data acquisition module opens up a vast array of multi-channel audio devices now available on the market, such as the Mackie Onyx 800F FireWire preamp. It greatly simplifies the hardware setup requirements for operating a multi-microphone Smaart measurement rig. (Note that current Smaart users preferring to switch to the Mac version need only to pay the standard upgrade fee for Smaart v.6.)
Smaart v.6 also has dramatically increased capability for storing, recalling, and displaying a virtually unlimited number of reference data traces such as Frequency Response and RTA. Moreover, all captured measurements are now stored directly to the hard drive to prevent accidental loss due to power failures or other interruptions. Advanced trace averaging capabilities have also been added.
To access the EAW Smaart v.6 download, go to http://www.eaw.com/smaart
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 A screenshot of new EAW Smaart v.6.
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About EAW
Eastern Acoustic Works (EAW) is a global leader in producing high-performance professional audio equipment trusted by the most discerning professionals for every possible sound reinforcement application. EAW is a registered trademark of LOUD Technologies Inc. in the United States and other countries. All other trademarks are the property of their respective owners.
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Martyn “Ferrit” Rowe Named EAW Product Specialist
Whitinsville, MA – March 22, 2007 - Veteran concert sound professional Martyn “Ferrit” Rowe has joined EAW as Product Specialist, where he will apply more than 25 years of professional audio experience to EAW’s rapidly expanding training and educational initiatives.
Ferrit’s first focus will be providing hands-on training for operation of the new EAW UMX.96 large-format digital mixing console. He will also play a key role in developing relevant, real-world-based curriculum and presentations for company educational programs such as the highly successful “Brains, Boxes & Beyond” (B3) sessions and the worldwide B4 Roadshow program.
Ferrit comes to EAW from the Las Vegas operation of Production Resource Group (PRG), where for several years he served as head of Audio Technical Services. He began his career in the late 1970s with TASCO, a leading touring sound company at that time, and while there, he handled monitor engineering and system technician duties for a wide range of top acts, such as Thin Lizzy, Deep Purple and Judas Priest.
He also supplied free-lance monitor engineer services for the Cranberries for four years and system technician services for Motley Crue, in addition to lending his talents to several Las Vegas productions. And, he has also conducted training sessions on behalf of L-Acoustics.
“It’s an exciting time to be come aboard as a member of the EAW team,” Ferrit notes. “There’s a congregation of veteran pro audio talent that is firmly committed to truly serving the pro audio industry in terms of technological innovation combined with in-depth support, such as a deep commitment to education, to back it up.”
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 Martyn "Ferrit" Rowe, EAW Product Specialist
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About EAW
Eastern Acoustic Works (EAW) is a global leader in producing high-performance professional audio equipment trusted by the most discerning professionals for every possible sound reinforcement application. EAW is a registered trademark of LOUD Technologies Inc. in the United States and other countries. All other trademarks are the property of their respective owners.
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EAW NT Series Loudspeakers Headline New System
At Bainbridge Performing Arts Playhouse
Whitinsville, MA – March 8, 2007 - The Bainbridge (Washington) Performing Arts Playhouse, a purpose-built live entertainment venue, recently received a completely new sound reinforcement system designed and installed by Flamingo Audio and featuring EAW NT Series loudspeakers.
Located in downtown Bainbridge and originally opened in 1993, the Playhouse, with 254 seats, annually hosts a busy schedule of live theatrical, musical, orchestral and other productions. The original house sound system lasted until earlier this year, when an upgrade was sought.
Brad Walker, president of Flamingo Audio, which is based in nearby Poulsbo, Washington, worked closely with Mark Sell, technical director at The Playhouse, in order to formulate the ideal system for the space. Goals included consistent coverage at every seat in the house, as well as dramatically improved vocal clarity and better overall full-range capability for reinforcing music.
