The club area, where the music is typically a mix of hip-hop, house and funk, features a pair of EAW Avalon Series DC2 three-way loudspeakers horizontally mounted above the raised dance floor. Four SB1002 dual-18-inch subwoofers provide additional low frequency coverage down to a floor-shaking 28 Hz. Powersoft Digam LD3004, D2002 and K3 amplifiers provide the power to the club sound system. Two ultra-compact EAW UB82e loudspeakers powered by a Powersoft LD2004 amplifier ensure even coverage to the DJ and VIP areas.

Chandan Mahtani, Managing Director for ProAktiv Systems, stated, "This is the only club in Cambodia that can boast to be the best in the country. The owner did not compromise on the décor or the sound and lighting system. He had visited TAO in Vegas some years ago and wanted something similar for his club."

The lounge area at Elements, where locals and visitors can retreat for chilled drinks and relaxed conversation, is served by a distributed system of 13 compact, full range EAW VR62 dual-six-inch loudspeakers, together with a single SB150z subwoofer. EAW CAZ1400 and CAZ2500 amplifiers power the lounge's background music speaker setup. Downstairs, in a smaller lounge area, ProAktiv Systems installed a pair of SMS5 loudspeakers and three SBX220 subwoofers. The systems integrator also installed two EAW UX8800 digital signal processors to handle speaker management and system optimization throughout the nightclub.

"We have had good success with EAW in many of the systems we've done for the church," notes Donner. "We've looked at other loudspeaker options, and nothing really compares to the performance we get from the EAW speakers, especially for a building of this size."

The P.A. system in the Atlanta arena-style location consists of three EAW KF760 Long-Throw Line Array Modules and four EAW KF761 Short Throw Line-Array Modules in a flown line array on both sides of the stage, with three KF760s and four KF761s for the center array, completing an L-C-R main P.A. system. There are sixteen EAW SB1000z Large Format Subwoofers placed eight per side. Donner chose six EAW JF80z Compact Full-Range Loudspeakers for the front fill and 22 EAW UB82 Near-field Loudspeakers for under-balcony fills. Five EAW KF737 High-Q Line Array Modules handle out-fills. In the choir area, four EAW KF730 Compact Line Array Modules hang from the ceiling, and four EAW KF650z Compact Array Loudspeakers are used as side-fills, two per side.

The 2,500-seat Charlotte church facility presented architectural construction issues that compelled a modification to the sound system design. Structural changes meant that certain speakers had to hang lower than originally planned. However, thanks to the flexibility of EAW loudspeakers, the church was able to use all of the original sound system design components. The church's L-C-R arrays use eighteen KF730s and six EAW SB730 Compact Line Array Subwoofers with three SB1000z subwoofers on the floor for added low end support. Six JF50z compact loudspeakers are built in to the stage edge for front fills and six JF80z loudspeakers address the under-balcony fill.

In Charlotte, the EAW DX8 DSP Digital Matrix Mixer and DX810 DSP-based digital audio mixer and signal processors are integrated into the system, as is the EAW UX8800 Digital Signal Processor with EAW Focusing technology, assuring a perfectly tuned system. Says Donner, "EAW always delivers and we're very pleased with that."

EAW will introduce 20 new products to the European market at PLASA 2010 in London. Visit Stand 1-F4 to check out the following new products:

The new JF Series of 2-way loudspeakers redefine the concept of application flexibility. All JF models feature premium neodymium components and legendary crossover design in an ingeniously adaptable package that offers unprecedented utility. The JFNT models additionally feature 1500W of amplification, EAW Focusing processing, software-accessible DSP and the proprietary U-Net network. The new KF Series of ultra-compact, three-way loudspeakers deliver premium performance in designs that offer a lightweight solution. The complete range includes two externally powered models (90 × 45 and 60 × 45) and three comprehensively integrated models (NT versions of the two previously described, and a 10 inch / 8 inch coaxial model). At the heart of the new KF Series product line is a core cabinet philosophy that allows users to utilize universal hardware accessories to tailor their KF product to meet the specific needs of their application. The new QX Series is the optimal solution for installed system applications that require precise directivity in a powerful compact form. This series is comprised of the QX544, QX564, QX566, QX594 and QX596. All full-range models have squared, symmetrical, dual-trapezoidal enclosures to provide unlimited array flexibility. A centrally located MF/HF horn and a quartet of 12-inch low frequency transducers team together to ensure that the entire frontal area contributes to horizontal and vertical pattern control capability.

