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 Today EAW launched the SB1001 Large-Format Dual-18-Inch-Loaded Subwoofer. The successor to EAW's legendary SB1000, the new SB1001 is essentially an SB1002 Large Format Flyable Subwoofer without the rigging hardware. The SB1001 is perfectly suited for a wide range of non-flying applications (with rigging hardware available as an optional separate product if desired), including concert touring, arenas, houses of worship, auditoriums/theaters, stage/drum fill monitoring, large dance clubs or any other application requiring articulate, powerful low end. While the dimensions of the SB1001's vented enclosure and the fundamental acoustical philosophy remain true to the classic SB1000, the core components are significantly enhanced to include larger 4.5-inch (115-mm) voice coils, 20% higher BI and all neodymium magnet structures. The result is a lighter-weight reference standard that has greater impact, power handling and output capabilities than its celebrated predecessor.
Jeffrey Cox, Vice President, Pro Audio Group, stated, "The SB1001 is a particularly strong, cost-effective solution for those who are not necessarily looking to fly their subwoofers. Rigging hardware is not included, which allows us to offer an outstanding price point unmatched by any other manufacturer. However, if rigging is desired, rigging assemblies are available as a separate product. The SB1001 adds the contemporary capability of high power and performance in the widely used and recognized EAW subwoofer format."
The unique driver mounting of the SB1001 maximizes cone area and allows for the integration of an extremely low-turbulence port while minimizing front area, providing the acoustical performance and physical configuration well suited for creating large subwoofer arrays. Two 18-inch drivers employ large (4.5-inch) voice coils, as well as powerful neodymium magnet structures that also reduce weight. The operating frequency range of the SB1001 is 27 Hz to 161 Hz (± 3 dB). Maximum sound pressure levels are 129 dB (average) and 135 dB (peak).
Dual Neutrik Speakon NL4 connectors are positioned on a rear-mounted section of the cabinet angled inward at approximately 45 degrees, allowing the SB1001 to position itself flush against walls in a groundstack configuration. Additionally, the SB1001 can be permanently suspended with sixteen 3/8" - 16 points and is fully prepped and ready to receive the user-installable quick release rigging kit accessory for touring applications. The rugged grille protecting the drivers matches that of the KF760 Series, while the cabinet is finished in a durable, wear-resistant textured black paint.
To optimize LF response, the SB1001 subwoofer is designed for use with EAW's critically acclaimed UX8800 dual-mode digital processor featuring revolutionary EAW Focusing Technology. As always, optimized processor settings for EAW's UX8800 Digital Signal Processor are available for download at www.eaw.com.
SB1001 Features:
- Direct radiating dual 18-inch design
- Optimally tuned with large, very low-turbulence port
- Unique woofer loading generates unbelievable impact
- Premium large coil 4.5-inch (115 mm) components with tremendous motor strength (+20%BI)
- Powerful neodymium magnet structures reduce system weight and increase output
- Can be ground stacked or permanently suspended with sixteen 3/8" - 16 points
- Quick release rigging accessory kit available for touring applications
- Dimensions: 21.0" H x 29.8" W x 42.0" D; weight: 152 lbs.
 The MicroSub was designed to accommodate a wide variety of stage applications and features integrative design features like bumper padding and side recesses, allowing the MicroSub to interlock with the MW12, MW15 and, of course, other MicroSub units.
The cabinet height is exactly half of the cabinet width when the MicroSub is laid flat and the driver is mounted at 45-degrees. These design features facilitate a wide variety of configurations including the Bass Player's Dream, Piggyback 12 and Clamshell.
Click Here to watch Dave Rat show you some examples of the MicroSub's versatility.
Dave Rat spent many years designing the MicroWedge monitors. Here he does some 'gain before feedback' testing on D&B Audiotechnik M2, L-Acoustics 115XT HiQ, EAW MicroWedge 12 and EAW MicroWedge 15.
Now available is the newest version of DX Navigator software (v1.0.1.2) for the DX1208 Matrix Mixer.
The key upgrades visible to users are:
1) Now functional on PCs running Windows Vista 64
2) Conflicts between DX Navigator and EAW Pilot are now resolved
DX Navigator v1.0.1.2 can be downloaded under the "SOFTWARE" heading here:
http://www.eaw.com/products/dx1208/specs.html
 EAW, a world leader in audio system solutions, debuts the KF740 Three-Way Full Range Line Array Loudspeaker, a high-output, extremely lightweight compact speaker module that capitalizes on EAW's modern engineering and manufacturing technology, resulting in EAW's next-generation line array. Based on input from key end-users, and engineered by the same Whitinsville, Massachusetts-based design team responsible for EAW's critically-acclaimed KF Series, the new KF740 line array system brings a new level of performance to modules of its size, having been optimized for the widest possible range of touring and fixed installation applications. The symmetrical design, large horn and spaced woofers provide exceptional pattern control while EAW Focusing and EAW Resolution software, both exclusive, proprietary technologies, further enhance system performance. The KF740 is perfect for applications of nearly any size and delivers output resembling the much larger KF760, but has the footprint and weight of the more diminutive KF730. Because of this optimum ratio of weight, size and output, the KF740 is the ideal solution for a wide variety of applications including touring sound, corporate A/V, sports arenas, houses of worship, performing arts centers, hotel ballrooms and clubs.
Like all KF Series loudspeakers, the KF740 delivers premium, high-output, 3-way performance, in a package that is extremely compact and easy to set up. Each module contains two HF compression drivers with 2.5-inch voice coils and two 8-inch MF transducers with 3-inch coils, all of which are integrated into a single horn that occupies the entire face of the enclosure. This allows for consistent 90-degree pattern control, even at frequencies down to 160Hz, as the MF frequencies are transitioned to a spaced array of four 10-inch LF transducers with 2.5-inch voice coils. Two of the LF transducers are mounted within the horn, and two are side-mounted, providing as much as 18dB of off-axis rejection. EAW Focusing, as provided by EAW's UX8800 DSP, easily and precisely transitions from one system subsection to another. Also, all magnet structures within the KF740 utilize neodymium magnets.
A full KF740 array provides seamless coverage, from directly below the array, to hundreds of feet in front. The vertical output can be tailored to match the requirements of any space by varying the splay at the rear of the enclosures as directed by EAW Resolution software. The resultant configuration repeatedly produces a continuous, coherent wave front of extended-range, high-resolution audio over the entire defined coverage area. And, unlike other line arrays, the KF740 features a smooth, uniform transition when the listener moves from on-axis to an off-axis position, thereby increasing the soundfield. Broadly applicable line sources can be constructed solely of KF740 modules. The versatile KF740 can also be integrated above KF730 modules or beneath KF760 modules to extend the reach of the range to any application imaginable. The KF740 has an unprecedented low-end response from a cabinet of its size; however, the impressive low frequency output and extension of the KF740 can be even further enhanced by the use of the complementary SB1002 flying subwoofer.
 The truck-pack friendly KF740 is assembled in the U.S.A. and is meticulously constructed for structural integrity, long life and impeccable sonic reproduction. The exterior-grade Baltic birch plywood enclosure, wear-resistant textured coating and powder-coated steel grille work to protect each module. The extruded structural aluminum rigging, precision quick-release rigging pins and Neutrik STX series NL8 connectors are ideal for touring applications.
Australia-based Production Audio Services Director Graeme Stevenson and Systems & Projects Engineer Ben Clarke, who are EAW's Australia distributor, were part of the Alpha-testing program for the new KF740. "When we fired up the system for the first time, it really impressed everyone who heard it, and over the next few days of testing and tweaking, the KF740's full potential became extremely evident. The KF740 represents a truly significant moment in loudspeaker design and technology. Jeffrey Cox, Kenton Forsythe, Nathan Butler and Jeff Rocha should be very proud of their work and the team," stated Stevenson.
Ben Clarke echoed his sentiments: "The KF740 Alpha-testing is the third development project we've worked on and I regard it as equally industry-defining, and it certainly continues to solidify the path EAW is taking. The system has amazing clarity, high power, lots of low frequency output and excellent high frequency extension. The KF740 exhibits a very precise horizontal dispersion with an identical frequency response and character across the coverage area, which results in a very wide stereo image. We will find the KF740 being used in bigger venues than people expect due to its output capability."
 A new version of DX Navigator has been posted for the DX1208 matrix mixer. Contained within DX Navigator v1.0.1.00, is the DX Updater (v1.01) and new firmware (1.01 2 Release OS) for the DX1208. DX Navigator v1.0.1.00 adds full support for the UR-1 and UR-2 remote controls as well control via RS-232.
DX Navigator v1.0.1.00 can be found under the "SOFTWARE" section here: http://www.eaw.com/products/dx1208/specs.html
Software/Firmware Compatibility
DX Navigator Version Firmware
1.0.0.9 1.00 4 Release
1.0.0.13 1.00 4 Release
1.0.1.0 1.01 2 Release
Also posted is the RS-232 Control Protocol (v1.002) for the DX1208. The protocol document can be found in the "DOCUMENTS" section of the DX1208 page.
Release notes for v1.0.1.00 can also be found under the "DOCUMENTS" section.
There is a new EAWPilot now available, version 1.1.53 which contains the following:
- UX8800 firmware 87
- NTL720 firmware 126
Please update all of your inventory to the latest firmware for full compatibility. You will need to update each UX8800 individually from the front panel if you had firmware 74.
The UX8800 firmware 87 has the following updates:
- Resolve of UNet dropping audio signal between UX's.
- Holding joystick button pressed during a parameter edit sets the value of the parameter edited to its default value.
- Long press on CH button forces the screen saver.
- Timeout for screen saver is 1 minute instead of 10 minutes.
- Channel selection when the front panel is displaying UTIL or PROG pages changes the display to the channel setup page.
- No scroll wrap around (try scrolling UTIL menu items).
- First action to get out screen saver is to go the selected page.
- Auto-repeat function on the joystick UP and DOWN actions (try scrolling through UTIL menu items by holding joystick button down).
Also please note that there is a new Greybox Installer v 1.02 which adds the following:
- KF300e/i SNGL and BI Focused Greyboxes
- New SB730 and SB1000z Greyboxes
 DX Navigator, the control software for the EAW DX1208, has been posted to the EAW website.
DX Navigator can be downloaded under the "Downloads" section of the following page: http://www.eaw.com/products/dx1208/specs.html If needed, DX Navigator installation instructions can be found on pages 10 thru 13 of the DX1208 manual under the "Documents" section of the following page: http://www.eaw.com/products/dx1208/specs.html
England's Eurohire Sound and Light, a long established turnkey supplier for Europe's events and entertainment industries, recently decided to bolster its arsenal of stage monitors and processors. After closely considering the options, Eurohire selected a complement of products from EAW, a world leader in sound system technology. Included in the sale were over 20 EAW MicroWedge Series MW15 Stage Monitors, a pair of EAW MicroSub Stage Monitors/Subwoofers and four EAW UX8800 Digital Signal Processors. With the purchase, Eurohire now holds the largest European rental stock of EAW MicroWedges, a line of products developed by EAW in close partnership with Rat Sound Systems, Inc.  Eurohire has, in recent years, provided equipment and services for such varied events as rock and pop concerts by UB40, Steve Winwood, Dionne Warwick and the Kooks, classical showcases by the likes of the Royal Philharmonic, and a number of festivals, plays/musicals and corporate events. "With our busy and varied itinerary, we needed versatile products that can withstand the rigors of these types of concerts and events," stated Eurohire Owner Mervin George. "That is exactly what we found with the EAW MicroWedge Series stage monitors and subs and the UX8800 processors. These are sturdy, durable units with wonderful directivity and clarity of sound. We cannot wait to put them to use at a major event. In fact, we are planning on using them at the upcoming Pussycat Dolls performance on July 25th at the South Island Festival in Kent."
 EAW unveils the new MicroSub stage subwoofer, the latest offering in EAW’s MicroWedge Series of stage monitor products. The single-15" enclosure is a high-quality, high-volume, ultra-versatile stage and small venue subwoofer, designed to address the unique environment of onstage low frequency demands – sonic territory that often goes ignored by stage monitor setups.
