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    <updated>2011-09-26T18:17:09Z</updated>
    
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<entry>
    <title>&quot;We Said What...?!?&quot; or Measured vs. Calculated Maximum Output</title>
    <link rel="alternate" type="text/html" href="http://www.eaw.com/frontrow/2011/09/we_said_what_or_measured_vs_ca.html" />
    <link rel="service.edit" type="application/atom+xml" href="http://my.mackie.com/blogman/mt-atom.cgi/weblog/blog_id=3/entry_id=1537" title="&quot;We Said What...?!?&quot; or Measured vs. Calculated Maximum Output" />
    <id>tag:www.eaw.com,2011:/frontrow//3.1537</id>
    
    <published>2011-09-23T20:46:57Z</published>
    <updated>2011-09-26T18:17:09Z</updated>
    
    <summary>On Facebook today, our fan Jez Minter asked about maximum output specifications. He had read an article from our friends at Mackie about how some manufacturers generate this statistic, and, through no fault of his own, had come away with...</summary>
    <author>
        <name>EAW</name>
        <uri>http://www.eaw.com</uri>
    </author>
    
        <category term="Behind the Scenes" />
    
        <category term="Education/Training" />
    
    <content type="html" xml:lang="en" xml:base="http://www.eaw.com/frontrow/">
        <![CDATA[<p>On <a href="http://www.facebook.com/EAWproaudio">Facebook</a> today, our fan <a href="http://www.facebook.com/JEZMINTER.PartyAnimalDisco">Jez Minter</a> asked about maximum output specifications. He had read an article from our friends at Mackie about how some manufacturers generate this statistic, and, through no fault of his own, had come away with the basic message that calculated maximum output specifications are inherently flawed and intended to mislead. Given the context for which the article was intended, that's mostly true. </p>

<p>His question to us was, "Why does EAW publish a calculated maximum output specification?" It's a very good question, and we had quite the discussion in the engineering hallway. Naturally, we got to the bottom of the controversy and want to set the record straight. </p>

<p>What the Mackie article says is more-or-less correct - more so when dealing with Mackie's competitors in the guitar store PA market, but less so when dealing with higher end manufacturers like EAW. </p>

<p>When we review the basic assumptions of the article, and we'll quickly see where things have gone wrong. EAW does not - nor would we ever - follow the calculation process as described in the article. Nor would Mackie. But Mackie's competitors do use that process, and the article was written about their calculations, not ours.</p>

<p><strong>The Context<br />
</strong><br />
The backstory is that EAW worked with Mackie to develop the HD range of powered loudspeaker systems. We fully support that product line and believe it delivers exceptional performance at that price point. The HD Series used the same rigorous measurement and documentation process that EAW loudspeaker go through, and its maximum output was calculated as are all of EAW's loudspeakers. </p>

<p>Mackie's competitors, however, used a different approach to come up with a higher maximum output statistic - one that overstates the system's capabilities. Thus, in the measurement comparison, the delta between calculated and measured performance is much smaller for the Mackie product. </p>

<p>But it raises the obvious question: why is there any delta at all between the published specification and measured performance? We'll deal with that question last. </p>

<p>First, let's look at what the article says and what it doesn't say. The article takes an unnuanced approach to the discussion of calculating a maximum output specification. Specifically, it gives the impression that this stat is calculated as opposed to measured in order to mislead. While that might be true of some companies, it's not what we do at EAW. </p>

<p><strong>The Nitty Gritty<br />
</strong><br />
The article rightly points out the flaw in taking _peak_ axial sensitivity as the starting point for calculations. That is a worst practice and would only be used to produce a overblown specification. That much is accurate. But it also implies that that is the _only_ way to calculate this spec. That's not true.<span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="IMG-20110923-00094.jpg" src="http://www.eaw.com/frontrow/IMG-20110923-00094.jpg" width="400" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" /></span></p>

<p>In fact, EAW uses a very different approach to this calculation. We use the _broadband average_ sensitivity as our starting point. This means that our calculated maximum output will be significantly lower than if we used the other approach, but it will be more accurate. The graph above - hand drawn by EAW engineering director Nathan Butler and annotated by yours truly - shows how an unscrupulous company would use peak sensitivity as a starting point to calculate a bogus max output vs our approach of using the average sensitivity to calculate a solid max output. (Yes, bogus and solid are the technical terms.)</p>

<p>Axial sensitivity is the core statistic for  a transducer. It measures output at a very close range (1m) and a very low current (1 Watt, nominal). We say nominal because given continuous voltage, Wattage varies with impedance, and a transducers impedance varies with frequency. Therefore, there is no such thing as a 1 Watt broadband measurement. At EAW, this test uses "voltage that would produce 1 Watt at the nominal impedance". </p>

<p>Splitting the hair four ways...? We want to be completely transparent about what we do to develop our specifications. </p>

<p>So, if you get a good sensitivity measurement _and_ use a rigorous approach to generate a broadband average, you should be able to add the SPL equivalent of a given power handling statistic (long term broadband measured with pink noise) to calculate a maximum output specification that can be verified in real world measurement.</p>

<p><strong>Why Not Just Measure?<br />
</strong><br />
The answer to this question - and to the question of why the measured output of the loudspeakers in the article fall short of the published specification - is that measuring very high output levels is difficult to impossible. That is, there is an upper limit to the capabilities of measurement instruments. Very good testing microphones go into the 130s and a very small set reach 140 dB SPL. Beyond that, it's a guessing game. </p>

<p>For EAW, so few of our loudspeakers have maximum outputs below the mid-130s that it's functionally impossible for us to measure maximum output. Our stuff is just too loud! But even if measurement microphones went to infinity, you'd still need a very large space or an anechoic chamber. EAW has The Pit, but it's not big enough to measure very high outputs.  </p>

<p>The reason is that as output levels increase, so does reflected sound. Lower volume tests let us "window" the data to eliminate reflections, but this is not possible in a maximum output measurement that averages output over a period of time. High levels of reflected sound that appear as "late arrivals" will cancel out direct output at relevant frequencies, so your measured output can actually decrease with increasing direct output. (Crazy, right? Welcome to our world.)</p>

<p>Long story short: for EAW loudspeaker systems, measured maximum output would be less useful and less accurate than our calculated output. Our goal is to deliver the most accurate, most useful data possible, and we believe we do so.</p>

<p><strong>Then Why the Difference Between Calculated and Measured Output?<br />
</strong><br />
[Note: This is how you know you're dealing with a straight shooter - they say they don't know when they don't know.]</p>

<p>We don't know, nor can we ask the questions that would help us unravel the mystery. The responsible engineers are no longer with us. But several factors suggest themselves. </p>

<p>Obviously, "power compression" would account for some degradation of maximum output. Power compression is the phenomenon in which a transducer's voice coil heats up due to the high voltage passing through it. Heat increases impedance, so the more power you deliver, the more impedance increases above the nominal specification. More energy radiates as heat and less radiates as sound. That said, the 9 dB difference indicated in the article would be an extraordinary amount of power compression. Something else is awry.</p>

<p>First, we might want to go back and examine the original sensitivity data to be sure that the broadband average is an accurate one. Given the rigors of our process, we expect it to be, but you never know until you look. </p>