“The previous system is what would commonly be termed as ‘beamy.’ It was difficult to get a balanced sound where everyone was pleased, and we had to apply a lot of equalization to attain any sort of consistency,” Sell explained.
Several leading loudspeaker candidates were ”auditioned” for the new system, and out of this process, EAW NT Series two-way powered (biamplified) loudspeakers were chosen as most suitable. Specifically, two model NT29 12-inch-loaded loudspeakers are flown left and right from the front lighting truss above the stage, carefully positioned to provide coverage to the entire audience area.
The NT Series incorporate an innovative new DSP technology called Gunness Focusing, named after its inventor, EAW Director of Research and Development David Gunness. Basically, Gunness Focusing corrects the sonic problems inherent in conventional compression driver phase plugs, horns, and LF driver technology to achieve performance comparable to premium direct radiating studio monitors, but at much higher output levels needed for sound reinforcement applications.
“These loudspeakers are really flat – even a die-hard fan of a competitor in the demo process had to admit that he was impressed,” Walker says. “I call this a ‘typical’ EAW loudspeaker design, meaning that the NT Series offers good directivity at high frequencies but maintains consistent beamwidth through the crossover point.”
The amplifiers onboard the NT29 loudspeakers offer a high-pass filter switch for crossover to a subwoofer or to minimize proximity effect in voice reinforcement. A fixed low-pass filter along with separate gain and polarity switches allows further optimization of the crossover.
Positioned at the far ends of the lighting truss, the main loudspeakers are flown with standard hardware, with a pullback point to set the appropriate downward tilt. Walker adds that the profile of the boxes is so compact (22.6 inches by 15.inches) that they’re virtually invisible to the audience.
To bolster low-end support, a single Mackie SWA1501 single-15-inch-loaded active powered subwoofer is positioned at about the midway point of stage left. In addition, dual EAW Commercial DR61 compact loudspeakers are flown from the truss, angled back toward the stage to provide downfill coverage to the performers.
All loudspeakers receive audio signal from the other key component in the new system, a Mackie TT24 digital mixing console, with its 24 inputs easily accommodating the venue’s 12 existing UHF wireless microphone systems with plenty of input channels to spare. The TT24 also provides enough processing capability to eliminate the need for additional outboard units.
“A board like the TT24 includes so many useful features for a situation like ours, such as snapshots, mute groups, onboard effects and additional aux sends – just to name a few,” Sell explains. “It’s also very user-friendly while retaining a lot of flexibility.”
Following installation, Walker performed some rudimentary tuning of the system, utilizing EAW Smaart for analysis. “Plug and play was definitely the motto of this process,” Walker concludes. “Mark’s vision was to raise the audio performance benchmark in this region, with components like the EAW NT Series and the Mackie TT24 allowing this to be done fairly easily. It’s amazing how much we can now offer in terms of both improved functionality and sound quality, and with far less hassle and complexity than ever before.”
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 A view of The Playhouse, with sound reinforcement provided by EAW NT Series loudspeakers mounted above stage left and stage right.
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 A closer look at one of the EAW NT29 loudspeakers installed at The Playhouse.
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About EAW
Eastern Acoustic Works (EAW) is a global leader in producing high-performance professional audio equipment trusted by the most discerning professionals for every possible sound reinforcement application. EAW is a registered trademark of LOUD Technologies Inc. in the United States and other countries. All other trademarks are the property of their respective owners.
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EAW Commercial Loudspeakers Provide Premium Sound Reinforcement At ACME Bowling & Events Center
Whitinsville, MA – February 24, 2007 - The new ACME Bowling & Billiard Events Center in Tukwila, Washington offers 40 bowling lanes in addition to seven billiards tables, a video game arcade, a lounge and even a restaurant staffed by professional chefs, all receiving premium sound reinforcement from a range of EAW Commercial loudspeakers.
