Atlanta-based New Birth Missionary Baptist Church recently renovated its $50 million, 7,500-seat sanctuary and opened a sister church in Charlotte, North Carolina. The Design team chose EAW® loudspeakers to fulfill the demand for state-of-the-art sound systems. Chief Engineer Mitch Donner and Production Manager Melvin Wood led the church's own production team in the design and installation of the entire system with the assistance from Roy Drukenmiller of Rock "N" Road and EAW Southeastern Representative, Quest Marketing's' Jim Greene.

"We have had good success with EAW in many of the systems we've done for the church," notes Donner. "We've looked at other loudspeaker options, and nothing really compares to the performance we get from the EAW speakers, especially for a building of this size."

The P.A. system in the Atlanta arena-style location consists of three EAW KF760 Long-Throw Line Array Modules and four EAW KF761 Short Throw Line-Array Modules in a flown line array on both sides of the stage, with three KF760s and four KF761s for the center array, completing an L-C-R main P.A. system. There are sixteen EAW SB1000z Large Format Subwoofers placed eight per side. Donner chose six EAW JF80z Compact Full-Range Loudspeakers for the front fill and 22 EAW UB82 Near-field Loudspeakers for under-balcony fills. Five EAW KF737 High-Q Line Array Modules handle out-fills. In the choir area, four EAW KF730 Compact Line Array Modules hang from the ceiling, and four EAW KF650z Compact Array Loudspeakers are used as side-fills, two per side.

The 2,500-seat Charlotte church facility presented architectural construction issues that compelled a modification to the sound system design. Structural changes meant that certain speakers had to hang lower than originally planned. However, thanks to the flexibility of EAW loudspeakers, the church was able to use all of the original sound system design components. The church's L-C-R arrays use eighteen KF730s and six EAW SB730 Compact Line Array Subwoofers with three SB1000z subwoofers on the floor for added low end support. Six JF50z compact loudspeakers are built in to the stage edge for front fills and six JF80z loudspeakers address the under-balcony fill.

In Charlotte, the EAW DX8 DSP Digital Matrix Mixer and DX810 DSP-based digital audio mixer and signal processors are integrated into the system, as is the EAW UX8800 Digital Signal Processor with EAW Focusing technology, assuring a perfectly tuned system. Says Donner, "EAW always delivers and we're very pleased with that."

Posted by EAW at 1:31 PM | Permalink

EAW will introduce 20 new products to the European market at PLASA 2010 in London. Visit Stand 1-F4 to check out the following new products:

The new JF Series of 2-way loudspeakers redefine the concept of application flexibility. All JF models feature premium neodymium components and legendary crossover design in an ingeniously adaptable package that offers unprecedented utility. The JFNT models additionally feature 1500W of amplification, EAW Focusing processing, software-accessible DSP and the proprietary U-Net network. The new KF Series of ultra-compact, three-way loudspeakers deliver premium performance in designs that offer a lightweight solution. The complete range includes two externally powered models (90 × 45 and 60 × 45) and three comprehensively integrated models (NT versions of the two previously described, and a 10 inch / 8 inch coaxial model). At the heart of the new KF Series product line is a core cabinet philosophy that allows users to utilize universal hardware accessories to tailor their KF product to meet the specific needs of their application. The new QX Series is the optimal solution for installed system applications that require precise directivity in a powerful compact form. This series is comprised of the QX544, QX564, QX566, QX594 and QX596. All full-range models have squared, symmetrical, dual-trapezoidal enclosures to provide unlimited array flexibility. A centrally located MF/HF horn and a quartet of 12-inch low frequency transducers team together to ensure that the entire frontal area contributes to horizontal and vertical pattern control capability.

Visit space 1-F4 at PLASA 2010 to see these new products.

Click Here to Register Now!

Posted by EAW at 11:22 AM | Permalink

EAW is pleased to announce that its DX1208 DSP Matrix Mixer now features full integration with Crestron Electronics control products, through a dedicated DX1208 module developed as part of Crestron's Integrated Partner Program (IPP). This compatibility allows contractors and system integrators to install the DX1208 to operate seamlessly with other hardware in an open-platform Crestron systems environment. Such a system may consist of audio/video, security, HVAC, lighting and other controlled devices that may be incorporated into commercial configurations. This solves a number of problems for the contractor, as integration of disparate units is often a frustrating obstacle when setting up a new system.

The direct result of end-user feedback, the market-driven, easy-to-use DX1208 represents the next generation of Digital Signal Processing (DSP) from EAW. The DX1208 maintains EAW's high standards while providing end users with an intuitive, high-performance, yet cost effective solution. Its expandability options, combined with its deep feature set, make this mixer ideal for a wide range of commercial and install applications. Now, with full Crestron integration, the DX1208 provides installers and system integrators an even more flexible DSP solution.

Dave Raneses, EAW Commercial Product Manager, stated, "We are pleased to be able offer full Crestron integration capabilities with our DX1208. As Crestron is one of the leading control system solutions in the world, being a member in the Integrated Partner Program offers Installers and system Integrators the opportunity to leverage the combined strength of our brands. Moreover, programming resources can be minimized by using the Crestron modules, ultimately helping profit margins for customers."

Dominick Accurso, Crestron Integrated Partner Program Manager, stated, "We are happy to have EAW as an integrated partner and pleased to release a Crestron module for their DX1208 Matrix Mixer, which can be downloaded for free by Crestron account holders on our website."

Posted by EAW at 10:47 AM | Permalink

If you have recently purchased an EAW product, you now have the ability to go online and fill out the warranty card.

Just go to http://my.eaw.com and fill out the form. Once you have entered all of your information, click "Submit" and save the file. From there, you have the option to either send it from a Desktop email application (Outlook) or from a web-based email application (Hotmail, Yahoo, AOL etc.).

Once you send it your warranty will be entered into our system!

If you have any questions, email warranty@eaw.com

Posted by EAW at 10:18 AM | Permalink

The official cheering club of South Korean soccer, "The Red Devils," named Seoul's COEX Mall as its official 2010 FIFA World Cup cheer venue. To accommodate the 100,000+ fans, Seoul officials closed off The COEX to automobile traffic and installed LED screens, stages and sound systems. Despite the inner-city venue's challenges, crowds enjoyed great sound, thanks to EAW®'s critically acclaimed KF740 and KF760 loudspeakers systems.

Elan Korea and TFOS Plus, two leading touring companies in Korea, called upon Chung-Bo Sound Inc., EAW's Korean distributor, to provide sound for the event. "EAW was used on two of the three stages. We needed to provide an incredibly high-output system that could intelligibly broadcast play-by-play action to the sea of red-faced fans," stated Hyungjoon Jee, General Manager for Chung-Bo Sound. "These EAW units delivered beautifully."

To meet the demands, TFOS Plus used EAW's new KF740, eight per side, all powered by EAW's UX8800 Digital Processor. Elan Korea, on another stage, deployed an EAW KF760 line array rig consisting of eight KF760's per side (left and right) and six EAW BH760 Bent Horn Subwoofers per side (left and right). They also used two EAW KF730's for center fill and 10 EAW SM84's as monitors, all powered by 12 Lab.gruppen FP1000Q's.

"Everyone doesn't just watch the game on TV at home. They go out to the streets to support their teams as a family," remarked Jee. "The attendees deserve great sound, and we are happy to service them with great EAW loudspeakers. Both Elan Korea and TFOS Plus are great fans of EAW and agree that the equipment is very easy to set-up, especially the KF740."

Posted by EAW at 2:15 PM | Permalink

Recently, we at EAW unveiled our new QX Series loudspeakers. Engineered and manufactured EAW's Whinisville, MA facility, the QX Series provides size-efficient yet very high output point-source clusters, based on some of the pioneering design strategies first introduced in our popular AX and MQ Series.

Click on the link below to read more...

PSN_SoundInnovations_QX.pdf

Posted by EAW at 11:02 AM | Permalink

The sound system consists of four EAW Avalon Series DCS2 Bent Horn Dance Subwoofers and four Avalon Series DC4 Medium-Format Dance Club Loudspeakers in the dance floor area, powered by Lab.gruppen C-Series and FP+ Series amplifiers with all processing handled by EAW's UX8800. Four CIS400 Ceiling Loudspeakers serve the club's reception area, and four Avalon Series SMS5 Surface Mount Loudspeakers provide sound for the outdoor bar are and are controlled by a EAW UX8800 Digital Signal Processor with proprietary EAW Focusing technology.

Andrew Rowan, Founder of Surgesound, says the EAW Avalon series components have provided consistently exceptional performance at all of the VDP venues. "We are happy with the way the system has performed in all the clubs," he states. "The system in this configuration, used in Clapham Gold, has become a standard in most VDP Group venues. The Clapham Gold is the fourth venue from the Group to employ this setup. It's a powerful, reliable and sophisticated system that delivers on its promise superbly."

Guy Baranyay of VDP noted, "The EAW system is performing magnificently. Within the club environment it is generally very difficult to attain the utopia of soul shaking power on the dance floor combined with quality/fidelity of sound in the more social areas of the club. It's incredible to see the EAW system meet this ideal. It's very pleasing to see customers talking to one another with ease around the bars and tables before shouting out the latest tunes on the dance floor moments later."

Not surprisingly, the EAW Avalon Series has been a hit everywhere it's been implemented. Numerous groundbreaking EAW technologies form the core of the series, including advanced horn and phase-plug technologies found in the flagship KF700 Series line of concert loudspeakers. Another technique employed to great effect is Tuned Dipolar Array (TDA), which provides the most focus control of low-frequency energy devised to this point.

Posted by EAW at 5:00 PM | Permalink

EAW launches its new QX Series loudspeakers, optimized for installed system applications that require precise directivity in a powerful low-profile form. Engineered and manufactured at EAW's Whitinsville, Massachusetts facility, the QX Series provides size-efficient yet very high output point source clusters. The series is particularly geared toward medium-to-large-sized spaces including sports arenas but is also designed for a wide range of other venues requiring high power and consistent coverage in a compact housing, including houses of worship, outdoor stadiums, performing arts venues, theaters and clubs.

The passive, wired-for-biamplification QX Series draws on the knowledge and engineering resources gained through the development of EAW's lauded AX Series, maintaining its reputation of "big horns in compact packages." The natural sound of the QX Series is unmistakable, and its ability to create custom, seamless arrays is unmatched. All full-range models have squared, symmetrical, dual-trapezoidal enclosures to provide extensive array flexibility. A centrally located co-axial MF/HF horn and two pairs (four) of phase-aligned neodymium 12-inch low frequency transducers team together to ensure that the entire frontal area contributes to horizontal and vertical pattern control capability. The result is an extremely natural sounding loudspeaker with excellent pattern control and low distortion.

Jeff Rocha, EAW Senior Director of Engineering, stated, "Our new QX Series models offer high-end acoustical consultants and large design system contractors the ultimate in output and efficiency in a compact package. The aim is always to provide great-sounding solutions for a wide variety of applications, responding to direct input from leading contractors and system integrators in the field, and the QX Series delivers on that promise."

The five new models include the QX596 (dispersion pattern: 90 degrees x 60 degrees), QX594 (90 degrees x 45 degrees), QX566 (60 degrees x 60 degrees), QX564 (60 degrees x 45 degrees) and QX544 (45 degrees x 45 degrees). All units measure 27.96" x 27.96" x 23.95" and weigh 130 lbs. A variety of installation applications and accessories provide added flexibility for the installer. As always, optimized processor settings for the UX8800 Digital Signal Processor will be available for download at www.eaw.com.

EAW's new QX Series loudspeakers will be available August 2010. For more information, please visit www.eaw.com.

Posted by EAW at 6:40 AM | Permalink

EAW®, announces two new additions to the KF Series, along with three comprehensively integrated NT variants. Designed for an extremely wide range of applications, the new KF Series offerings deliver a scalable solution for corporate A/V events, small-to medium-sized live sound reinforcement, performing arts venues, houses of worship, retail spaces, ballrooms, theaters, theme parks and more.

Engineered by the same Whitinsville, Massachusetts-based design team responsible for EAW's critically acclaimed KF Series, the new KF and KFNT make up a series of ultra-compact, three-way loudspeakers that deliver premium performance in designs that offer a lightweight solution. The complete range includes two externally powered models (90-degree x 45-degree and 60-degree x 45-degree) and three comprehensively integrated models (NT versions of the two previously described, and a 10-inch / 8-inch coaxial model). At the heart of the new KF Series product line is a core cabinet philosophy that allows users to utilize universal hardware accessories to tailor their KF product to meet the specific needs of their application. The new KF Series models include the KF364 and KF394, packing even more capability and application flexibility into the ultra-compact series of premium 3-way loudspeakers. The integration of premium neodymium components, a co-axial mid/high frequency component and world-renowned crossover design into an adaptable enclosure offers unprecedented utility. When used in conjunction with EAW's UX8800 Processor and its proprietary EAW Focusing, the KF Series provides the pinnacle of performance in any venue.

The new comprehensively-integrated KFNT models include the KF200NT, KF364NT and KF394NT. Like the non-NT versions, these units feature outstanding capability and versatility in a compact housing. Aside from classleading neodymium components and co-axial mid/high frequency components, they feature EAW Focusing processing, software-accessible DSP and the proprietary U-Net network. A variety of available accessories offer the ability to tailor each of the new KF and KFNT products to any application. All new KF and KFNT models natively offer both portable features and M10 installation points.

For contractors and system integrators who require added flexibility, available universal accessories include trim plates that hide handles, adjustable U-brackets, quick release flytrack segments that integrate into any enclosure  and adjustable legs for use as a stage monitor.

Posted by EAW at 6:10 AM | Permalink

EAW announces ten new additions to its celebrated JF Series of high-definition two-way loudspeaker systems, including four comprehensively integrated NT models. Designed by EAW's Whitinsville, Massachusetts-based engineering team for a wide range of contractor and system integrator uses, the new JF and JFNT Series are scalable, compact lightweight loudspeakers ideal for a multitude of small and medium-sized sound reinforcement applications.

The newest additions to the JF Series of two-way loudspeakers include JF8, JF10, JF26, JF29, JF56 and JF59,packing even more capability and application flexibility into the ultra-compact series. New comprehensively integrated JFNT units include JF26NT, JF29NT, JF56NT and JF59NT.

The JF models include low-directivity eight-inch and 10-inch systems and four 12-inch and 15-inch systems (60-degree x 45-degree and 90-degree x 45-degree versions of both sizes are available). The integration of lightweight, premium neodymium components and legendary crossover design into an ingeniously adaptable package offers unprecedented utility. When used in conjunction with EAW's UX8800 Processor and its revolutionary EAW Focusing™, the JF Series provides the pinnacle of performance in any venue.