<p>More likely, though, is that the issues associated with measuring very high output in a closed space and/or the specifics of the measurement techniques used have produced unreliable data. Until we know more about exactly how these tests were conducted, we couldn't develop a meaningful response. </p>

<p><strong>The Bottom Line<br />
</strong><br />
A 9 or 10 dB difference between published and measured maximum output is unacceptable. That competitors have an even bigger difference is irrelevant; our data must be accurate and useful. EAW intends to look into this issue and develop a more thorough response. </p>

<p>Again, we need to thank our Facebook fan Jez Minter for bringing this to our attention. <br />
</p>]]>
        
    </content>
</entry>

<entry>
    <title>Moray McMillin 1953 - 2011</title>
    <link rel="alternate" type="text/html" href="http://www.eaw.com/frontrow/2011/09/moray_mcmillin_1953_-_2011_1.html" />
    <link rel="service.edit" type="application/atom+xml" href="http://my.mackie.com/blogman/mt-atom.cgi/weblog/blog_id=3/entry_id=1536" title="Moray McMillin 1953 - 2011" />
    <id>tag:www.eaw.com,2011:/frontrow//3.1536</id>
    
    <published>2011-09-21T18:18:08Z</published>
    <updated>2011-09-22T02:15:20Z</updated>
    
    <summary>Concert touring veteran and EAW Application Support Group Representative for the EMEA region Moray McMillin passed away after a long battle with cancer. He was 58. What follows comes from personal remembrances compiled by Moray&apos;s friends and colleagues in the...</summary>
    <author>
        <name>EAW</name>
        <uri>http://www.eaw.com</uri>
    </author>
    
        <category term="International" />
    
        <category term="News" />
    
    <content type="html" xml:lang="en" xml:base="http://www.eaw.com/frontrow/">
        <![CDATA[<p>Concert touring veteran and EAW Application Support Group Representative for the EMEA region Moray McMillin passed away after a long battle with cancer. He was 58.<br />
 <br />
What follows comes from personal remembrances compiled by Moray's friends and colleagues in the UK, primarily Sean Martin and Kevin McNally. Please visit our <a href="http://www.facebook.com/note.php?created&&note_id=10150383507146694">Remembering Moray McMillin page</a> on Facebook to leave your remembrance.<br />
 <br />
<span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Moray-2009-small.jpg" src="http://www.eaw.com/frontrow/Moray-2009-small.jpg" width="288" height="332" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" /></span><b>Moray McMillin</b>, Born 20 July 1953 at Hertfordshire, England.<br />
 <br />
The mid -seventies saw Moray start his Audio career with as a 'school leaver' with the Kinks and then with UK sound rental company Tasco in Marshallsea Road, London. He earned his on-the-road stripes here working for Tasco's Joe Brown.<br />
 <br />
By the turn of the decade he crossed the Atlantic to take root in Los Angeles, honing his production skills for the English hard rock invasion of Black Sabbath, Saxon and a solo Ozzy Osbourne. His formative and learning years culminated with his appointment as front-of-house engineer on Motorhead's legendary Ace of Spades tour.<br />
 <br />
He returned home to the UK as a freelance engineer and took up FOH duties with many bands such as Siouxsie and the Banshees and David Coverdale's Whitesnake. However it was as Deep Purple's engineer over a 10 year period that Moray made his indelible mark, touring the planet with an EAW loudspeaker system and making many industry friends along the way.<br />
 <br />
It was this affection for the EAW brand that convinced him in 2005 to make the huge leap from a life on the road to a comfy seat in the UK sales office, selling EAW loudspeaker systems and visiting  the very companies for whom he once worked. A few years later, he joined EAW's Application Support Group as EMEA representative. This more technical role suited him down to the ground where he flourished designing sound systems for a variety of venues in many of which he had toured. Moray loved meeting customers and discussing their requirements. A skilled linguist, he often communicated in their native tongue, something that always made them remember him.<br />
 <br />
Moray was a tireless worker; pound for pound the strongest man in the company! And he was a stickler for detail. Moray could an impression with his personal charm or his professional abilities, but more often than not, it was both. A great example is that just this year Moray charmed his way into and out of France without a passport, just to get to the ISE trade show in Amsterdam!<br />
 <br />
Moray was diagnosed with cancer in early 2010. He fought it both homoeopathically and also through traditional methods, drawing strength from his friendship with fellow cancer sufferer and Black Sabbath band member Ronnie James Dio as they encouraged each other through their illnesses. Moray was proud he could attend to Ronnie's funeral in Los Angeles last year and under the circumstances, also pleased that he was able to meet many of his old touring friends there. He was very involved in Ronnie's funeral arrangements, including a live concert by Queensryche in the cemetery in front of 1200 fans. He was also honoured to be one of the coffin bearers when the fans had gone and the coffin was laid to rest.</p>

<p>That was Moray, a true gent who would travel to the other side of the world to see off an old friend in style. At each stage of Moray's treatment he wouldn't rest until he found the information or person that could help him fight his cancer.<br />
 <br />
Typical Moray, he got his responsibilities for the UK's big tradeshow PLASA out of the way before he passed. Despite his hard rock heritage, one thing many people didn't know was that he was fond of a dance!<br />
 <br />
Moray is survived by his wife Antonella and two sons.</p>]]>
        
    </content>
</entry>

<entry>
    <title>EAW &amp; Sanecore Demo Day in China</title>
    <link rel="alternate" type="text/html" href="http://www.eaw.com/frontrow/2011/09/eaw_sanecore_demo_day_in_china.html" />
    <link rel="service.edit" type="application/atom+xml" href="http://my.mackie.com/blogman/mt-atom.cgi/weblog/blog_id=3/entry_id=1534" title="EAW &amp; Sanecore Demo Day in China" />
    <id>tag:www.eaw.com,2011:/frontrow//3.1534</id>
    
    <published>2011-09-21T14:17:15Z</published>
    <updated>2011-09-21T14:54:07Z</updated>
    
    <summary>EAW&apos;s Shanghai demo day with distribution partner Sanecore attracted some 200 audio professionals from a wide range of application sectors to the Qing Qing Hotel in the SongJiang in southwest Shanghai. The full day of education and product demonstration comprised...</summary>
    <author>
        <name>EAW</name>
        <uri>http://www.eaw.com</uri>
    </author>
    
        <category term="EAW Events" />
    
        <category term="Education/Training" />
    
        <category term="International" />
    
    <content type="html" xml:lang="en" xml:base="http://www.eaw.com/frontrow/">
        <![CDATA[<p>EAW's Shanghai demo day with distribution partner Sanecore attracted some 200 audio professionals from a wide range of application sectors to the Qing Qing Hotel in the SongJiang in southwest Shanghai. The full day of education and product demonstration comprised a series of modules each of which started, appropriately enough, with the basics of acoustical physics. Next, it showed how those principles affect loudspeaker design, and then demonstrated those loudspeakers with appropriate program material.<br />
<br />
Below - Jerrold Stevens presenting EAW loudspeaker systems

<span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="SH_016.jpg" src="http://www.eaw.com/frontrow/china-roadshow/SH_016.jpg" width="300" class="mt-image-none" style="" /></span>

"We're trying to connect the dots between physics, core technology and implementation in a product," said EAW president and general manager Jeff Rocha. "Sometimes people get worried that it's going to be a whole day of physics, but once they see that it quickly gets into the real world, they get it and like it. These folks sure did."<br />
<br />
Below - Hands-on KF740 training with Joe Fustolo