The MicroSub can be configured and interlocked in a huge range of different combinations – by itself, with other MicroSubs or with other MicroWedge units. Small pads and recesses are located on its sides, top and bottom. The loudspeaker is mounted at a 45-degree angle and that the cabinet height is exactly half of the cabinet width when the MicroSub is laid flat (features which facilitate a variety of arrangement options). Due to its small profile, it serves as an excellent side fill monitor, particularly in a club setting: the 13" height allows the MicroSub to be used as a building block to achieve the optimum height for the top cabinets. It is versatile enough to fit in the monitor wedge line downstage or as an addition to many different types of stage monitor setups, understage and front-of-house.  The MicroSub is particularly ideal for drummers. The box projects at a 45-degree angle, and it can stand on its side. When placed on stage directly next to the drum riser, the MicroSub points directly at the drummer rather than the drums. As the chief timekeeper of the band, drummers should have a particular punch and clarity to their kick’s low end and the bass player’s low end to go along with a finely-tuned rest of the mix, and that is what the MicroSub offers.
For optimal performance, it is tuned at 35Hz, operating in the range from 27Hz to 150Hz. It features external DSP with one-way filter. Axial SPL Sensitivity is 92dB (LF – whole space) or 98dB (half space) at 27-150 Hz. Nominal input impedance is 8 Ohms LF, with minimum input impedance of 7.6 Ohms at 165Hz. The unit’s High Pass Filter is a 12db/octave Butterworth filter at 28Hz. Able to produce high sound pressure levels, the MicroSub has a calculated SPL Axial Output Limit of 122dB average/128dB peak (LF – whole space) or 128dB average/134dB peak (half space).  The MicroSub will be available in standard black, matching the other EAW MicroWedge units. The Baltic birch cabinets are protected with EAW’s proprietary RoadCoat™ finish, highly resistant to dings and scratches, and the rugged steel grille keeps its distinctive shape, even when stood upon. Additionally, all transducer components are highly liquid tolerant.
The EAW MicroWedge Series MicroSub stage subwoofer will be available August 2009. For more information on the MicroSub and the entire EAW MicroWedge Series, please visit www.eaw.com.
EAW is pleased to introduce the DX1208 DSP Matrix Mixer. The direct result of end-user feedback, the market-driven, easy-to-use DX1208 represents the next generation of Digital Signal Processing (DSP) from EAW, maintaining EAW's highest standards while providing end users with an intuitive, high-performance, yet cost effective solution. Its expandability options, combined with its deep feature set, make this mixer ideal for a wide range of commercial and install applications. The DX1208 is a 12-input, 8-output 1U-rackspace DSP matrix mixer. Eight inputs are mic/line capable, with selectable 48-volt phantom power provided when the user selects mic level. Four additional inputs on unbalanced RCA connectors allow the users to "stack" inputs, increasing the number of audio sources that can be connected. An additional four digital inputs are available on S/PDIF with sample rate conversion to 48 kHz. All 12 inputs are included in the audio matrix and can be assigned DSP functions prior to distributing signal at line level.  The DX1208 can also receive up to six logic inputs and send up to three logic outputs, combined on a single 18-pin connector and programmable via the included EAW DX Navigator software. The DX1208 has serial RS-232 remote capabilities via a DB9 connector on the rear panel, for control by AMX®/Crestron® and other third party integrated control systems. Two RJ-45 connections are provided as well, for linking multiple (up to eight) DX Link-enabled products together in a ring network topology.
A remote control port (RJ-25 connector) is included on the rear panel, facilitating the linking of two different types of remotes, all mounted on wall panels. Up to 10 remotes can be attached to the DX1208, and each is individually addressable. The DX1208 is supplied with EAW DX Navigator software that allows access to all of the system's settings and configurations. The expected range of user-adjustable processing such as EQ filters, gates, compressors/limiters, priority assignment, delay, gain and crossovers are included. In addition, up to 24 programmable presets are available per DX1208; the programming interface is flexible, with connection via the USB port on the front panel or the Ethernet jack or DB9 connector on the rear panel. The DX1208 employs a universal power supply, 100-240 VAC, 50/60 Hz.  DX1208 Features:
- 32-bit DSP and 24-bit analog-digital conversion
- Eight balanced mic/line inputs and four unbalanced line inputs
- Four digital input channels via S/PDIF
- Six programmable logic inputs, three programmable logic outputs
- 16-channel DX Link expansion bus
- USB, Ethernet and RS-232 connectivity
 EAW, a world leader in audio system technology, announces that its JFL210 Compact Constant Curvature Line Array and compatible sub, the JFL118 Subwoofer, are now available to purchase. The JFL210 compact line array features a range of EAW’s most innovative line array technologies within a mobile, lightweight package that’s an ideal solution for a multitude of small- and medium-sized applications, including portable and installed A/V as well as musician/DJ uses, and with the introduction of the JFL118, now offers a turnkey loudspeaker solution. Incorporating constant curvature line array design principles, JFL210 modules form easily configured arrays with very predictable output and coherence, and coverage that is both horizontally symmetric and consistent from short to long throws. And, despite the compact size, modules and arrays both deliver exceptionally high output capability and predictable pattern control. The JFL210 can be flown or stacked in a variety of ways. The enclosure size, shape, weight and rigging are optimized for ease of transport and handling. Arrays may be easily flown or ground stacked, and up to two enclosures may be mounted on a tripod loudspeaker stand or on a pole above a pole-mount capable subwoofer. Each two-way, full-range JFL210 module utilizes neodymium drivers that provide optimum performance and tireless durability while also further reducing weight. Two 10" (2.5" coil) woofers deliver tight, punchy low-frequency performance, while the 3" (1.4"-exit) compression driver is closely matched with a horn that provides precise directivity. These high-end components contribute to a maximum peak output of more than 130 dB SPL, allowing JFL210 arrays to comfortably fill vast spaces. Performance can be optimized even more precisely with an EAW UX8800 digital processor (4 inputs by 8 outputs) that functions as an excellent overall system manager, processor and controller, while its Gunness Focusing™ alignment and driver processing algorithms dramatically enhance JFL210 line array performance. Dual Neutrik® Speakon® STX Series jacks are provided on each JFL210. The STX Series’ all-metal housings are extremely rugged and provide weather protection to IP54 when mated with a complimentary STX Series cable connector. The input panel also houses recessed powering mode and HF Shading switches. Both are shrouded with a rubber boot for weather protection. Yes, it’s extremely small and light and easy to handle, but make no mistake – the JFL210 packs an unmatched performance punch in comparison to any other loudspeaker system in its class. JFL210 Key Features: - Remarkably small footprint (314 mm / 12.4" H x 631 mm / 24.8" W x 397 mm / 15.6" D)
- Light weight (23.6 kg / 52 lb.)
- Neodymium drivers for superior performance and durability
 - Nominal beamwidth: 110° horizontal and 15° vertical
- Easy construction of vertical arrays of up to six units
- User switchable single- and bi-amp modes
- HF Shading switch-optimized array high frequency response in single-amp powering mode
- Optimization for transport by just one person
- EAW UX8800 with Gunness Focusing, further enhancing performance and control
- Easy pole mounting, flying and ground stacking capability
- Integral, high-strength rigging system 10:1 design factor, providing confidence in all flying applications
- Enclosures protection by EAW’s tough RoadCoat finish
The JFL210-compatible JFL118 is a lightweight, high-powered, single 18-inch, flyable subwoofer that includes JFL210-compatible rigging fixtures. For use in a multitude of medium-sized applications, including portable and installed A/V as well as musician/DJ, this subwoofer offers a complete system solution. JFL118 enclosure shape, size, weight, rigging and accessory castors are optimized for transport by one to two people. The splay of adjacent enclosures is fixed at 0 degrees, simplifying the requirements of integral rigging. Each module measures 21" (H) by 24.8" (W) by 30" (D) and weighs less than 100 pounds. Each JFL118 includes integral rigging, which joins up to six enclosures together with a 10:1 safety factor and provides superior balance and stability. Eyebolts screwed into the top of the enclosure simplify rigging in permanently installed applications. Suspended arrays are a common configuration, and the JFL118 can be flown in conjunction with compatible arrays or be flown solely as a sub-only array. A fly bar with multiple fore/aft pick points allows users to set the array angle via gravity. Alternatively, loudspeakers may be stacked directly on top of the JFL118. All enclosures are affixed together using their integral rigging. A ground stack rigging accessory tilts the aiming axis of the bottom of the loudspeaker up to 15 degrees, in order that this system is stacked on a stage so the front rows of an audience may be covered by the loudspeaker. Operating mode is single-amp only with two rear panel NL4 connectors, allowing range system input while a third NL4 is used for a pass thru connection to full range loudspeakers. JFL118 Subwoofer Key Features: - Easy configuration: easily rigs and flies above or ground-stacks below loudspeakers.
- Ideal for a wide range of portable and installed AV applications.
- JFL210-Compatible
- Operating range from 31 Hz to 200 Hz reproduces the lowest musical octaves
- Professional Neutrik NL4 Speakon jacks provide secure, flexible connections.
- Neodyium transducers and lightweight rigging contribute to an overall system weight <100 lbs.
- 800 Watt LF allows a maximum peak output of >130 dB SPL and allows JFL118 to fill the largest of spaces.
- EAW construction standard: rugged enclosures, sturdy finish and reinforced steel grilles stand up to road abuse.
Europe’s No.1 event for the professional AV and electronic systems industry took place at the Amsterdam RAI Centre on 3–5 February 2009. EAW, alongside Holland P.A. showcased the best of their commercial line and revealed the latest in their MicroWedge stage monitor series as well as the new JFL210 component subwoofer, the JFL118.  “As I suspected, the SMS commercial loudspeaker range continued to be a crowd pleaser. In addition, the response to the MicroWedge and the JFL series was overwhelming. I have not had one single complaint about anything with these new products from customers, only comments that these are the items they are going to buy when they get budget/approval,” raved UK sales director, Sean Martin. 
“I don’t know what the attendance was but assume it was similar to recent years as the show traffic steady. The show and the integrated A/V market have advanced dramatically in this last few years and EAW is very much in this business. We will definitely be back next year!
 Exhibo S.p.A. is pleased to announce that the first EAW NTL 720 line array system in Europe has been delivered to Milan rental firm Star Service, a long-time user of the US manufacturer’s products (since 1992). Dario and Alberto Frigerio, owners of the prestigious Milan rental company, explain the reasons behind their choice:
Frigerio with the NTL720 “We asked to try out the system as soon as news leaked out regarding its existence; the first unofficial photos taken at a US expo and the first technical descriptions filtering through the blanket of secrecy EAW imposed on the product…" Then there was the eagerly awaited announcement that production had begun and the inevitably long waiting list for all those who had requested it all throughout the world.” Dario Frigerio explains the story behind his latest purchase: “…Then, thanks to the commitment of Exhibo, EAW’s Italian distributor, we managed to test the first system that arrived in Europe.
As long-time EAW users, we wanted to confirm that this new system, with its unusual dimensions and on-board technology, performed like its important predecessors, which we use on an on-going basis for our work: the impressive evergreen KF 750, used for events held in large outdoor venues, the versatile KF 650, which were the first EAW products we bought, the KF 730, which we consider one of the best line arrays in its class, and the small JF 260, JF 100 and JF 88, which enable us to finish off our set-ups with the with the same high standards.” “The demo was held in a large cinema theatre to recreate as precisely as possible the customary working conditions for this loudspeaker enclosure system” Exhibo’s EAW product Manager Edoardo Ravelli adds: “…The participation of EAW Application Support Group specialist Steve Badham ensured us a better understanding of the countless possibilities at sound engineers’ disposal for controlling the system.” 