The four JFNT models (comprehensively integrated versions of the 12-inch and 15-inch JF models) elevate the notion of power and utility. They offer 1500 Watts of fully integrated amplification, revolutionary EAW Focusing processing, EAW Pilot™ software-accessible front-end DSP, proprietary U-Net™ audio and communications network, and the JF Series adaptable enclosure design. This provides multi-channel digital audio transmission with remote software control and monitoring capability. Contractors have the ability to initially install standard JF models for their clients, and then at a later date, upgrade those cabinets in the field to the NT model.

The entire product line is architected on a core cabinet philosophy that allows users to utilize universal hardware accessories to tailor their JF product to meet the specific needs of their application. For the ultimate in flexibility, a variety of available accessories offers the ability to tailor the new JF Series products to any application. All JF and JFNT models natively employ a combination of portable features and M10 installation points. Available universal accessories include trim plates that hide handles and provide a connection point for adjustable u-brackets, quick-release flytrack segments that integrate into any enclosure and adjustable legs for use as a stage monitor.

For contractor and system integrator applications such as corporate A/V events, small-to-medium-sized live sound reinforcement, performing arts venues, houses of worship, retail spaces, ballrooms, theaters and theme parks, the new JF and JFNT Series are the perfect solution.

Posted by EAW at 6:00 AM | Permalink

  EAW announces the launch of the SB2001 Subwoofer. The dual 21-inch cone driver represents a very noteworthy upgrade to the SB1001 in terms of output capability and low frequency extension (17% larger voice coils, 59% greater Xmax and more than double the volume of air displaced) without a significant increase in size. The stunning result is a new and more powerful workhorse that has greater impact, power handling and output capability than its celebrated brethren.

"The pro audio market has seen a recent return of larger format subwoofers - most of which are very expensive and often esoteric, with limited application flexibility," remarked Nathan Butler, EAW Principal Engineer. "The SB2001 goes lower, gets louder and moves more air - which is a remarkable value, given the cost."

The unique driver mounting of the SB2001 maximizes cone area and allows for the integration of an extremely low turbulence port while minimizing frontal area, providing the acoustical performance and physical configuration well suited for creating large subwoofer arrays. This benefit is largely derived from the unique V-shaped baffle loading of the transducers. The nearly opposing devices force all of their combined output through an opening that is somewhat smaller than their collective cone size. This compression of energy through a smaller aperture results in phenomenal impact and rewarding growl.

The enclosure design integrates 3/8-16 suspension points for installation applications and is fully prepped and ready to receive the user installable quick release rigging kit accessory for touring applications. The SB2001 is noted for its tremendous punch given its small size (33.5" W x 22.63" H x 45.0" D; weight: 200 lbs) and is perfectly suited for a wide range of applications including concert touring, arenas, houses of worship, large auditoriums, theaters and large dance clubs. As always, optimized processor settings for the UX8800 Digital Signal Processor are available for download at www.eaw.com.

Posted by EAW at 9:43 AM | Permalink

Today, EAW unveils the NTS250 Powered Subwoofer. The NTS250 is designed to serve as a companion subwoofer for any EAW system (and those of several competitors), but, as the product name suggests, it is an obvious choice to use in conjunction with the NTL720 compact line array. As such, this comprehensively integrated system is an ideal solution for sound reinforcement or fixed installation for corporate A/V, clubs, ballrooms, theaters, performing arts centers, houses of worship and more.

The NTS250 is a high output yet compact and lightweight premium subwoofer that unites the following features: a push-pull pair of high efficiency neodymium 15-inch woofers; 2000 Watts of amplification; powerful system optimization DSP and EAW Pilot software-accessible front-end DSP; the proprietary U-Net® audio and communications network; a professional rigging system; and push button two-box cardioid and hyper-cardioid configurability, all within a comprehensively integrated, RoadCoat-clad package.

The NTS250 is the first EAW subwoofer on the U-Net network, allowing for very simple system configuration with other U-Net enabled products. U-Net offers access to a plethora of monitoring and control features, as well as conventional front-end processing for system tuning - potentially obviating the need for external system controllers. The NTS250 is unique, as competitive subs are either not network capable or only offer an expensive network option.

The NTS250's native rigging solution allows the user to fly homogeneous arrays of the NTS250, and the addition of a simple, low-cost kit allows for the suspension of an NTL720 array beneath a subwoofer array. This simple two-box cardioid and hyper-cardioid configurability is an industry first.

Additionally, the network capability and EAW Pilot control software offer a much more substantial list of subwoofer array options that include larger cardioid and shotgun arrays, as well as large linear or two-dimensional arrays and possible user-configurable directivity.

The EAW NTS250 Powered Subwoofer is now shipping worldwide.

Posted by EAW at 6:48 AM | Permalink

EAW announces the appointment of Ibbenbüren-based firm TRIUS Vertrieb GmbH & Co. KG as exclusive distributor for Germany. Effective immediately, TRIUS will handle distribution for EAW's products, interfacing with EAW's European Sales Director Sean Martin, EAW Application Support Group EMEA representative Moray McMillin and other key members of EAW's team in Europe. The announcement was made by Jeffrey Cox, V.P. Pro Audio, on Wednesday, March 24, 2010, at the Musikmesse Show in Frankfurt, and further underscores EAW's ongoing commitment to the German market.

For over two decades, TRIUS has been a German leader in the worlds of live sound/touring, installations, recording and M.I., having established itself through consistent and comprehensive sales results for several of the industry's major brands. The TRIUS organization has respective specialized departments for sales and support, service and technology, marketing and IT, and logistics. The company's infrastructure, innovative sales approach and decades of practical experience make them the ideal choice for EAW distribution in Germany.

Kai Boeckmann, TRIUS Manager Director, stated, "TRIUS has been a German market leader for several decades, having built successful business relationships throughout the region, and we look forward to using our experience and contacts to lead EAW's sales initiatives in Germany. EAW produces high-quality products, and with their manufacturing facilities and European warehouse, they are in a position to offer highly price-competitive speaker models with a short delivery time. For these reasons, EAW fits perfectly in our client portfolio, and will help TRIUS maintain our status as a go-to full line supplier, both for rental companies and installers."

"TRIUS is one of Germany's largest and most prestigious distributors for pro audio products, and we are excited to have them exercise their top-tier position in the region's marketplace and act as a key member of our EAW team in Germany," stated Sean Martin, "With several new and innovative EAW products hitting the market this year, we look forward to utilizing TRIUS's expertise in Germany's pro audio market to enhance and expand EAW's presence in the region."

Posted by EAW at 3:15 PM | Permalink

Today EAW launched the SB1001 Large-Format Dual-18-Inch-Loaded Subwoofer. The successor to EAW's legendary SB1000, the new SB1001 is essentially an SB1002 Large Format Flyable Subwoofer without the rigging hardware. The SB1001 is perfectly suited for a wide range of non-flying applications (with rigging hardware available as an optional separate product if desired), including concert touring, arenas, houses of worship, auditoriums/theaters, stage/drum fill monitoring, large dance clubs or any other application requiring articulate, powerful low end. While the dimensions of the SB1001's vented enclosure and the fundamental acoustical philosophy remain true to the classic SB1000, the core components are significantly enhanced to include larger 4.5-inch (115-mm) voice coils, 20% higher BI and all neodymium magnet structures. The result is a lighter-weight reference standard that has greater impact, power handling and output capabilities than its celebrated predecessor.

Jeffrey Cox, Vice President, Pro Audio Group, stated, "The SB1001 is a particularly strong, cost-effective solution for those who are not necessarily looking to fly their subwoofers. Rigging hardware is not included, which allows us to offer an outstanding price point unmatched by any other manufacturer. However, if rigging is desired, rigging assemblies are available as a separate product. The SB1001 adds the contemporary capability of high power and performance in the widely used and recognized EAW subwoofer format."

The unique driver mounting of the SB1001 maximizes cone area and allows for the integration of an extremely low-turbulence port while minimizing front area, providing the acoustical performance and physical configuration well suited for creating large subwoofer arrays. Two 18-inch drivers employ large (4.5-inch) voice coils, as well as powerful neodymium magnet structures that also reduce weight. The operating frequency range of the SB1001 is 27 Hz to 161 Hz (± 3 dB). Maximum sound pressure levels are 129 dB (average) and 135 dB (peak).

Dual Neutrik Speakon NL4 connectors are positioned on a rear-mounted section of the cabinet angled inward at approximately 45 degrees, allowing the SB1001 to position itself flush against walls in a groundstack configuration. Additionally, the SB1001 can be permanently suspended with sixteen 3/8" - 16 points and is fully prepped and ready to receive the user-installable quick release rigging kit accessory for touring applications. The rugged grille protecting the drivers matches that of the KF760 Series, while the cabinet is finished in a durable, wear-resistant textured black paint.

To optimize LF response, the SB1001 subwoofer is designed for use with EAW's critically acclaimed UX8800 dual-mode digital processor featuring revolutionary EAW Focusing Technology. As always, optimized processor settings for EAW's UX8800 Digital Signal Processor are available for download at www.eaw.com.

SB1001 Features:
- Direct radiating dual 18-inch design
- Optimally tuned with large, very low-turbulence port
- Unique woofer loading generates unbelievable impact
- Premium large coil 4.5-inch (115 mm) components with tremendous motor strength (+20%BI)
- Powerful neodymium magnet structures reduce system weight and increase output
- Can be ground stacked or permanently suspended with sixteen 3/8" - 16 points
- Quick release rigging accessory kit available for touring applications
- Dimensions: 21.0" H x 29.8" W x 42.0" D; weight: 152 lbs.

Posted by EAW at 6:37 AM | Permalink

The demo consisted of two (9) box KF740 hangs with 16 SB1000zR's all powered by Lab Gruppen FP 10.000 Q amplifiers and EAW UX8800's. Holland P.A. technicians, Piet Goedhart and Freek Fokker ran FOH using an APB Spectra T series mixing console. The system was set up and tuned by Nathan Butler, EAW Principal Engineer, and Bernie Broderick, EAW Technical Training manager.

Jeffrey Cox, EAW VP attended the first demo and was extremely pleased with what he saw. "Holland PA's committment to EAW was clearly evidenced by the spectacular event that they put on showcasing the KF740." Martien Verdonk, owner of Holland PA was pleased with the outcome of the events, "general reactions of the KF740 PA were very positive."

Posted by EAW at 12:18 PM | Permalink

EAW was recently chosen as the loudspeaker of choice for a house-of-worship installation at CTMI Church in the town of Trianon, near Port Louis in the island nation of Mauritius. Durban, South Africa-based Northwind Recording provided the system design, analyzed the space's acoustics and performed the installation. EAW's South African distributor Surgesound supplied the equipment and managed all processing and system alignment. Further consultation was provided by EAW's Whitinsville, Massachusetts-based Application Support Group (ASG), under the management of Joe Fustolo.

EAW loudspeakers selected for the space included 15 EAW AX366 and AX344 Arrayable Install Loudspeakers, six EAW JF50S Compact Full-Range Loudspeakers, eight EAW SB1000z Large Format Subwoofers, five EAW MW12 MicroWedge Stage Monitors and two EAW UX8800 Digital Signal Processors. Amplification was provided by ten Lab.gruppen FP+ Series amplifiers and one Lab.gruppen PLM 10000Q Powered Loudspeaker Management System. The EAW AX Series models were arranged in a low-profile, aesthetically pleasing design in two arcs following the contour of the church. The JF50S units were used as lip fill. Four SB1000z subs were ground stacked, and the remaining four were flown, using different high pass filter (HPF), low pass filter (LPF) and delays to create a constant low frequency response throughout the church. The MicroWedge 12 monitors were spaced along the edge of the stage.

Northwind Recording principal Niklas Fairclough is a firm supporter of the EAW brand, having completed three previous installations in South Africa using EAW AX Series Arrayable Install Loudspeakers. Fairclough commented, "When we tested the system, we were blown away. With an SPL of 110 dB at the front-of-house position, the system sounded superb and very clean, and we still had massive headroom available."

Ruan Joubert from Surgesound, the Distributor of EAW in South Africa, was at the final stages of the installation to act as the System Engineer and represent EAW South Africa. After using Smaart to make fine-tune adjustments to the system, he commented, "With the combination of detailed acoustic design, carefully planned EAW Model selections, the Pre-Install Planning and system design with help of EAW ASG, everything came together, culminating in very a successful project with outstanding audio performance, which exceeded all the client's expectations."

Posted by EAW at 11:28 AM | Permalink

  Come visit EAW's booth at ISE (February 2-4, 2010) at Amersterdam's RAI.

Be one of the first to experience EAW's latest innovation, the KF740, which offers unbelievable low-frequency extension in an ultra-compact design perfect for touring and install. Also, check out the new DX1208 Digital Matrix Mixer from EAW's Commerical line of products.

EAW staff will be available on-site at Booth # 1H106 for demos and training.

Click Here to register for a free badge!   Click on "New Registrations" and enter invitation code 832280.

We look forward to seeing you there!

Posted by EAW at 12:01 PM | Permalink

The votes have been tallied and the results are in for the First Annual ProSoundWeb/Live Sound International Readers' Choice Product Awards.

With more than 35,000 votes cast, EAW is pleased to announced that the MicroWedge Series of stage monitors was awarded a Readers' Choice Award in the New Stage Monitor category.

Click Here to learn more about the MicroWedge Series stage monitors.