Located just outside of Seattle, the 51,000-square-foot facility is perhaps more aptly billed as an “entertainment destination,” reflecting the transition of bowling to a social backdrop for family outings, private parties and corporate events. The venue’s professional caliber sound system, designed and installed by Kent, Washington-based Triamp Group, provides an exclamation point on the entertainment objective.
"Our number one goal was to exceed every expectation for audio in a bowling center," explains Kevin Hill, vice president of Triamp Group. "Specifically, we were looking to provide exceptional clarity and musicality throughout the space - even with pins crashing in 40 lanes - and we wanted people to feel low-end energy pounding their chest as they approach the lane."
At the outset of the system design process, Hill set up a demo of leading loudspeaker candidates for ACME Bowl project planners, with the hands-down choice of the group proving to be EAW Commercial VR Series loudspeakers. "Compared to the other models, the VR Series offered much higher output before distortion and an overall better high-fidelity sound," he notes. "We also liked the look of them, with another added advantage that they would be quite easy to install."
Hill chose to mount 20 VR62 (offering dual 6-inch cone woofers) loudspeakers above the 40 bowling lanes. Spaced equidistantly, all of these loudspeakers are secured via their mounting brackets to the backside of a ridge that runs above the lanes, carefully aimed backward and downward to insure that they produce a “blanket of sound” at the area between the back portion of each lane’s approach area and the concourse seating regions.
Bolstering the objective of pounding low-end energy, the VR62 models are joined by EAW Commercial VR Series VRS18 subwoofers. These single-18-inch-loaded units, with vented cabinets, are also positioned equidistantly, flush-mounted to the ceiling right behind the full-range loudspeakers and firing straight down.
The rear portion of the concourse area, from one end of the venue to the other, receives additional coverage from EAW Commercial CIS400 and CIS300 ceiling loudspeakers. Meanwhile, several VR61 full-range loudspeakers, offering the same mid/high-frequency components and coverage as the VR62 but with one 6-inch woofer, handle coverage in the billiards area, again in tandem with several VRS18 subwoofers.
Still more VR61 loudspeakers provide audio coverage in the venue’s expansive lounge, with VRS18 subs again on hand for pounding low-end when wanted. Finally, the arcade is outfitted with CIS400 ceiling loudspeakers, also spaced equidistantly throughout the space.
“It was gratifying to meet all of the client’s goals, and in particular, to provide true hi-fi performance and efficiency at a cost they view as more than reasonable,” Hill concludes.
Photos & Captions
(Click on thumbnail for hi-res version of image)
 A look at the EAW Commercial VR62 loudspeakers providing dynamic full-range reinforcement to all 40 bowling lanes at new ACME Bowling & Billiard Events Center in Tukwila, Washington.
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 Alternative view of the EAW Commercial loudspeakers installed by Triamp Group at ACME Bowling & Billiard Events Center.
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About EAW
Eastern Acoustic Works (EAW) is a global leader in producing high-performance professional audio equipment trusted by the most discerning professionals for every possible sound reinforcement application. EAW is a registered trademark of LOUD Technologies Inc. in the United States and other countries. All other trademarks are the property of their respective owners.
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EAW KF760 Series Line Arrays Provide Premium
Concert Reinforcement At 2007 NHL All-Star Game
Whitinsville, MA – February 15, 2007 - Gemini Sound of Dallas provided a full-scale concert sound reinforcement system featuring EAW KF760 Series line arrays in support of several live music performances at 2007 National Hockey League (NHL) All-Star Game.
The event, held at the American Airlines Center arena in Dallas, was highlighted by two fully stocked stages that lowered from the ceiling to the hockey rink playing surface during the game’s period breaks for “mini-concerts” by country act The Wreckers (featuring Michelle Branch and Jessica Harp) and emerging alternative rockers Red Jumpsuit Apparatus. Pre-game festivities included live selections from the house band and dual acappella national anthem performances by Italian opera star Giorgia Fumanti and the two leads of The Wreckers.