<span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="SH_004.jpg" src="http://www.eaw.com/frontrow/china-roadshow/SH_004.jpg" width="300" class="mt-image-none" style="" /></span>
<p>Application Support Group Director Jerrold Stevens, who presented along with Rocha, has delivered educational seminars around the world, earning well-deserved praise for his innovative techniques. In Shanghai, placed simple loudspeakers on a turntable in doublet arrays at tuned distances, and then, while playing pink noise, rotated the turntable so the audience could hear the lobes and nulls while looking at a spectrogram. "Get the physics into their eyes and ears first, then into their brains," said Stevens. "It's an experience not soon forgotten."<br />
<br />
Below - KF740 line arrays flank an NTL720 line array

<span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="SH_014.jpg" src="http://www.eaw.com/frontrow/china-roadshow/SH_014.jpg" width="300" class="mt-image-none" style="" /></span>

<p>Program material for the product demonstrations came from all corners. In particular, the QX594 demo showed that product's versatility, using a tenor and orchestra at some length followed immediately by Infected Mushroom's electronic dance music. "It solves so many problems," said Alan Ho, vice president of Sanecore and front-of-house engineer for the demos. "It has the refinement we need for the performing arts and it has the raw power we need for a dance club. Plus, it's so small. EAW at its best."]]>
        
    </content>
</entry>

<entry>
    <title>EAW and Production Audio Services at Integrate 2011 in Oz</title>
    <link rel="alternate" type="text/html" href="http://www.eaw.com/frontrow/2011/08/eastern_acoustic_works_and_aus.html" />
    <link rel="service.edit" type="application/atom+xml" href="http://my.mackie.com/blogman/mt-atom.cgi/weblog/blog_id=3/entry_id=1532" title="EAW and Production Audio Services at Integrate 2011 in Oz" />
    <id>tag:www.eaw.com,2011:/frontrow//3.1532</id>
    
    <published>2011-08-29T21:22:49Z</published>
    <updated>2011-09-19T23:37:46Z</updated>
    
    <summary>Eastern Acoustic Works and Australian distribution partner Production Audio Services have created this top notch booth for the Integrate Expo 2011, taking place 30 August through 1 September. Product in this photograph, from left to right: QX564 NTL720 array KF740...</summary>
    <author>
        <name>EAW</name>
        <uri>http://www.eaw.com</uri>
    </author>
    
        <category term="EAW Events" />
    
        <category term="International" />
    
        <category term="News" />
    
    <content type="html" xml:lang="en" xml:base="http://www.eaw.com/frontrow/">
        <![CDATA[Eastern Acoustic Works and Australian distribution partner <a href=http://www.productionaudio.com.au>Production Audio Services</a> have created this top notch booth for the <a href=http://www.integrate-expo.com>Integrate Expo 2011</a>, taking place 30 August through 1 September. 
<span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="DSC_0250 (Large).JPG" src="http://www.eaw.com/frontrow/DSC_0250%20%28Large%29.JPG" width="510" class="mt-image-none" style="" /></span>
Product in this photograph, from left to right:
<ul>
	<li>QX564</li>
	<li>NTL720 array</li>
	<li>KF740 array</li>
	<li>NTL720 array</li>
	<li>QX564</li>
	<li>KF394NT</li>
	<li>JF29NT</li>
	<li>SB1002 (suspended)</li>
</ul>
The photo below shows an additional KF740 array hung outside the venue in Sydney. This system uses the new dual 21-in SB2001. 

<span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="DSC_0263_004 (Large).JPG" src="http://www.eaw.com/frontrow/DSC_0263_004%20%28Large%29.JPG" width="510" height="768" class="mt-image-none" style="" /></span>

EAW Engineering Director Nathan Butler is attending the show and will be on hand to talk about the technologies behind these products. An accomplished photographer, Nathan took these photos. ]]>
        
    </content>
</entry>

<entry>
    <title>EAW Days in China Sept, Oct 2011</title>
    <link rel="alternate" type="text/html" href="http://www.eaw.com/frontrow/2011/08/eaw_days_in_china_sept_oct_201_1.html" />
    <link rel="service.edit" type="application/atom+xml" href="http://my.mackie.com/blogman/mt-atom.cgi/weblog/blog_id=3/entry_id=1531" title="EAW Days in China Sept, Oct 2011" />
    <id>tag:www.eaw.com,2011:/frontrow//3.1531</id>
    
    <published>2011-08-26T18:54:30Z</published>
    <updated>2011-09-19T14:50:48Z</updated>
    
    <summary>Sanecore, our distribution partner in China, will be hosting demo days in nine Chinese cities from late September through the end of October. EAW personnel will be on hand at some of these cities, but not at all of them....</summary>
    <author>
        <name>EAW</name>
        <uri>http://www.eaw.com</uri>
    </author>
    
        <category term="EAW Events" />
    
    <content type="html" xml:lang="en" xml:base="http://www.eaw.com/frontrow/">
        <![CDATA[<a href="http://www.sanecore.cn/">Sanecore</a>, our distribution partner in China, will be hosting demo days in nine Chinese cities from late September through the end of October. EAW personnel will be on hand at some of these cities, but not at all of them. 

The tentative schedule is as follows:

September 2011
<ul>
	<li>20 Sept - Shanghai - EAW personnel on hand</li>
	<li>23 Sept - Beijing - EAW personnel on hand</li>
	<li>27 Sept - Urumuqi</li>
</ul>	
October 2011
<ul>
	<li>11 Oct - Changsa</li>
	<li>14 Oct - Wuhan</li>
	<li>18 Oct - Chengdu - EAW personnel on hand</li>
	<li>21 Oct - Shenyang</li>
	<li>25 Oct - Jinan</li>
	<li>28 Oct - Zhengzhou</li>
</ul>
Product to be demonstrated includes:

<ul>
	<li>KF740 and SB2001</li>
	<li>MicroWedge stage monitors</li>
	<li>QX Series</li>
	<li>KF364/KF394</li>
	<li>NTL720</li>
	<li>EAW Pilot</li>
	<li>EAW Resolution</li>
</ul>

These dates and EAW personnel availabilities are still tentative. Please check back with the Front Row blog for updates on these exciting events. ]]>
        
    </content>
</entry>

<entry>
    <title>Come See Us at PLASA</title>
    <link rel="alternate" type="text/html" href="http://www.eaw.com/frontrow/2011/08/come_see_us_at_plasa.html" />
    <link rel="service.edit" type="application/atom+xml" href="http://my.mackie.com/blogman/mt-atom.cgi/weblog/blog_id=3/entry_id=1529" title="Come See Us at PLASA" />
    <id>tag:www.eaw.com,2011:/frontrow//3.1529</id>
    
    <published>2011-08-22T20:54:49Z</published>
    <updated>2011-08-23T13:53:05Z</updated>
    
    <summary>EAW will be exhibiting at PLASA 2011 in Court 1, Stand F4. It&apos;s right up front to the right of the registration booth as you enter the hall. We&apos;ll have KF740s, the SB2001, the full MicroWedge line, the QX Series...</summary>
    <author>
        <name>EAW</name>
        <uri>http://www.eaw.com</uri>
    </author>
    
