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 The new Shuttle Launch Experience at Kennedy Space Center in Florida was recently awarded a TEA (Themed Entertainment Association) Thea Award for Outstanding Achievement, with EAW selected to play a significant role in sound reinforcement for the attraction.
Conceived and designed by BRC Imagination Arts, the Shuttle Launch Experience is a $60-million project incorporating a wide range of production elements. Techno-media Solutions LLC provided technical AV systems integration, with the Shuttle Simulation Theater featuring an audio system incorporating EAW SB850z subwoofers, three EAW KF695z main loudspeakers, two more KF695z's joined by two EAW KF300z's for four surround sound channels, and an overhead channel with two EAW MK Series loudspeakers.
The project is the subject of an in-depth feature article written by Judith Rubin that appeared in the March 2008 issue of Sound & Communications magazine. Click here to check it out.
 A recent evaluation process highlights the dramatic performance gains that can be realized by utilizing recent EAW technologies to enhance an existing sound reinforcement system.
The evaluation took place at Crossway Baptist Church in Victoria, Australia, which hosts worship services and other activities in an 1,110-seat, fan-shaped auditorium. The current house sound reinforcement system, installed in 1995 and still going strong, features a pair of EAW KF650E three-way full-range loudspeakers installed per side above the edge of the front platform, with a single EAW SB1000E subwoofer per side on the floor.
 Four EAW JFX200 compact loudspeakers along the front of the stage offer fill when needed, and they can also be utilized as spare stage monitor wedges (other monitoring is supplied by IEM systems). Additional front fill comes via four two-way loudspeakers mounted directly beneath the KF650E mains.
The system is under the direction of Media Pastor Peter MacLean, who is heading the evaluation process for possible upgrade of select components. Working closely with Production Audio Services Pty. Ltd., EAW’s distributor for the Australian pro audio marketplace, and also based in Victoria, a new EAW UX8800 digital processor was first implemented, in place of the system’s current digital processor. (Peter is shown at right in the above photo, with Graeme Stevenson and Ben Clarke of Production Audio Services.)
Continue reading "UMX.96, UX8800 Enhance Crossway Baptist Church System" »
 A new maintenance update of Smaart is now available for download here at EAW.com.
The maintenance update - Smaart 6.1 - offers a comprehensive list of user-visible (and some not-so-visible) changes, including:
- Named Pairs feature streamlines switching measurement inputs on multi-input devices, and provides a true Swap (invert) function for Frequency Response data
- Numerous user-driven usability tweaks to the legend dialog to make working with store traces faster/easier
- Horizontal Spectrograph option
- Continuous Impulse Response measurement
- ASCII-to-reference import feature
- Optimized painting and update scheduling for reduced CPU loading
- Improved compatibility with Mac OS X 10.5 (Leopard) and Windows Vista
- Improved overall stability
- And much, much more!
Click here to access the download of Smaart 6.1. And as always, visit the EAW Smaart Forum here at EAW.com to get further information from the Smaart users community.
 The new EAW SB1002 is a large-format dual-18-inch-loaded subwoofer that can be groundstacked or easily flown via an integral rigging system, making it ideal for a wide range of high-output live and installed sound applications.
Following in the footsteps of the legendary EAW SB1000z subwoofer, the new SB1002 offers a direct radiating design, with driver mounting that maximizes cone area and minimizes frontal area. The result is acoustical performance and physical configuration well suited for creating large subwoofer arrays.
The two 18-inch drivers – designed specifically for the SB1002 - offer very large (4.5-inch) voice coils as well as powerful neodymium magnet structures that also reduce weight. The operating range of the SB1002 is 27 Hz – 161 Hz (+/-3 dB), while maximum sound pressure levels are 129 dB (average) and 135 dB (peak).
Continue reading "New EAW SB1002 Large-Format Dual-18 Subwoofer" »
 Gracias to EAW distribuidor PRO3 & Company of Barcelona for a muy bueno overview of the new EAW NTL720 line array autoamplificado en Espanol.
Características técnicas and muchas fotografía also included. Click here to view the pdf file.
 Free passes are available for the upcoming (June 18-20) Infocomm '08 Exhibition at the Las Vegas Convention Center. EAW will be exhibiting at Infocomm, which this year for the first time also incorporates the NSCA Expo under the same roof.
The passes also allow admission to several free Infocomm events, including the Opening Reception and NSCA ExpoJam. Click here to view the pdf form providing more information and free pass registration instruction.
 A new web section has just launched on EAW.com, providing an in-depth look at the EAW UMX.96 digital console. The section covers the entire console, breaking it down to specific, key operational functions and features that all add up to make the UMX.96 more than a console, but rather, a total live sound environment.
The new section also includes links to other UMX.96 resource materials such as specifications, data, and an ongoing training program authored by UMX.96 Product Manager Martyn "Ferrit" Rowe, available for download in handy Powerpoint format. Click here to check out the new UMX.96 home on EAW.com, and also, stop by the new EAW community forum dedicated to the UMX.96.
 The craze already starting to sweep the globe: MicroWedgin'!