Gemini Sound President Tim Cain and his team formulated a dynamic main system based upon EAW KF760 line arrays, with two arrays covering the two “sides” of the arena joined by single arrays to handle each “end.” All arrays were flown from trusses, well out of TV camera sightlines, and the 48 total boxes were divided into identical array structures. Each array was comprised of four KF760 modules flown above four KF761 modules to supply the much wider horizontal coverage required of the ever-widening main level seating all the way to the playing surface.
“The EAW KF760 Series proves time and again that it’s one of the premium line arrays available,” Cain explains. “Start with a great sonic signature, and then add in consistency plus the ability to smoothly widen coverage with the KF761, and then top if it off with the fastest rigging system in the industry. You really can’t go wrong with this system.”
To punch up the low end even further, Gemini Sound built custom platforms to fly 10 EAW SB1000 dual-18-inch-loaded subwoofers per side. Each platform accommodated five over five stacks of SB1000’s, positioned to each side of the venue’s main scoreboard structure along both “long” sides of the arena. “The subs added a nice bit of warmth to the signature, which goes with a true live concert-style presentation,” Cain adds.
Photos & Captions
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 One of the EAW KF760 Series line arrays flown by Gemini Sound at American Airlines Center for the 2007 NHL All-Star Game, with featured performers The Wreckers shown on the video screen during soundcheck..
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 Gemini Sound’s Chad Cain (left) and Jason Litt of the Dallas office of RTKL Associates at the house mix position for the NHL All-Star Game system.
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About EAW
Eastern Acoustic Works (EAW) is a global leader in producing high-performance professional audio equipment trusted by the most discerning professionals for every possible sound reinforcement application. EAW is a registered trademark of LOUD Technologies Inc. in the United States and other countries. All other trademarks are the property of their respective owners.
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EAW NT Series Loudspeakers At Heart Of 5.1 Surround
Sound For Thomas Dolby Concert Tour
Whitinsville, MA – February 3, 2007 - A recent concert tour by Electronica music legends Thomas Dolby and BT featured live performances presented in 5.1 surround sound via a system headed by EAW NT Series two-way powered (bi-amplified), DSP-controlled loudspeakers.
The surround concept stemmed from BT’s latest CD, This Binary Universe, recorded in 5.1 surround, which he sought to duplicate in the live realm. As plans commenced, Dolby - best known for the iconic track She Blinded Me With Science – also joined the bill. An interesting caveat is that the stage was also supplied with 5.1 surround mixes, with the monitoring system also utilizing NT Series loudspeakers positioned as wedges.
Veteran Sound Engineer Scott “Goody” Goodwine was tapped to consult on the design of both surround systems as well as to handle house mix duties. The house sound systems at each venue were utilized for left and right main output as well as bass, with 15-inch-loaded NT Series loudspeakers providing the center channel (usually from the front of the stage) as well as up to two rows of left-right surround channels, and these were accompanied by dual-12-loaded NTS22 subwoofers to help permeate low-end energy.
“I absolutely love these boxes,” Goody says of the NT Series, which incorporate EAW’s revolutionary Gunness Focusing technology. “They have tremendous throw, particularly for their size. In a lot of venues, we’re easily keeping up with much larger house systems with just a pair of NT Series loudspeakers per side. It’s remarkable.
“The combination of coverage patterns and woofer sizes available with the NT Series came in very handy for our needs with this tour,” he adds. “In some places, we went with 12-inch woofer versions, in others the optimum choice proved to be 15-inch woofers, while the coverage pattern options allowed us to maximize coverage at all locations. The various configurations worked perfectly, with the performers loving it.”
The other key components were dual Mackie TT24 digital consoles, with all stage inputs routed to the TT24 on stage that supplied two discrete surround monitor mixes as well as an additional left-right monitor mix. This TT24 also sent a left-right submix to its partner console at FOH, which Goody then tailored into a cohesive 5.1 mix.