        <category term="EAW Events" />
    
    <content type="html" xml:lang="en" xml:base="http://www.eaw.com/frontrow/">
        <![CDATA[<p>EAW will be exhibiting at PLASA 2011 in Court 1, Stand F4. It's right up front to the right of the registration booth as you enter the hall. We'll have KF740s, the SB2001, the full MicroWedge line, the QX Series and the new VFR/VFS range. </p>

<p>Stay tuned for more information on who from EAW will be attending and when they would be available.</p><p><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><a href="http://www.eaw.com/frontrow/2011/08/22/EAW_PLASA11_invite.jpg"><img alt="EAW_PLASA11_invite.jpg" src="http://www.eaw.com/frontrow/2011/08/22/EAW_PLASA11_invite.jpg" width="432"  class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" /></a></span></p> 
]]>
        

    </content>
</entry>

<entry>
    <title>Visit EAW in Demo Room 204A at InfoComm 2011!</title>
    <link rel="alternate" type="text/html" href="http://www.eaw.com/frontrow/2011/05/visit_eaw_in_demo_room_204a_at.html" />
    <link rel="service.edit" type="application/atom+xml" href="http://my.mackie.com/blogman/mt-atom.cgi/weblog/blog_id=3/entry_id=1514" title="Visit EAW in Demo Room 204A at InfoComm 2011!" />
    <id>tag:www.eaw.com,2011:/frontrow//3.1514</id>
    
    <published>2011-05-11T16:39:15Z</published>
    <updated>2011-05-18T18:21:47Z</updated>
    
    <summary><![CDATA[&nbsp; Visit Demo Room 204A for the unveiling of three new series of loudspeakers: A complete family of loudspeakers that present system integrators with a hybrid of install and portable features ideal for a wide variety of install applications A...]]></summary>
    <author>
        <name>EAW</name>
        <uri>http://www.eaw.com</uri>
    </author>
    
        <category term="News" />
    
        <category term="Tours" />
    
    <content type="html" xml:lang="en" xml:base="http://www.eaw.com/frontrow/">
        <![CDATA[<p>&nbsp;</p>
<p>
</p><span style="display: inline;" class="mt-enclosure mt-enclosure-image"><img style="text-align: center; margin: 0px auto 20px; display: block;" class="mt-image-center" alt="images.jpg" src="http://www.eaw.com/frontrow/images.jpg" width="244" height="67" /></span>Visit Demo Room 204A for the unveiling of three new series of loudspeakers:
<ul>
<li>A complete family of loudspeakers that present system integrators with a hybrid of install and portable features ideal for a wide variety of install applications</li></ul>
<ul>
<li>A series of companion/stand-alone subwoofers that offer designers the flexibility to match subs directly to their specific applications</li></ul>
<ul>
<li>Two new monitors join the <a href="http://eaw.com/products/MicroWedge/">MicroWedge Series</a> family providing unheard of options in stage monitoring</li></ul><div align="center"><!--[if gte mso 9]><xml>
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</div><p align="center"><em><b>Demonstrations will occur daily at 9am, 11am, 1pm and 3pm</b><span style="font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;; color: blue;"></span></em></p><span style="display: inline;" class="mt-enclosure mt-enclosure-image"><img style="text-align: center; margin: 0px auto 20px; width: 272px; display: block; height: 202px;" class="mt-image-center" alt="2011_InfoComm_teaser.jpg" src="http://www.eaw.com/frontrow/2011_InfoComm_teaser.jpg" width="350" height="344" /></span><br />Looking for solutions?&nbsp; A complete selection of EAW's newest products will also be available including the <a href="http://eaw.com/products/JFSeries/">JF Series</a>, <a href="http://eaw.com/products/KFSeries/">KF Series</a> and <a href="http://eaw.com/products/QXSeries/">QX Series</a>.
<p><a href="https://www.compusystems.com/servlet/ar?evt_uid=397">Register to attend InfoComm</a></p><p>(Use "VIP" code EAS0546 for a FREE Exhibits Only Pass compliments of EAW)</p>]]>
        
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<entry>
    <title>The Sound of Philadelphia International Festival of the Arts Shines with EAW Loudspeakers</title>
    <link rel="alternate" type="text/html" href="http://www.eaw.com/frontrow/2011/05/the_sound_of_philadelphia_inte.html" />
    <link rel="service.edit" type="application/atom+xml" href="http://my.mackie.com/blogman/mt-atom.cgi/weblog/blog_id=3/entry_id=1512" title="The Sound of Philadelphia International Festival of the Arts Shines with EAW Loudspeakers" />
    <id>tag:www.eaw.com,2011:/frontrow//3.1512</id>
    
    <published>2011-05-03T16:29:01Z</published>
    <updated>2011-05-03T17:28:37Z</updated>
    
    <summary> Inspired by Paris one century ago, the Philadelphia International Festival of the Arts (PIFA) 2011 is a month-long cultural celebration that began April 7, bringing together the worlds of dance, music, visual arts, theater, film and literature. The PIFA...</summary>
    <author>
        <name>EAW</name>
        <uri>http://www.eaw.com</uri>
    </author>
    