Visit space 1-F4 at PLASA 2010 to see these new products.

Click Here to Register Now!

EAW is pleased to announce that its DX1208 DSP Matrix Mixer now features full integration with Crestron Electronics control products, through a dedicated DX1208 module developed as part of Crestron's Integrated Partner Program (IPP). This compatibility allows contractors and system integrators to install the DX1208 to operate seamlessly with other hardware in an open-platform Crestron systems environment. Such a system may consist of audio/video, security, HVAC, lighting and other controlled devices that may be incorporated into commercial configurations. This solves a number of problems for the contractor, as integration of disparate units is often a frustrating obstacle when setting up a new system.

The direct result of end-user feedback, the market-driven, easy-to-use DX1208 represents the next generation of Digital Signal Processing (DSP) from EAW. The DX1208 maintains EAW's high standards while providing end users with an intuitive, high-performance, yet cost effective solution. Its expandability options, combined with its deep feature set, make this mixer ideal for a wide range of commercial and install applications. Now, with full Crestron integration, the DX1208 provides installers and system integrators an even more flexible DSP solution.

Dave Raneses, EAW Commercial Product Manager, stated, "We are pleased to be able offer full Crestron integration capabilities with our DX1208. As Crestron is one of the leading control system solutions in the world, being a member in the Integrated Partner Program offers Installers and system Integrators the opportunity to leverage the combined strength of our brands. Moreover, programming resources can be minimized by using the Crestron modules, ultimately helping profit margins for customers."

Dominick Accurso, Crestron Integrated Partner Program Manager, stated, "We are happy to have EAW as an integrated partner and pleased to release a Crestron module for their DX1208 Matrix Mixer, which can be downloaded for free by Crestron account holders on our website."

Friday August 27

11:00AM - 6:00PM

Trackdown Studios

Trackdown Scoring Range

Building #125

The Entertainment Quarter

115 Lang Road, Moore Park

NSW 2021 Australia

Tuesday August 31

1:00PM - 7:00PM

Trak Lounge Bar

445 Toorak Road, Toorak

Victoria 3142 Australia

Click Here to RSVP

Just go to http://my.eaw.com and fill out the form. Once you have entered all of your information, click "Submit" and save the file. From there, you have the option to either send it from a Desktop email application (Outlook) or from a web-based email application (Hotmail, Yahoo, AOL etc.).

Once you send it your warranty will be entered into our system!

If you have any questions, email warranty@eaw.com

              

ProAktiv Systems Pte Ltd and EAW are pleased to inform you that we will host an EAW Seminar on September 3, 2010 at the NSRCC Sea Sports Centre.

Join Bernie Broderick, EAW Technical Training Manager, Dave Raneses, EAWC Product Manager and EAW VP, Jeffrey Cox for an in-depth look at the new KF740, the UX8800, DX1208 and much more.

The Seminar will include training on the following:

-  EAW Focusing
-  EAW UX8800 Digital Signal Processor
-  Point Source Theory
-  MicroWedge Configurations
-  Line Array Theory
-  Launch of EAW's latest line array, the KF740 3-way loudspeaker system

Who should attend the Seminar?

-  AV Consultants
-  Concert & Event Organizers
-  Educational Institutes
-  Houses of Worship
-  Nightclubs & Bars
-  Rental Companies
-  System Integrators & Installers
-  Sound Engineers
-  Venue Operators (Hotels, Theaters, Convention Centers)

In the evening, we will host a "live" showcase for the KF740 line array system with the all-new SB2001, dual 21-inch subwoofers and the spectacular MicroWedges & MicroSubs.

We look forward to seeing you all at the Seminar!

Click Here to Register Now!