In fact, while a precise project strategy chosen by the EAW team means that the sound generated by the NTL 720 as it comes out the box might seem particularly neutral without any colouring of the sound (thanks to the Gunness Focusing technology, already experimented successfully on the NT series), the endless control possibilities offered by EAW Pilot software enable sound engineers to create exactly the sound they want, adjusting all the system’s parameters - even the details of the individual enclosures in the cluster. All by means of U-net, the EAW proprietary protocol that enables audio and data to be transported via CAT5 cable.”
Dario Frigerio continues: “Once we’d verified the quality of the rig and familiarized with the controls, we decided to buy this product and continue to use it with satisfaction for all our projects requiring very high quality audio performance and low on-site visual impact, such as fashion parades by top stylists, conventions by important companies, etc…. We obviously also intend using the NTL 720 for music shows, concerts, musicals, etc…"
The feature that struck us most with this product is the possibility it offers sound engineers of customizing and tailoring even the smallest details in their system’s sound. We’re really proud to be the first to have the EAW NTL 720.
Thanks to the level of technology integrated, it’s one of the most advanced sound reinforcement systems currently on the market – and it sounds really great.”
 The full owner's manual for the EAW UMX.96 digital mixing console is now available on EAW.com. Specifically, it's located in the UMX.96 training and resources section of the site along with a growing stable of reference materials.
The manual is presented in pdf form, allowing users to easily navigate and locate the specific information they want, and to print out select pages they need, or the entire document. More than 200 pages in length, it can safely be said that the manual provides "everything you wanted to know" about the UMX.96.
Of course, any further questions can always be posted in the UMX.96 forum also here on EAW.com, with Product Manager Martyn "Ferrit" Rowe, members of the EAW ASG team, and the community on hand to provide answers.
To directly access the new UMX.96 owner's manual, click here.
 The latest concert tour by Foreigner has officially launched, but despite his hectic schedule, veteran engineer Don “Dodger” Dodge took the time to share more of his thoughts on the EAW UMX.96, which he's chosen again as his FOH console. (A UMX.96 will also be used with Bryan Adams and his band when they join the tour a bit later this year.)
Don's comments:
“Things could not have gone better with the UMX.96 during the dozens of shows we did all over the world on the previous tour. I utilized the console in the scorching heat of North America sheds in the summer and the deep freeze of Eastern Europe in winter, but flawless performance remained a constant."
“I had previously not been a fan of digital boards, but the UMX is so good that it erased that viewpoint. This console is not just competitive with others - it’s a clear winner."
"It has an analog mix feel, while the intuitive, comprehensive digital design cuts my workload in half - no more tape layouts of input mods, labeling outboard racks of comps and gates, or routing of verbs and effects. And, every setting can be stored and instantly recalled at the push of a button, which is also extremely helpful.”
Thanks, Dodger! (And, click here for the current Foreigner itinerary.)
 The upcoming U.S. concert tour by legendary rock band Foreigner will feature veteran engineer Don “Dodger” Dodge providing his mix exclusively with an EAW UMX.96 digital console, revisiting the highly successful formula employed during the band’s 2007-08 world concert tour.
“Things could not have gone better with the UMX.96 console during the dozens of shows we did all over the world last year,” states Dodge. “I had previously not been a fan of digital boards, but the UMX is so good that it erased that viewpoint.
 "There’s a very analog feel to the layout, and it quickly becomes an intuitive extension of the engineer’s goals for his mix,” he adds.
Foreigner kicks off its upcoming U.S. tour in California in late May, performing across the country for several months. In addition, Bryan Adams and his band are slated to join the tour as a featured act over the summer, where Dodge also expects to utilize the UMX.96.
(Click here to see the latest Foreigner and Bryan Adams 2008 tour itinerary.)
 EAW MicroWedge MW12 stage monitors were out in force at the recent Coachella Festival, the annual three-day music and arts celebration held in the desert region of Indio, CA, that this year featured more than 60 top musical artists on six stages.
Numerous MicroWedge MW12 monitors were deployed at the Outdoor Theatre, which hosted a wide range of live rock and related music performances, as well as at the Sahara Tent, a dance venue. Rat Sound Systems of Oxnard, CA, the sound reinforcement supplier for the entire event, choose to utilize the MW12's to meet monitoring and related requirements at both venues.
 The EAW UMX.96 digital console has officially landed, with three distributors in Europe taking delivery of fully tested and approved production models.
In addition, orders from several distributors in the Asian pro audio marketplace are being fulfilled as well. (UMX.96 Product Manager Martyn "Ferrit" Rowe is shown at left with consoles being readied for shipment.)
Final assembly of every UMX.96 is done at the Woodinville, WA facilities, along with exhaustive inspection, testing and verification. This is a “fine-toothed comb” process where every single component, and then the console as a whole, is addressed by the production team.
 Highlights include a 72-hour static "burn-in" period, followed by a visit to the facility’s environmental chamber, where each UMX.96 runs continuous for 48 hours while being cycled through a range of thermal cycles. Further, every PC board is removed and examined via a precision “Micro-Vu” video inspection system, with boards only put back into place after passing this rigorous test.
”A final set of tests are performed on every input and output, as well as every DSP function,” adds Ferrit. “The consoles also must pass our own critical listening tests before we consider them suitable for our customers. The overall process calls to mind a ‘hand-built Ferrari’ approach.” (This news first broke as an exclusive in this month's Pro Sound News Europe magazine. Click here to read the full report.)
 The new Shuttle Launch Experience at Kennedy Space Center in Florida was recently awarded a TEA (Themed Entertainment Association) Thea Award for Outstanding Achievement, with EAW selected to play a significant role in sound reinforcement for the attraction.
Conceived and designed by BRC Imagination Arts, the Shuttle Launch Experience is a $60-million project incorporating a wide range of production elements. Techno-media Solutions LLC provided technical AV systems integration, with the Shuttle Simulation Theater featuring an audio system incorporating EAW SB850z subwoofers, three EAW KF695z main loudspeakers, two more KF695z's joined by two EAW KF300z's for four surround sound channels, and an overhead channel with two EAW MK Series loudspeakers.
The project is the subject of an in-depth feature article written by Judith Rubin that appeared in the March 2008 issue of Sound & Communications magazine. Click here to check it out.
 A recent evaluation process highlights the dramatic performance gains that can be realized by utilizing recent EAW technologies to enhance an existing sound reinforcement system.
The evaluation took place at Crossway Baptist Church in Victoria, Australia, which hosts worship services and other activities in an 1,110-seat, fan-shaped auditorium. The current house sound reinforcement system, installed in 1995 and still going strong, features a pair of EAW KF650E three-way full-range loudspeakers installed per side above the edge of the front platform, with a single EAW SB1000E subwoofer per side on the floor.
 Four EAW JFX200 compact loudspeakers along the front of the stage offer fill when needed, and they can also be utilized as spare stage monitor wedges (other monitoring is supplied by IEM systems). Additional front fill comes via four two-way loudspeakers mounted directly beneath the KF650E mains.
The system is under the direction of Media Pastor Peter MacLean, who is heading the evaluation process for possible upgrade of select components. Working closely with Production Audio Services Pty. Ltd., EAW’s distributor for the Australian pro audio marketplace, and also based in Victoria, a new EAW UX8800 digital processor was first implemented, in place of the system’s current digital processor. (Peter is shown at right in the above photo, with Graeme Stevenson and Ben Clarke of Production Audio Services.)
Continue reading "UMX.96, UX8800 Enhance Crossway Baptist Church System" »
 A new maintenance update of Smaart is now available for download here at EAW.com.
The maintenance update - Smaart 6.1 - offers a comprehensive list of user-visible (and some not-so-visible) changes, including:
- Named Pairs feature streamlines switching measurement inputs on multi-input devices, and provides a true Swap (invert) function for Frequency Response data
- Numerous user-driven usability tweaks to the legend dialog to make working with store traces faster/easier
- Horizontal Spectrograph option
- Continuous Impulse Response measurement
- ASCII-to-reference import feature
- Optimized painting and update scheduling for reduced CPU loading
- Improved compatibility with Mac OS X 10.5 (Leopard) and Windows Vista
- Improved overall stability
- And much, much more!
Click here to access the download of Smaart 6.1. And as always, visit the EAW Smaart Forum here at EAW.com to get further information from the Smaart users community.
 The new EAW SB1002 is a large-format dual-18-inch-loaded subwoofer that can be groundstacked or easily flown via an integral rigging system, making it ideal for a wide range of high-output live and installed sound applications.
Following in the footsteps of the legendary EAW SB1000z subwoofer, the new SB1002 offers a direct radiating design, with driver mounting that maximizes cone area and minimizes frontal area. The result is acoustical performance and physical configuration well suited for creating large subwoofer arrays.
The two 18-inch drivers – designed specifically for the SB1002 - offer very large (4.5-inch) voice coils as well as powerful neodymium magnet structures that also reduce weight. The operating range of the SB1002 is 27 Hz – 161 Hz (+/-3 dB), while maximum sound pressure levels are 129 dB (average) and 135 dB (peak).
Continue reading "New EAW SB1002 Large-Format Dual-18 Subwoofer" »
 Gracias to EAW distribuidor PRO3 & Company of Barcelona for a muy bueno overview of the new EAW NTL720 line array autoamplificado en Espanol.
Características técnicas and muchas fotografía also included. Click here to view the pdf file.
 Free passes are available for the upcoming (June 18-20) Infocomm '08 Exhibition at the Las Vegas Convention Center. EAW will be exhibiting at Infocomm, which this year for the first time also incorporates the NSCA Expo under the same roof.
The passes also allow admission to several free Infocomm events, including the Opening Reception and NSCA ExpoJam. Click here to view the pdf form providing more information and free pass registration instruction.
 A new web section has just launched on EAW.com, providing an in-depth look at the EAW UMX.96 digital console. The section covers the entire console, breaking it down to specific, key operational functions and features that all add up to make the UMX.96 more than a console, but rather, a total live sound environment.
The new section also includes links to other UMX.96 resource materials such as specifications, data, and an ongoing training program authored by UMX.96 Product Manager Martyn "Ferrit" Rowe, available for download in handy Powerpoint format. Click here to check out the new UMX.96 home on EAW.com, and also, stop by the new EAW community forum dedicated to the UMX.96.
 The craze already starting to sweep the globe: MicroWedgin'!
It's about taking a stand (literally) to make a definitive statement of exuberant solidarity with the world's greatest stage monitors - the new EAW MicroWedge Series.
Inventor Dave Rat set the MicroWedgin' standard (at left), and others have taken the stand, as seen at the recent Prolight+Sound and Musikmesse convention in Frankfurt, Germany.
(Click to get a bigger view of the images.)
Make your MicroWedgin' stand and we'll feature it here on EAW.com, as well as the other web home for MicroWedge on Myspace. (Send your images via e-mail to EAW's Keith Clark by clicking here.)
 The 2008 Prolight+Sound Musikmesse last week in Frankfurt, Germany, proved to be one of the most memorable (and enjoyable) trade conferences at which we've had the privilege to exhibit in recent memory.
It's almost impossible to say what new EAW products garnered the most attention. Was it the UMX.96 digital console? (Moray McMillan is shown at right giving one of his constant demos to a crowd of interested audio pros.) Was it the new MicroWedge MW12, particularly when attendees had the opportunity to hear these wedges?
Or, was it the growing line of great new EAW Commercial products under the direction of Dave Raneses? Or, how about the new NTL720 self-powered line array? Or the UX8800 digital processor? Or Smaart v.6? One thing is certain: Jürgen Bachthaler and the EAW Germany team were superior hosts, and everyone really enjoyed their time in beautiful Frankfurt. (Click here to see more from Prolight+Sound 2008.)
Continue reading "EAW At 2008 Prolight+Sound Musikmesse - What A Show!" »
 A Valentine’s Day concert at the venerable Orpheum Theater in downtown Los Angeles by Don Was and the Was (Not Was) band, featuring legendary performers Brian Wilson and Kris Kristofferson, proved an excellent occasion for the public debut of EAW’s brand-new MicroWedge Series stage monitors. Oxnard, CA-based Rat Sound Systems Inc. supplied the sound reinforcement systems and support under the direction of crew chief Tom Caraisco.