        <category term="Products" />
    
        <category term="Tours" />
    
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        <![CDATA[<p>
<span style="DISPLAY: inline" class="mt-enclosure mt-enclosure-image"><img style="MARGIN: 0px 20px 20px 0px; WIDTH: 144px; FLOAT: left; HEIGHT: 191px" class="mt-image-left" alt="PIFA_OpeningNight.jpg" src="http://www.eaw.com/frontrow/PIFA_OpeningNight.jpg" width="400" height="600" /></span>Inspired by Paris one century ago, the Philadelphia International Festival of the Arts (PIFA) 2011 is a month-long cultural celebration that began April 7, bringing together the worlds of dance, music, visual arts, theater, film and literature. The PIFA 2011 events take place across several Center City locations. "Styling a Second Empire: A Light and Sound Experience," located adjacent to Philadelphia's historic City Hall, is an outdoor visual experience that included a soundtrack delivered by an EAW® line array speaker system. Saben Shawhan, senior A/V systems consultant with Philadelphia consulting firm Metropolitan Acoustics, LLC, designed the audio system, and Starlite Productions of Moorestown, New Jersey, provided technical and logistical support. The EAW system consists of two stacks, each comprising four EAW KF740 three-way line array modules plus two EAW SB1002 dual 18-inch subwoofers. EAW FB174 flybar/ground stack frames support each cluster. Six Lab.gruppen FP 14000 amplifiers power the two speaker stacks, which are managed by two EAW UX8800 four-channel digital signal processors. A Lab.gruppen NLB 60E NomadLink bridge and network controller, along with a Crestron CP2e and TPS-6x touch panel, handle automated power sequencing and scheduling of the three nightly show times. An EAW DX1208 DSP Matrix Mixer routes signals within the system. </p>
<p>"They're lighting up the first five blocks down South Broad Street from City Hall," explains Shawhan, who was engaged by architectural lighting designer Alfred Borden, Principal at The Lighting Practice. "They contacted us to help with the sound design and also to help with synchronizing the audio with the lighting, which we're doing with time code and a flash-based audio player."</p>
<p>&nbsp;</p>
<p>
<span style="DISPLAY: inline" class="mt-enclosure mt-enclosure-image"><img style="TEXT-ALIGN: center; MARGIN: 0px auto 20px; WIDTH: 180px; DISPLAY: block; HEIGHT: 230px" class="mt-image-center" alt="EAW_PIFA_Spinelli.jpg" src="http://www.eaw.com/frontrow/EAW_PIFA_Spinelli.jpg" width="1936" height="2592" /></span>The options for positioning the EAW speakers were restricted by the National Historical Landmark status of Philadelphia's City Hall, which at one time was the tallest habitable building - and is still the second tallest masonry building - in the world. "There was no possibility of getting rigging points," Shawhan reports. "They wouldn't even let us put a steel cable around a column or open certain windows. The only location that all of the City Hall entities would approve was the 700 level roof, and it's 127 feet about street level."<br />Starlite Productions, with the help of the students and project interns, had to push all of the equipment down three long hallways, up a freight elevator and then carry everything up three flights of stairs just to get to the approved location on the roof of City Hall. "Then they had to assemble the ground stacks, safety them off and get cable to each location," Shawhan recalls.</p>
<p>Students at University of Arts in Philadelphia, which is just down the street from City Hall, have generated the audio and lighting content for displays that are positioned on various buildings along south Broad Street. "It's a one-hour block that runs three times nightly from sundown to about midnight each night for the six-week period," says Shawhan. The stereo soundtrack of original music is being played from a Tascam HS-8 flash-based eight-track player that is also producing time code. The time code is then fed into a Strand Light Palette VL console, to provide synchronization between the audio and visual systems. The Crestron system provides basic on/off control, level and routing control for the show. It also automates the three nightly show times so that it can run daily without an operator.</p>
<p>Shawhan utilized the EAW Resolution speaker prediction software program when designing the system. "The coverage is really good from about 300 feet back from City Hall out to about 1000 feet, then airborne absorption takes over," he reveals. "At the 300-foot mark in the middle of South Broad St. we're at about 86 dBA. Back at 1,200 feet it's at 80 dBA - and that's with the speaker clusters 127 feet off the ground and only four boxes a side."</p>
<p>
<span style="DISPLAY: inline" class="mt-enclosure mt-enclosure-image"><img style="MARGIN: 0px 20px 20px 0px; WIDTH: 168px; FLOAT: left; HEIGHT: 182px" class="mt-image-left" alt="EAW_PIFA_Cluster.jpg" src="http://www.eaw.com/frontrow/EAW_PIFA_Cluster.jpg" width="2592" height="1936" /></span>For PIFA 2011, the City of Brotherly Love has taken its inspiration from the City of Light in 1911, when Paris was a hotbed of creativity in music, literature and the visual arts. Philadelphia, the birthplace of the United States, hopes to ignite a creative and cultural revolution through the spirit of collaboration, innovation and creativity in the PIFA program, which represents every arts discipline. The first-time arts extravaganza takes over stages, museums and public spaces in Philadelphia from April 7 through May 1, 2011 and features 31 commissions, 135 events and more than 140 arts partners.</p>
<p><br />&nbsp;</p>]]>
        
    </content>
</entry>

<entry>
    <title>Behind the Scenes at &quot;In Performance at the White House: The Motown Sound&quot; whitehouse  1,757 videos Subscribe Subscribed</title>
    <link rel="alternate" type="text/html" href="http://www.eaw.com/frontrow/2011/03/behind_the_scenes_at_in_perfor.html" />
    <link rel="service.edit" type="application/atom+xml" href="http://my.mackie.com/blogman/mt-atom.cgi/weblog/blog_id=3/entry_id=1507" title="Behind the Scenes at &quot;In Performance at the White House: The Motown Sound&quot; whitehouse  1,757 videos Subscribe Subscribed" />
    <id>tag:www.eaw.com,2011:/frontrow//3.1507</id>
    
    <published>2011-03-17T16:49:12Z</published>
    <updated>2011-03-17T16:53:03Z</updated>
    
    <summary>On Thursday, February 24, 2011, President Barack Obama and First Lady Michelle Obama marked Black History Month at the White House with a celebration of Motown music. Performers included Smokey Robinson, Sheryl Crow, Seal and John Legend, among others, and...</summary>
    <author>
        <name>EAW</name>
        <uri>http://www.eaw.com</uri>
    </author>
    
        <category term="News" />
    
        <category term="Tours" />
    
    <content type="html" xml:lang="en" xml:base="http://www.eaw.com/frontrow/">
        <![CDATA[<p>On Thursday, February 24, 2011, President Barack Obama and First Lady Michelle Obama marked Black History Month at the White House with a celebration of Motown music. Performers included Smokey Robinson, Sheryl Crow, Seal and John Legend, among others, and several Motown legends were in attendance. </p>
<p>Chris Anderson, of Harrisburg, Pennsylvania-based Anderson Audio, was asked to spec the project and he chose EAW's NTL720 Self-Powered Line Array System and NTS250 Large Format Flyable Subwoofer.</p>
<p>Catch a <em>Behind The Scenes</em> glance on the link below!</p>
<p>http://www.youtube.com/watch?v=t2knTjxQkec</p>]]>
        
    </content>
</entry>

<entry>
    <title>EAW KF740 Loudspeakers Are the Centerpiece for L.A.&apos;s Supperclub</title>
    <link rel="alternate" type="text/html" href="http://www.eaw.com/frontrow/2011/03/eaw_kf740_loudspeakers_are_the_1.html" />
    <link rel="service.edit" type="application/atom+xml" href="http://my.mackie.com/blogman/mt-atom.cgi/weblog/blog_id=3/entry_id=1506" title="EAW KF740 Loudspeakers Are the Centerpiece for L.A.'s Supperclub" />
    <id>tag:www.eaw.com,2011:/frontrow//3.1506</id>
    
    <published>2011-03-09T19:04:03Z</published>
    <updated>2011-03-09T19:10:35Z</updated>
    
    <summary> The latest addition to the international Supperclub® group of dining and entertainment establishments recently opened in Hollywood, California. The venue features a flown, custom, five-way EAW® line array system that covers the dance floor and a smaller EAW system...</summary>
    <author>
        <name>EAW</name>
        <uri>http://www.eaw.com</uri>
    </author>
    