Directions:

Address: 10 Changi Coast Walk, Singapore 499739

If you are coming via car / taxi:

From ECP:

1. Turn out at Exit 2A
2. Pass Tanah Merah Country Club Garden Course
3. Keep right, look for signboard (on the left)
4. Turn right into Changi Coast Walk

From PIE:

1.  Turn out at Exit 4A (Simei Avenue)
2.  Pass Changi General Hospital
3.  Go straight on Xilin Avenie, pass Changi South Industrial Estate
4.  Keep left, pass Tanah Merah Country Club Tampines Course
5.  Turn left to road leading towards Tanah Merah Ferry Terminal, Airline House, etc.
6.  Pass TMCC Garden Course
7.  Keep right and turn right in Changi Coast Walk

Event sponsored by TSB Productions Pte Ltd

Elan Korea and TFOS Plus, two leading touring companies in Korea, called upon Chung-Bo Sound Inc., EAW's Korean distributor, to provide sound for the event. "EAW was used on two of the three stages. We needed to provide an incredibly high-output system that could intelligibly broadcast play-by-play action to the sea of red-faced fans," stated Hyungjoon Jee, General Manager for Chung-Bo Sound. "These EAW units delivered beautifully."

To meet the demands, TFOS Plus used EAW's new KF740, eight per side, all powered by EAW's UX8800 Digital Processor. Elan Korea, on another stage, deployed an EAW KF760 line array rig consisting of eight KF760's per side (left and right) and six EAW BH760 Bent Horn Subwoofers per side (left and right). They also used two EAW KF730's for center fill and 10 EAW SM84's as monitors, all powered by 12 Lab.gruppen FP1000Q's.

"Everyone doesn't just watch the game on TV at home. They go out to the streets to support their teams as a family," remarked Jee. "The attendees deserve great sound, and we are happy to service them with great EAW loudspeakers. Both Elan Korea and TFOS Plus are great fans of EAW and agree that the equipment is very easy to set-up, especially the KF740."

Recently, we at EAW unveiled our new QX Series loudspeakers. Engineered and manufactured EAW's Whinisville, MA facility, the QX Series provides size-efficient yet very high output point-source clusters, based on some of the pioneering design strategies first introduced in our popular AX and MQ Series.

Click on the link below to read more...

PSN_SoundInnovations_QX.pdf

The sound system consists of four EAW Avalon Series DCS2 Bent Horn Dance Subwoofers and four Avalon Series DC4 Medium-Format Dance Club Loudspeakers in the dance floor area, powered by Lab.gruppen C-Series and FP+ Series amplifiers with all processing handled by EAW's UX8800. Four CIS400 Ceiling Loudspeakers serve the club's reception area, and four Avalon Series SMS5 Surface Mount Loudspeakers provide sound for the outdoor bar are and are controlled by a EAW UX8800 Digital Signal Processor with proprietary EAW Focusing technology.

Andrew Rowan, Founder of Surgesound, says the EAW Avalon series components have provided consistently exceptional performance at all of the VDP venues. "We are happy with the way the system has performed in all the clubs," he states. "The system in this configuration, used in Clapham Gold, has become a standard in most VDP Group venues. The Clapham Gold is the fourth venue from the Group to employ this setup. It's a powerful, reliable and sophisticated system that delivers on its promise superbly."

Guy Baranyay of VDP noted, "The EAW system is performing magnificently. Within the club environment it is generally very difficult to attain the utopia of soul shaking power on the dance floor combined with quality/fidelity of sound in the more social areas of the club. It's incredible to see the EAW system meet this ideal. It's very pleasing to see customers talking to one another with ease around the bars and tables before shouting out the latest tunes on the dance floor moments later."

Not surprisingly, the EAW Avalon Series has been a hit everywhere it's been implemented. Numerous groundbreaking EAW technologies form the core of the series, including advanced horn and phase-plug technologies found in the flagship KF700 Series line of concert loudspeakers. Another technique employed to great effect is Tuned Dipolar Array (TDA), which provides the most focus control of low-frequency energy devised to this point.