It's about taking a stand (literally) to make a definitive statement of exuberant solidarity with the world's greatest stage monitors - the new EAW MicroWedge Series.
Inventor Dave Rat set the MicroWedgin' standard (at left), and others have taken the stand, as seen at the recent Prolight+Sound and Musikmesse convention in Frankfurt, Germany.
(Click to get a bigger view of the images.)
Make your MicroWedgin' stand and we'll feature it here on EAW.com, as well as the other web home for MicroWedge on Myspace. (Send your images via e-mail to EAW's Keith Clark by clicking here.)
 The 2008 Prolight+Sound Musikmesse last week in Frankfurt, Germany, proved to be one of the most memorable (and enjoyable) trade conferences at which we've had the privilege to exhibit in recent memory.
It's almost impossible to say what new EAW products garnered the most attention. Was it the UMX.96 digital console? (Moray McMillan is shown at right giving one of his constant demos to a crowd of interested audio pros.) Was it the new MicroWedge MW12, particularly when attendees had the opportunity to hear these wedges?
Or, was it the growing line of great new EAW Commercial products under the direction of Dave Raneses? Or, how about the new NTL720 self-powered line array? Or the UX8800 digital processor? Or Smaart v.6? One thing is certain: Jürgen Bachthaler and the EAW Germany team were superior hosts, and everyone really enjoyed their time in beautiful Frankfurt. (Click here to see more from Prolight+Sound 2008.)
Continue reading "EAW At 2008 Prolight+Sound Musikmesse - What A Show!" »
 A Valentine’s Day concert at the venerable Orpheum Theater in downtown Los Angeles by Don Was and the Was (Not Was) band, featuring legendary performers Brian Wilson and Kris Kristofferson, proved an excellent occasion for the public debut of EAW’s brand-new MicroWedge Series stage monitors. Oxnard, CA-based Rat Sound Systems Inc. supplied the sound reinforcement systems and support under the direction of crew chief Tom Caraisco.
The big news in system-land was the first-time live concert deployment of the EAW MicroWedge MW12 stage wedges for all performers, fueled by monitor engineer Andy Turner’s mixes. The wedges were driven by a combination of Chevin and Lab.gruppen power amplifiers.
 “We really, really like the performance of these new wedges,” notes Caraisco. “Once Andy got things going on stage, and we went through all of the mixes, he was genuinely pleased.”
“The old Microwedge was solid and performed well enough when compared to other wedges, but these new ones are night-and-day superior,” states Dave Rat. “This is a whole new deal. I knew the wedges were a big step forward, but what I did not expect was such an overwhelming embrace so quickly from our own engineers as well as the artists and band engineers."
Continue reading "MicroWedge Debuts With Brian Wilson, Was (Not Was) Live" »
 Production Audio Services, EAW's distribution firm serving the Australia customer base, recently put on quite a "show within a show" at ENTECH '08. Recognized as THE entertainment technology show for the entire region, ENTECH includes the latest professional audio, lighting, broadcast, audio visual and staging products, supplies and services.
Held this year in mid-February at the Sydney Convention & Exhibition Centre Darling Harbour, ENTECH attracted a huge crowd of professional technology users, and Production Audio Services had a fully stocked booth ready to provide them with a close look at the latest EAW and EAW Commercial products.
Just a few of the highlights included the new EAW NTL720 (BLAM) baby line array modules, CIS Series ceiling loudspeakers, UX8800 dual-mode digital processing with Gunness Focusing technology - and much more.
 The Production Audio Services staff worked the booth throughout the run of the show, offering expert insight into the new EAW products and technologies. It was topped by a booth presentation of exceptional professionalism.
Click here to find out more about Production Audio Services.
Yes, it was still "just" a concert gig, but we've got to admit - it sure is one with a bit of that extra cache. "It" is Super Bowl Saturday Night, the official National Football League celebration the night before the big game, held prior to this year's Super Bowl XLII in Phoenix at Tempe Town Lake, with thousands in attendance.
Sure, Earth Wind & Fire and other notable acts were on the bill. Sure, Jerry O'Connell was the host. Sure, there was a big fireworks show finale. But... the highlight (from our completely objective point of view) was the headline performance by Foreigner, mixed by the incomparable Don Dodge on the UMX.96 digital console. As its done over dozens of gigs around the world the past several months, the UMX.96 proved to be a superb tool in serving Don's needs in mixing Foreigner live.
"Things could not have gone better with the console, as usual," Don notes. "It's performance was fantastic, matching the stature of this high-profile show." And as EAW Business Director Jon Bosaw aptly points out: "It's not every team that makes the Super Bowl in its first year." (Thanks to Don for the photos of the board at the gig above. Don's shown with the UMX.96 at lower right.)
You’re invited to participate in upcoming EAW Smaart School sessions in Montreal, March 5-7, 2008.
The intensive three-day training package will be presented at EAW Canadian market distributor SF Marketing’s Dorval, Quebec facilities as well as at Salle Claude-Champagne (l’Université de Montréal). (SF Marketing is the organizer of this educational event.)
Smaart Fundamentals and Applications will be covered the first two days, with the third day devoted to an Advanced User Seminar. Click here to find out more and to get cost/registration details.