        <category term="Installs" />
    
    <content type="html" xml:lang="en" xml:base="http://www.eaw.com/frontrow/">
        <![CDATA[<p></p>
<p>
<span style="DISPLAY: inline" class="mt-enclosure mt-enclosure-image"><img style="MARGIN: 0px 20px 20px 0px; WIDTH: 187px; FLOAT: left; HEIGHT: 130px" class="mt-image-left" alt="Supper Club LA-9565b.jpg" src="http://www.eaw.com/frontrow/Supper%20Club%20LA-9565b.jpg" width="4752" height="3140" /></span>The latest addition to the international Supperclub® group of dining and entertainment establishments recently opened in Hollywood, California. The venue features a flown, custom, five-way EAW® line array system that covers the dance floor and a smaller EAW system installed in the bar area. In addition, four EAW MicroWedges provide monitoring for DJs and guest music artists. Four EAW UX8800 four-channel digital signal processors manage the speaker systems, which are powered by Lab.gruppen amplification.</p>
<p>Sound designer and contractor Michael Lacina of San Francisco-based JK Sound specified a line array with substantial headroom in order to provide distortion-free coverage throughout the room and also to ensure longevity. "There are 16 compression drivers, 16 mid-range, 32 low-mid and 16 mid-bass drivers in the array, plus eight 21-inch drivers," he notes. "A system that is going to be driven at dance club levels without any distortion, and a system that is going to run until 4 a.m. with zero maintenance issues, just has to be massive."</p>
<p>Supperclub Los Angeles is located in the historic Vogue Theatre, a former movie house built in 1935 on Hollywood Boulevard, and the venue for numerous major motion picture premieres in its heyday. Supperclub music director Michael Anthony, a former resident DJ at San Francisco's Ruby Sky, an award-winning club that was outfitted with a customized EAW system by JK Sound, brought Lacina onto the Supperclub Los Angeles project. </p>
<p>The system in the main all-white Salle Neige (Snow Room) consists of eight flown EAW KF740P Three-Way Line Array Modules and eight EAW SC215 custom dual-15-inch bass speakers, with four EAW SB2001 21-inch Subwoofers located below the stage. All of the EAW speakers are custom finished in white to match the décor.</p>
<p>Two EAW MW15 MicroWedges provide monitoring at the movable DJ console. Another pair of the 15-inch MicroWedges is available to expand the system and provide up to four discrete channels of monitoring for artist showcases. The monitors have patch points on stage to transform them into live sound wedges. </p>
<p>A separate system consisting of two EAW AX396 three-way speakers and a pair of EAW DCS2 Bent Horn Dance Club Subwoofers covers the Bar Rouge (Red Bar), which can be separated from the Salle Neige by heavy curtains. "I like the dual concentric high-mid, eight-inch mid-range with the compression driver in the center," comments Lacina. "The AX396 sounds more natural than most dual concentric speakers, because of the unique radial phase plug."</p>
<p>In order to achieve the 90 degrees of vertical dispersion from the line array that the room required, Lacina designed a 12-foot-tall configuration with dipole subwoofers, installing a pair of SC215 subs above and a pair below four KF740P modules in each of the two hangs. Lacina states, "The magic of the sound system is that the speakers and acoustics are designed to work together. There really was no need for a line array taller than four KF740's per side - that's already plenty of output - but on the other hand, it's only a four-foot-tall array, and it's losing vertical control fast below 300 Hz. So the acoustic walls take care of some of that. Still, a one-inch-thick acoustic material is not going to absorb the extra mid bass punch you get from a great dance club system, which is why we extended the height of the array with the two pairs of custom dual 15" flown subs. With this arrangement we have 90 degree vertical pattern control down to about 80 Hz."</p>
<p>The flown dipole SC215 subwoofer setup features specially modified EAW SB625 modules. The dipole subs also contribute to the directionality of the array. "The top subwoofers are processed differently than the bottom subs; we're doing a little shading with the UX8800 sound focusing processors. The result is zero reflection off the ceiling. It's a dream system," stated Lacina.</p>
<p>A 12 foot-tall line array in a dance club may appear to be overkill, Lacina admits. "Not many nightclubs have a line array - but the bottom line is great sound for the club-goers, which keeps them coming back." </p>
<p>
<span style="DISPLAY: inline" class="mt-enclosure mt-enclosure-image"><img style="TEXT-ALIGN: center; MARGIN: 0px auto 20px; WIDTH: 193px; DISPLAY: block; HEIGHT: 165px" class="mt-image-center" alt="Supper Club LA-4984b.jpg" src="http://www.eaw.com/frontrow/Supper%20Club%20LA-4984b.jpg" width="4800" height="3188" /></span></p>]]>
        
    </content>
</entry>

<entry>
    <title>EAW® Offers Contractors and System Integrators KF200NT Loudspeaker Module</title>
    <link rel="alternate" type="text/html" href="http://www.eaw.com/frontrow/2011/03/eaw_offers_contractors_and_sys.html" />
    <link rel="service.edit" type="application/atom+xml" href="http://my.mackie.com/blogman/mt-atom.cgi/weblog/blog_id=3/entry_id=1503" title="EAW® Offers Contractors and System Integrators KF200NT Loudspeaker Module" />
    <id>tag:www.eaw.com,2011:/frontrow//3.1503</id>
    
    <published>2011-03-09T17:20:52Z</published>
    <updated>2011-03-09T17:43:16Z</updated>
    
    <summary> EAW offers its KF200NT loudspeaker module. KF200NT is one of EAW&apos;s three recently unveiled comprehensively integrated NT models in its award-winning KF Series. An ideal scalable solution for corporate A/V, performing arts venues, houses-of-worship, retail, ballrooms, theaters, theme parks...</summary>
    <author>
        <name>EAW</name>
        <uri>http://www.eaw.com</uri>
    </author>
    
        <category term="Products" />
    
    <content type="html" xml:lang="en" xml:base="http://www.eaw.com/frontrow/">
        <![CDATA[<span style="DISPLAY: inline" class="mt-enclosure mt-enclosure-image"><img style="TEXT-ALIGN: center; MARGIN: 0px auto 20px; WIDTH: 114px; DISPLAY: block; HEIGHT: 160px" class="mt-image-center" alt="KF200nt_3qtr.jpg" src="http://www.eaw.com/frontrow/KF200nt_3qtr.jpg" width="2010" height="2934" /></span>
<p>EAW offers its KF200NT loudspeaker module. KF200NT is one of EAW's three recently unveiled comprehensively integrated NT models in its award-winning KF Series. An ideal scalable solution for corporate A/V, performing arts venues, houses-of-worship, retail, ballrooms, theaters, theme parks and more, the KF200NT is quickly becoming a favorite among contractors and system integrators worldwide.<br /><br />The KF200NT consists of a single 10-inch woofer with 2.5-inch voice coil and a coaxial mid-high driver consisting of 8-inch cone MF with 2-inch voice coil, and 1.75-inch voice coil compression driver HF, and it features a perfectly matched 1500-Watt amplifier. Engineered by EAW's Whitinsville, Massachusetts, USA-based design team, the KF200NT delivers premium performance in a compact design that offers a lightweight solution. Aside from class-leading neodymium components and co-axial mid/high frequency components, it features EAW Focusing™ processing, software-accessible DSP and the proprietary U-Net™ network.</p>
<p>EAW's NT units are not conventional P.A. loudspeakers; they incorporate a revolutionary active DSP (digital signal processing) technology known as EAW Focusing. In basic terms, EAW Focusing corrects the sonic problems inherent in conventional compression driver phase plugs, horns and LF driver technology. This, along with the highest quality internal amplification, affords sonic performance comparable to premium direct radiating studio monitors, but at much higher output levels. The NT's integral electronics are based on proven, high efficiency amplifier technology, and feature field-replaceable amplifier modules for added convenience and minimal down time should an extremely rare amplifier failure occur.<br /><br />A variety of available accessories provide the ability to tailor the KF200NT to any application, offering both portable features and M10 installation points. For contractors and system integrators who require added flexibility, available universal accessories include trim plates that hide handles, adjustable U-brackets, quick release flytrack segments that integrate into any enclosure and adjustable legs for use as a stage monitor.<br /><br />The KF200NT has a weight of 43 lbs (19.5 kg) and measures 19.75" x 11.94" x 12.35" (0.5 m x 0.3 m x 0.31 m).<br /></p>]]>
        