The big news in system-land was the first-time live concert deployment of the EAW MicroWedge MW12 stage wedges for all performers, fueled by monitor engineer Andy Turner’s mixes. The wedges were driven by a combination of Chevin and Lab.gruppen power amplifiers.
 “We really, really like the performance of these new wedges,” notes Caraisco. “Once Andy got things going on stage, and we went through all of the mixes, he was genuinely pleased.”
“The old Microwedge was solid and performed well enough when compared to other wedges, but these new ones are night-and-day superior,” states Dave Rat. “This is a whole new deal. I knew the wedges were a big step forward, but what I did not expect was such an overwhelming embrace so quickly from our own engineers as well as the artists and band engineers."
Continue reading "MicroWedge Debuts With Brian Wilson, Was (Not Was) Live" »
 Production Audio Services, EAW's distribution firm serving the Australia customer base, recently put on quite a "show within a show" at ENTECH '08. Recognized as THE entertainment technology show for the entire region, ENTECH includes the latest professional audio, lighting, broadcast, audio visual and staging products, supplies and services.
Held this year in mid-February at the Sydney Convention & Exhibition Centre Darling Harbour, ENTECH attracted a huge crowd of professional technology users, and Production Audio Services had a fully stocked booth ready to provide them with a close look at the latest EAW and EAW Commercial products.
Just a few of the highlights included the new EAW NTL720 (BLAM) baby line array modules, CIS Series ceiling loudspeakers, UX8800 dual-mode digital processing with Gunness Focusing technology - and much more.
 The Production Audio Services staff worked the booth throughout the run of the show, offering expert insight into the new EAW products and technologies. It was topped by a booth presentation of exceptional professionalism.
Click here to find out more about Production Audio Services.
Yes, it was still "just" a concert gig, but we've got to admit - it sure is one with a bit of that extra cache. "It" is Super Bowl Saturday Night, the official National Football League celebration the night before the big game, held prior to this year's Super Bowl XLII in Phoenix at Tempe Town Lake, with thousands in attendance.
Sure, Earth Wind & Fire and other notable acts were on the bill. Sure, Jerry O'Connell was the host. Sure, there was a big fireworks show finale. But... the highlight (from our completely objective point of view) was the headline performance by Foreigner, mixed by the incomparable Don Dodge on the UMX.96 digital console. As its done over dozens of gigs around the world the past several months, the UMX.96 proved to be a superb tool in serving Don's needs in mixing Foreigner live.
"Things could not have gone better with the console, as usual," Don notes. "It's performance was fantastic, matching the stature of this high-profile show." And as EAW Business Director Jon Bosaw aptly points out: "It's not every team that makes the Super Bowl in its first year." (Thanks to Don for the photos of the board at the gig above. Don's shown with the UMX.96 at lower right.)
You’re invited to participate in upcoming EAW Smaart School sessions in Montreal, March 5-7, 2008.
The intensive three-day training package will be presented at EAW Canadian market distributor SF Marketing’s Dorval, Quebec facilities as well as at Salle Claude-Champagne (l’Université de Montréal). (SF Marketing is the organizer of this educational event.)
Smaart Fundamentals and Applications will be covered the first two days, with the third day devoted to an Advanced User Seminar. Click here to find out more and to get cost/registration details.
Continue reading "Smaart School Slated For March 5-7 In Montreal" »
 Leave it to the innovative Michael Lacina and his JK Sound team to come up with a clever way to utilize EAW KF761 large-format line array modules to deliver superb sound reinforcement in the intimate confines of a lounge setting.
The recent project, at the Cirque Lounge on Folsom Street in San Francisco, offered the particular challenge of fitting a powerful sound system into a low ceiling room with various beams diminishing the height even further.
 Further, Scot Peterson, lighting designer for the project, was hoping the sound system's loudspeakers would not infringe on the symmetry of the 1,000-plus LED grid he was planning for the ceiling, while Craige Walters, the interior designer, was pushing for the loudspeakers to disappear into the sweeping curves of his design.
That’s when Lacina (pictured at left), in talking about the project with system integrator Brad Katz, shared an "epiphany": utilize EAW’s top of the line the KF761 line array module, burying four of them into the façade of the soffit that rings the dance floor. Then, hide the speakers behind a perforated metal grill.
 The overall result: creation of an invisible monster of a system to serve Cirque Lounge patrons. Not surprisingly, JK Sound has been nominated for 2008 Club World Award for sound design at Slide Speakeasy in San Francisco, and this latest innovation is not at all likely to be overlooked when nomination time comes for next year's awards.
Click here to find our more details about this project in MS Word format
Click here to find our more details about this project in pdf format
 EAW reps and distributors were treated to the LOUD Technologies "Peek-a-Boo Review" at the recent Winter NAMM Show in Anaheim, featuring up-close looks at several new EAW products such as the NTL720 self-powered line array, MicroWedge 12 stage monitor, the UMX.96 digital console and UX8800 dual-mode digital processor. EAW's Bernie Broderick is seen above, presenting the new products, while below, we treated to additional photos at the UMX.96 and NTL720.
 New EAW Commercial CAM160 and CAM80 integrated audio mixers-power amplifiers are outfitted with comprehensive input/output facilities and feature sets to provide exceptional versatility from a highly cost-effective package. Designed for a wide range of fixed installation applications, the CAM Series offers “all in one” functionality without need for add-ons such as expansion modules.
Both models are equipped with six actively balanced combination mic/line inputs as well as individual adjustable potentiometers for line level input, mic level input and mic level input with 24-volt DC phantom power. Input 1 also offers the flexibility of an integrated transformer for connection to telephone paging systems.
Inputs 1 and 2 are divided into four discrete input sections: a combination XLR/TRS connector, Phoenix connector, or terminal strip. Meanwhile, Inputs 3, 4, 5 and 6 offer both Phoenix connectors and terminal strips. Two pairs of RCA connectors allow unbalanced auxiliary (Aux) signals to enter the amplifier via Aux 1 and Aux 2, both of which are attenuated by a potentiometer on the front of the amplifier.
Continue reading "Introducing New CAM Series Integrated Mixers-Amplifiers" »
 Thanks to the EAW Engineering team, we have a detailed look at the driver configuration inside the new NTL720 "baby" line array. (Click on the image for a larger version.)
Here's what we're looking at: The entire enclosure face of each NTL720 module is filled by a full-sized mid/high horn providing 110-degree (horizontal) by 12-degree (vertical) dispersion. High frequencies are produced by six 1-inch dome tweeters (shown in red), configured in two vertical columns mounted on a manifold that feeds a single slot in the center of the horn, highly effective in controlling vertical dispersion.
Flanking the HF section, dual 6-inch cone woofers (yellow) handle the MF range, also loading on to the horn, with minimal space between the MF and HF components enhancing coherency and improving overall off-axis response. The LF section features EAW’s proprietary Phase Aligned approach, first deployed in KF730 Series line arrays. Both 6-inch LF drivers (blue) are positioned in a side-mounted “figure-8” configuration that extends horizontal pattern control while directing more acoustical energy on axis.
Get the full story on the new NTL720 here.
 Zamar Media Solutions has just put the finishing touches on an exciting new sound system design and installation at the beautiful new worship center of WestGate Church in San Jose, California, that's headlined by EAW UX8800 dual-mode digital processing as well as EAW AX Series full-range loudspeakers.
Matt Dow served as the project manager for Zamar, which, since 1991, has successfully provided pro audio, video, lighting and acoustics systems and services in the Bay Area communities, with a committed dedication to the local church community. Dow and the Zamar team worked closely with church-contractor liaison John Coyle on the project.
 The WestGate Church worship center features one of the very first church sound systems enhanced with the UX8800's revolutionary Gunness Focusing technology. According to Zamar's Ken Hughes, alternative processing had originally been slated for the system but was replaced when new UX8800 units became available via EAW sales rep firm PCM Marketing.
We'll have a more detailed report on this system in the very near future. Thanks to Ken for the excellent photos shown here. Click here to find out more about Zamar Media Solutions.
 The accolades keep on coming for the UMX.96 digital console as it continues its tour with FOH Engineer Don Dodge in support of Foreigner's international tour.
The latest notice comes from Audio Pro International magazine, based in the U.K., which is featuring an exclusive interview with Don on his experiences with the UMX. Sample comment from Don: "The console has a ‘warmer’ sound to it than others, with analog pre amps and VCA section and a very analog layout.”
Be sure to check out the entire interview here.
 The new NTL720 is one of the most exciting products developed by EAW in some time. It's a self-powered line array loudspeaker system so small that we call it the "baby line array module" (BLAM), but it packs a true three-way design and numerous other EAW patented and proprietary technologies into its very small footprint. The NTL720 made its live debut at the recent 2007 ET Live in Orlando - click here to check out photos of it in action.
Also here on EAW.com, there's a wide range of information about this new system:
NTL720 Info Page
NTL720 Product Page
NTL Preliminary Data Sheet (pdf)
NTL720 White Paper (pdf)
And, check out the November '07 issue of Live Sound magazine for an in-depth report on the NTL720.
 EAW's Moray McMillan (UK Sales Manager) recently caught up with Foreigner FOH Engineer Don Dodge as he travels Europe with the UMX.96 digital console - the board's maiden voyage across the pond. Don reports all is going exceptionally well, both with the tour in general as well as the performance of the console. Moray sends along the recent photo he took at right, showing Don prior to a recent concert at Shepperds Bush.
More dates remain on the Foreigner swing through Europe. Click here to see where and when the tour is appearing in the coming weeks.
 ET Live 2007 in Orlando was a whole lot of fun, but it was also highly productive as well, as thousands turned out in the beautiful weather to get a first-hand look at the numerous EAW advancements in action.
The huge stage, with live performances by Led Zeppelin tribute band Physical Graffiti, featured the new NTL720 "baby" line array modules (BLAM) making a laudable debut. The output-to-size ratio of this exciting new self-powered loudspeaker product proved most impressive, as well as high vocal intelligibility in evidence both with musical programming as well as during introductory remarks by EAW Brand Group Vice President Jeffrey Cox.
 Dave Rat (pictured left) was on hand to provide the mix on an EAW UMX.96 digital console, and he also saw the preliminary introduction of the first of the new EAW MicroWedge products in prototype form. (The new wedges and the console attracted quite the traffic at the house mix position.)
Meanwhile, new KF737 modules, bringing high-Q capabilities while fitting seamlessly within KF730 Series arrays, drew a wide range of rave reviews. Many in attendance also got their first look (and listen) at the new UX8800 digital processor with Gunness Focusing, utilized with the KF730 arrays. (The NTL720's have onboard DSP that includes Gunness Focusing.)
 And, yet another debut came in the form of the new SB1002 subwoofer, featuring convenient flying capabilities and much more.
Filling out the system, which was under the highly capable direction of Howard Burke, were KF650z sidefills and SM12 stage monitors. Harry Brill Jr. ran Smaart throughout the event, with Smaart designated as the official measurement system for the entire event. Stage Audio & Lighting Productions of Longwood, Florida, headed by Phil Kovacevich, provided systems and on-site support throughout the event.
For a photographic look at ET Live '07, click on the link directly below.
Continue reading "Product Debuts & Fun Both In Adundance At ET Live '07" »
 EAW loudspeakers have been specified and installed for the new American Spirit Gymnasium and Theater at Escondido (California) Charter High School, a state-of-the-art school serving students in the San Diego region. The systems for both the gym and theater were installed by Integrated Media Systems of Anaheim, with support from EAW rep firm Audio Geer.
The gym offers sound reinforcement supplied by eight EAW MK2366 compact two-way loudspeakers flown in pairs, positioned equidistantly and providing complete full-range coverage of all seating and floor areas.
 The theater features dual EAW DSA250i digitally steerable array loudspeakers, one flown to each side of the stage, supplying primary full-range coverage throughout the space. They're joined by an SB150P compact, 15-inch-loaded subwoofer that's flown centrally above the stage. Four EAW Commercial VRM12 stage monitors are also available.