Posted by EAW at 11:37 AM | Permalink

Hailing from one of the nation's most vital music scenes, the Seattle area's audio professionals know great sound; even still, consensus is sometimes hard to come by. That is why it is of particular note that the NTL720 Line Array Loudspeaker System from EAW, a world leader in audio system solutions for the past 30 years, has quickly - but not quietly - become the reference standard for the greater Pacific Northwest. The self-powered, true three-way NTL720 features numerous EAW-patented and proprietary technologies, all housed in an extremely compact package, and it has become the new favorite in the region thanks to its great sound, high reliability, exceptional flexibility and its good-sense economics. Leading regional S.R. providers including Carlson Audio Systems, Audio Media, Inc. and Triamp Group have all found the EAW NTL720 lives up to their expectations.
"The NTL720 is possibly the most versatile box we've ever had," comments Mark Carlson, who, with partner Jonathan Stoverud-Meyers, built Seattle-based Carlson Audio from its beginnings in a garage 20 years ago, to the region's largest sound reinforcement provider, regularly handling sound for major festivals including Bumbershoot: Seattle's Music & Arts Festival and the Sasquatch Festival at the Gorge in George, Washington.
"The 720 is a compact box that we can use for small and mid-sized venues like hotel ballrooms, and it's becoming popular for house-of-worship installations" - Carlson Audio has installed the NTL720 in two Seattle-area churches since purchasing 20 boxes last October - "but it can also extend the reach of our existing EAW systems." That's how they've used the NTL720 at recent outdoor venues, such as the KWJZ Music Festival at Château Ste. Michelle in Woodinville, Washington, and at the Sasquatch Festival, where the 720 was arrayed for offstage coverage in conjunction with the company's EAW 761 Line Array system. "There's nothing else out there that can take in the 100-plus-degree coverage angle," Carlson explains, noting that in one instance it took the 100 degrees of coverage of the main P.A. to a full 180 degrees. "It's got very predictable coverage, it's self-powered so it's easy to set up and it sounds great. It's a great asset for our inventory."
Audio Media, Inc. is a Seattle-based P.A. provider specializing in the  corporate and award-show market categories throughout the region. Audio Media has done work for major area clients including Microsoft, Boeing and the Bellevue Symphony. The NTL720 was Audio Media's introduction to EAW P.A. technology, and company President Steve Midkiff is duly impressed. "When we did a comparison of what was out there in this type of box, the 720 was simply the best package at the best price and with fabulous sound," he says. Audio Media purchased 16 NTL720 boxes and bought additional bumpers because, Midkiff explains, some corporate events require more than two clusters to maintain speech intelligibility as well as serve music properly. And in a unique twist, both Audio Media and Carlson Audio coordinated their NTL720 purchases so that they would be able to support each other if one or the other needed additional boxes. "We've already had a few instances where we have cross-rented with Carlson, and it's been working out very well," says Midkiff.
The Seattle-area-based Triamp Group is another early NTL720 adopter who has had great experiences with the system. An NTL720 they installed at the Wildhorse Casino in Pendleton, Oregon, consists of six 720 boxes flown per side and augmented with four ground-stacked EAW SB1000z Large Format Subwoofers and two EAW VR62 Compact Full-Range Loudspeakers used as delay speakers, played 60 feet back in the 120-foot hall. The new system had its debut earlier this year with Frank Sinatra, Jr. and his orchestra, followed not long after by Poison front man Bret Michaels. "The sound was amazing for both performers, which really shows how versatile the NTL720 is," says Kevin Hill, National Sales Manager for Triamp Group. "We chose it because of the enclosure's low profile, which made it a great fit in a room this size, which holds about 900 people. Bret's band reached between 115 and 120 dB during rehearsal, measured from the front rows, and I didn't think the system would be able to handle it, but it not only kept up but also sounded great doing so. The drivers are very efficient, so it still sounds pristine even when it's being pushed. It's just a great sound system."

Posted by EAW at 8:36 AM | Permalink

Peak Hire Ltd., based in Cheltenham in Gloucester, England, serves as one of the U.K.'s leading sound and lighting contractors. They provide skilled technical support for productions, concerts, theaters, conferences, outdoor events, etc., throughout the U.K. and Europe, and their hire inventory of sound, lighting, rigging, power, set and stage equipment is varied and extensive. Recently, they bolstered their inventory of products from EAW, a world leader in audio system technology, with the purchase of eight EAW KF850 Series Virtual Array^TM System Modules and eight EAW SB1002 Large Format Flyable Subwoofers.

Peak Hire's EAW arsenal was already sizeable, including 16 EAW KF730 Compact Line Array Modules and eight EAW SB730 Compact Line Array Subwoofers, along with a good stock of EAW JFX88 Compact Full-Range Loudspeakers, EAW JFX200i Compact Full-Range Loudspeakers and EAW SBX220 Compact Subwoofers. The purchase of KF850 and SB1002 units is a significant investment in large-scale EAW systems, further enhancing Peak Hire's commitment to their market sectors and clients and dedication to the EAW brand.

Peak Hire Managing Director Karl Ashman stated, "EAW has long been a staple in our inventory of sound reinforcement components, and over the years, our clients have always commented about the outstanding sound quality of their modules. That being said, we have increased our warehouse of EAW System Modules and Subwoofers to meet the equipment demands from our clients in live sound and corporate conferences, as well as theatrical productions."

Posted by EAW at 8:06 AM | Permalink

Whitinsville, MA, USA, July 20, 2009 - EAW, a leader in audio system solutions, has today announced that its MicroWedge Series of stage monitors has been nominated for outstanding technical achievement in the category of Sound Reinforcement Loudspeaker Technology. The announcement was made by Jeffrey Cox, VP Pro Audio.

The EAW MicroWedge was nominated for the upcoming 25th Annual Technical Excellence & Creativity Awards (TEC) by top industry pros -- engineers, studio owners, producers and other leading industry figures -- further underscoring the company's stature within the professional audio industry.

In regards to the EAW nomination, Jeffrey Cox commented, "We're very proud to be acknowledged for our MicroWedge by the top industry professionals. It is truly an honor to receive such accolades from our peers!"

The TEC Awards, presented by the Mix Foundation for Excellence in Audio, was established in 1985 to honor outstanding achievement in professiona l audio production and product innovation. The nominations are made by a panel of more than 100 audio industry professionals. Members of professional audio and sound production organizations, including the Audio Engineering Society (AES), the Society of Professional Audio Recording Services (SPARS) and the Game Audio Network Guild (G.A.N.G.) will determine the winners via online balloting beginning August 10th, 2009.

The winners of the 25th Annual TEC Awards will be announced at a ceremony to be held Friday evening, October 9th, 2009, at the 127th AES Convention. The convention is being held at the Jacob Javits Convention Center in New York City.

Posted by EAW at 10:50 AM | Permalink

When EAW officially opened its doors 30 years ago, Kenton Forsythe had already been a very busy fellow in terms of advancing professional loudspeaker design, developing numerous "world's first" approaches.

Click Here to read the entire article from the July edition of Live Sound Magazine.

Posted by EAW at 1:17 PM | Permalink

Thank you for your outstanding participation in EAW’s, “How Smaart Are You” Contest. The competition was stiff and the competitors turned out to be, well… Smaart!

 With well over 200 entrants we are pleased to announce that the following people have been awarded with one of five Smaart v6.1 Sound System Measurement, Optimization and Control Software packages valued at $595.00 each.

Click Here to See the Winners!

Posted by EAW at 1:04 PM | Permalink

The 7^th Annual Club World Award winners have been announced and among the winners is Ruby Skye, who took home a “Disco Globe” for Best Club. The beautiful 15,000 sq. foot club, housed in a converted Victorian style theater in the heart of San Francisco, routinely hosts world class DJs and has been nominated by Dancestar as one of the top five nightclubs.

The one-of-a-kind sound system is based on the EAW's Avalon Series and was designed and installed by JK Sound's Mike Lacina. In order to further enhance the already impressive output of the Avalon system, EAW worked with Lacina to customize Ruby Skye's Avalon DC1 boxes with components found in some of the higher output touring systems such as the EAW KF Series. The resulting system utilizes over 30 customized and standard Avalon products and offers up crystal-clear, even coverage with outstanding amounts of body-shaking bass.

In addition to winning the coveted “Best Club” award, Ruby Skye was awarded the “Disco Globe” for “Best Sound” in 2006.

Congratulations, Ruby Skye! Keep on rockin!

Posted by EAW at 12:59 PM | Permalink

Earlier this week, the finalists for the System Contractor News and InfoComm International 2009 Installation Product Award finalists were revealed and EAW's commercial line of SMS Series Surface Mount Loudspeakers are among the contenders in the "Most Innovative Loudspeaker for Commercial Installation" category.  Product Manager, Dave Raneses stated that, "By utilizing our years of experience in the design and manufacturing of large format loudspeakers, we were able to create a family of small format solutions with the wavefront coherency, exceptional pattern control, and directional performance that is often needed in commercial installations.  We're honored to be nominated."

The SMS Series loudspeakers apply EAW's proprietary Theta Technology, which utilizes tuned driver spacing to create LF pattern control by placing pairs of smaller woofers symmetrically around the HF subsystem. The spaced woofers maintain pattern control into the LF range, complementing the wide-by-narrow coverage delivered by the HF subsystems.

Vote Now!

Posted by EAW at 12:48 PM | Permalink

EAW’s UX8800, with its highly advanced Gunness™ Focusing technology and advanced U-Net system networking, provides flawless loudspeaker and system control for the legendary after-party.

The broadcast of the 81st Academy Awards on February 22, 2009, saw OSCAR'S® awarded for outstanding sound achievements in film, but there was one more outstanding audio accomplishment that evening: at the famous Governor’s Ball after-party, where the EAW UX8800 Digital Signal Processor optimized the sound system in the Grand Ballroom on the top level of the Hollywood & Highland Center. The sound system was provided and operated by Goodman Audio Services of Santa Fe Springs, California, a leading sound reinforcement company specializing in complex corporate and event audio systems.

For the Governor’s Ball, Goodman Audio positioned two UX8800s as system processors at the Front-of-House (FOH) position. Signal from the Yamaha PM5D FOH mixer fed the UX8800 processors in loudspeaker mode, paired with various speaker/amplifier rack locations such as catwalks and amp world near the stage. A typical amp rack will have one UX8800 and four QSC PL236 amplifiers, and these were configured as left and right, with additional channels for dance floor, front fill, under stage, balcony feeds, subs and seven zones of delay.

Thanks to the combination of the UX8800 and U-Net, all of the connections between the components are done via a single CAT-5e cable. “We couldn't live without the UX8800 on this event,” commented Rob Smoot, Senior Account Executive with Goodman Audio Services. “Being able to control a web of speakers spread out over a venue with only CAT-5 is unbelievable. The U-Net has allowed us to replace a ton of other pieces of equipment, like 12- and 24-pair mults and snakes, and run all the signals over just one CAT-5 line for all audio tie lines, drive lines and mults.”

Goodman Audio is using a wide array of EAW speakers on the project, including an EAW JF Series two-way full range system in a vented trapezoidal enclosure, an EAW JF two-way full range system with passive LF/HF crossover in a vented trapezoidal enclosure, and a SB528z 2x18-inch direct radiating, high output, large-format subwoofer system.

Smoot notes that the UX8800’s Gunness™ Focusing technology can take even very good speakers from other manufacturers and make them sound absolutely phenomenal. “It can take any combination and make them into a perfectly matched system,” he says, adding that the UX8800 has been the company’s sole loudspeaker and system processor since they acquired their first units in 2006. They now have a dozen. Of those, seven are being used at the Ball. Trace Goodman, Owner and President of Goodman Audio Services, says the ability to route to and communicate with any of the UX8800s on the system takes the entire system performance to a higher level. “From the FOH position, or while using a wireless tablet from the floor, I can access any individual processor and fine-tune it to further optimize the system,” he explains. “The precision control the UX8800 gives you really adds value to the sound system it’s used with.”

Posted by EAW at 2:45 PM | Permalink

Extremely popular Austrian folk music band Lechner Buam recently chose to purchase a new system headed by EAW NT Series self-powered loudspeakers to utilize for sound reinforcement at all of their public performances - up to 70 concerts a year. The new rig was recently used at two distinctly different events by the band, with similarly excellent results.

The first event was a concert for more than 3,000 in a huge hall, while the second event, marking the band's 25th anniversary, was held in a tent with about 1,500 in attendance. EAW's distributor for Austria, SAC Schneider Audio Concept Vertriebs, headed by Christian Muhm, worked closely with the band on the new system, including providing NT Series systems for live evaluations that confirmed the band's decision to make the upgrade. Specifically, the band utilizes 2 x NT59, 2 x NT56 and 4 x NTS22 subwoofers.

"We're so happy - we've been searching for just such a PA over many years," states Willi Grafeneder, the band's leader. "Every instrument and the vocals are so clear, exact and transparent. It's amazing that these small and lightweight speakers bring such a punchy, fresh, and airy sound. And, this is achieved with no laborious DSP programming and EQing for different environments - just plug and play. The sound - from the front to the back - is always the same, and since we've starting using the system, no audience has argued that sound is either too loud or too low."

Posted by EAW at 9:44 AM | Permalink

The Solar Stage for the upcoming 2008 Vans Warped Tour, scheduled for at least 46 dates starting later in June through August, will feature a concert sound reinforcement system featuring EAW KF730 Series line arrays and other premium EAW components.

We'll have more news regarding this exciting development posted here soon, but in the meantime, this 14th edition of the tour will feature performances by more than 100 top artists - Paramore, Gym Class Heroes, Jack's Mannequin, Against Me!, Pennywise, Reel Big Fish, Cobra Starship, Every Time I Die, Angels and Airwaves, Aggrolites, As I Lay Dying, the All-American Rejects, and the Academy Is... among many others.

Click here for the current slate of artists, and go here for the current Vans Warped Tour '08 schedule. Last year's tour sold 622,467 tickets to 45 shows, under the direction of tour founder and producer Kevin Lyman of 4fini Productions.

Posted by EAW at 12:19 PM | Permalink

Located on the campus of Duke University in Durham, North Carolina, Cameron Indoor Stadium benefits both the Blue Devils men’s and women’s NCAA basketball teams with intimate seating that includes bleacher-style seats along the court reserved for students. In fact, it’s cultivated such a rich heritage that Sports Illustrated magazine ranks it number four on a list of the world’s most prestigious sporting venues.

Opening in 1940 with a capacity of 7,000, some minor renovations have occurred over the decades, most notably in 1988, when a new electronic scoreboard, new sound system and decorative wood paneling gave Cameron an updated look, with seating capacity increased to 9,314.

Yet the university’s mission remains to steadfastly maintain the venue’s original charm and elegance. Against this backdrop, SPL Integrated Solutions (SPL IS) of Columbia, Maryland, was invited in mid-2007 to submit ideas for a new arena-wide sound reinforcement system to the university’s facilities management and athletic departments as part of another subtle renovation phase.

Justo Gutierrez of SPL IS took the lead in evolving discussions regarding the new system, and as a Duke alumnus, he brought valuable context and insight to the specific requirements of the project. (Justo and Mike Moats of SPL are shown at right.)

Following a site survey, SPL IS offered some preliminary recommendations which were accepted. All parties strongly favored a distributed approach, due in part to a relatively low ceiling height and a strong desire not to impact the arena’s classic look, in addition to the dramatic performance gains that can be realized with proper deployment.