    </content>
</entry>

<entry>
    <title>Don&apos;t Miss EAW At prolight+sound 2011</title>
    <link rel="alternate" type="text/html" href="http://www.eaw.com/frontrow/2011/03/eaw_to_exhibit_at_prolight_sou.html" />
    <link rel="service.edit" type="application/atom+xml" href="http://my.mackie.com/blogman/mt-atom.cgi/weblog/blog_id=3/entry_id=1502" title="Don't Miss EAW At prolight+sound 2011" />
    <id>tag:www.eaw.com,2011:/frontrow//3.1502</id>
    
    <published>2011-03-04T15:24:53Z</published>
    <updated>2011-03-04T15:56:29Z</updated>
    
    <summary> Visit Halle 8 Stand C46 from April 6 - 9 2011 to experience EAW&apos;s newest additions to the renowned JF and KF Series. These 2-way and 3-way loudspeakers have redefined the concept of application flexibility and are ideal for...</summary>
    <author>
        <name>EAW</name>
        <uri>http://www.eaw.com</uri>
    </author>
    
        <category term="International" />
    
        <category term="News" />
    
        <category term="Tours" />
    
    <content type="html" xml:lang="en" xml:base="http://www.eaw.com/frontrow/">
        <![CDATA[<p>
<span style="DISPLAY: inline" class="mt-enclosure mt-enclosure-image"><img style="TEXT-ALIGN: center; MARGIN: 0px auto 20px; DISPLAY: block" class="mt-image-center" alt="image_773_50.png" src="http://www.eaw.com/frontrow/image_773_50.png" width="200" height="50" /></span>Visit Halle 8 Stand C46 from April 6 - 9 2011 to experience EAW's newest additions to the renowned <a href="http://eaw.com/products/JFSeries/">JF</a> and <a href="http://eaw.com/products/KFSeries/">KF</a> Series. These 2-way and 3-way loudspeakers have redefined the concept of application flexibility and are ideal for a wide range of applications including performing arts venues, houses of worship, ballrooms, theaters, theme parks and more.</p>
<p>Don't miss the opportunity to check them out along with the other new EAW products featured at the show:</p>
<p>----------------------------------------------------------------------------------------</p>
<p><strong>Ultra Compact. Precise Directivity. Maximum Flexibility.<br /></strong>The <a href="http://eaw.com/products/QXSeries/">QX Series</a> is the optimal three-way solution for installed system applications that require precise directivity in a powerful compact form. </p>
<p>Passive and bi-amplified, all full-range models have square, symmetrical, dual-trapezoidal enclosures for unlimited array flexibility.</p>
<p>A centrally located MF/HF horn and a quartet of 12-inch LF transducers team to create a naturally sounding loudspeaker with excellent pattern control and low distortion.</p>
<p>--------------------------------------------------------------------------------------</p>
<p align="left"><strong>High Output. Seamless Coverage. Tight Pattern Control.<br /></strong>Optimized for the widest possible range of touring and installation applications, the <a href="http://eaw.com/products/kf740.html">KF740</a> line array system provides output capabilities similar to the much larger KF760 but in a more compact package. </p>
<p>The symmetrical design, large horn and spaced woofers provide exceptional pattern control while EAW Focusing and EAW Resolution software further enhance system performance.</p>
<p>A full KF740 array provides seamless coverage from directly below the array to hundreds of feet in front making it ideal for mid-sized venues. </p>
<p>-------------------------------------------------------------------------------------</p>
<p><strong>Arrayable. More Power. Small Footprint.<br /></strong>The high output yet incredibly compact <a href="http://eaw.com/products/SB2001.html">SB2001</a> dual 21-inch cone driver subwoofer represents a notable upgrade to the SB1001/1002 -- providing greater impact, power handling and air-moving capability than its older sibling.</p>
<p>The unique driver mounting of the SB2001 maximizes cone area and allows the integration of an extremely low turbulence port while minimizing frontal area, delivering the acoustic performance and physical configuration needed for creating large subwoofer arrays.</p>
<p>The SB2001 is ideally suited for concert touring, arenas, large houses of worship, large auditoriums, theaters and large dance clubs.<br /></p>]]>
        
    </content>
</entry>

<entry>
    <title>EAW Loudspeakers Provide Great Sound for Motown Black History Month Celebration at the White House</title>
    <link rel="alternate" type="text/html" href="http://www.eaw.com/frontrow/2011/02/eaw_loudspeakers_provide_great_2.html" />
    <link rel="service.edit" type="application/atom+xml" href="http://my.mackie.com/blogman/mt-atom.cgi/weblog/blog_id=3/entry_id=1500" title="EAW Loudspeakers Provide Great Sound for Motown Black History Month Celebration at the White House" />
    <id>tag:www.eaw.com,2011:/frontrow//3.1500</id>
    
    <published>2011-02-28T23:37:30Z</published>
    <updated>2011-02-28T23:42:18Z</updated>
    
    <summary> On Thursday, February 24, 2011, President Barack Obama and First Lady Michelle Obama marked Black History Month at the White House with a celebration of Motown music. The event took place in the East Room at the White House,...</summary>
    <author>
        <name>EAW</name>
        <uri>http://www.eaw.com</uri>
    </author>
    
        <category term="News" />
    
        <category term="Tours" />
    
    <content type="html" xml:lang="en" xml:base="http://www.eaw.com/frontrow/">
        <![CDATA[<p>
<span style="DISPLAY: inline" class="mt-enclosure mt-enclosure-image"><img style="MARGIN: 0px 20px 20px 0px; WIDTH: 172px; FLOAT: left; HEIGHT: 161px" class="mt-image-left" alt="MOTOWN 2.jpg" src="http://www.eaw.com/frontrow/MOTOWN%202.jpg" width="2176" height="1632" /></span>On Thursday, February 24, 2011, President Barack Obama and First Lady Michelle Obama marked Black History Month at the White House with a celebration of Motown music. The event took place in the East Room at the White House, and Chris Anderson, of Harrisburg, Pennsylvania-based Anderson Audio, was asked to spec the project. Anderson Audio is a premier audio vendor in the Mid-Atlantic region, providing professional audio design, consultation and installation. Chris decided to rely on products from EAW® for loudspeaker solutions for the event. </p>
<p>&nbsp;The Motown event is the latest in the music series, "In Performance at the White House." Performers included Smokey Robinson, Sheryl Crow, Seal and John Legend, among others, and several Motown legends were in attendance. The event will be broadcast on PBS on Tuesday, March 1, 2011, at 8:00 p.m. Eastern. The night was also streamed live on http://whitehouse.gov and http://pbs.org, and will air to service members around the world on March 11 via the American Forces Network.</p>
<p>Anderson stated, "The East Room is approximately 80 feet by 40 feet, and all the speakers need to hang from trusses ringing the room at about 16-18 feet. The room has some sound issues, and to complicate things even further, there are three huge crystal chandeliers hanging from the ceiling."</p>
<p>Anderson looked to EAW, who recommended their NTL720 Self-Powered Line Array System and NTS250 Large Format Flyable Subwoofer. Anderson Audio assembled arrays of NTL720's, four per side, with four NTS250's, two per side, in the front of the room. Other EAW products used included JF60z Compact Full-Range Loudspeakers for front fills and NT29 Self-Powered Full-Range Loudspeakers for out fills.</p>
<p>Anderson noted, "I needed low profile, high output boxes with a wide horizontal dispersion pattern, and EAW provided a solution. There are many challenges involved in an event like this - we are shooting a TV show, and the sound system has to be effective in translating the energy and excitement of the show while not getting into any of the camera shots. Frequency response must be smooth and accurate to not interfere with the broadcast mix audio."</p>
<p>He continued, "By all accounts, the system performed very well. I received many compliments about the audio for this show in particular. From the smiles we got from my staff when we hung the NTL720s in our shop, to the finale of the Motown show, with the VIP audience on their feet singing and clapping, our decision to go with EAW's for this event was confirmed as a good one. These excellent tools from EAW allowed us to deliver at one of the most high-profile events around."</p>]]>
        