Photos & Captions
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 Thomas Dolby performing live at the Mercy Lounge in Nashville, one of the numerous stops on the concert tour that featured 5.1 surround on stage and in the house.
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 One of the EAW NT Series full-range loudspeaker and subwoofer tandems utilized to provide up to two rows of surround in each venue, shown at the Mercy Lounge show in relation to the stage and house system.
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About EAW
Eastern Acoustic Works (EAW) is a global leader in producing high-performance professional audio equipment trusted by the most discerning professionals for every possible sound reinforcement application. EAW is a registered trademark of LOUD Technologies Inc. in the United States and other countries. All other trademarks are the property of their respective owners.
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EAW KF Series Loudspeakers For Iron Maiden World Tour
Whitinsville, MA – January 22, 2007 - EAW KF760 Series line arrays as well as other EAW concert loudspeakers were supplied by the new U.S. operation of ML Executives for the just-completed Iron Maiden "Matter Of Life Or Death" world concert tour.
EAW KF760 Series line arrays as well as other EAW concert loudspeakers were supplied by the new U.S. operation of ML Executives for the just-completed Iron Maiden "Matter Of Life Or Death" world concert tour.
ML Executives, directed by Gary Marks, dispatched line array technician Michael Hackman to oversee the house system during the arena tour’s journey from the U.S. to Japan and then home to Europe with concluding dates at Earl’s Court in London. Brantley Sound of Nashville supplied the loudspeakers, amplification and system processing for the U.S. leg.
The system stayed fairly consistent from show to show, with front left and right arrays usually comprised of 14 EAW KF760 and two KF761 near-field modules. These were flanked by side-fill arrays of six KF760 above two KF761. Geometric differences presented by each arena account for slight array structure variations.
“The EAW line arrays have headroom to spare, and can be made to sound not so ‘hi-fi’ but rather more of an appropriate extension of heavy guitar-based metal rock, a particularly good match with a band of this nature,” Hackman states. “Another thing I really like about the KF760 box is that it goes up very quickly. You just roll it in, hook it up and lift it in the air. Particularly on bigger shows where we often have to wait for everything else to go in and then wait more for fly points, the faster it goes up, the better.”
EAW SB1000 dual-18-inch-loaded cabinets produced plenty of sub-bass energy, generally floor-stacked three over three per side. It was to have been four subs high, but the late addition of four over four sets of EAW KF750 three-way touring loudspeakers atop each sub stack changed that plan.
“As an old-school band, Iron Maiden likes having PA ground stacks as well as the flown arrays to enhance the particular PA ‘feel’ they’ve grown used to. It gives them an added vibe on stage that’s coming from the house, particularly when they walk out on the stage thrusts,” Hackman explains.
As usual, Hackman utilized the EAW Smaart platform for measurement and analysis, and specifically, its impulse function to help clear up all system time alignment issues. After alignment, he then deployed Smaart as a spectrum analyzer.
“Our overall mission was keeping all of these output sources acting as a single cohesive unit,” Hackman concludes. “We’ve been doing some pretty large shows over the past three years with this system configuration and it’s served our clients quite well.”
Photos & Captions
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 The Iron Maiden stage flanked by a large-scale concert touring system headed by EAW KF760 Series line arrays, KF750 concert loudspeakers and SB1000 subwoofers.
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 Dual EAW KF760 Series line arrays providing main front and side coverage for Iron Maiden.
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About EAW
Eastern Acoustic Works (EAW) is a global leader in producing high-performance professional audio equipment trusted by the most discerning professionals for every possible sound reinforcement application. EAW is a registered trademark of LOUD Technologies Inc. in the United States and other countries. All other trademarks are the property of their respective owners.