Continue reading "EAW Heads New System At Historic Cameron Stadium" »

Posted by EAW at 10:51 AM | Permalink

EAW will be exhibiting at the upcoming InfoComm show in Las Vegas, June 18-20, at booth C4436. InfoComm should be quite exceptional this year, incorporating the NSCA Expo for the very first time. Show floor hours are 9 am – 5 pm on Wednesday, June 18 and Thursday, June 19, and 9 am – 4 pm on Friday, June 20.

New/recent EAW and EAW Commercial products to be featured include NTL720, SMS Series, CIS Series, UX8800, MicroWedge MW12, UMX.96, CAM Series, Smaart v.6, SB1002 - and - a new product sure to surprise and please!

Numerous EAW personnel will be on hand, such as Jeffrey Cox, Kenton Forsythe, Martin “Ferrit” Rowe, Dave Raneses, Jeff Rocha, Joe Fustolo, Karen Anderson, and Kati Naish. InfoComm questions go to Kati at Kati.Naish@loudtechinc.com .

Posted by EAW at 7:21 AM | Permalink

Michael Perry has transferred from the EAW Application Support Group (ASG) to serve as the lead EAW and EAW Commercial Service Technician in Woodinville.

Michael is serving as the eyes, ears and hands for any/all EAW service issues at Woodinville, and he’s also still available for any EAW Commercial technical support issues. Also an active musician and sound system operator, he brings a great deal of relevant real-world experience to the table, not to mention also being very fluent in Spanish.

Posted by EAW at 12:08 PM | Permalink

This year - 2008 - marks EAW's 30th anniversary. It's been a fun and certainly never boring ride, and one that continues apace.

Starting with a humble loudspeaker operation in Massachusetts in 1978, co-founders Kenton Forsythe and Ken Berger steadily built a global force in sound reinforcement.

Three decades later, Kenton "keeps on keepin' on" as the heart and soul of the EAW Engineering department, a group that has consistently turned out some of the most innovative technologies and product designs in professional audio - most recently exemplified by the NTL720 small self-powered line array, UX8800 digital processor, and many others. (Kenton's pictured at right.)

Now under the LOUD Technologies banner, EAW continues to further the exciting future of professional audio, under the direction of EAW Brand Group Vice President Jeffrey Cox. And the synergetic relationship with LOUD has contributed mightily to the development of products that expand EAW's reach, such as the recently released UMX.96 digital console.

We'll be presenting more of the history of EAW since its founding in 1978 as the year progresses, but in the meantime, start with these resources for a good overview of the EAW story: Who We Are, What We Do, Milestones, and Technologies.

Posted by EAW at 1:37 PM | Permalink

Production Audio Services, EAW's distributor serving Australia and New Zealand, will be hosting EAW Smaart School sessions in four locations throughout Australia in May, June and July 2008.

Smaart School provides introductory as well as continued/advanced training in the use of Smaart software for sound system engineering, optimization and acoustical analysis.

Sessions & Dates:
May 28-29, Melbourne
June 4-5, Brisbane
June 25-26, Sydney
July 8-9, Perth

For more information and to register, contact Production Audio Services by calling (03) 9264 8000 or via e-mail at info@productionaudio.com.au.

Posted by EAW at 10:53 AM | Permalink

The upcoming U.S. concert tour by legendary rock band Foreigner will feature veteran engineer Don “Dodger” Dodge providing his mix exclusively with an EAW UMX.96 digital console, revisiting the highly successful formula employed during the band’s 2007-08 world concert tour.

“Things could not have gone better with the UMX.96 console during the dozens of shows we did all over the world last year,” states Dodge. “I had previously not been a fan of digital boards, but the UMX is so good that it erased that viewpoint.

"There’s a very analog feel to the layout, and it quickly becomes an intuitive extension of the engineer’s goals for his mix,” he adds.

Foreigner kicks off its upcoming U.S. tour in California in late May, performing across the country for several months. In addition, Bryan Adams and his band are slated to join the tour as a featured act over the summer, where Dodge also expects to utilize the UMX.96.

(Click here to see the latest Foreigner and Bryan Adams 2008 tour itinerary.)

Posted by EAW at 12:10 PM | Permalink

EAW MicroWedge MW12 stage monitors were out in force at the recent Coachella Festival, the annual three-day music and arts celebration held in the desert region of Indio, CA, that this year featured more than 60 top musical artists on six stages.

Numerous MicroWedge MW12 monitors were deployed at the Outdoor Theatre, which hosted a wide range of live rock and related music performances, as well as at the Sahara Tent, a dance venue. Rat Sound Systems of Oxnard, CA, the sound reinforcement supplier for the entire event, choose to utilize the MW12's to meet monitoring and related requirements at both venues.

Posted by EAW at 12:46 PM | Permalink

The EAW UMX.96 digital console has officially landed, with three distributors in Europe taking delivery of fully tested and approved production models.

In addition, orders from several distributors in the Asian pro audio marketplace are being fulfilled as well. (UMX.96 Product Manager Martyn "Ferrit" Rowe is shown at left with consoles being readied for shipment.)

Final assembly of every UMX.96 is done at the Woodinville, WA facilities, along with exhaustive inspection, testing and verification. This is a “fine-toothed comb” process where every single component, and then the console as a whole, is addressed by the production team.

Highlights include a 72-hour static "burn-in" period, followed by a visit to the facility’s environmental chamber, where each UMX.96 runs continuous for 48 hours while being cycled through a range of thermal cycles. Further, every PC board is removed and examined via a precision “Micro-Vu” video inspection system, with boards only put back into place after passing this rigorous test.

”A final set of tests are performed on every input and output, as well as every DSP function,” adds Ferrit. “The consoles also must pass our own critical listening tests before we consider them suitable for our customers. The overall process calls to mind a ‘hand-built Ferrari’ approach.” (This news first broke as an exclusive in this month's Pro Sound News Europe magazine. Click here to read the full report.)

Posted by EAW at 1:08 PM | Permalink

A new system featuring EAW KF730 Series line arrays and UX8800 digital processors with Gunness Focusing that was recently implemented for sound reinforcement at Centennial Hall on the campus of the University of Arizona in Tuscon is the subject of a major feature article in the current issue of Stage Directions magazine.

The article was authored by noted Steve Schull, a noted audio mixer and consultant who is now a member of the Theatre Department at SUNY Oswego. It details the demonstration and selection process involved with the new system, as well as the implementation of its A-list components. Arizona Pro Sound, owned by Mark Cowburn, worked with Centennial Hall personnel as well as UAPresents, the largest performing arts presenter in southern Arizona, in formulating and installing the system.

Click here to go directly to the full article and photos.

Posted by EAW at 12:34 PM | Permalink

The ongoing “Somewhere Back in Time" world concert tour by Iron Maiden, featuring an all-EAW main loudspeaker line-up, has come to North America, with the major portion of this tour leg kicking off on May 21 in San Antonio. (Click here to view the latest itinerary.)

ML Group continues to serve as the sound company for the tour, with a very large EAW KF760 Series line array contingent - optimized with EAW UX8800 digital processing - being the primary components of the large-scale sound reinforcement system.

ML Group Managing Director Gary Marks is coordinating system issues with partner companies around the globe, such as Norwest Productions of Sydney, Australia and Brantley Sound Associates of Nashville. (Thanks to Norwest Productions for the photo that accompanies this report.)

Posted by EAW at 12:50 PM | Permalink

The 2008 Major League Baseball season kicked off in fine style with the grand opening of Nationals Park, the new 41,000-seat ballpark of the Washington, D.C. franchise that features high-octane venue-wide sound reinforcement led by an all-EAW loudspeaker lineup. The system was designed by Wrightson, Johnson, Haddon & Williams (WJHW) of Dallas, with Principal Ron Baker serving as lead designer. Tech Inc. of Latham, Maryland handled the fast-track installation, while the Columbia, Maryland office of AVI-SPL supplied custom engineering services.

As they’ve done with frequently with ballpark sound reinforcement projects, WJHW elected to deploy a distributed system, and in this case, it includes more than 450 full-range EAW loudspeakers, with the majority being compact, two-way members of the MK Series.

The MK Series has proven popular in numerous stadium and ballpark projects around the globe due to their quality sonic properties, durability, and compact footprint.

Most of the loudspeakers for Nationals Park are outfitted with either 12-inch or 15-inch woofers, although some MK Series enclosures with 8-inch woofers also proved fortuitous in regions dictating a particularly low profile.

Continue reading "Inside The All-EAW Loudspeaker Set At Nationals Park" »

Posted by EAW at 7:57 AM | Permalink

Carlson Audio Systems of Seattle recently utilized the new EAW NTL720 small line array system to great effect for huge events featuring the Dalai Lama at both Qwest Field and Key Arena.

Mark Carlson notes that the NTL720, which supported larger systems featuring EAW KF760 Series line arrays, EAW KF750 Series concert loudspeakers, SB1000z subwoofers and other EAW components, performed exceptionally well in fulfilling their coverage roles at both venues. The NTL720's small size and fast, convenient rigging were quite beneficial as well, Mark adds.

We'll have more coverage of these interesting applications posted here soon. Thanks to Carlson Audio for the excellent photo above.

Posted by EAW at 12:16 PM | Permalink

The new Shuttle Launch Experience at Kennedy Space Center in Florida was recently awarded a TEA (Themed Entertainment Association) Thea Award for Outstanding Achievement, with EAW selected to play a significant role in sound reinforcement for the attraction.

Conceived and designed by BRC Imagination Arts, the Shuttle Launch Experience is a $60-million project incorporating a wide range of production elements. Techno-media Solutions LLC provided technical AV systems integration, with the Shuttle Simulation Theater featuring an audio system incorporating EAW SB850z subwoofers, three EAW KF695z main loudspeakers, two more KF695z's joined by two EAW KF300z's for four surround sound channels, and an overhead channel with two EAW MK Series loudspeakers.

The project is the subject of an in-depth feature article written by Judith Rubin that appeared in the March 2008 issue of Sound & Communications magazine. Click here to check it out.

Posted by EAW at 8:17 AM | Permalink

The beautiful new Club Hotel in Thessaloniki, Greece, features a dynamic sound system headlined by EAW Avalon Series club loudspeakers courtesy of Eurosound S.A., EAW's distributor serving Greece.

The 500-square-meter nightclub features a wide range of entertainment as the newest premier nightspot in Thessaloniki (Θεσσαλονίκη), the second-largest city in Greece and the capital of Macedonia, the nation's largest region.

Already one of the most prestigious (and largest) venues in the city, Club Hotel features an all-EAW loudspeaker line-up to meet all sound reinforcement needs. The system is headlined by six Avalon DC2 larger-format full-range loudspeakers spaced throughout the club, joined by six more Avalon DC4 smaller-format full-range loudspeakers, with both models featuring cutaway upper-rear cabinet corners that allow them to tuck up next to the ceiling while being angled downward to provide optimum coverage.

Dual Avalon DCT1 supertweeter arrays (4 x 1.33-inch-exit tweeters) with an inverted pyramid configuration delivering optimized 360-degree horizontal high-frequency dispersion from centrally mounted locations. Low-frequency energy to fill out the sonic spectrum are supplied by six EAW SB1000zR dual-18-inch-loaded subwoofers. All loudspeakers are driven by Lab.gruppen amplifiers.

"The management of the club had first heard the EAW components in another club, and as a result of that dynamic demonstration of EAW quality, selected them for their own venue," notes Apostolos Kanakaris. (Our thanks to Eurosound for the excellent photos as well as the details in this report.)

Posted by EAW at 7:57 AM | Permalink

A recent evaluation process highlights the dramatic performance gains that can be realized by utilizing recent EAW technologies to enhance an existing sound reinforcement system.

The evaluation took place at Crossway Baptist Church in Victoria, Australia, which hosts worship services and other activities in an 1,110-seat, fan-shaped auditorium. The current house sound reinforcement system, installed in 1995 and still going strong, features a pair of EAW KF650E three-way full-range loudspeakers installed per side above the edge of the front platform, with a single EAW SB1000E subwoofer per side on the floor.

Four EAW JFX200 compact loudspeakers along the front of the stage offer fill when needed, and they can also be utilized as spare stage monitor wedges (other monitoring is supplied by IEM systems). Additional front fill comes via four two-way loudspeakers mounted directly beneath the KF650E mains.

The system is under the direction of Media Pastor Peter MacLean, who is heading the evaluation process for possible upgrade of select components. Working closely with Production Audio Services Pty. Ltd., EAW’s distributor for the Australian pro audio marketplace, and also based in Victoria, a new EAW UX8800 digital processor was first implemented, in place of the system’s current digital processor. (Peter is shown at right in the above photo, with Graeme Stevenson and Ben Clarke of Production Audio Services.)

Continue reading "UMX.96, UX8800 Enhance Crossway Baptist Church System" »

Posted by EAW at 10:32 AM | Permalink

The new EAW SB1002 is a large-format dual-18-inch-loaded subwoofer that can be groundstacked or easily flown via an integral rigging system, making it ideal for a wide range of high-output live and installed sound applications.

Following in the footsteps of the legendary EAW SB1000z subwoofer, the new SB1002 offers a direct radiating design, with driver mounting that maximizes cone area and minimizes frontal area. The result is acoustical performance and physical configuration well suited for creating large subwoofer arrays.

The two 18-inch drivers – designed specifically for the SB1002 - offer very large (4.5-inch) voice coils as well as powerful neodymium magnet structures that also reduce weight. The operating range of the SB1002 is 27 Hz – 161 Hz (+/-3 dB), while maximum sound pressure levels are 129 dB (average) and 135 dB (peak).

Continue reading "New EAW SB1002 Large-Format Dual-18 Subwoofer" »

Posted by EAW at 11:31 AM | Permalink

The new Nationals Ballpark in Washington D.C., home of Major League Baseball's Nationals franchise, is set to celebrate its grand opening this weekend. Sound reinforcement throughout the state-of-the-art sports venue is supplied by a distributed system featuring hundreds of EAW loudspeakers.

WJHW of Dallas and SPL Integrated Systems of Columbia, Maryland teamed up on the system project. A selection of EAW models is utilized, with MK Series models being most predominant. We'll provide more details and commentary on this project soon.

Posted by EAW at 2:26 PM | Permalink

Free passes are available for the upcoming (June 18-20) Infocomm '08 Exhibition at the Las Vegas Convention Center. EAW will be exhibiting at Infocomm, which this year for the first time also incorporates the NSCA Expo under the same roof.