We'll present more details regarding this interesting project here on Front Row in the very near future. Our thanks to Audio Geer for the preliminary information and great photos.
 A new performance audio system featuring EAW KF730 Series line arrays and UX8800 digital processing has gone live at Centennial Hall, home to UApresents, the largest performing arts presenter in southern Arizona.
The new system, implemented just in time for a 42-show 2007-08 season (kicked off by Dionne Warwick in concert), was designed and installed by Arizona Pro Sound of Tucson, working with key venue staff, including Operations Manager Gary Lotze.
The system includes KF730 line arrays, each with 11 modules, flown left and right, while eight SB730 subwoofers (in groups of four) on the stage deck. Six EAW JF80 compact loudspeakers provide frontfill. All loudspeakers are driven by Lab.gruppen FP7000 power amplifiers, with a UX8800 processor handling all DSP in addition to providing Gunness Focusing technology for absolute pristine sonic performance.
 New England-based sound company SPL Systems recently added dual EAW UX8800 dual-mode digital processors with Gunness Focusing, as well as 12 EAW KF730small line array modules, to its live system inventory.
Located in West Springfield, Massachusetts and founded/owned by Bill Forbes, SPL Systems has been providing full production services for live concert performances, corporate events, fairs, festivals, and event promoters throughout New England for more than a decade. The company also performs top-notch system installation and integration services.
Continue reading "SPL Systems Bolsters Inventory With UX8800, KF730" »
 The EAW UMX.96 digital console is making its European touring debut as the Foreigner tour and FOH Engineer Don Dodge move "across the pond" for the next two months, beginning with a show in Glasgow, UK, this coming Friday (November 9). The tour will make about 20 stops in the UK, Denmark, Latvia, Estonia, Germany, Switzerland, Hungary and Austria, and there will also be a few dates in South Africa.
Click here to go directly to the Foreigner tour itinerary.
 Attention all UX8800 users: a new version of EAWPilot software (v1.0.46.52) has been posted and is now available via the Downloads page here at EAW.com.
With this new version, the "Reset Input Channel Settings" dialog only comes up if the greybox selection is changed - not for amplifier or listening distance adjustments. Also, spin controls are fixed on both delay and greybox high-pass and low-pass filters (for real, this time), while disabled low-pass filters now have the frequency "greyed" out.
Further, compressor threshold handles are once again available in system mode, front panel setting changes now display correctly, and auto-assign works in several more scenarios. Click here to go directly to the Downloads page.
NOTE: Several of these fixes will only work if you update to firmware
build 52!
 At ET Live, held in conjunction with LDI 2007 in Orlando next month (November), EAW will be unveiling a wide range of exciting new and pending product developments – all working together as a full-scale live concert reinforcement system!
The fun starts with the newest loudspeaker design from EAW (more about this soon), which will be joined by flown KF730 Series line arrays as well as prototypes of another new loudspeaker, with Gunness Focusing and all other DSP courtesy of UX8800 dual-mode digital processors.
 Low-end will be provided with new, soon-to-be-released EAW SB Series subwoofers. Filling out the loudspeaker complement will be KF650z sidefills and SM12 stage monitoring. The entire system will be driven by Lab.gruppen amplification and tuned with new Smaart v.6; in fact, Smaart has been designated as the official measurement system for the entire event. (The scene at ET Live in Las Vegas last year is shown in the photo at left.)
Continue reading "Dynamic New EAW Developments At Upcoming ET Live!" »
 Want a discount on new Smaart v.6? Then visit the ongoing Mix Foundation TEC Awards Music & Sound Auction and put in a bid on a copy of Smaart v.6 donated by EAW!
The auction features new products, instruments and treasured music memorabilia, with proceeds benefiting foundation partner House Ear Institute in support of the Sound Partners Hearing Conservation Program and the House Ear Institute Teen Outreach Campaign "It's How You Listen that Counts".
The auction lasts for about another 24 hours, ending at noon (U.S. Eastern time) on Thursday, October 11. Update: The Smaart v.6 auction is now closed, with the winning bid coming in at $720.
 The intensive audio systems project at the new Guthrie Theater in Minneapolis is the featured cover story in the September '07 issue of Live Sound International (LSI) magazine. The article detailing the systems is presented over 11 pages, and it's interesting reading, with all systems in the A-list venue featuring EAW line arrays and loudspeakers.
Click here for a detailed audio tour of the Guthrie Theater.
 “Smaart has been one of our best investments as a sound company - we call it 'audio for our eyes'. And new Smaart v.6 is even better. The 'Repeat' feature is great for obtaining polarity information, saving a lot of headaches. Easily storing snapshots of frequency response is another invaluable feature, allowing us to conveniently keep all of our inventory 'in check' from show to show, year after year.”
Brent Milton
Owner, Pacific West Sound
Bakersfield, CA
 The following instructional article was graciously provided by Jeff Lange, who heads up Sonic Art LLC, based in Oshkosh, WI, a firm specializing in the development of audio, video and lighting systems for houses of worship. Our thanks to Jeff (pictured at left) for the article and photos.
The design of a new sound system for the sanctuary of The Pentecostals of the Fox Cities in Menasha, WI, was particularly challenging. This 500-seat auditorium has a 12-foot ceiling, dictating loudspeakers that are very compact in order to not detract from the room’s aesthetics.
To meet this requirement, we chose EAW MK8100 Series loudspeakers, with six of these cabinets flown in their horizontal cabinet position (with horns rotated), carefully placed in a distributed, decentralized arrangement. (Shown in the photo at right.)
 Largely due to compact design of these loudspeakers, frequency response doesn't extend much below 90 Hz. Therefore, we also needed subwoofers to reinforce frequencies beneath the 90 Hz point to meet a stated design goal of providing a system offering true full-range capabilities.
Continue reading "Inside Scoop: Subwoofer Isolation For Church Project" »
 The September '07 issue of
Front Of House (FOH) Magazine includes a "Road Test" review of new EAW Smaart v.6 filed by Mark Amundson, the publication's technical editor.
Mr. Amundson concisely spells out his favorite features on v.6, and doesn't find much fault. At the outset, he poses the apt question, "Why upgrade?" and then proceeds to inform readers in very clear terms about the numerous advantages, in his view, of v.6.
We thank FOH magazine and Editor Bill Evans for publishing the piece, and also thanks to Mark Amundson for taking the time to check out Smaart v.6 and share his observations. Click here to read the review.
 Eastern Acoustic Works (EAW) is pleased to announce that it will be the exclusive manufacturer and distributor of the renowned MicroWedge Series of stage monitor products under the terms of a new agreement between LOUD Technologies Inc. and MicroWedge developer Rat Sound Systems Inc. of Oxnard, CA.
The Perpetual License agreement between the two entities calls for current products to be branded “EAW MicroWedge,” fully supported by the resources of EAW. Further, Rat Sound Founder Dave “Rat” Levine, creator of MicroWedge and other acclaimed sound reinforcement designs, will be working closely with the EAW Engineering Department on the development of new MicroWedge models as well as other EAW touring products.
“In securing this preeminent floor monitor line for our worldwide customer base, EAW is once again demonstrating its commitment to true performance audio by bringing the best in both design and talent to the EAW brand,” explains Jeffrey Cox, Vice President of the EAW Brand Group, shown in the above photo with Dave Rat. “We continually populate the EAW family and brand relationships with experienced, talented visionaries who combine their unique skills to push audio forward. Our partnership with Dave is a prime example of this philosophy.”
Continue reading "EAW To Manufacture, Distribute MicroWedge Series" »
 Last week (September 9), Stock Audio & Light provided a high-end sound reinforcement system featuring dual EAW UX8800 digital processors in tandem with KF760 Series line arrays for a memorial concert by the Limburg Symphony Orchestra that marked the liberation of the Netherlands in World War II.
The concert, held on the grounds of the American Battle Cemetery and Memorial in Margraten, the Netherlands, was highlighted by a performance of Verdi’s Requiem, accompanied by the Vocal Collective, a 60-member choir from Belgium.
 Stock Audio, based in Geleen, the Netherlands, worked with the concert’s front-of-house engineer, Jo Smeets, to assemble a system providing enough headroom to reach a coverage area spanning beyond 150 meters (approximately 500 feet), while also capable of presenting a very natural sonic signature.
The sound team responded with a main system featuring dual line arrays, each comprised of six EAW KF760 modules above two KF761 wide-dispersion modules, flown stage left and right.
 Low-frequencies were reinforced with eight EAW LA400 subwoofers with bent horn technology, groundstacked in groups of four beneath the main arrays. All loudspeakers were driven with LabGruppen fp6400 power amplifiers, with a DiGiCo D1 serving as house console and a Midas XL4 for monitors, largely for pre-mixing string instruments.
Holland PA, EAW’s distributor for the region, supplied two EAW UX8800 digital processors with Gunness Focusing for evaluation with this system. During soundcheck the day prior to the concert, Stock Audio Owner Paul Pelen immediately noted the significant upgrade in sonic performance provided by the UX8800 units, and in fact, decided on the spot to purchase them.
Continue reading "Stock Audio: UX8800 Success Story At Orchestra Concert" »
 Two major college football stadiums are starting the season in style with new sound reinforcement systems that both incorporate EAW KF900 Series high-output loudspeakers capable of delivering solid, tight, full-range coverage from scoreboard locations.
Further, one of the systems - recently implemented by All Pro Sound at Auburn University's 87,450-seat Jordan-Hare Stadium - features processing via six EAW UX8800 digital processors.
 One UX8800 is connected by Ethernet, and one receives the analog audio feed, with both control and audio passed among the six processors via EAW U-Net. The KF900 Series cluster serving the stadium includes six KF930F, 12 KF920F, and 6 KF910F modules.
Meanwhlile, at brand-new 45,000-seat Bright House Networks Stadium on the campus of the University of Central Florida, SPL Integrated Systems has implemented a loudspeaker approach of 10 KF920F, four KF910F, four KF914F and two KF913F, joined by six BH2313 and four KF755 for near fill.
More about both of these exciting projects will be presented here soon.
 Joe Fustolo, Manager of the EAW Application Support Group, notes that Michael Perry (left) and Justin Walker have joined the ASG team as Application Support Specialists, a move that further enhances the pro audio industry's top customer technical support effort.
Michael comes to us from LOUD Technologies technical support and service, and based in Woodinville, he adds additional hours to our U.S. support basis. Also an active musician and sound system operator, he brings a great deal of relevant real-world experience to the table, not to mention also being very fluent in Spanish. Michael's primary focus is providing full technical support for all EAW Commercial products, in addition to assisting with the entire EAW line.
Justin, a previous employee with the EAW Service Department (not to mention an active musician), offers a good deal of experience and enthusiasm in pro audio customer support. He is based in Whitinsville, handling the bulk of service requests and product RMA's as well as providing basic technical support for all EAW loudspeakers.
Welcome aboard, Michael and Justin!
 Here's a handy roster of links to access Martyn "Ferrit" Rowe's blog entries as an EAW UMX.96 digital console makes its inaugural tour with Foreigner and FOH Engineer Don Dodge.
Day 1
Day 2
Day 3
Day 4
Day 5
Day 6
Day 7
Day 8
Day 9
Day 10
Note From Don Dodge
 We just received the following note from FOH Engineer Don Dodge, who's been utilizing the EAW UMX.96 digital console on its maiden touring voyage with Foreigner this summer. Don and Ferrit are pictured at left.
"The console is working out like a dream - I’m totally loving it! We’re blowing everyone’s mind with this board. It just sings. So many people coming up after shows to tell me how good it sounded.
"Ferrit has been incredible - what a fantastic guy. It’s really easy to learn from him, and he’s so smart it blows your mind. He’s been such a great help.
"Thanks very much to EAW and Jeffrey for trusting in me enough to run with your new 'baby'."
- Don Dodge
 EAW's Martyn "Ferrit" Rowe is providing us with live reports as an EAW UMX.96 digital console makes its inaugural tour with Foreigner and FOH Engineer Don Dodge.