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Design/Build Firm John Lyons Systems
Gets Social with EAW
Whitinsville, MA – January 10, 2007 - Design/build firm John Lyons Systems of Los Angeles, California selected a wide range of EAW loudspeakers to provide premium professional sound reinforcement at the newly-opened Social Hollywood, a $12-million restaurant/lounge complex on Sunset Boulevard in Los Angeles.
Social Hollywood is headed by New York-based restaurateur Jeffrey Chodorow, who also created Social Miami at the Sagamore Hotel in Miami Beach, and it’s housed in the revamped structure of the former Hollywood Athletic Club, originally designed by Egyptian Theater architects Meyer & Holler in 1923. Social Hollywood’s nine rooms include a dining room, a bar area, two ballrooms and two private game rooms. The building’s designation as a historic landmark posed an added challenge for John Lyons Systems, which responded with a multifaceted system design and installation approach incorporating the right blend of flexibility and quality performance.
The 2,800-square-foot main dining room’s vaulted ceiling presents a naturally reverberant and reflective space, and restored fresco artwork on this ceiling dating back to the 1920’s ruled out the addition of acoustical treatment. As a result, lead designer John Lyons took the approach of covering the space with densely distributed audio coverage.
“Four EAW Commercial VR61 loudspeakers are mounted to every pillar in the room,” Lyons explains. “By utilizing this many loudspeakers, coverage is even and intelligible throughout the space without needing to turn up the volume and ‘over-excite’ the acoustics.” Additional low-end energy comes from four EAW SB150 compact subwoofers discretely positioned on the floor.
Another distributed approach was applied in the bar area, which also presents a reverberant environment. Here, eight EAW Commercial VR62 full-range loudspeakers are flown throughout the space, joined again by two SB150 subwoofers for supplemental bass output.
The facility’s 4,900-square-foot main ballroom, housed in the former Hollywood Athletic Club gymnasium, features eight EAW MK5396 compact full-range loudspeakers mounted on a ceiling running beneath the infrastructure of what had previously been a running track. Adding flexibility, Lyons also chose to specify eight EAW LA400 subwoofers outfitted with rear-mounted caster wheels so they can easily be moved around the space to help create the desired bass signature for each event.
The two private game rooms, located upstairs, offer premium distributed sound via EAW Commercial CIS400 ceiling loudspeakers, yet again accompanied by SB150 subwoofers. Meanwhile, the adjacent “Velvet Room” private dining hall, which can also host smaller ballroom-type events, is outfitted with eight EAW L8CX2XO high-fidelity ceiling loudspeakers and, for higher output needs, Mackie SA1532z full-range powered loudspeakers have also been installed.
“Social Hollywood is exactly the kind of place I would visit for dinner or drinks, and I just couldn’t pass up this great opportunity to make the entire venue sound great,” Lyons concludes.
Photos & Captions
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 The historically preserved Social Hollywood dining room, blanketed by sound reinforcement courtesy of four EAW Commericial VR61 loudspeakers mounted on each of the room’s pillars
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 The bar area at Social Hollywood, where eight EAW Commercial VR62 full-range loudspeakers provide coverage while blending into their surroundings.
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About EAW
Eastern Acoustic Works (EAW) is a global leader in producing high-performance professional audio equipment trusted by the most discerning professionals for every possible sound reinforcement application. EAW is a registered trademark of LOUD Technologies Inc. in the United States and other countries. All other trademarks are the property of their respective owners.
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EAW KF760 Series Line Arrays and KF750 Series Loudspeakers For Dynamic Reinforcement At Crossroads/Stage1
Whitinsville, MA – January 5, 2007 - The tremendous growth of Crossroads Christian Church has spurred the development of a new church building that’s also purpose-built to serve as a premier live concert hall, and featuring a commensurate high-end sound reinforcement system headed by EAW KF Series line arrays and KF750 concert loudspeakers.
The new 60,000-square-foot facility, located in Corona, California, offers seating for 3,500. It hosts an average of two concerts a month as well as children’s productions, civic events and other community activities in addition to Sunday worship services. Dubbed “Stage1” when used as a concert venue, the facility brings quality artists to the Corona area, including Olivia Newton John, Amy Grant and popular country act Lonestar.