EAW

Graeme Stevenson, Managing Director for Production Audio, stated, "During the festival, Melbourne had its worst 'superstorm' in 50-plus years. Hailstones up to four inches in diameter, flash flooding and up to three inches of rain fell within a few hours on Saturday. Still, the festival stage was a big success, despite the storm, and everyone was impressed and thrilled that the system performed so perfectly while being subjected to these conditions,"

Colin Hay's FOH Engineer Mike "Ace" Baker, who has also worked with Sammy Hagar, Aretha Franklin and Hay's former band Men at Work, was impressed with the durability of the system. He stated, "Wow. We had no sound check, it was pouring rain and it was the first day of our tour. But who cares?! The rig sounded amazing and seemed to chase the rain away. EAW once again retains its spot on the top of my riders."

As the popular saying goes, the show must go on. Stated Stevenson, "After the system was dried out from Saturday's storm, it performed flawlessly on Sunday and Monday, running for a good ten hours straight on both days."

 New York's Major League Soccer team, the New York Red Bulls, finally have a place to call home. The new Red Bull Arena, in Harrison, New Jersey, was completed on March 20, 2010, and features outstanding sound, thanks to EAW®, a world leader in audio system solutions.

The arena features a European design, with a canopy that encircles the entire two-tiered seating area. The first row seats are approximately 21 feet from the touchlines, while the following rows are steeply raked, creating an intimate experience for fans that are closer to the playing field than in traditional U.S. soccer stadiums.

"This is the only soccer stadium of its kind in the United States," states Brian Elwell, Project Manager for Acoustic Dimensions. A catwalk that follows the path of the canopy made access to the hang points easier, but the proximity of the canopy to the seats created coverage challenges for the P.A. system design. The closer speakers were located to seating areas, the less dispersion that each speaker could deliver. At the same time, however, simply adding boxes to expand the density of coverage would not have been cost effective. The solution was a combination of boxes from EAW's AX and MK Series of products.

Utilizing the canopy, P.A. system designer Acoustic Dimensions specified a system of alternating hang points along the perimeter of the 1,400+-linear-foot-long canopy. Each main hang point features an EAW AX364-WP Arrayable Install Loudspeaker (aimed for long-throw use), an EAW MK2399-WP Two-Way Full Range Installation Loudspeaker (rear firing) and an EAW MK2394-WP Two-Way Full Range Installation Loudspeaker (down firing). These main clusters alternate with intermediate hangs consisting of an additional MK2399-WP (rear firing) and an MK2394-WP (down firing). EAW AX396-WP Arrayable Install Loudspeaker units were used along the 350 feet of canopy over the west press box side of the arena. A total of 24 AX Series speakers and 82 MK Series speakers were used.

"In terms of the amount of output versus the cost per box, EAW was by far the best choice," says Elwell. "Their coverage pattern met all of our needs and from a cost point of view they are the most efficient available. We've been extremely pleased with the overall coverage we've gotten with this P.A. system - it gives us great sound at every single seat."

Casey Sherred, consultant with Acoustic Dimensions on the project, cites the AX Series cabinets' full-range design as another crucial reason for their choice. "We didn't have to do a crossover in DSP because the cabinet sounds great on its own," he explains. "Then you add the EAW Focusing alignment and driver processing via the EAW UX8800 dual-mode digital processor, which further enhances the performance of the cabinet, and that makes the system really shine," he adds. "We get great performance out of a very cost-effective solution without having to spend additional money on DSP crossover amplification. That's really incredible."

Perhaps incidentally, the Red Bulls won their very first exhibition game in their new home, and won their first regular-season game with a 1-0 victory over the Chicago Fire on March 27. The sound certainly didn't hurt.

Soccer fans at four official FIFA Fan Fest™ venues in South Africa followed the games taking place at the main stadiums in the World Cup competition via EAW® speaker systems provided by Surgesound, EAW's South African distributor. The systems consisted of 48 KF760 and 12 KF761 line array modules, including a complement of 48 SB1000z subs, with 48 KF730 compact line array modules and 48 SB730 subs providing in-fill. Monitoring was performed with EAW SM12 units, and 24 UX8800 Digital Signal Processor units provided processing. Surgesound recently delivered a large complement of EAW speakers to Johannesburg-based The Sound Corporation, one of the biggest professional audio production houses in South Africa, in time for installation at the fan parks.