The passes also allow admission to several free Infocomm events, including the Opening Reception and NSCA ExpoJam. Click here to view the pdf form providing more information and free pass registration instruction.

Posted by EAW at 1:33 PM | Permalink

Adam Howarth is the most recent addition to the Application Support Group (ASG), our multifaceted team offering a wide range of specialized technical services to EAW customers worldwide. The appointment was announced by Joe Fustolo, manager of ASG.

As an Application Support Specialist based at our Whitinsville, MA facilities, Howarth provides in-depth support for all EAW professional audio products, including the Smaart tuning and analysis platform. He joins the ASG team with a background in live event system design and engineering, and has served as a live and recording engineer, an audio instructor, and as a design consultant for theaters, production companies, and educational institutions.

Continue reading "Adam Howarth Joins EAW As ASG Support Specialist" »

Posted by EAW at 10:23 AM | Permalink

A Valentine’s Day concert at the venerable Orpheum Theater in downtown Los Angeles by Don Was and the Was (Not Was) band, featuring legendary performers Brian Wilson and Kris Kristofferson, proved an excellent occasion for the public debut of EAW’s brand-new MicroWedge Series stage monitors. Oxnard, CA-based Rat Sound Systems Inc. supplied the sound reinforcement systems and support under the direction of crew chief Tom Caraisco.

The big news in system-land was the first-time live concert deployment of the EAW MicroWedge MW12 stage wedges for all performers, fueled by monitor engineer Andy Turner’s mixes. The wedges were driven by a combination of Chevin and Lab.gruppen power amplifiers.

“We really, really like the performance of these new wedges,” notes Caraisco. “Once Andy got things going on stage, and we went through all of the mixes, he was genuinely pleased.”

“The old Microwedge was solid and performed well enough when compared to other wedges, but these new ones are night-and-day superior,” states Dave Rat. “This is a whole new deal. I knew the wedges were a big step forward, but what I did not expect was such an overwhelming embrace so quickly from our own engineers as well as the artists and band engineers."

Continue reading "MicroWedge Debuts With Brian Wilson, Was (Not Was) Live" »

Posted by EAW at 1:29 PM | Permalink

EAW will be exhibiting in full force at the upcoming Prolight+Sound - Musikmesse show in Frankfurt, Germany, the international trade fair for event and communications technology, AV-production and entertainment.

Prolight+Sound runs from Wednesday, March 12 through Saturday, March 15, with EAW providing a full exhibit, located at Hall 8.0, booth M44/M48. Numerous EAW personnel from Europe and the U.S. will be on hand to discuss the wide range EAW and EAW Commercial products on display, including the brand-new SB1002 subwoofer, KF737 high-Q line array module, and MicroWedge MW12 stage monitor.

Also new will be several models in the EAW Commercial line, including SMS Series surface-mount loudspeakers, CAM Series mixer-amplifiers, CXA Series amplifiers, and CIS Series high-output ceiling loudspeakers. And, they all will be joined by the UMX.96 digital console, UX8800 digital processor and NTL720 self-powered "baby" line array.

Posted by EAW at 2:21 PM | Permalink

The North Bondi RSL club in Sydney was definitely the place to be recently, with FOH Engineer Dave Coxon mixing the renowned Martini Club band as it worked the 2,500 (full) capacity turnout into a frenzy through the new EAW NTL720 (BLAM) self-powered "baby" line arrays that also feature revolutionary Gunness Focusing technology.

Coxon, of DJW Projects, says the heat coming off the dance floor was incredible and literally had water dripping off the walls. DJW Projects is a solution-based boutique service company based in Sydney, specializing in premium end, customized audio-visual design, install, and production.

Only four NTL720's per side were required to get the entire venue absolutely rocking. Amazingly pristine audio from self-powered loudspeakers that weigh under 22 kilograms (48 pounds) each!

Thanks very much to the team at Production Audio Services, and Brendan Phillips in particular, for this report and photos.

Posted by EAW at 2:08 PM | Permalink

The March 2008 issue of
CX Magazine provides outstanding in-depth coverage of the systems technology being deployed for the current Iron Maiden "Somewhere Back In Time" world concert tour, in an article written by Andy MacKenzie.

The Iron Maiden concert system is headlined by EAW KF760 Series line arrays as well as UX8800 digital processing, with all sound design, equipment and technical support provided by ML Group. For the Australian shows, ML Group is working with Norwest Productions of Sydney, with Ewan McDonald of Norwest providing the first-hand system overview to MacKenzie.

Click here to read the entire article in pdf form. For more than 17 years, CX (short for Connections) Magazine has served as the leading voice of the entertainment technology industry in Australia and New Zealand. It is published by Juliusmedia, headed by Julius Grafton. We sincerely thank Juliusmedia for allowing us to present this coverage to you.

Posted by EAW at 1:31 PM | Permalink

Production Audio Services, EAW's distribution firm serving the Australia customer base, recently put on quite a "show within a show" at ENTECH '08. Recognized as THE entertainment technology show for the entire region, ENTECH includes the latest professional audio, lighting, broadcast, audio visual and staging products, supplies and services.

Held this year in mid-February at the Sydney Convention & Exhibition Centre Darling Harbour, ENTECH attracted a huge crowd of professional technology users, and Production Audio Services had a fully stocked booth ready to provide them with a close look at the latest EAW and EAW Commercial products.

Just a few of the highlights included the new EAW NTL720 (BLAM) baby line array modules, CIS Series ceiling loudspeakers, UX8800 dual-mode digital processing with Gunness Focusing technology - and much more.

The Production Audio Services staff worked the booth throughout the run of the show, offering expert insight into the new EAW products and technologies. It was topped by a booth presentation of exceptional professionalism.

Click here to find out more about Production Audio Services.

Posted by EAW at 3:11 PM | Permalink

Yes, it was still "just" a concert gig, but we've got to admit - it sure is one with a bit of that extra cache. "It" is Super Bowl Saturday Night, the official National Football League celebration the night before the big game, held prior to this year's Super Bowl XLII in Phoenix at Tempe Town Lake, with thousands in attendance.

Sure, Earth Wind & Fire and other notable acts were on the bill. Sure, Jerry O'Connell was the host. Sure, there was a big fireworks show finale. But... the highlight (from our completely objective point of view) was the headline performance by Foreigner, mixed by the incomparable Don Dodge on the UMX.96 digital console. As its done over dozens of gigs around the world the past several months, the UMX.96 proved to be a superb tool in serving Don's needs in mixing Foreigner live.

"Things could not have gone better with the console, as usual," Don notes. "It's performance was fantastic, matching the stature of this high-profile show." And as EAW Business Director Jon Bosaw aptly points out: "It's not every team that makes the Super Bowl in its first year." (Thanks to Don for the photos of the board at the gig above. Don's shown with the UMX.96 at lower right.)

Posted by EAW at 8:45 AM | Permalink

Clubs of all sizes and styles with EAW-based sound systems (Avalon and more!) are a big part of the recently announced 2008 Club World Awards list of nominees. The annual awards show, held in March in Miami, is run by Club Systems International, the leading U.S.-based nightclub systems/technology publication.

The 2008 nominees:

Best Sound System
1015 Cirque Lounge, San Francisco
Design and installation by JK Sound
Best Superclub
Avalon Hollywood
Mansion, Miami
Best Club
Jet, Las Vegas
Best Lounge
Lush, Las Vegas
Best Renovation
1015, San Francisco
Nightstalker Award
Deko Lounge, Sayerville, NJ

Click here for more information about these venues and the Club World Awards.

Posted by EAW at 1:06 PM | Permalink

At the end of January, more than 300,000 descended upon Zocalo de la Ciudad de Mexico, the main square in Mexico City, to attend a rally regarding agricultural policies in Mexico - with leading sound company Consorcio Audiovisa S.A de C.V providing EAW KF730 Series line arrays as part of a comprehensive sound reinforcement package.

In fact, Consorcio Audiovisa of Mexico City - a member of ELAN and owned by Alejandro and José Luis Morales - deployed 56 EAW KF730 Series line array modules (driven by Crown I-Tech amplification) to serve six different regions/stages of the massive Zocalo area, including the four main streets leading to the square. Frontfill for one of the regions was supplied by EAW LA215 loudspeakers.

"We were able to attain great sound pressure levels throughout the square and its surrounding area, which was the primary goal," notes Alejandro Morales. Click here to see more of the system and event in photos supplied by Alejandro.

Continue reading "KF730 From Consorcio Serves Massive Mexico City Rally" »

Posted by EAW at 12:53 PM | Permalink

Marshank Sales has been appointed the new EAW independent sales representative for Southern California and Southern Nevada (Las Vegas). The announcement was made by Scott Pizzo, EAW Director of U.S. Sales.

Marshank Sales is the longest established representative firm in the professional audio systems industry, founded in 1920, and under the guidance of Gary Marshank (pictured left), the company is now celebrating its third generation as a family business.

Recently, pro audio industry veteran Paul Hugo (pictured right) also joined the Marshank team as a partner, where he will be working directly with the company’s deep staff in focusing on the live sound, systems integration and broadcast market segments.

“We’re beyond pleased to be working with a firm as respected and experienced as Marshank Sales,” says Pizzo. “They’ve earned a well-deserved reputation for excellence with a full-service approach that includes strong, consistent business relationships and a devotion to technical and product training. This is perfectly in line with our own goals as an organization.”

Marshank Sales is based in a 1,600-square-foot office and warehouse space that is centrally located in Tarzana, California. In addition to Gary Marshank and Paul Hugo, the company team, is comprised of several professionals in numerous audio disciplines, including Jens May, Grendal Hanks, Michael Mostert, Jim Agnello, Chris Gagon and Robin Pitigliano. Click here to learn more about Marshank Sales.

Posted by EAW at 12:12 PM | Permalink

Charlotte, NC-based production company Event Productions USA recently added EAW KF730 line arrays, EAW UX8800 digital signal processors, and eight EAW SB1000z subwoofers to its growing audio system inventory. (The photo at left shows Event Productions' new KF730 arrays.)

Founded and owned by Tom Durban, Event Productions USA has specialized in serving the production needs of the corporate AV marketplace, nationwide, for almost 15 years. Providing video and lighting systems with expert staff services has been the company’s primary focus until recently, when Durban responded to customer requests for professional audio systems and services.

The foundation of this effort is the new EAW KF730 small-format line arrays, UX8800 dual-mode digital processors and SB1000z dual-18-loaded subwoofers. “We selected the EAW components based upon numerous recommendations from experienced audio professionals,” Durban explains. “Our customers demand clean, highly intelligible sound quality, and from equipment meeting the stringent aesthetic requirements of all high-end corporate-industrial systems.

Continue reading "Event Productions Expands With KF730, UX8800 Processing" »

Posted by EAW at 1:21 PM | Permalink

EAW has appointed inventory and warehouse management veteran Leslie Faretty to the position of Inventory Manager. The appointment was announced by Jon Bosaw, EAW Business Director.

Leslie brings 10-plus years of experience to the position, where she is charged with managing global EAW product inventory, focusing in particular on the crucial issue of the stocking and tracking of replacement parts around the world, as well as related pricing matters. She also works directly with customers on inventory and parts issues.

Based at the company’s Woodinville, WA offices, Leslie joins EAW following exceptional work with LOUD Technologies, where she served in a variety of key roles, including warehouse management and customer service.

“During her tenure with LOUD, Leslie has consistently demonstrated a very strong command of the complex world of inventory and parts management,” notes Jon. “Her in-depth understanding of this vital facet of our business, as well as her proven responsiveness to our customers, are both huge assets as EAW continues to grow.”

Posted by EAW at 8:59 AM | Permalink

You’re invited to participate in upcoming EAW Smaart School sessions in Montreal, March 5-7, 2008.

The intensive three-day training package will be presented at EAW Canadian market distributor SF Marketing’s Dorval, Quebec facilities as well as at Salle Claude-Champagne (l’Université de Montréal). (SF Marketing is the organizer of this educational event.)

Smaart Fundamentals and Applications will be covered the first two days, with the third day devoted to an Advanced User Seminar. Click here to find out more and to get cost/registration details.

Continue reading "Smaart School Slated For March 5-7 In Montreal" »

Posted by EAW at 8:12 AM | Permalink

Leave it to the innovative Michael Lacina and his JK Sound team to come up with a clever way to utilize EAW KF761 large-format line array modules to deliver superb sound reinforcement in the intimate confines of a lounge setting.

The recent project, at the Cirque Lounge on Folsom Street in San Francisco, offered the particular challenge of fitting a powerful sound system into a low ceiling room with various beams diminishing the height even further.

Further, Scot Peterson, lighting designer for the project, was hoping the sound system's loudspeakers would not infringe on the symmetry of the 1,000-plus LED grid he was planning for the ceiling, while Craige Walters, the interior designer, was pushing for the loudspeakers to disappear into the sweeping curves of his design.

That’s when Lacina (pictured at left), in talking about the project with system integrator Brad Katz, shared an "epiphany": utilize EAW’s top of the line the KF761 line array module, burying four of them into the façade of the soffit that rings the dance floor. Then, hide the speakers behind a perforated metal grill.

The overall result: creation of an invisible monster of a system to serve Cirque Lounge patrons. Not surprisingly, JK Sound has been nominated for 2008 Club World Award for sound design at Slide Speakeasy in San Francisco, and this latest innovation is not at all likely to be overlooked when nomination time comes for next year's awards.

Click here to find our more details about this project in MS Word format
Click here to find our more details about this project in pdf format

Posted by EAW at 3:00 PM | Permalink

EAW reps and distributors were treated to the LOUD Technologies "Peek-a-Boo Review" at the recent Winter NAMM Show in Anaheim, featuring up-close looks at several new EAW products such as the NTL720 self-powered line array, MicroWedge 12 stage monitor, the UMX.96 digital console and UX8800 dual-mode digital processor. EAW's Bernie Broderick is seen above, presenting the new products, while below, we treated to additional photos at the UMX.96 and NTL720.

Posted by EAW at 11:21 AM | Permalink

Dubai-based Smart Vision LLC a leading Middle Eastern systems integrator, has recently commissioned an EAW-based system at the stunning new Elegante Club, already becoming the hottest nightclub in the region since its December opening.

With a capacity of more than 1,000, Elegante Club (housed within Dubai's prestigious Royal Ascot Hotel and managed by the Executive Group) presents diverse entertainment, including live music, special stage shows, top DJs of the region and renowned international DJs once a month. .