Verizon Center, VA Beach
August 18, 2007
I’m writing this from the front lounge of the Foreigner crew bus that has been my home for a couple of weeks, and I thought I’d include some pics of the folks working so hard on this traveling show. (Click here to see more photos.) Nine buses, nine 53-foot semi’s and over 50 production and support people.
I’d like to give a shout out to some of the great people who make it happen out here. So, in no particular order: Don Dodge, Robbie Price, Rocko, Gary Luizzo (Styx FOH), Pilgrim (Leppard’s monitor engineer), Alphonso, Dave the bus driver, Dan the truck driver, the FOH Karaoke crew (Ted Bible, Ronan and the lovely Leslie), LD’s Kenji-san, Libby, and Cosmo. And - the Foreigner crew: Jody, John, Roy, Ted and Barry. Sorry in advance if I left anyone out. Rock on, my brothers and sisters.
Foreigner has the opening slot today, and for a bit of a change, they've updated the set list to include “I Wanna Know What Love Is" and "Feels Like The First Time". After the set, the Foreigner crew is driving down to Florida for a corporate gig while Def Leppard is taking a two-day break. So as soon as the gear is packed, it’s a tearful goodbye and then they're off.
I stayed until the end of the show to get the UMX.96 packed and onto Foreigner's truck, and then I’m off with the runner to catch a 7 am flight home. I’ll be catching back up with the tour when it comes to my home town, Las Vegas, in about a week’s time. In the meantime, click the link directly below to check more photos.
Continue reading "Ferrit's Blog - UMX.96 On Tour With Foreigner, Day 10" »
 EAW's Martyn "Ferrit" Rowe is providing us with live reports as an EAW UMX.96 digital console makes its inaugural tour with Foreigner and FOH Engineer Don Dodge.
Nissan Pavilion, Washington DC
August 17, 2007
I forgot to mention that the last show day was also the anniversary of the Ferrit’s hatching. The Foreigner crew surprised me with a birthday cake! The recording we did at the previous show went very well - the delay established on the UMX.96 outputs to line up the tracks was within two samples, so it was real easy to slip the tracks for perfect sync.
Today was hot and humid, and an afternoon rainstorm didn't help matters. We had the middle slot again, which was lucky since Mick Jones, lead guitar for Foreigner, was flying up from NY and the weather grounded his flight. He landed at the local airport, rushed to the venue and made it with moments to spare! Once again Foreigner played a blistering set and 50 minutes went by just like that.
 A bit of drama during the show - Tom Gimbel’s saxophone wireless mic wasn’t working but the onstage crew got the spare up and running before the solo in “Emergency”... and nobody noticed. The stage guys have a whole host of “what-if” procedures planned and it’s almost automatic, like a well-oiled machine, they just “clicked” into place.
We recorded the show again and the 25,000 screaming fans almost overloaded the mic tracks. As a result, the sample rate was upped to 96 kHz, and we also deployed a bigger hard drive.
Another rapid load out (under two hours), and on to Virginia Beach.
EAW's Martyn "Ferrit" Rowe is providing us with live reports as an EAW UMX.96 digital console makes its inaugural tour with Foreigner and FOH Engineer Don Dodge.
PNC, Holmdel, NJ
August 15, 2007
After a quick breakfast we find our way to the FOH position and get the boards set up. Today we're also going to establish a small recording rig - taking a left and right line out from the UMX.96 digital console, along with two ambience mics at FOH. These four tracks are routed to a ProTools LE via a Digidesign interface and a firewire hard drive.
Don sets up a pair of Matrix outputs and assigns Mix L and R to them; a small amount of compression is applied. Using Smaart’s delay locator, the distance from the PA to the mics is found, and this delay is added to the Matrix outputs. Now all four tracks are in sync.
Tomorrow is another day off so we'll get a chance to hear the recorded tracks - I’ll be letting you know how they turned out.
 Click on the image at right to view a very cool time-lapse of the complete show build for the recent concert by the London Symphony Orchestra in Daytona Beach, where Stage Audio & Lighting Productions of Longwood, Florida, deployed a system featuring EAW KF Series line arrays and UX8800 digital processing.
The time-lapse video was done by Jeremy Goldstein of i.n.i.t.i.a.l., who works as a much sought after free-lance audio engineer and technician, based in central Florida. Jeremy was on hand to lend his audio talents throughout the week at numerous Daytona performances leading up to the LSO grand finale at the Ocean Center. We'll have more coverage of sound for the event posted here soon. Our thanks to Jeremy for capturing and posting the time-lapse, which is very instructive in showing just how much effort goes into a successful first-class production.
 EAW's Martyn "Ferrit" Rowe is providing us with live reports as an EAW UMX.96 digital console makes its inaugural tour with Foreigner and FOH Engineer Don Dodge.
Jones Beach
August 14, 2007
After a day off, we’re all rested and ready to go. Today we have the middle slot, which means that once again we have only 20 minutes for changeover, and the first time Don gets to hear the system through the UMX.96 will be the intro track. How does he make sure that his system EQ is going to work for the room?
The trick is to check in with System Crew Chief Ted Bible and Def Leppard FOH Engineer Rowan McQue to see what’s happening during the system tune. There is an overall system EQ, and then each engineer puts his own personal preference curve, which in the case of the UMX.96 is the built-in RTA31 band available on each output.
Other good news - I think in all the years I’ve played this venue, it’s the first time it didn’t rain! Tomorrow we're going to set up a small recording rig and make a live recording - should be fun, interesting and instructive.
Special Report By Ben Olswang
In addition to being out on the road with Foreigner, another EAW UMX.96 digital console has just been put through its paces at the Capital Hill Block Party in Seattle, where it garnered high praise from all who used it under the most stressful of all mix positions: monitor world. The event also marked another successful run for the new EAW UX8800 digital processor with Gunness Focusing.
The Block Party featured three stages hosting live music, with sound provided by EAW and Mackie components. The main stage system, under the direction of Carlson Audio, offered coverage from two stacks (left and right) of EAW KF750s paired with four SB1000 subwoofers, with processing courtesy of the UX8800. A second, networked UX8800 provided delay lines feeding five towers made up of Mackie SA1232z and SWA2801z covering each of the four streets intersecting the stage.
 Also at the main stage, the UMX.96 ran eight stage mixes for EAW NT59 stage monitors, Mackie SA1232z/SWA1801z side fills, and an SA1521z plus SWA2801z combination for drum monitor. All processing was done in the console, including EQ, compressors, and gates on inputs, and limiters and graphic EQs on the outputs. This made load in a breeze - no patching required other than inputs and outputs.
Monitor Engineer Tom Meyers (who’s also a Mackie tech support guru) was at the controls of the console for the whole day through the hot summer sun. It was a true festival with five different bands throughout the day and only a half-hour changeover between acts. Each group was very different, ranging from a two-piece drum and keys combo to a hip-hop act with a full band to a power rock quartet.
Continue reading "UMX.96 & UX8800 Key To Systems For Seattle Block Party" »
 EAW's Martyn "Ferrit" Rowe is providing us with live reports as an EAW UMX.96 digital console makes its inaugural tour with Foreigner and FOH Engineer Don Dodge.
Mansfield, Massachusetts
August 11, 2007
Today Foreigner joined up with Styx and Def Leppard, with Foreigner and Styx taking turns to play the opening or middle slot. Today was Foreigner's turn to open. At 4 p.m., after all the semis have unloaded and lights, sound, video and staging crews have done their thing, Def Leppard appears for a soundcheck after a 10-day break.
At about 5, it's time for Foreigner to set up - their stage setup is on rolling risers that have been pre-built backstage. In less than 10 minutes, there's very quick line check, and here’s where the comprehensive channel metering on the UMX.96 comes into play. Don Dodge is able to rapidly confirm visually every channel.
 Doors open and at 7 p.m. the intro is rolling. Tonight’s set is a 50-minute version, and before I realize it, it’s over. The crew has 20 minuntes to get Foreigner off and Styx set up (which they manage with a minute to spare).
The Foreigner crew get their truck loaded, and we get to see some of the Def Leppard set before we leave to beat the traffic. Tomorrow: Hershey, PA.
EAW's Martyn "Ferrit" Rowe is providing us with live reports as an EAW UMX.96 digital console makes its inaugural tour with Foreigner and FOH Engineer Don Dodge. He's taking a break, but check back soon when he picks up the story.
Foxwoods Casino, Connecticut
August 5, 2007
Woke up outside the casino and stumble inside, looking for the Fox Theatre - this place is huge! We are greeted by the Production Manager, Robbie Price, and shown to catering and then it’s time for load in. Surprise - the Foxwoods crew have beat us to it, so everything’s already in, and it’s going to be an easy day. We chat with Steve Gamelin, Lead Audio Tech, and were soon hooked up, with the system purring along.
Once again I find myself giving extended tours of the console (maybe I should charge admission). We do the customary line-check with the roadie band - it’s an old Thin Lizzy tune today, then before I realize it, it’s show time. The band plays a blistering set, Jason seems intent on breaking the drum kit and songs like “Feels Like the First Time” and “Urgent” have the audience up and into the aisles.
 After the show tonight we part company with Don and the boys. They're off to do two fly dates without the desk, although “Digital Don Dodge” (D3) looked like he would check the console as baggage if he could take it with him. We meet up again in Boston for a run with Def Leppard and Styx, and I’ll tell you all about it here. (Thanks to Dana Bourke for these fine photos!)
EAW's Martyn "Ferrit" Rowe is providing us with live reports as an EAW UMX.96 digital console makes its inaugural tour with Foreigner and FOH Engineer Don Dodge. Check back in daily for the latest from Ferrit on how it's going.
Trump Casino, Atlantic City
August 4, 2007
Today finds us indoors at the Grand Cayman ballroom in “The Donald’s” casino. I thought it would be nice to get in from the weather and humidity today - I live in Vegas where high humidity is low double-digits, but the A/C was so cold I noticed my hands were a little blue.
We actually had a real soundcheck, where the boys - Mick Jones, Jason Bonham, Kelly Hansen, Jeff Jacobs, Tom Gimbel and Jeff Pilson - treated us to an extended medley of Led Zeppelin riffs.
 The show was once again a flawless rendition of the hits - “Dirty White Boy” and “Jukebox Hero” amongst others.
Don now seems really at home on the console and is starting to explore some of the extended features, such as the Smaart integration. (Note the photo at the top of this post.)
The Trump Casino A/V crew got us out in record time, and we're off to the Foxwoods Casino. (And a big thanks to Dana Bourke for these excellent photos.)
EAW's Martyn "Ferrit" Rowe is providing us with live reports as an EAW UMX.96 digital console makes its inaugural tour with Foreigner and FOH Engineer Don Dodge. Check back in daily for the latest from Ferrit on how it's going.
Senaca Niagara Casino Hotel, Niagara Falls
August 3, 2007
Wake up at about 9:00 am and scramble into the hotel for a quick shower and a spot of breakfast. My hotel room is on the 23rd floor and the view of the Falls is stunning. After I tear my eyes away, I notice a stage far below me in the corner of the parking lot and realize that it's going to be our new temporary home for today.
After setting up the UMX96, I spent about an hour going over the feature-set with various interested parties. I think someone is spreading the word because we even got some people from local sound companies who “heard” that the new EAW console was here and just popped along to have a quick look.
Today’s sound system, supplied by the Seneca Niagara Hotel and manned by their able crew, is an EAW730 rig with SB1000 subwoofers. After a quick system tune Don and his back line crew step through their paces and today’s rendition from the crew band appears to be a blues standard.
 The support band finishes up, the intro tape roles and Foreigner storms the stage. It’s during “Cold as Ice” I realize that these aren’t songs- they're anthems, and the 16,000 member audience are not only singing every word but are hanging on every guitar lick and keyboard solo. This puts immense pressure on the house engineer (that would be Don, pictured at right) to faithfully and accurately reproduce this for the audience - you cannot miss a single bit.