Jeff Peterson of Sound Design Concepts (and now staff engineer with ATK AudioTek in Burbank) was brought in during the initial planning phase of the project, working closely with Rob Smoot, production manager of Crossroads/Stage1. Peterson formulated the sound design and was later tapped to head up its installation.
“We all agreed that line array was the way to go. The goal is solid coverage from the very front row to the back wall, and without delay loudspeakers,” Peterson says. “This approach also offered us more flexibility in terms of array location, which was limited due to structural issues.”
In more than a decade of previous work with Disney, Peterson had numerous positive experiences with a wide range of EAW loudspeakers, so his focus turned to the company’s KF760 Series line array modules. He arranged a demo system for evaluation and decided it would be an optimum choice for this project.
The KF760 Series uses advanced divergence shading, where all loudspeakers are powered at equal level, meaning that an array provides uniform sound coverage from directly beneath itself out to hundreds of feet without complex signal processing. Vertical coverage for the array is set by varying the rear splay of the enclosures, leaving the fronts tight-packed.
To attain sufficient horizontal coverage over the exceptionally wide area at Crossroads/Stage1, Peterson elected to go with model KF761 line array modules, which offer 100-degrees of horizontal dispersion. “The primary concern here was the width, not the depth, of the seating area,” he notes. “This was my first experience with the KF761, and it’s quite sonically pleasant while delivering solid coverage.”
Specifically, both arrays, flown to the far left and right of the stage, are each made up of eight KF761 modules, with the lower cabinets aimed downward, presenting the classic “J” array structure. Eight modules also helps enhance line array advantages such as pattern control.
The need for focused point-source coverage for spoken word intelligibility that’s vital to worship services led Peterson to also specify a dedicated center cluster made up of EAW KF750 Series full-range concert loudspeakers. Specifically, the cluster includes four KF750 full-range loudspeakers above four KF755 down-fill loudspeakers, all tightly packed and combining to provide 170 degrees of seamless horizontal coverage.
Both of these loudspeaker models offer EAW’s Acoustic Singularity design, which aligns their three sub-systems along a single axis to act as a true point source. This greatly reduces temporal smearing of transient events and improves overall clarity and impact. Since the large mid-frequency horn contains both the high- and low-frequency sub-systems, the overall package is just 31 inches high, an important consideration at Crossroads/Stage1 because sightlines to the stage from the rear/upper seats can’t be obscured.
“A line array would have needed to be a lot taller, and thus would have extended too far down,” Peterson says. “Plus, I like the KF750, having toured with it previously and finding it to be a good multipurpose box with a natural sonic signature.”
The main loudspeakers are joined by six EAW BH822e subwoofers loaded with dual 12-inch cone drivers feeding a unique bent bass horn. Positioned beneath the stage, three per side, the BH822e’s are concealed from view by custom grilles attached to the stage facing.
To bolster mid-high to the first few seating rows, several EAW JF80 compact loudspeakers can be placed on the stage when needed, with numerous EAW SM Series monitor wedges also available.
EAW Smaart provided a valuable assist during the system tuning process, with Peterson concluding, “There were no issues whatsoever with the performance of the loudspeakers right out of the box. That’s a great starting point, with the primary work then being to optimize the system within the room.”
Photos & Captions
(Click on thumbnail for hi-res version of image)
 A combination of EAW KF760 line array and KF750 concert loudspeaker technologies provide the right reinforcement at Crossroads/Stage1.
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About EAW
Eastern Acoustic Works (EAW) is a global leader in producing high-performance professional audio equipment trusted by the most discerning professionals for every possible sound reinforcement application. EAW is a registered trademark of LOUD Technologies Inc. in the United States and other countries. All other trademarks are the property of their respective owners.
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