"Elegante Club is unique, appealing to its clientele by featuring a one-of-a-kind light and laser grid, state-of-the-art liquid nitrogen Kryogenifex effects systems and of course, the absolute best sound system design and technology. It all combines to make for the latest evolution of nightlife artistry," explains Oussama Mansour Abou Faraj, who manages Smart Vision LLC as well as HI FI SERVICE of Beirut, Lebanon.

With excellent support from EAW Executive Audio, the Smart Vision LLC team members, including Khaled Abu Rislan (sound system installation) and Tony Mattar (lighting and video system installation) were crucial to the project.

Continue reading "Smart Vision Implements EAW For Dubai's Elegante Club" »

Posted by EAW at 2:07 PM | Permalink

New EAW Commercial CAM160 and CAM80 integrated audio mixers-power amplifiers are outfitted with comprehensive input/output facilities and feature sets to provide exceptional versatility from a highly cost-effective package. Designed for a wide range of fixed installation applications, the CAM Series offers “all in one” functionality without need for add-ons such as expansion modules.

Both models are equipped with six actively balanced combination mic/line inputs as well as individual adjustable potentiometers for line level input, mic level input and mic level input with 24-volt DC phantom power. Input 1 also offers the flexibility of an integrated transformer for connection to telephone paging systems.

Inputs 1 and 2 are divided into four discrete input sections: a combination XLR/TRS connector, Phoenix connector, or terminal strip. Meanwhile, Inputs 3, 4, 5 and 6 offer both Phoenix connectors and terminal strips. Two pairs of RCA connectors allow unbalanced auxiliary (Aux) signals to enter the amplifier via Aux 1 and Aux 2, both of which are attenuated by a potentiometer on the front of the amplifier.

Continue reading "Introducing New CAM Series Integrated Mixers-Amplifiers" »

Posted by EAW at 1:52 PM | Permalink

Zamar Media Solutions has just put the finishing touches on an exciting new sound system design and installation at the beautiful new worship center of WestGate Church in San Jose, California, that's headlined by EAW UX8800 dual-mode digital processing as well as EAW AX Series full-range loudspeakers.

Matt Dow served as the project manager for Zamar, which, since 1991, has successfully provided pro audio, video, lighting and acoustics systems and services in the Bay Area communities, with a committed dedication to the local church community. Dow and the Zamar team worked closely with church-contractor liaison John Coyle on the project.

The WestGate Church worship center features one of the very first church sound systems enhanced with the UX8800's revolutionary Gunness Focusing technology. According to Zamar's Ken Hughes, alternative processing had originally been slated for the system but was replaced when new UX8800 units became available via EAW sales rep firm PCM Marketing.

We'll have a more detailed report on this system in the very near future. Thanks to Ken for the excellent photos shown here. Click here to find out more about Zamar Media Solutions.

Posted by EAW at 1:13 PM | Permalink

Leading club systems provider Ohm Productions recently provided expert audio, visual and lighting system design and installation for the Tattoo Bar, one of Washington D.C.’s newest nightspots located in the thriving K Street district.

Headed by Jeff Darby and based in nearby Potomac Falls, Virginia, Ohm Productions is recognized as the region’s “go to” nightclub and lounge systems resource for more than 15 years, consistently delivering superior designs that are expertly applied to fit and enhance the desired experiences of club owners and patrons alike. Recent projects include Lotus Lounge, FUR Nightclub and UltraBar – all among D.C.’s hottest of spots.

Tattoo Bar presents a decidedly “blue collar” ambiance, with the long narrow room (about 2,500 total square feet) taking on an industrial motif with a biker’s twist. In fact, a full-size steel sculpture of a motorcyclist bursts from the wall above the bar, while motorcycle chains are utilized as “hanging door bead” dividers.

“This venue is different from any other in the area, which makes it an exciting, fresh alternative,” Darby explains. “It’s got a gritty feel, and the music programming goes along with that – heavy on rock n’ roll tracks.”

Continue reading "Ohm Productions Deploys FRz Series For D.C.'s Tattoo Bar" »

Posted by EAW at 12:20 PM | Permalink

Leading hire company ML Group will be supplying the largest EAW KF760 Series line array contingent ever to tour Europe as key components of a large-scale sound reinforcement system for the upcoming Iron Maiden “Somewhere Back in Time" 2008 world tour.

Kicking off in India early in February, the tour will visit more than 30 countries on several continents in the coming months. ML Executives Managing Director Gary Marks is coordinating system issues with partner companies around the globe, such as Norwest Productions of Sydney, Australia and Brantley Sound Associates of Nashville. Michael Hackman (pictured below) is serving as the KF760 Series line array system technician for the tour, also performing system analysis and optimization at each stop with an assist from EAW Smaart.

"For the stadium tour in Europe, we'll be supplying four main hangs of 18 EAW KF760 modules and two EAW KF761 wide dispersion modules," explains Marks. "So, that's a total of 80 cabinets on the main four hangs, plus 24 EAW SB1000 subwoofers per side. Also, because the stages will be very wide, we'll use six more KF761 modules flown in the center to serve as a vocal fill."

We'll be providing updates on the progress of the system and tour as it goes along. Click here for the official tour itinerary.

Posted by EAW at 7:43 AM | Permalink

You’re invited to participate in upcoming EAW Smaart School sessions in Vancouver, February 6-8, 2008.

The intensive three-day training package, presented by veteran Smaart School instructor Arthur Skudra, will be conducted at the beautiful Chan Centre for the Performing Arts (CCPA), located at the University of British-Columbia (UBC).

Smaart Fundamentals and Applications will be covered the first two days, with the third day devoted to an Advanced User Seminar. Click here to find out more and to get cost/registration details.

Continue reading "Smaart School: February 6-8 At Chan Centre, Vancouver" »

Posted by EAW at 12:42 PM | Permalink

Leading U.K. hire company Concert Sound just finished up providing a large-scale sound reinforcement system for the latest European concert tour by the legendary Joe Cocker, including extensive EAW line array and loudspeaker sets.

Concert Sound worked closely with FOH Engineer Chris Madden in formulating the system, which traveled throughout the European continent in support of the 2007 release of the acclaimed Hymn For My Soul album. The scalable system, under the care of System Engineer Dave Dixon, was comprised of left and right main hangs of up to 20 EAW KF760 Series large-format line array modules, with EAW KF730 Series small-format line array modules on the deck for front-fill.

Side-fill came from up to eight EAW KF750 Series three-way concert loudspeakers flown per side, with a low-frequency contingent of up to 18 EAW SB1000z dual-18-inch-loaded subwoofers split left and right. “I loved the consistency of this system – it sounded great every day throughout the 13-week tour, performing in a widely differing variety of venues,” noted Madden. “The system also provided very fast load-ins and load-outs, and further, it didn't suffer a single component failure during the whole tour.”

A portion of the system as well as key sound team members are pictured above. Left to right - Ben Byford, Adrian Fitzpatrick, Chris Madden, Niall Slevin, and Dave Dixon. And, thanks to Moray McMillan of EAW Europe for the great photos!

Posted by EAW at 5:44 AM | Permalink

Stage Audio & Lighting Productions of Longwood, Florida, recently provided sound reinforcement and technical support at all venues for this year’s Florida International Festival in Daytona Beach, highlighted by a performance by the London Symphony Orchestra (LSO), featuring a concert system based upon a variety of EAW loudspeakers line arrays and EAW digital processing.

Headed by Phillip Kovacevich (pictured below), Stage Audio & Lighting Productions is a leading live event company celebrating its third decade of serving touring artists and corporate event planners in the Eastern U.S. and the Caribbean, and the company counts live orchestra sound reinforcement as one of its specialties.

Veteran free-lance audio professional Jeremy Goldstein, based in Orlando, brought his talents to the event as well. In addition to helping with system management throughout the festival, he also provided the live mix of the first half of the LSO concert.

The LSO show featured a “Pops” style that paid tribute to motion picture soundtracks, with “Darth Vadar” making an appearance to guest-conduct the “Star Wars” theme.

The large-scale system assembled to serve the audience filling the 46,000-square-foot, multi-level Ocean Center arena in Daytona included EAW KF760 Series large-format line arrays optimized with the new EAW UX8800 dual-mode digital processors with Gunness Focusing technology.

Continue reading "Stage Audio Serves London Symphony With EAW" »

Posted by EAW at 10:22 AM | Permalink

The campaign for the U.S. presidency kicked into high-octane mode last week as Oprah Winfrey joined Democratic candidate Barack Obama at Williams-Brice Football Stadium in Columbia, SC, where ACS Sound & Lighting delivered EAW-based sound reinforcement for the more than 30,000 people at the largest political rally in South Carolina history.

ACS Co-Owner Troy Gwin and his crew’s concert-level system effort was headed by EAW KF760 Series large-format line arrays joined by EAW KF730 Series small-format line arrays, with several EAW BH760 “SuperSubs” also on hand for pounding low-end for musical artists such as Arrested Development.

ACS, also based in Columbia, provided “in the round” coverage of the audience surrounding the main stage at one end of the stadium, with organizers adamant that the PA stay out of crowd and TV camera sightlines.

The KF760 line arrays and BH760 subs were transported down to field level from the stadium scoreboard, supplied by ACS through the 2007 football season to deliver reinforcement at University of South Carolina Gamecocks home games. They were joined by KF730 Series line array inventory, with Gwin utilizing the EAW Wizard software program to help with initial system configuration and then doing his own detailed tailoring.

Continue reading "ACS Taps EAW For Largest Political Rally In SC History" »

Posted by EAW at 10:32 AM | Permalink

EAW has established a new operation – exclusively focused on the EAW brand – that dramatically upgrades our ability to serve the crucial European professional audio marketplace.

The new EAW Europe, which officially opens its doors on January 2, 2007, is based in Wickford, Essex, UK, and is headed by veteran European Sales Manager Sean Martin (shown at right). He is directing a team of six full-time, highly experienced professionals who will work in support of the EAW brand and its European customer base.

The new operation offers the complete inventory of EAW products on the European continent in order to dramatically shorten delivery times. An expansive inventory of repair and replacement parts are kept on hand as well, with an EAW Product Service Centre also instituted in Wickford, in very close proximity to the offices of EAW Europe.

Continue reading "Dramatic Enhancement In Serving European Market" »

Posted by EAW at 1:27 PM | Permalink

Noted harpist Vincenzo Zitello, recognized as one of the finest Italian musical artists, performs live in concert with sound reinforcement by EAW NT Series self-powered loudspeakers with Gunness Focusing.

Also widely respected for his skills as a composer, Zitello's compositions have often been played in Saint Peter’s Square in Rome to accompany special worship services.

For live performances, Zitello utilizes his own custom sound reinforcement system that even includes special microphones installed in his harps, along with several premium Neumann overhead mics.

The system, under the direction of Vittorio Sorrentino, Zitello's sound engineer, is led by NT26 loudspeakers, sometimes joined by NTS22 subwoofers. Sorrentino (pictured below) selected the NT Series following an evaluation of numerous loudspeakers.

"The EAW NT26's are very high quality loudspeakers, and are the only ones that can reproduce the unique sound of the harp with all the harmonics and the complete dynamic range, without any coloration or distortion," explains Sorrentino. "We use two or four NT26, depending on the venue size. They are coupled with NTS22 subwoofers when Vincenzo performs with other musicians.”

In January, 2008, Zitello will be performing at Théâtre Max Jacob in Bretagna-France, a high award for an Italian artist to play Breton music in its homeland. (To learn more about Vincenzo Zitello, click here. Our thanks to Edoardo Ravelli of Exhibo for this information and the photos.)

Posted by EAW at 2:58 PM | Permalink

Leading hire company Canegreen of London recently deployed its EAW KF760 Series line array inventory for a series of events at London's ExCel Arena, the largest indoor arena venue in the U.K.

The multi-day event series included a live festival for Islam television, followed by Tamil Remembrance Day and then the two-day Nigerian Festival of Life, with attendance sometimes approaching 30,000.

Canegreen was able to achieve excellent sound reinforcement with a main system headed by left and right line array hangs comprised of 10 KF760 modules above two KF761 wide-dispersion modules, and a dozen SB1000z subwoofers on the deck.

Renowned FOH Engineer Roger Lindsay provided the house mix for all three events (as he did last year), with Canegreen's Paul "PK" Knight and Ace McGrogan on hand throughout to provide expert system engineering and technical support. (Roger, PK and Ace are pictured directly above, left to right.)

Posted by EAW at 2:17 PM | Permalink

The accolades keep on coming for the UMX.96 digital console as it continues its tour with FOH Engineer Don Dodge in support of Foreigner's international tour.

The latest notice comes from Audio Pro International magazine, based in the U.K., which is featuring an exclusive interview with Don on his experiences with the UMX. Sample comment from Don: "The console has a ‘warmer’ sound to it than others, with analog pre amps and VCA section and a very analog layout.”

Be sure to check out the entire interview here.

Posted by EAW at 12:56 PM | Permalink

The new NTL720 is one of the most exciting products developed by EAW in some time. It's a self-powered line array loudspeaker system so small that we call it the "baby line array module" (BLAM), but it packs a true three-way design and numerous other EAW patented and proprietary technologies into its very small footprint. The NTL720 made its live debut at the recent 2007 ET Live in Orlando - click here to check out photos of it in action.

Also here on EAW.com, there's a wide range of information about this new system:

NTL720 Info Page
NTL720 Product Page
NTL Preliminary Data Sheet (pdf)
NTL720 White Paper (pdf)

And, check out the November '07 issue of Live Sound magazine for an in-depth report on the NTL720.

Posted by EAW at 5:49 AM | Permalink

EAW's Moray McMillan (UK Sales Manager) recently caught up with Foreigner FOH Engineer Don Dodge as he travels Europe with the UMX.96 digital console - the board's maiden voyage across the pond. Don reports all is going exceptionally well, both with the tour in general as well as the performance of the console. Moray sends along the recent photo he took at right, showing Don prior to a recent concert at Shepperds Bush.

More dates remain on the Foreigner swing through Europe. Click here to see where and when the tour is appearing in the coming weeks.

Posted by EAW at 5:23 AM | Permalink

At the recent 2007 ET Live in Orlando, Dave Rat provided the live mix at the EAW stage on an EAW UMX.96 digital console. During a break, the folks at Mix magazine (Editorial Director Tom Kenny and Managing Editor Sarah Benzuly) stopped by to talk with Dave about his experiences this first time out with the board.

Dave notes right up front that overall, he's not too keen on the digital mixing format, still preferring analog. Yet he did find a lot to like about the UMX.96, topped by a demonstration of one of the board's more unique (and fun) features...