The layout of the UMX96, with a fader for every channel, means no hunting through pages to find what you want, everything is right under your fingertips. Another load-out and we're off to Atlantic City.
 EAW's Martyn "Ferrit" Rowe is providing us with live reports as an EAW UMX.96 digital console makes its inaugural tour with Foreigner and FOH Engineer Don Dodge. Check back in daily for the latest from Ferrit on how it's going.
Charles Ives Center For The Arts, Danbury, CT
August 2, 2007
When we said we were going to do field trials of the UMX.96 console with Foreigner, I had no idea how literal that was. A picturesque meadow with a covered stage (gazebo?) perched in the edge of a lake was going to be our first outing on the current Foreigner World Tour 2007.
The EAW field team of Dana Bourke and myself were on hand to assist veteran FOH Engineer Don Dodge (pictured below) with a transition from analog to digital. After a team of stalwart chappies had hand carried/dragged the console up to the FOH position at about noon, the console was put up on it’s easy-tilt and the cover removed where it attracted a crowd.
 A demonstration of the feature set and user interface (the first of many that day) ensued. With the able assistance of the local sound provider, RKE Productions Inc, we were ready to start system tuning by about 2 pm. Don had pre-programmed the board on an earlier visit to Woodinville, so we were ready to commence line-check.
The band instruments were put through their paces and a couple of “standards” were bashed out by the roadie band of John Pelligrinelli, Ted Strain and Roy Kelly with Barry Foy on monitors. Later, a capacity crowd of over 3,500 were up on their feet and stayed that way.
 This year Jason Bonham is the driving force behind the drum kit, powering the endless succession of hits by Foreigner, and before I realized it , the encores were upon us and then the walk out music was playing.
A beaming Don Dodge accepted a stream of compliments “how great it sounded” from audience members as they passed the mix position. A one-hour load-out and then we piled on to the bus for the next show...
 EAW Smaart Version 6 (v.6) has been nominated for a 2007 Technical Excellence & Creativity (TEC) Award in the category of Outstanding Technical Achievement, Ancillary Equipment, with online voting now open to Mix magazine subscribers. Click here to go directly to the voting location.
Smaart v.6 sound system measurement and analysis software features a comprehensive re-write of its underlying architecture that dramatically enhances multi-tasking, in addition to a new streamlined interface for simpler operation and for the first time ever, full compatibility with Macintosh OS X
 The TEC Awards was established by Mix in 1985 to honor outstanding achievement in the professional recording and sound production industry. The nominations are made by a panel of approximately 165 audio industry professionals.
The winners of the 23rd Annual TEC Awards will be announced at a ceremony at the Marriott Marquis during the 2007 AES Convention in New York City.
 "New Smaart v.6, simply, is an audio professional's dream come true. Start with the fact that it works natively in Mac OS X - no more lugging around two computers (separate Mac and Windows computers) to project sites!
“It's also extraordinarily fast, the new interface is a lot cleaner and makes the program a breeze to use, while the new ASIO/Core Audio driver compatibility shows forward thinking.
 "The kicker to all of this is the ability to acquire unlimited snapshots, the ability to have a combination of any two traces being viewed simultaneously, as well as the new zoom feature. The ultimate tool we've been waiting for has definitely arrived.”
Arthur Skudra, Consultant
Hamilton, Ontario
 Two system projects at churches feature the new UX8800 digital signal processor with Gunness Focusing, and both have produced sonic results beyond expectations.
The Church at Pinnacle Hills in Rogers, Arkansas, features a complex system designed by Acoustic Dimensions of Dallas and installed by the Clair Bros systems integration division that's based upon EAW KF760 Series and KF730 Series line arrays, as well as other EAW loudspeaker models, with consultant Ryan Knox choosing to implement UX8800 processing as soon as it was available. (The unique venue is pictured above left.)
Meanwhile, a new system at New Life Assembly Church in Henrietta, New York, headlined by EAW AX Series three-way installation loudspeakers, also incorporates UX8800 processing at its heart. The system was designed and installed by AVL Designs of Penfield, New York, with an optimization assist from EAW's Rich Frembes. The project is the subject of a feature article in the
July '07 issue of Pro AV magazine - click here to check it out.
The new UX8800 4-input x 8-output digital processor has been created expressly to provide revolutionary Gunness Focusing alignment and driver processing algorithms and protection technology to an ever-growing number of conventional EAW loudspeakers. And with true dual-mode capability, the UX8800 operates either as a standard system processor, or, using the uploadable Gunness Focusing settings, as a loudspeaker-specific processor. Get the full scoop here and here.
The UX8800 provides an unprecedented degree of consistency and interoperability between EAW systems. Users can be confident that cross-rented systems will all have the same starting processing settings. And because of Gunness Focusing, that starting point is phenomenal clarity and fidelity.
Another notable aspect is that in its dual role as a comprehensive digital system processor, the UX8800 is intimately linked to EAW Smaart and FChart acoustic measurement and analysis systems. This is crucial to users and engineers in that it guarantees both standard and “Grey Box” processing exactly matches the processor settings determined in the laboratory by EAW engineers.
Again, more details here and here.
 When the EAW engineering team formulated the MK Series of loudspeakers, to say they hit the mark would be a dramatic understatement. Introduced 10 years ago, this series of compact two-way systems has proven itself time and again, with thousands and thousands of units providing exceptional audio quality in diverse installations worldwide. (At right, MK Series loudspeakers installed by Boston Light & Sound at historic Fenway Park, home of the Boston Red Sox.)
The MK Series began humbly, with four models shown at the 1997 NSCA Expo, all offering a design that eliminated the uneven coverage associated with "typical" two-way loudspeakers. During the engineering team's research, they discovered that the problem is the mismatch in the coverage angles at crossover between the woofer and the high frequency horn/compression driver.
 The key is careful matching of the coverage patterns of high and low frequency subsystems at the crossover point to produce smooth power response. The optimal crossover point for any given coverage pattern is at, or near, the frequency where the woofer's pattern matches the coverage goal. Obviously, the design does what it's intended to do, and then some. (At left, MK Series loudspeakers installed by Parkway Electric for the chapel at Resurrection Life Church in Michigan.)
The MK Series is now comprised of 14 models, all continuing to set the standard for compact 2-way installation loudspeakers, with a plethora of coverage patterns and three woofer sizes available in a clever "mix and match" format.
 MK products are ideal to use as the main PA for smaller venues, including houses of worship, A/V systems, hotel ballrooms, and meeting rooms. The series is also equally well-suited for distributed or fill purposes in larger venues, including houses of worship, auditoriums, theaters, arenas, stadiums, nightclubs, themed entertainment complexes... You name the application, and MK Series is up to it! (At right, an MK Series installation by Quiet Voice Audio at the San Diego Aerospace Museum.)
 The soon-to-be-released EAW UX8800 digital processor, bringing revolutionary Gunness Focusing technology to an ever-increasing number of conventional EAW loudspeakers, is making the testing rounds, where some audio professionals putting it through its paces at live gigs as well as doing evaluations in the shop. With true dual-mode capability, the 4-input by 8-output unit is equally adept as a loudspeaker processor or an overall system processor.
The EAW General Discussion Forum offers several threads with commentary on various aspects of the UX8800, including first impressions, operational issues, how it's working with various EAW loudspeakers, and so on. Want to get a glimpse of a future that's just about arrived? Click here to view and take part in the discussions currently ongoing in the forum.
An example: "We were able to listen to a side-by-side comparison of our previous processing against the UX8800. It sounded so much better that I almost felt bad for ever using them without the UX8800." - Troy Gwin, ACS Sound & Lighting, Columbia, SC
This just in: EAW Smaart Version 6 (v.6) has been nominated for a 2007 Technical Excellence & Creativity (TEC) Award in the category of Outstanding Technical Achievement, Ancillary Equipment.
Smaart v.6 sound system measurement and analysis software features a comprehensive re-write of its underlying architecture that dramatically enhances multi-tasking, in addition to a new streamlined interface for simpler operation and for the first time ever, full compatibility with Macintosh OS X
The TEC Awards was established by Mix magazine in 1985 to honor outstanding achievement in the professional recording and sound production industry. The nominations are made by a panel of approximately 165 audio industry professionals.
Qualified Mix subscribers will make the final determination via an online ballot beginning August 1. (Don't forget to vote!) The winners of the 23rd Annual TEC Awards will be announced at a ceremony at the Marriott Marquis during the 2007 AES Convention in New York City.
 Joe Fustolo is definitely someone at EAW you should know. This professional audio industry veteran was recently tapped to head up the EAW Application Support Group (ASG), our multifaceted team offering a wide range of specialized technical services to the EAW customer base.
What does your work with EAW entail?
Joe: As the manager of ASG, I handle loudspeaker designs for a lot of medium- and large-scale venues, worldwide. I also aid in teaching of our customers about how to best utilize our products to suit their needs. Another important part of the job is insuring that ASG maintains its very high standards in working with our clients to provide the best technical support in the industry.
What's your favorite aspect of working with EAW?
Joe: The people of EAW, and the best engineering team in professional audio, bar none.
Tell us about your previous audio-related experiences.
Joe: Well, let's see. Here's the list: recording engineer, monitor and FOH engineer, stage hand, technical director for the Lowell Auditorium in Lowell, MA, rigger, theatrical rigging installer, sound system sales/designer/installer...
What's your favorite thing to do outside of work?
Joe: Spend time with my family and kids.
Any hobbies?
Joe: Archery, hunting, target shooting, riding my motorcycle.
Best rock n' roll band ever?
Joe: Hmm.... that's a tough one, there are so many to choose from. How about this, or this, or this? Uh... just kidding! But "The Hoff" is something else, no? Just exactly what that something is, we can't be sure...
What's the best live show you've heard/seen, and why?
Joe: The most recent was Iron Maiden. It was truly amazing to see what the KF760/761 Series can do for a show of that nature.
What's your favorite EAW product?
Joe: The MQH1344e, due its sonic clarity, horsepower, and low-frequency pattern control. Truly one of the best loudspeakers ever, ahead of its time.
What's the most common audio/system question asked of you?
Joe: How does it sound? How can I make it sound better?
What's the most overlooked yet beneficial aspect of EAW?
Joe: We have the widest range of application specific loudspeakers in the industry, and the capabilities of designing any loudspeaker to fit any need required.
Last question. Why did the audio engineer cross the road?
Joe: Because the lighting guys wanted him to count to 3...
By Tim Millkan, Production Audio Services
The Leeuwin Estate Summer Concert is an annual highlight of Australia’s cultural calendar, featuring a top musical artist performing in a beautiful open-air concert setting outside the small town of Margaret River. The Leeuwin Estate being a winery (and a very good one by the way) makes the event quite nice indeed, with talent that is top shelf as well. Sting, Ray Charles, Tom Jones are some of the featured performers of past concerts, and this year, Simply Red took the stage for two consecutive nights in front of audiences numbering 14,000 each show.
I had the opportunity to support the long-time sound company for the event, Audex Concert Sound of Northbridge, West Australia, fulfilling the role of chief systems engineer. My duties included implementing the new EAW UX8800 digital processor in its maiden voyage on a live show, along with aligning, tuning and anything else related to getting the system ready for Gary Bradshaw, Simply Red’s front-of-house engineer. (Click here for more information about the UX8800)
 Audex Concert Sound does an excellent job – supplying gear of the highest quality and audio people to match. Joining company owner Keith Crammond were Alan Thompson (FOH assistant), Ryan Fallis (monitor rigger) and Dave Keys (general audio assistant). Meanwhile, my own experience with professional audio is diverse and dates back about 25 years, from all stripes of work to recording to broadcast to live sound. Now working as an audio engineer with Production Audio Services based in Blackburn, Victoria, my preference lies with live FOH and broadcast.
Continue reading "Audex Deploys New UX8800 For Simply Red In Concert" »
 Anderson Audio of Harrisburg, Pennsylvania has added 20 EAW KF760 Series line array loudspeakers to its diverse audio system inventory. The new KF760 full-range and KF761 down-fill modules are capable of providing high-impact sound reinforcement for arena and stadium applications.
