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EAW Smaart v.6 for PC and Mac has been released and is now available for download at http://www.eaw.com/smaart. This Smaart v.6 download can be run as a fully functional 30-day demo, and can be unlocked into a full license through the on-line purchase of a Smaart v.6 license code for $795.
Additionally, as an EAW branded product, Smaart v.6 can also be purchased as a physical software package via the standard EAW dealer and distributor network.
New Smaart v.6 sound system measurement and analysis software features a comprehensive re-write of its underlying architecture that dramatically enhances multi-tasking, in addition to a new streamlined interface for simpler operation and for the first time ever, full compatibility with Macintosh OS X.
 Specifically, Smaart v6 is now a Universal application designed to take full advantage of the performance increases delivered by Intel-based Macs. In addition, it's now built from a unified cross-platform source base with near-complete parity between both Mac OS X and Windows versions, in addition to working with Core Audio and ASIO drivers.
SmaartLive Upgrades:
At http://www.eaw.com/smaart SmaartLive v.5 and v.4 owners can purchase their Smaart v.6 upgrade directly online. Please have your SmaartLive License Codes available for upgrade verification.
Special 90-day, Introductory Price on Upgrades for SmaartLive v.5 Owners!
For a limited time - until June 23, 2007 - SmaartLive v.5 owners can access a special introductory upgrade price. Please follow the purchase links at http://www.eaw.com/smaart and enter your SmaartLive license information to access complete pricing.
Also, as an option to on-line purchasers, you will soon be able to order a set of disks in a "media kit" format for an additional $20. We will automatically notify purchasers by email when the media kit is available.
 Anderson Audio of Harrisburg, Pennsylvania has added 20 EAW KF760 Series line array loudspeakers to its diverse audio system inventory. The new KF760 full-range and KF761 down-fill modules are capable of providing high-impact sound reinforcement for arena and stadium applications.
In addition, Anderson Audio has further bolstered its concert sound capabilities with the addition of 16 EAW SB1000 double-18-inch subwoofers. All of these new components join EAW KF730 compact line array loudspeakers as well as EAW JF80 compact loudspeakers and EAW SM200 stage monitors already in the company’s inventory.
Anderson Audio has long specialized in providing a wide range of production services for corporate and theatrical clients as well as high-profile special events, and the new EAW inventory now positions them to fully serve the needs of concert sound reinforcement as well. In fact, the new line array system and subwoofers have already been utilized for a just-completed Midwestern U.S. tour swing by popular country artist Vince Gill.
“The KF760 line arrays and SB1000 subs, as well as the supporting electronic products we added concurrently, are ideal for the concert portion of the market while also providing more flexibility to our entire customer base,” explains Chris Anderson, president and founder of the company.
“Everyone who gets in front of this new system has offered rave reviews,” he adds. “The sound quality is unmistakably EAW, and one engineer in particular was amazed that so little needs be done with the rig to attain a superior concert signature.”
Click here for more information about Anderson Audio Inc.
At NSCA Expo '07 in Orlando this week, EAW is unveiling the latest phase of its education initiative: B4 - "BEYOND Brains, Boxes & Beyond".
Based upon the highly successful B3 education sessions presented to hundreds of audio professionals in 2006, the B4 Roadshow indeed goes well beyond that landmark effort. EAW’s renowned training and educational staff – offering decades of collective real-world pro audio experience – is traveling the world in 2007, conducting more than 20 in-depth (and hands-on) training sessions.
 Throughout NSCA Expo, the education team will be in the EAW demo room providing a preview of what will be offered at every B4 stop. Note that these presentations will be done on the "even" hours - 10 am, noon, 2 pm and
4 pm.
Each actual two- and three-day B4 event will feature a full day of Smaart training followed by “System Bootcamp” where attendees are to be provided with diverse live and installed audio coursework as well as a step-by-step overview of configuring, rigging, powering, processing and tuning a full-scale EAW sound reinforcement system.
 And, where applicable, training is also being provided on exciting new EAW products such as the UX8800 digital processor providing Gunness Focusing for an ever-growing list of current EAW loudspeakers. Attendees are introduced to other new EAW developments including the UMX.96 digital live console, SB1002 flyable subwoofers, EAW Commercial CAM Series mixer-amplifiers and CXA Series power amplifiers, and more. It’s all topped off with a demonstration of EAW’s latest technologies and products in action, including a “traveling tradeshow” of the latest EAW and EAW Commercial installation products.
More information, including a schedule of B4 Roadshow events, will be posted here and on EAW.com soon.
 A recent concert by venerable rock band Foreigner at the Emerald Queen Casino (EQC) I-5 in Tacoma, Washington entertained a sold-out crowd of more than 2,500 - and the show was heard via an EAW UMX.96 Digital Live Console (pdf) in its first-ever public application. By the way, it passed with flying colors!