    </content>
</entry>

<entry>
    <title>EAW® KF740 Loudspeakers Are the Latest Addition to Eurohire Sound and Light</title>
    <link rel="alternate" type="text/html" href="http://www.eaw.com/frontrow/2011/02/eaw_kf740_loudspeakers_are_the.html" />
    <link rel="service.edit" type="application/atom+xml" href="http://my.mackie.com/blogman/mt-atom.cgi/weblog/blog_id=3/entry_id=1498" title="EAW® KF740 Loudspeakers Are the Latest Addition to Eurohire Sound and Light" />
    <id>tag:www.eaw.com,2011:/frontrow//3.1498</id>
    
    <published>2011-02-14T16:13:39Z</published>
    <updated>2011-02-14T16:15:51Z</updated>
    
    <summary> Eurohire Sound and Light, a long established turnkey supplier for Europe&apos;s events and entertainments industries, recently expanded its EAW® inventory with the addition of 16 KF740 Three-Way Line Array Modules. The Basingstoke, Hampshire, England-based company is the latest professional...</summary>
    <author>
        <name>EAW</name>
        <uri>http://www.eaw.com</uri>
    </author>
    
        <category term="Behind the Scenes" />
    
        <category term="International" />
    
        <category term="Products" />
    
    <content type="html" xml:lang="en" xml:base="http://www.eaw.com/frontrow/">
        <![CDATA[<p><br />
<span style="DISPLAY: inline" class="mt-enclosure mt-enclosure-image"><img style="MARGIN: 0px 20px 20px 0px; WIDTH: 162px; FLOAT: left; HEIGHT: 246px" class="mt-image-left" alt="EAW_Eurohire_Photo.jpg" src="http://www.eaw.com/frontrow/EAW_Eurohire_Photo.jpg" width="587" height="768" /></span>Eurohire Sound and Light, a long established turnkey supplier for Europe's events and entertainments industries, recently expanded its EAW® inventory with the addition of 16 KF740 Three-Way Line Array Modules. The Basingstoke, Hampshire, England-based company is the latest professional sound and lighting company in the U.K. to add the KF740 modules to its extensive inventory of products, which also includes EAW KF760/KF761 Line Array Modules, KF850 Series Virtual Array™ Modules, KF853 Three-Way Virtual Array Modules, SB850z High-Output Subwoofers, BH853 Virtual Array LF Systems, SB250z Medium-Format Subwoofers, MicroWedge Series MW15 and MW12 Stage Monitors, and UX8800 Digital Signal Processors.</p>
<p>"When EAW's UK Sales Manager Kevin McNally first mentioned they were coming out with the KF740 and gave us the rough dimensions of the box, being smaller and more manageable than some of our current inventory, I knew this would be something we would be interested in," stated Eurohire Owner Mervin George. "We've had the KF760's for some time, which are great for outside in the summer, long-range or arena-type shows, but we wanted to get into a new system opening up the possibility of an additional client base -- and I thought the 740 could be that box." </p>
<p>After finally hearing a KF740 system at the Anvil Theatre in Basingstoke, both Mervin George and Eurohire's Operations Manager Jools Warren were significantly impressed. "When we heard the 740 system, I was really taken aback, really surprised," stated George. "One of the benefits I see is that although it's only a three-way box, the low-end on the 740 is particularly strong, going down to 50Hz according to EAW, yet when I heard it, it sounded even lower to me. That is a real benefit, because some shows, some acts, where you've got sight line problems and you only want a little bit of sub, you can just put the 740 system up and away you go."</p>
<p>"Outside of the clean sound, I'm amazed at the amount of sub-bass when you just run the box three-way. The amount of bottom-end out of the boxes is phenomenal," commented Warren. "We already have the 740 system booked starting next month for the European tour of Australian guitarist Tommy Emmanuel. And the great thing is he will be doing venues that range between 800- to 3200-seat capacity, mainly theaters indoors. With the 740's, we can fly them in certain venues, and if they need to be used in a ground-stack configuration, we know that regardless of the venue, we're covered."</p>
<p>Eurohire initially purchased 16 KF740's, but George feels expansion is inevitable. "We're starting off with 16 boxes, but we're hoping to get up to 24, which is where we want to be. The clarity of the 740 is excellent, absolutely excellent, and I'm really, really pleased. I think as we play with the 740's more, we're going to be even more surprised and pleased."</p>
<p>Established over 25 years ago, Eurohire has in recent years provided equipment and services for such varied events as rock and pop concerts by UB40, Status Quo, Katherine Jenkins, Steve Winwood, Dionne Warwick, The Kooks and classical showcase by the likes of the Royal Philharmonic and NSO, along with a number of festivals, musicals and corporate events.</p>]]>
        
    </content>
</entry>

<entry>
    <title>New EASA Data Available for JF, KF and QX Series</title>
    <link rel="alternate" type="text/html" href="http://www.eaw.com/frontrow/2011/02/new_easa_data_available_for_jf.html" />
    <link rel="service.edit" type="application/atom+xml" href="http://my.mackie.com/blogman/mt-atom.cgi/weblog/blog_id=3/entry_id=1497" title="New EASA Data Available for JF, KF and QX Series" />
    <id>tag:www.eaw.com,2011:/frontrow//3.1497</id>
    
    <published>2011-02-03T18:42:35Z</published>
    <updated>2011-02-03T18:45:01Z</updated>
    
    <summary><![CDATA[New EASE Data is now available for the JF Series, KF Series and QX Series. http://www.eaw.com/Info/EASE_Data/ &nbsp; Please keep checking back to our site for more info and data. If you need further information please contact us directly....]]></summary>
    <author>
        <name>EAW</name>
        <uri>http://www.eaw.com</uri>
    </author>
    
        <category term="Education/Training" />
    
        <category term="News" />
    
        <category term="Products" />
    
    <content type="html" xml:lang="en" xml:base="http://www.eaw.com/frontrow/">
        <![CDATA[<p>New EASE Data is now available for the <a href="http://www.eaw.com/products/JFSeries/">JF Series</a>, <a href="http://www.eaw.com/products/KFSeries/">KF Series</a> and <a href="http://www.eaw.com/products/QXSeries/">QX Series</a>. </p>
<p><a href="http://www.eaw.com/Info/EASE_Data/">http://www.eaw.com/Info/EASE_Data/</a> &nbsp;</p>
<p>Please keep checking back to our site for more info and data. </p>
<p><br />If you need further information please <a href="http://www.eaw.com/ContactUs/">contact us</a> directly.<br /></p>]]>
        
    </content>
</entry>

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