In addition, Anderson Audio has further bolstered its concert sound capabilities with the addition of 16 EAW SB1000 double-18-inch subwoofers. All of these new components join EAW KF730 compact line array loudspeakers as well as EAW JF80 compact loudspeakers and EAW SM200 stage monitors already in the company’s inventory.
Continue reading "Anderson Audio Adds KF760 Series, SB1000 To Inventory" »
 The EAW LA400 portable subwoofer recently enjoyed some well-earned high praise from a group of audio professionals on ProSoundWeb's LAB Lounge. The LA400 uses bass horn technology that was developed for the EAW KF940 SuperSub, loading a powerful 12-inch woofer on an expanding bass horn that is eight feet in length, providing extremely high output sub bass response in a compact, portable enclosure.
Commenters pointed out the numerous advantages of the LA400, and in fact, one of them notes that four LA400's will out-perform any set of four dual 18-loaded subs in their price category. To find out more, click here to go to the LAB Lounge to check it out.
 The EAW “Brains, Boxes & Beyond” (B3) Technology Tour just wrapped up a wildly succesful slate of 2006 sessions with a stop in Nashville, where more than 30 current and aspiring audio professionals (as well as Pro Sound News Editor Frank Wells) took in Bernie and Dave's heavy-duty education seminar.
The session was held at the Curb Event Center on the campus of Belmont University, an institution offering one of the leading audio course schedules in the nation. Both the meeting room in this facility as well as the adjacent basketball arena afforded ideal learning environments.
 A highlight was the live demonstration of line array principles covered by Bernie via an EAW KF730 compact line array flown in one corner of the arena. Todd Foster and team at Quest Marketing, EAW's fine rep firm handling the southeastern U.S., did a great job in tackling the considerable details and logisitical issues that must go right to make these endeavors a true success. Nice job Quest! And, an itinerary for the 2007 slate of B3 sessions will be posted soon.
Continue reading "B3 Tech Tour Delivers In Music City USA" »
EAW Online Forums are a great resource for specific information about "everything EAW" as well as a valuable place to get tips, guidance and "how to" advice.
This time out we reference a very good question from a user regarding the proper EAW KF Series line array elements to best handle a specific system installation. What does the community recommend for optimium coverage? What about subwoofers? And is there an obvious answer that everyone seems to have overlooked? Click here to find out!
 EAW Online Forums are a great resource for specific information about "everything EAW" as well as a valuable place to get tips, guidance and "how to" advice.
This week, we highlight a user question regarding tools that are useful in helping to properly set up line arrays. Lasers, inclometers... Laser inclometers? Several good ideas are presented by the community, including a suggestion to take advantage of EAW Wizard software for setting up KF760 Series and KF730 Series line arrays.
 One of EAW's many treasures is the EAW Commercial line, a deep and versatile selection of high-caliber products that are up to meeting (and exceeding) challenges presented by even the toughest commercial sound system projects. And one of the "hidden treasures" of EAW Commercial is a series of Application Guides available for free download in handy pdf format.
Applications include House Of Worship, Boardroom, Restaurant, Courtoom, Small Hotel and Mini-Mall. All guides are throughly detailed and offer helpful illustrations, with each discussion covering the best of both worlds: a focus on specific problems and challenges and then recommendations of the right EAW Commercial products (and their uses) to best solve those problems. Click here to check out the full roster of Application Guides.
EAW Online Forums are a great resource for specific information about "everything EAW" as well as a valuable place to get tips, guidance and "how to" advice.
This week, we highlight a user question regarding development of a system for a wide performance space that accommodates up to 1,000 people. Will KF760 line arrays do the trick? How about a KF760 and KF761 combo? And what about subwoofers? Several interesting and useful replies are provided by several members of the community. Click here to go directly to this thread.
"That was then. This is EAW." Jeffrey Cox was definitely not understating the matter when he introduced the professional sound world to EAW's latest landmark innovation at the recent ET Live in Las Vegas: the application of revolutionary Gunness Focusing technology to KF Series line arrays. Hundreds flocked to the EAW stage for the twice-daily demonstrations, and they weren't disappointed. (In fact, there was a substantial number of return visitors who probably couldn't quite believe what they heard the first time around.)
"I think that the improvements claimed by the engineering department in the performance of the KF760/730 Series were very clearly demonstrated in the real world. I was personally impressed by the naturalness, clarity, and detail in the rig," states veteran FOH Engineer Paul Dieter, noted for his work with Jackson Browne in concert, among others, who was on hand to provide the live mix. (Each demonstration included a live performance by classic rock band Yellow Brick Road, also drawing rave reviews.)
Continue reading "Another Milestone: Gunness Focusing With KF Line Arrays!" »
EAW Online Forums are a great resource for specific information about "everything EAW" as well as a valuable place to get tips, guidance and "how to" advice.
A user recently logged in to ask advice on reconing a pair of used EAW FR153 loudspeakers he's considering for purchase. Joe Fustolo of the EAW Application Support Group (ASG) replied with salient points regarding reconing, and he also cleared up an additional question regarding properly powering these loudspeakers. Click here to go directly to this forum thread.
 If you have the opportunity, be sure not to miss ET Live in Las Vegas later this week (Friday, Saturday and Sunday), where EAW will be presenting the debut of Gunness Focusing applied to a KF760/KF730 line array concert sound reinforcement rig. Held in conjunction with the 2006 LDI Show, ET Live is an outdoor event that presents a great way to see (and hear) live demos in a real-world performance stage environment, and you'll be able to hear the dramatic difference that application of Gunness Focusing can have with existing EAW loudspeaker designs.
Premium components in the EAW system includes two main line arrays made up of eight KF760 elements over four KF730 compact elements. These will be joined by eight new SB1000zF flyable subwoofers per side as well as four BH760 subs stacked per side.
Continue reading "Get "Focused" This Week At ET Live In Vegas!" »
EAW just finished up a very successful AES Convention 2006 in San Francisco, debuting some cool new products as well as catching up with long-time and recent friends. Above we see monolithic signage (it wasn't hard to find us!), along with a CSA display, Bernie Broderick with David Patridge of Audio Atelier, a logo for new Smaart v6, a TEC Award-nominated NT Series loudspeaker in the booth, the marquee for nightclub Ruby Skye (site of an exclusive system tech tour) and Graeme Stevenson of Production Audio Services talking with Jeffrey Cox.
 New EAW Smaart Version 6 (v6) sound system measurement and analysis software features a comprehensive re-write of its underlying architecture that dramatically enhances multi-tasking, in addition to a new streamlined interface for simpler operation and for the first time ever, full compatibility with Macintosh OS X in addition to Windows XP.
Specifically, Smaart v6 is a Universal application designed to take full advantage of the performance increases delivered by the new Intel-based Macs. Further, it is now built from a unified cross-platform source base with near-complete parity between both Mac OS X and Windows versions, in addition to working with Core Audio and ASIO drivers.
Continue reading "Smaart v6: Mac and PC Cross-Platform Source Code Base" »
 Polar Focus makes some of the best and most innovative rigging solutions in all of professional audio. But are you aware of the company's simple bracket system that's expressly designed for EAW AX Series loudspeakers?
Polar Focus can provide simple brackets to group AX Series loudspeakers along with other standard parts, as well as a complete transition from the loudspeakers as specified right up to the roof attachment, including all hardware kitted for a fast and effective installation. Various configurations of steel or wood (solid and glue lam) beams are easily accommodated. Check out this handy solution on the Polar Focus web site, and also note they provide other nifty tools such as a reference images page to identify common roof structure types.
 EAW Online Forums are a great resource for specific information about "everything EAW" as well as a valuable place to get tips, guidance and "how to" advice.
A user recently logged in to ask for assistance and opinions about a new mobile system he’s putting together for crowds of 500-600. He’s thinking about LA215 full-range loudspeakers and LA118z subwoofers, but will this best meet his needs? What about optimizing power for the rig, and at the right price point? Click here to check out the helpful advice offered by the EAW community!
 At LDI 2006 in Las Vegas next month (October), EAW will be putting together a full-scale concert reinforcement system to compete head-to-head with several other systems at ET Live. This outdoor event presents a great way to see (and hear) live demos in a real-world performance stage environment.
Premium components in the EAW system includes two main line arrays made up of eight KF760 elements over four KF730 compact elements. These will be joined by eight new SB1000zF flyable subwoofers per side as well as four BH760 subs stacked per side.
Continue reading "Check Out EAW Live At ET Live - LDI '06" »
 SmaartLive Version 6 has been chosen as one of the Live Design International 2006 Sound Products of the Year by a panel of working sound designers and technicians. The award will be made at the upcoming during the LDI Convention in Las Vegas this October.
SmaartLive v6 includes a host of new features and a reworked architecture that allows Smaart to run native under both Mac OS X and Windows from the same unified source code. Click here to find out more, and go here to sign up to be a v6 Beta user.
 EAW Online Forums are a great resource for specific information about "everything EAW" as well as a valuable place to get tips, guidance and "how to" advice.
This week, an EAW user wants to know if there will be a huge difference in sound if uses Crown MacroTech 5002VLZ or a QSC Audio RMX5050 amplifier with his EAW KF850 full-range loudspeakers. Click here to find out what the community says.
 "I bought a pair of NT29's about six weeks ago. The best way I can describe the sound is: INCREDIBLE!! It's not marketing hype when EAW professes how flat these speakers are." So says one of the many audio professionals commenting on NT Series loudspeakers in the Pro Sound Web Product Review Forum.
Here's another: "Just to look at these cabinets they scream quality, & believe me, after dropping all that loot & narrowly escaping a divorce - I sat there & stared at them for a long time before I even turned them on!!" Click here to go directly to the review of the NT Series.
 EAW NT Series loudspeakers have been nominated for a prestigious TEC Award in the Sound Reinforcement Loudspeaker Technology category. This shouldn’t come as a surprise, with the Gunness Focusing Technology at the heart of the NT Series representing a true breakthrough in powered loudspeaker design.
Note that a special TEC Awards Voter’s Guide and voting ballot will appear in the August issue of Mix magazine, with the TEC Awards ceremony to be held Saturday, October 7, at the Hilton San Francisco in tandem with the AES Convention. 
 EAW Online Forums are a great resource for specific information about "everything EAW" as well as a valuable place to get tips, guidance and "how to" advice.
This week, a customer logged into the "General Information" Forum with a question about limiter settings and gain structure as they relate to his KF650/MX8750 rig. EAW's Scott Jordan and others get to the crux of the situation and provide useful input and answers.
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 After less than a year since their introduction at the NSCA Expo in 2005, EAW's revolutionary NT Series loudspeakers brought home top honors in the "Best Sound Product" category at the 4th Annual Club World Awards, held in March at Crobar24@Nocturnal in Miami, Florida.
Held in conjunction with the Winter Music Conference and sponsored by Testa Communications "Club Systems International" Magazine, the awards – also known as the "Disco Globes" in recognition of their mirror ball trophies – pay tribute to the best club and lounge venues in North America, as well as the people and products that make them possible. The staff of Club Systems selects nominees, and a panel of 10 industry veterans determine the winners. (Pictured above are Jeff Fisher of LOUD Technologies and Mike Lecina of JK Sound, on hand to accept awards.)
Continue reading "EAW Scores Big At 2006 Club World Awards" »
 In March, EAW debuted for the first time a host of new products to the European marketplace at the 2006 Musikmesse/Pro Light and Sound Convention. The list is topped by DSAi, and also includes the UMX.96 Digital Live Console and EAW Commercial SMS Series loudspeakers.
Also unveiled were two new additions to the EAW Commercial CAM Series of power amplifiers and SmaartLive Version 6.
Continue reading "New Products Debut At 2006 Musikmesse In Frankfurt" »
At the 2006 NSCA Expo, EAW introduced several new products, including the UMX.96 digital console and the latest iteration of the DSA Series, the DSAi.
Read more about the UMX.96
Read more about the DSAi
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