The UMX.96 was patched into a house system at the EQC I-5 Showroom that also features EAW KF850z Series concert loudspeakers in a design provided by Carlson Audio of Seattle. Foreigner Front-Of-House Engineer Don Dodge (shown in the accompany photos at the board) took the helm and quickly got comfortable with the layout and functionality of the UMX.96, with EAW's Martyn "Ferrit" Rowe on hand to provide support, joined by Ben Olswang and Dana Bourke as well as Jeffrey Cox, VP of the EAW Brand Group.
 "Don had spent a bit of time with the UMX prior to the show, and had built some of his mix into it," reports Ferrit. "So certainly by the end of soundcheck at the show, he was quite comfortable and confident in the board, its operation and capabilities. And as the show went on, you could see that comfort level only increase."
The UMX.96 also provided an exciting preview of its multifaceted capabilities, supplying all onboard effects for the show as well. The only exception proved to be one outboard unit patched in to generate an exceptionally long effect on a couple of Foreigner songs.
"We were 'taking the temperature' of the UMX, so to speak, and it passed with flying colors," Ferrit adds. "The board proved very easy to set up and understand, and it functioned seamlessly - there wasn't a single 'hiccup' in the entire show. It was great to hear the compliments directed Don's way by several people, particularly in regard to the sound quality."
 The new UMX.96 digital mixing console re-defines performance benchmarks, offering more power, control and integration than any digital live console on the market today. With its open-ended architecture and next-generation processing, the UMX.96 is nothing less than an integrated live sound control system, providing end-to-end control of the signal chain.
 A recent two-day ministry outreach by Nicky Cruz in Sydney, Australia drew thousands to Acer Arena, served by a large-scale sound system provided by Norwest Productions that featured an impressive collection of loudspeakers highlighting the depth and versatility of the EAW KF Series line. And, the event also served as a demo of the soon-coming EAW UX8800 digital processor outfitted with Gunness Focusing technology.
The large-scale system consisted of a mix of KF760/761 line arrays as well as KF730small line arrays, KF750 full-range concert system and SB1000 subwoofers. Expertly put together by Norwest Productions, working closely with the event sound designer, these components provided their usual top-notch performance in supplying dynamic coverage to the entire 21,000-plus capacity arena.
 But the biggest news was the UX8800 evaluation. EAW's James Bamlett, on hand with the new EAW processors, provides this first-hand account: "The sound designer and system engineer agreed to allow the running of one side of the KF760's on the UX8800's on the morning of the second show. The other side was processed on premium processing units, and had been tuned for the show. It was sounding very good as it was, and the designer was very pleased with the system."
James continues: "We went in and plugged the system inputs straight into a UX8800 loaded up with factory settings, with no additional EQ applied. The array consisted of 16 x KF760, and I set up the top eight cabinets with a separate HF feed for long throw. We were covering from approximately 50 feet out to 300 feet.
"The immediate impression was the clarity of the vocals on the track chosen by the system guys. In an A-B comparison of the two sides of the system, this was even more apparent. The consistency in level and response of the system throughout the room was also remarkable. Everyone we spoke to was very impressed and agreed that the sound was much more 'open' with the UX8800."
Veteran concert sound professional Martyn “Ferrit” Rowe has joined EAW as Product Specialist, where he will apply more than 25 years of professional audio experience to EAW’s rapidly expanding training and educational initiatives.
 Ferrit’s first focus will be providing hands-on training for operation of the new EAW UMX.96 large-format digital mixing console. He will also play a key role in developing relevant, real-world-based curriculum and presentations for other company educational programs such as the highly successful “Brains, Boxes & Beyond” (B3) sessions and the coming, expanded B4 program.
Ferrit comes to EAW from the Las Vegas operation of Production Resource Group (PRG), where for several years he served as head of Audio Technical Services. He began his career in the late 1970s with TASCO, a leading touring sound company at that time, and while there, he handled monitor engineering and system technician duties for a wide range of top acts, such as Thin Lizzy, Deep Purple and Judas Priest.
He also supplied free-lance monitor engineer services for the Cranberries for four years and system technician services for Motley Crue, in addition to lending his talents to several Las Vegas productions. And, he has also provided conducted training sessions on behalf of L-Acoustics.
“It’s an exciting time to be come aboard as a member of the EAW team,” Ferrit notes. “There’s a congregation of veteran pro audio talent that is firmly committed to truly serving the pro audio industry in terms of technological innovation combined with in-depth support, such as a deep commitment to education, to back it up.”
 What do you want to know about EAW? A new, comprehensive "About EAW" section has just gone online at eaw.com that provides a look at the history and developments of the company through the years.
Who We Are... What We Do... Milestones... Technologies... Along with key company contact information and services, as well as a highlight reference of some of the thousands of EAW loudspeaker system applications from around the world.
The new section is part of an overall program to continuously improve the information and resources provided by this valuable online tool. More eaw.com work is ongoing and will be unveiled soon.
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