Consorcio Audiovisa & KF730 Team For Mexico City Festival
In 2006, sound company Consorcio Audiovisa S.A de C.V. of Mexico City supplied and supported a large-scale rig featuring EAW KF730 compact line arrays as well as EAW SB1000 subwoofers for Festival Internacional Ollin Kan 2006. The lively music festival, held in Zocalo, the main square in Mexico City, offered performances by diverse artists from Mexico, Europe and South Africa.
Consorcio Audiovisa S.A. de C.V., owned by José Luis and Alex Morales and an EAW ELAN member company, deployed main arrays made up of KF730 modules to the left and right of the large stage, with SB1000 sub stacks beneath each array. Two more KF730 arrays were posted to the very far left and right of the stage to bolster coverage to the extremely wide audience area. In total, the system was comprised of 48 KF730 modules and 24 SB1000 subwoofers.
"There are numerous things to like about KF730's, starting with their great response," explains Alex Morales. "They provide huge SPL from such small boxes, so the size-to-power relationship is outstanding. Further, the mid/high signature is excellent. KF730's are also very easy to transport due to their compact size and low weight, and they're really easy to fly. Finally, there is the advantage of connection versatility and the impedance relationship, where we're able to drive four boxes with one power amplifier."
Morales adds that Consorcio Audiovisa was selected to provide sound for the festival because of its reputation for excellent service and equipment, and the KF730 has played a significant role in that strategy. "The KF730 has helped us enhance the events we work, and has opened doors to expand our client base. I'm also happy to report that we have already been invited to return to provide sound at this same festival in 2007."








A new ELAN (EAW Line Array Network) section is now posted at eaw.com - check it our 
The first-ever U.S. concert by legendary Italian composer Ennio Morricone, who recently received an Academy Award for his film score work, was held at New York City's famed Radio City Music Hall with sound reinforcement supplied by
"The room presents many challenges - a limited amount of rigging points, with these points also very close to walls and seats right underneath them, as well as an LED wall that can block the arrays and a mixing position under a low balcony," explains Jaimes. "Despite it all, we addressed every challenge and came up with solutions that resulted in excellent reinforcement." Fine tuning of the system within the space was done with an assist from the EAW
At the recent 2007 National Hockey League (NHL) All-Star Game,
All arrays were flown from trusses, well out of TV camera sightlines, and the 48 total boxes were divided into identical array structures: four KF760 modules flown above four KF761 modules to supply the much wider horizontal coverage required of the ever-widening main level seating all the way to the playing surface.
To punch up the low end even further, Gemini Sound built custom platforms to fly 10 EAW
The planning and smart design practices paid off with tight, punchy concert audio at every seat in the arena, true to the intent of the NHL in this annual showcase event for the league. “They envisioned big-time concert PA to up the production value, and that was achieved in spades,” Tim Cain concludes. “We kept it simple and slick on the infrastructure side while adding considerable impact to the audio signature. What was achieved here will likely be a building block to even more emphasis on production as the NHL goes forward in the future.”