In part 2 of the interview, Dave discusses the new EAW MicroWedge line, providing some context as well as his reasons for working with EAW on this coming product series. Click here to go directly to the videos.

Posted by EAW at 4:53 AM | Permalink

Leading UK hire company Concert Sound continues to keep its EAW KF760 Series line arrays very busy, as evidenced by the recent two-day “Live ‘07” show by the Scout Association of the UK at the new 20,000-seat O2 Arena inside the London Millennium Dome. The dynamic event featured a wide range of live entertainment, including a 20-piece band, 90-piece orchestra and 30-plus member choir. (More than 140 inputs were required.)

Concert Sound elected to go with a main concert system headed by several arrays of KF760 Series modules, also including KF761 wide-coverage modules to attain extended dispersion in nearfield regions. The arrays easily delivered superb full-range output to every seat in the large-scale arena.

Key system personnel working the event included Simon Wooler (FOH engineer), Matt Mannasse (orchestra engineer), Tim Peeling (system engineer) and Gary Sylvester (monitor engineer).

Concert Sound’s efforts at Live ’07 follows up their successful work with the Scout Association in support of the World Scout Jamboree this past summer, attended by more than 40,000 scouts from around the globe. (Credits for the excellent photos posted here to EAW’s Moray McMillan and the Scout Association.)

Posted by EAW at 1:47 PM | Permalink

ET Live 2007 in Orlando was a whole lot of fun, but it was also highly productive as well, as thousands turned out in the beautiful weather to get a first-hand look at the numerous EAW advancements in action.

The huge stage, with live performances by Led Zeppelin tribute band Physical Graffiti, featured the new NTL720 "baby" line array modules (BLAM) making a laudable debut. The output-to-size ratio of this exciting new self-powered loudspeaker product proved most impressive, as well as high vocal intelligibility in evidence both with musical programming as well as during introductory remarks by EAW Brand Group Vice President Jeffrey Cox.

Dave Rat (pictured left) was on hand to provide the mix on an EAW UMX.96 digital console, and he also saw the preliminary introduction of the first of the new EAW MicroWedge products in prototype form. (The new wedges and the console attracted quite the traffic at the house mix position.)

Meanwhile, new KF737 modules, bringing high-Q capabilities while fitting seamlessly within KF730 Series arrays, drew a wide range of rave reviews. Many in attendance also got their first look (and listen) at the new UX8800 digital processor with Gunness Focusing, utilized with the KF730 arrays. (The NTL720's have onboard DSP that includes Gunness Focusing.)

And, yet another debut came in the form of the new SB1002 subwoofer, featuring convenient flying capabilities and much more.

Filling out the system, which was under the highly capable direction of Howard Burke, were KF650z sidefills and SM12 stage monitors. Harry Brill Jr. ran Smaart throughout the event, with Smaart designated as the official measurement system for the entire event. Stage Audio & Lighting Productions of Longwood, Florida, headed by Phil Kovacevich, provided systems and on-site support throughout the event.

For a photographic look at ET Live '07, click on the link directly below.

Continue reading "Product Debuts & Fun Both In Adundance At ET Live '07" »

Posted by EAW at 12:51 PM | Permalink

EAW loudspeakers have been specified and installed for the new American Spirit Gymnasium and Theater at Escondido (California) Charter High School, a state-of-the-art school serving students in the San Diego region. The systems for both the gym and theater were installed by Integrated Media Systems of Anaheim, with support from EAW rep firm Audio Geer.

The gym offers sound reinforcement supplied by eight EAW MK2366 compact two-way loudspeakers flown in pairs, positioned equidistantly and providing complete full-range coverage of all seating and floor areas.

The theater features dual EAW DSA250i digitally steerable array loudspeakers, one flown to each side of the stage, supplying primary full-range coverage throughout the space. They're joined by an SB150P compact, 15-inch-loaded subwoofer that's flown centrally above the stage. Four EAW Commercial VRM12 stage monitors are also available.

We'll present more details regarding this interesting project here on Front Row in the very near future. Our thanks to Audio Geer for the preliminary information and great photos.

Posted by EAW at 1:57 PM | Permalink

Performance Recording and Sound, founded by Marty Bilecki and based in the Chicago area, just finished up a very successful summer season in providing sound and support at a wide range of live concerts, festivals and events.

A member of EAW ELAN, Performance Sound has earned a reputation for quality equipment and personal service, serving local and national clients since 1991. The company’s A-Line live system is headed by up to 20 EAW KF730 Series small line array modules, and a bit earlier this year, the system was enhanced with the addition of new EAW UX8800 digital processing with Gunness Focusing. “All of the traveling engineers were impressed with the UX8800 processor and the 730 system,” notes Marty.

One highlight was providing sound for the Addision (Illinois) Community Days festival, which featured live performances by Eddie Money, .38 Special and Mickey Thomas of Starship. Images of the system for that gig, along with a picture of Marty, are shown above. Thanks to Marty and his team for providing these photos, and click here to find out more about Performance Sound.

Posted by EAW at 1:15 PM | Permalink

A new performance audio system featuring EAW KF730 Series line arrays and UX8800 digital processing has gone live at Centennial Hall, home to UApresents, the largest performing arts presenter in southern Arizona.

The new system, implemented just in time for a 42-show 2007-08 season (kicked off by Dionne Warwick in concert), was designed and installed by Arizona Pro Sound of Tucson, working with key venue staff, including Operations Manager Gary Lotze.

The system includes KF730 line arrays, each with 11 modules, flown left and right, while eight SB730 subwoofers (in groups of four) on the stage deck. Six EAW JF80 compact loudspeakers provide frontfill. All loudspeakers are driven by Lab.gruppen FP7000 power amplifiers, with a UX8800 processor handling all DSP in addition to providing Gunness Focusing technology for absolute pristine sonic performance.

Posted by EAW at 1:10 PM | Permalink

New England-based sound company SPL Systems recently added dual EAW UX8800 dual-mode digital processors with Gunness Focusing, as well as 12 EAW KF730small line array modules, to its live system inventory.

Located in West Springfield, Massachusetts and founded/owned by Bill Forbes, SPL Systems has been providing full production services for live concert performances, corporate events, fairs, festivals, and event promoters throughout New England for more than a decade. The company also performs top-notch system installation and integration services.

Continue reading "SPL Systems Bolsters Inventory With UX8800, KF730" »

Posted by EAW at 11:45 AM | Permalink

The EAW UMX.96 digital console is making its European touring debut as the Foreigner tour and FOH Engineer Don Dodge move "across the pond" for the next two months, beginning with a show in Glasgow, UK, this coming Friday (November 9). The tour will make about 20 stops in the UK, Denmark, Latvia, Estonia, Germany, Switzerland, Hungary and Austria, and there will also be a few dates in South Africa.

Click here to go directly to the Foreigner tour itinerary.

Posted by EAW at 8:23 AM | Permalink

Attention all UX8800 users: a new version of EAWPilot software (v1.0.46.52) has been posted and is now available via the Downloads page here at EAW.com.

With this new version, the "Reset Input Channel Settings" dialog only comes up if the greybox selection is changed - not for amplifier or listening distance adjustments. Also, spin controls are fixed on both delay and greybox high-pass and low-pass filters (for real, this time), while disabled low-pass filters now have the frequency "greyed" out.

Further, compressor threshold handles are once again available in system mode, front panel setting changes now display correctly, and auto-assign works in several more scenarios. Click here to go directly to the Downloads page.

NOTE: Several of these fixes will only work if you update to firmware
build 52!

Posted by EAW at 11:18 AM | Permalink

At ET Live, held in conjunction with LDI 2007 in Orlando next month (November), EAW will be unveiling a wide range of exciting new and pending product developments – all working together as a full-scale live concert reinforcement system!

The fun starts with the newest loudspeaker design from EAW (more about this soon), which will be joined by flown KF730 Series line arrays as well as prototypes of another new loudspeaker, with Gunness Focusing and all other DSP courtesy of UX8800 dual-mode digital processors.

Low-end will be provided with new, soon-to-be-released EAW SB Series subwoofers. Filling out the loudspeaker complement will be KF650z sidefills and SM12 stage monitoring. The entire system will be driven by Lab.gruppen amplification and tuned with new Smaart v.6; in fact, Smaart has been designated as the official measurement system for the entire event. (The scene at ET Live in Las Vegas last year is shown in the photo at left.)

Continue reading "Dynamic New EAW Developments At Upcoming ET Live!" »

Posted by EAW at 7:26 AM | Permalink

Karl Reed has joined us as the new EAW art director. He brings more than 15 years of professional graphic design experience to the position, working for a variety of leading advertising agencies and corporations, Honeywell among them.

Karl is responsible for graphic design and production for all facets of the EAW Brand Group (EAW, EAW Commercial and so on) including ads, collateral pieces, logos, web graphics, tradeshow graphics, and more.

Welcome aboard, Karl!

Posted by EAW at 8:01 AM | Permalink

Big touring news in Europe, where EAW's Moray McMillin reports that four large-scale tours are set to hit the road with EAW concert components in the very near future. U.K. hire company Canegreen will be providing EAW KF760 Series line arrays, as well as new EAW UX8800 digital processing, for a tour by Harry Connick Jr.

Canegreen will also be supplying KF760 Series line arrays for the Gypsy Kings as they tour the U.K. Further, U.K. hire company Concert Sound is supplying the legendary Joe Cocker with an extensive loudspeaker set for his upcoming tour, including KF760 Series joined by KF730 Series compact line arrays and KF750 Series three-way concert loudspeakers.

And, the EAW UMX.96 will be making its European touring debut as Foreigner and FOH Engineer Don Dodge make their way across the pond for a series of dates. (Click here to read more about the UMX.96 with Foreigner.)

Updated itineraries for these tours should soon be available at Pollstar.

Posted by EAW at 8:54 AM | Permalink

Want a discount on new Smaart v.6? Then visit the ongoing Mix Foundation TEC Awards Music & Sound Auction and put in a bid on a copy of Smaart v.6 donated by EAW!

The auction features new products, instruments and treasured music memorabilia, with proceeds benefiting foundation partner House Ear Institute in support of the Sound Partners Hearing Conservation Program and the House Ear Institute Teen Outreach Campaign "It's How You Listen that Counts".

The auction lasts for about another 24 hours, ending at noon (U.S. Eastern time) on Thursday, October 11. Update: The Smaart v.6 auction is now closed, with the winning bid coming in at $720.

Posted by EAW at 10:43 AM | Permalink

We're saddened to hear the news that Avalon Boston is closing its doors. The club, and of course, its owner John Lyons, were extremely instrumental in the development of EAW's landmark Avalon Series purpose-designed club loudspeakers. (Some of the original Avalon loudspeakers at the club are pictured at right.)

Based on design criteria developed by Lyons, the Avalon Series offers a fresh look at the balance of subsystems within a loudspeaker system. Techno-industrial dance music presents a relentless, pounding beat, so to address this issue, the Avalon line comprises bottom-heavy systems with double the number of woofers per system to deliver the beat as a physical concussion.

"We took a blank sheet of paper, began with technologies that we knew would be an excellent starting point, and then developed new ideas that would result in superior dance club loudspeakers," explains Jeff Rocha, EAW vice president of engineering. "The fact that a lot of meaningful input came from club professionals, and that the products were created and critically evaluated in real conditions at Avalon Boston, resulted in something special."

Posted by EAW at 8:39 AM | Permalink

EAW is pleased to announce three new U.S. sales representative firms supporting EAW and its customers. Effective immediately, CM Sales is serving Michigan, AV Marketing is serving Indiana and Kentucky, and North Coast Marketing is serving Ohio, West Virginia and Western Pennsylvania.

“We’re very pleased to be working with these firms, especially because all three have established an excellent track record in the professional systems marketplace,” notes Scott Pizzo, EAW director of U.S. sales. Click here for contact information for these three firms as well as all EAW U.S. sales reps.

Posted by EAW at 5:55 AM | Permalink

The September '07 issue of
Front Of House (FOH) Magazine includes a "Road Test" review of new EAW Smaart v.6 filed by Mark Amundson, the publication's technical editor.

Mr. Amundson concisely spells out his favorite features on v.6, and doesn't find much fault. At the outset, he poses the apt question, "Why upgrade?" and then proceeds to inform readers in very clear terms about the numerous advantages, in his view, of v.6.

We thank FOH magazine and Editor Bill Evans for publishing the piece, and also thanks to Mark Amundson for taking the time to check out Smaart v.6 and share his observations. Click here to read the review.

Posted by EAW at 12:52 PM | Permalink

Creative Events, a leading sound reinforcement company serving the Middle East, recently added EAW UX8800 digital processors with Gunness Focusing technology, as well as EAW KF760 Series and KF730 Series line arrays, to its growing inventory of top-flight professional audio equipment.

Creative Events is one of several companies of Creative Communication Group (CCG), a thriving full-service event management and production venture based in Qatar. Under the direction of Managing Partner Jalal Dudin (shown in photo above), Creative Events provides sound reinforcement systems and services to numerous high-profile concerts, theatrical productions, festivals and other events held throughout the Middle East.

For example, a notable Creative Events project was supplying all audio, video and technical support at more than 110 sports venues during the 2006 Doha Asian Games. In addition, they’ve supported first-time concert tours in the Middle East by performers such as Lionel Richie, Jose Carreras and the late Luciano Pavarotti, among many.

“After extensive research and consultancy from our experts in the events business, we decided not to waste our time or money with any brands other than EAW for our audio supply,” states Jalal Dudin. “EAW is a worldwide technological leader in the design and manufacture of high-performance professional loudspeaker systems.”

Creative Events is a member of ELAN (EAW Line Array Network), a valuable association network provided by the company that allows members to promote their inventories as well as secure additional EAW inventory when needed. The UX8800 and KF Series line arrays join other EAW components utilized by Creative Events, including SB Series subwoofers, LA Series loudspeakers, SM Series stage monitors and more.

Posted by EAW at 6:57 AM | Permalink

Last weekend (September 15, to be exact), Mexico celebrated its national independence day, and our friends at Consorcio Audiovisa S.A de C.V. of Mexico City were on hand to provide EAW KF730 Series line arrays as the primary components of a sound reinforcement system for a civic ceremony in Tlalnepantla, one of the most important cities in the state of Mexico.