The Sound Corporation installed EAW speaker systems at Soweto (Johannesburg), Rustenburg, Bloemfontein and Nelspruit. It was the only production company to be awarded more than two official FIFA Fan Fest sites out of the total of nine fan parks across South Africa.

For the thousands of eager football fans not lucky enough to get tickets for the big matches, FIFA Fan Fest areas provided the perfect alternative, allowing people to share in the football fever and take in the match on giant screens supported with world-class audio systems. According to official FIFA attendance figures, 300,000 fans gathered at the country's Fan Fest venues, including 75,000 just at the Soweto Johannesburg location, for the month-long competition's opening match between South Africa and Mexico.

Andrew Rowan, Founder of Surgesound, commented, "The Sound Corporation has been a great client for many years and currently has the biggest EAW system in Africa." The Sound Corporation recently welcomed the arrival of 60 EAW KF760 large-format line array speakers and 48 EAW SB1000z subwoofers.

Surgesound additionally supplied amplifiers from Lab.gruppen, with whom EAW recently announced a strategic partnership, to power the EAW speaker systems at the four fan zones. "We are extremely proud that a production house of The Sound Corporation's caliber can trust EAW and Lab.gruppen products with their high-profile gigs," said Rowan.

EAW is proud to welcome Baby Butler to the family!  Principal Engineer Nathan Butler, and his wife, Maresa welcomed Logan to the world on June 19, 2010 at 7:10PM.  He weighed in at 7lbs, 9oz and is a healthy and happy baby boy.

The Playground Weekender is a uniquely Australian music festival that has emerged as an eclectic gathering featuring a diverse mix of international and local artists, coupled with a relaxed outdoor atmosphere featuring multiple music stages, cabaret acts, a cocktail bar, a healing area, yoga and an array of international food and market stalls. The P.A. system had to cover a large area with great sound but also needed to be well integrated into the visual presentation, and to go up quickly. The KF740 fit all of these requirements.

The main system consisted of 24, high output, 3-way KF740 modules flown in two line arrays on either side of the stage using 12 KF740 modules each. These were augmented with eight EAW SB1002 Large Format dual-18 Subwoofers and 16 EAW SB1000z Large Format Subwoofers, as well as four EAW KF650z Compact Array Loudspeakers offering 60-degree horizontal dispersion used as front fills. Powersoft DIGAM K10 amplifiers powered the KF740s, and Lab.gruppen FP6400 amps were used to power the system's subs. The Norwest crew had the entire system flown in under and hour.

"One of the advantages of using this array is that it isn't as heavy as some other arrays, and still packs a lot of punch," observes Scott Harrison, Audio Systems Engineer at Norwest Productions. "As we were hanging [the system off] of the stage roof superstructure, weight was very important. Given the short time frame we had to get the P.A. in the air, the easy rigging was a great advantage. With input from EAW's Resolution software, we got a hang that looked like what the computer said it should, and covered all the area it needed to. From start to finish we had both of our 12-box hangs flown in under an hour." The KF740's highly efficient use of power also helped keep weight down. "We were also able to keep the rig down to one amp rack per side, plus a sub rack," says Harrison.

Every mixer and technician who worked that stage at Playground Weekender had nothing but positive comments about it. "All the engineers who came to mix were impressed with the sound of the P.A.," says Harrison. "In particular, I had comments about how even the sound was, in both planes - left to right, and the transitions between boxes front to back - how it had a great presence without being overpowering, and how well it carried right out past 250 feet from the stage." And the KF740 worked as hard and flawlessly as the performers themselves - Harrison notes that the rig operated at medium-to-high SPL during the weekend for an estimated crowd of approximately 10,000 people. "We never saw a sign of a clip light or any signs of speaker stress," he says, noting the diversity of artists using the system, ranging from 3-piece bands to 25-piece orchestras, as well a choir. "The tonal character of the system was considered excellent. I thought the SPL and clarity of the boxes was great, and when combined with the weight/size combo and the easy rigging, it goes up fast, and doesn't disappoint. I'd definitely use it again."