More than 15,000 converged on Tlalnepantla's Plaza Cívica Dr. Gustavo Baz for the ceremony, which featured remarks by the city president as well as a host of traditional festivities. To provide coverage throughout the plaza, Consorcio Audiovisa, a member of ELAN and owned by Alex and José Luis Morales, supplied 24 KF730 modules as well as 16 EAW SB1000z subwoofers as the key aspects of the system, backed by full technical support.

All of these EAW loudspeakers were divided evenly into four groundstacked sets of six line array modules and four subwoofers, spaced equidistantly across the front of the plaza.

They were the exclusive source for all spoken-word presentations, and were also used to significantly bolster coverage for various musical performances, including Mariachi bands.

"Sound pressure levels generated by our system measured 105 dB at 60 meters," notes Alex Morales. "Overall, the results were amazing, with perfect coverage to every zone in the plaza."

Posted by EAW at 6:20 AM | Permalink

We're very pleased to welcome Andy Jordan as the newest member of the EAW Application Support Group (ASG) team, headed by ASG Manager Joe Fustolo.

Andy brings 10-plus years of working with EAW Engineering in hands-on loudspeaker design to his new role with ASG. Specifically, he flourished as the Technical Services Coordinator, responsible for leading a group of technicians in carrying out a variety of tasks in building and facilitating the overall documentation and testing of BTO and standard EAW products.

"We're confident that Andy's vast working knowledge of the engineering process and the internal workings of virtually all EAW loudspeakers is going to make him a highly valuable asset of ASG, allowing us to take another important step in further being able to assist and troubleshoot customer issues with even greater accuracy and efficiency," Joe explains.

The addition of Andy now means the ASG team includes four sound system designers, three phone technical support specialists, and a special projects coordinator.

Posted by EAW at 1:05 PM | Permalink

Eastern Acoustic Works (EAW) is pleased to announce that it will be the exclusive manufacturer and distributor of the renowned MicroWedge Series of stage monitor products under the terms of a new agreement between LOUD Technologies Inc. and MicroWedge developer Rat Sound Systems Inc. of Oxnard, CA.

The Perpetual License agreement between the two entities calls for current products to be branded “EAW MicroWedge,” fully supported by the resources of EAW. Further, Rat Sound Founder Dave “Rat” Levine, creator of MicroWedge and other acclaimed sound reinforcement designs, will be working closely with the EAW Engineering Department on the development of new MicroWedge models as well as other EAW touring products.

“In securing this preeminent floor monitor line for our worldwide customer base, EAW is once again demonstrating its commitment to true performance audio by bringing the best in both design and talent to the EAW brand,” explains Jeffrey Cox, Vice President of the EAW Brand Group, shown in the above photo with Dave Rat. “We continually populate the EAW family and brand relationships with experienced, talented visionaries who combine their unique skills to push audio forward. Our partnership with Dave is a prime example of this philosophy.”

Continue reading "EAW To Manufacture, Distribute MicroWedge Series" »

Posted by EAW at 1:38 PM | Permalink

Be sure to check out the cover story of the September '07 issue of InAVate magazine for the full story and great photos on a recent system project at a new large-scale stadium in Europe featuring a wide range of EAW and EAW Commercial loudspeakers.

Click here to go directly to the on-line edition of InAVate, and then click on the article noted in the table of contents that begins on page 38. The publication, with Chris Fitzsimmons serving as editor, does a fine job of covering AV technology, systems and applications, certainly exemplified by the September 07 cover story.

Posted by EAW at 12:35 PM | Permalink

Last week (September 9), Stock Audio & Light provided a high-end sound reinforcement system featuring dual EAW UX8800 digital processors in tandem with KF760 Series line arrays for a memorial concert by the Limburg Symphony Orchestra that marked the liberation of the Netherlands in World War II.

The concert, held on the grounds of the American Battle Cemetery and Memorial in Margraten, the Netherlands, was highlighted by a performance of Verdi’s Requiem, accompanied by the Vocal Collective, a 60-member choir from Belgium.

Stock Audio, based in Geleen, the Netherlands, worked with the concert’s front-of-house engineer, Jo Smeets, to assemble a system providing enough headroom to reach a coverage area spanning beyond 150 meters (approximately 500 feet), while also capable of presenting a very natural sonic signature.

The sound team responded with a main system featuring dual line arrays, each comprised of six EAW KF760 modules above two KF761 wide-dispersion modules, flown stage left and right.

Low-frequencies were reinforced with eight EAW LA400 subwoofers with bent horn technology, groundstacked in groups of four beneath the main arrays. All loudspeakers were driven with LabGruppen fp6400 power amplifiers, with a DiGiCo D1 serving as house console and a Midas XL4 for monitors, largely for pre-mixing string instruments.

Holland PA, EAW’s distributor for the region, supplied two EAW UX8800 digital processors with Gunness Focusing for evaluation with this system. During soundcheck the day prior to the concert, Stock Audio Owner Paul Pelen immediately noted the significant upgrade in sonic performance provided by the UX8800 units, and in fact, decided on the spot to purchase them.

Continue reading "Stock Audio: UX8800 Success Story At Orchestra Concert" »

Posted by EAW at 11:13 AM | Permalink

Located on the western bank of the Mississippi River in downtown Minneapolis, the new Guthrie Theater is “a 21st century dream factory,” according to Time magazine. Primary performance spaces include the 1,100-seat Wurtele Thrust Stage, 700-seat McGuire Proscenium Stage and 250-seat Dowling Studio Stage, all supporting classic, modern and experimental productions in addition to live music concerts.

Resident Sound Designer/Supervisor Scott Edwards and Master Sound Technician Ross Anderson thoroughly embraced the opportunity to develop the entire facility’s audio constitution, supported by theater sound department staff companions Reid Rejsa, Paul Estby, Ryan Healey, and Montana Johnson, all working closely with technical and production personnel.

TALASKE of Chicago assisted with audio system and acoustical designs, the latter facet bolstered by Kahle Acoustics of Brussels, Belgium. Installation duties were awarded to local system integrator Electronic Design Company.

What resulted is a completely seamless building-wide audio and control infrastructure that ties all components and systems together as one in a manner beyond compare – in North America, at least. Further, in the case of the Wurtele and McGuire stages, the audio components and acoustics are meticulously integrated with their rooms, resulting in electronic sound reinforcement working so cohesively that the sonic signature is the very definition of natural.

Continue reading "An EAW Audio Dream Factory At The Guthrie Theater" »

Posted by EAW at 7:59 AM | Permalink

New England-based SPL (Sound Plus Lighting) Systems recently added dual EAW UX8800 digital processors with Gunness Focusing, as well as 12 EAW KF730 small line array modules, to its live system inventory.

Based in Agawam, Massachusetts and headed by Bill Forbes, SPL Systems has been providing full production services for corporate events, fairs, festivals, and to event promoters throughout New England for more than a decade. The company also performs top-notch system installation and integration services. (Photo credit to SPL Systems for use of the photo at right.)

The UX8800 and KF730 line arrays join numerous other EAW models in the SPL Systems stable, including KF850z, LA400, UB2199-WP, FR129z, and JF80z.

Posted by EAW at 2:05 PM | Permalink

Two major college football stadiums are starting the season in style with new sound reinforcement systems that both incorporate EAW KF900 Series high-output loudspeakers capable of delivering solid, tight, full-range coverage from scoreboard locations.

Further, one of the systems - recently implemented by All Pro Sound at Auburn University's 87,450-seat Jordan-Hare Stadium - features processing via six EAW UX8800 digital processors.

One UX8800 is connected by Ethernet, and one receives the analog audio feed, with both control and audio passed among the six processors via EAW U-Net. The KF900 Series cluster serving the stadium includes six KF930F, 12 KF920F, and 6 KF910F modules.

Meanwhlile, at brand-new 45,000-seat Bright House Networks Stadium on the campus of the University of Central Florida, SPL Integrated Systems has implemented a loudspeaker approach of 10 KF920F, four KF910F, four KF914F and two KF913F, joined by six BH2313 and four KF755 for near fill.

More about both of these exciting projects will be presented here soon.

Posted by EAW at 12:25 PM | Permalink

A recent sound system upgrade project at the sanctuary of Evangel Assembly of God Church of Bismarck, North Dakota by Tricorne Audio of Fargo provides much-needed performance quality to support music/drama productions, and it also eliminates troublesome dead spots and poor intelligibility presented by the previous system.

Working closely with Brian Hanson and the church sound/music team, Tricorne Audio designed and installed the new system featuring a variety of EAW installation full-range loudspeakers, including three biamplified AX Series loudspeakers flown left-center-right to cover the entire main floor. Three MK2300 Series loudspeakers bolster output to the balcony that runs the length of the sanctuary's back wall, while four EAW Commercial VR61 loudspeakers with transformers handle the shadowed underbalcony.

Tricorne Audio's Dallas Anderson notes that the original system serving the 900-capacity sanctuary, interestingly, was divided into two parts. Two large loudspeakers in a center cluster were dedicated to "music" reinforcement, while horns and bass cabinets in the same cluster were designated for "speech" applications.

In addition to the EAW loudspeakers, Tricorne Audio also specified and integrated premium digital signal processing and power amplification components within the new system. They resourcefully utilized existing microphone jacks, wireless mics, outboard gear and the 40-channel mixing console.

The new monitor system serving the front platform includes an EAW Commercial VR21 loudspeaker flown for the choir as well as four traditional mixes provided via EAW Commerical VRM12 monitors ("Which they really like," notes Anderson). A personal mixing system with six remote mixers is also available.

"The end result is quite nice. We have very even coverage, excellent gain before feedback and a system that can truly handle full contemporary concerts, intimate theatre productions, and, of course, daily worship activities," Anderson concludes.

Posted by EAW at 1:51 PM | Permalink

"The promoter and band were so impressed with the sound that from this point on, they won't use another vendor." - Rafael Jaimes, Audiospectrum

It was sound in the round at its finest in New York's Madison Square Garden, where Audiospectrum recently provided a full 360 degrees of audio reinforcement for a concert by Dominican Republic band Aventura, presenting their unique blend of bachata, hip hop, r&b, and reggaeton for a sold-out crowd of more than 17,000. The show is in support of the wildly popular band's fifth album, KOB Live.

Headed by Rafael Jaimes, Boston-based Audiospectrum is frequently tapped to provide sound reinforcement for concerts and events in Madison Square Garden, and for Aventura, they deployed a total of 52 EAW KF760 Series line array loudspeakers - 40 KF760 and 12 KF761 - to provide front, side and out-fill coverage. Rear coverage came courtesy of dual clusters of venerable EAW KF850z full-range loudspeakers, each in a "2 over 2" configuration.

And talk about low-end energy: Audiospectrum deployed 24 EAW BH760 bent-horn subwoofers. "This rocked the Garden like you would not believe - not only in terms of volume but the overall sound quality of the bass," Rafael says.

"Overall with the sound design, we made absolutely sure sound was in your face throughout the arena, all the way to the last seat in the house," he adds, also noting that both the FOH mix of Ramiro Samper and monitor mix by Peter Sawyer worked perfectly with the sound design in further enhancing the performance.

Posted by EAW at 12:36 PM | Permalink

On the list of unusual installed sound reinforcement situations, the Olympic Oval in Calgary ranks toward the top, as evidenced by a recent project that saw the venue’s original sound system replaced by a widely distributed, multi-zone design to serve a decidedly unconventional indoor arena.

Constructed for the 1988 Winter Olympic Games, the venue offers a structure of pre-cast, pre-stressed concrete that completely covers a 400-meter long-track speed skating oval encircling two international sized ice rinks for short-track speed skating and ice hockey. The long-track is surrounded by a 450-meter running track, with other track and field amenities including a 110-meter sprint track, pole vault box and long jump pit.

Spectator seating for more than 10,000 runs along one of the long sides of the oval, continuing around the curves a good distance, with portable grandstands able to be staged where needed along the hockey rink and short track.

Known as “the fastest ice on earth” for hosting an unprecedented number of speed skating world records (attributed most frequently to its rare status as a climate-controlled venue combined with the effects of high altitude), the Olympic Oval continues to serve as a premier speed skating site and training facility.

In addition, it hosts hockey games, track and field competitions (and practices), and, located adjacent to the University of Calgary, is connected both with that institution in general and specifically with its sports medicine and kinesiology programs. Constantly in use seven days a week, it’s also open at select times for public skating and a wide range of special events.

Continue reading "Profile: AX, MK Series Key System At Olympic Oval" »

Posted by EAW at 2:42 PM | Permalink

Joe Fustolo, Manager of the EAW Application Support Group, notes that Michael Perry (left) and Justin Walker have joined the ASG team as Application Support Specialists, a move that further enhances the pro audio industry's top customer technical support effort.

Michael comes to us from LOUD Technologies technical support and service, and based in Woodinville, he adds additional hours to our U.S. support basis. Also an active musician and sound system operator, he brings a great deal of relevant real-world experience to the table, not to mention also being very fluent in Spanish. Michael's primary focus is providing full technical support for all EAW Commercial products, in addition to assisting with the entire EAW line.

Justin, a previous employee with the EAW Service Department (not to mention an active musician), offers a good deal of experience and enthusiasm in pro audio customer support. He is based in Whitinsville, handling the bulk of service requests and product RMA's as well as providing basic technical support for all EAW loudspeakers.

Welcome aboard, Michael and Justin!

Posted by EAW at 11:49 AM | Permalink

Here's a handy roster of links to access Martyn "Ferrit" Rowe's blog entries as an EAW UMX.96 digital console makes its inaugural tour with Foreigner and FOH Engineer Don Dodge.

Day 1
Day 2
Day 3
Day 4
Day 5
Day 6
Day 7
Day 8
Day 9
Day 10
Note From Don Dodge

Posted by EAW at 9:05 AM | Permalink

We just received the following note from FOH Engineer Don Dodge, who's been utilizing the EAW UMX.96 digital console on its maiden touring voyage with Foreigner this summer. Don and Ferrit are pictured at left.

"The console is working out like a dream - I’m totally loving it! We’re blowing everyone’s mind with this board. It just sings. So many people coming up after shows to tell me how good it sounded.

"Ferrit has been incredible - what a fantastic guy. It’s really easy to learn from him, and he’s so smart it blows your mind. He’s been such a great help.

"Thanks very much to EAW and Jeffrey for trusting in me enough to run with your new 'baby'."

- Don Dodge

Posted by EAW at 6:14 AM | Permalink

EAW's Martyn "Ferrit" Rowe is providing us with live reports as an EAW UMX.96 digital console makes its inaugural tour with Foreigner and FOH Engineer Don Dodge.

Verizon Center, VA Beach
August 18, 2007