Continue reading "Smaart School Slated For March 5-7 In Montreal" »
 Leave it to the innovative Michael Lacina and his JK Sound team to come up with a clever way to utilize EAW KF761 large-format line array modules to deliver superb sound reinforcement in the intimate confines of a lounge setting.
The recent project, at the Cirque Lounge on Folsom Street in San Francisco, offered the particular challenge of fitting a powerful sound system into a low ceiling room with various beams diminishing the height even further.
 Further, Scot Peterson, lighting designer for the project, was hoping the sound system's loudspeakers would not infringe on the symmetry of the 1,000-plus LED grid he was planning for the ceiling, while Craige Walters, the interior designer, was pushing for the loudspeakers to disappear into the sweeping curves of his design.
That’s when Lacina (pictured at left), in talking about the project with system integrator Brad Katz, shared an "epiphany": utilize EAW’s top of the line the KF761 line array module, burying four of them into the façade of the soffit that rings the dance floor. Then, hide the speakers behind a perforated metal grill.
 The overall result: creation of an invisible monster of a system to serve Cirque Lounge patrons. Not surprisingly, JK Sound has been nominated for 2008 Club World Award for sound design at Slide Speakeasy in San Francisco, and this latest innovation is not at all likely to be overlooked when nomination time comes for next year's awards.
Click here to find our more details about this project in MS Word format
Click here to find our more details about this project in pdf format
 EAW reps and distributors were treated to the LOUD Technologies "Peek-a-Boo Review" at the recent Winter NAMM Show in Anaheim, featuring up-close looks at several new EAW products such as the NTL720 self-powered line array, MicroWedge 12 stage monitor, the UMX.96 digital console and UX8800 dual-mode digital processor. EAW's Bernie Broderick is seen above, presenting the new products, while below, we treated to additional photos at the UMX.96 and NTL720.
 New EAW Commercial CAM160 and CAM80 integrated audio mixers-power amplifiers are outfitted with comprehensive input/output facilities and feature sets to provide exceptional versatility from a highly cost-effective package. Designed for a wide range of fixed installation applications, the CAM Series offers “all in one” functionality without need for add-ons such as expansion modules.
Both models are equipped with six actively balanced combination mic/line inputs as well as individual adjustable potentiometers for line level input, mic level input and mic level input with 24-volt DC phantom power. Input 1 also offers the flexibility of an integrated transformer for connection to telephone paging systems.
Inputs 1 and 2 are divided into four discrete input sections: a combination XLR/TRS connector, Phoenix connector, or terminal strip. Meanwhile, Inputs 3, 4, 5 and 6 offer both Phoenix connectors and terminal strips. Two pairs of RCA connectors allow unbalanced auxiliary (Aux) signals to enter the amplifier via Aux 1 and Aux 2, both of which are attenuated by a potentiometer on the front of the amplifier.
Continue reading "Introducing New CAM Series Integrated Mixers-Amplifiers" »
 Thanks to the EAW Engineering team, we have a detailed look at the driver configuration inside the new NTL720 "baby" line array. (Click on the image for a larger version.)
Here's what we're looking at: The entire enclosure face of each NTL720 module is filled by a full-sized mid/high horn providing 110-degree (horizontal) by 12-degree (vertical) dispersion. High frequencies are produced by six 1-inch dome tweeters (shown in red), configured in two vertical columns mounted on a manifold that feeds a single slot in the center of the horn, highly effective in controlling vertical dispersion.
Flanking the HF section, dual 6-inch cone woofers (yellow) handle the MF range, also loading on to the horn, with minimal space between the MF and HF components enhancing coherency and improving overall off-axis response. The LF section features EAW’s proprietary Phase Aligned approach, first deployed in KF730 Series line arrays. Both 6-inch LF drivers (blue) are positioned in a side-mounted “figure-8” configuration that extends horizontal pattern control while directing more acoustical energy on axis.
Get the full story on the new NTL720 here.
 Zamar Media Solutions has just put the finishing touches on an exciting new sound system design and installation at the beautiful new worship center of WestGate Church in San Jose, California, that's headlined by EAW UX8800 dual-mode digital processing as well as EAW AX Series full-range loudspeakers.
Matt Dow served as the project manager for Zamar, which, since 1991, has successfully provided pro audio, video, lighting and acoustics systems and services in the Bay Area communities, with a committed dedication to the local church community. Dow and the Zamar team worked closely with church-contractor liaison John Coyle on the project.
 The WestGate Church worship center features one of the very first church sound systems enhanced with the UX8800's revolutionary Gunness Focusing technology. According to Zamar's Ken Hughes, alternative processing had originally been slated for the system but was replaced when new UX8800 units became available via EAW sales rep firm PCM Marketing.
We'll have a more detailed report on this system in the very near future. Thanks to Ken for the excellent photos shown here. Click here to find out more about Zamar Media Solutions.
 The accolades keep on coming for the UMX.96 digital console as it continues its tour with FOH Engineer Don Dodge in support of Foreigner's international tour.
The latest notice comes from Audio Pro International magazine, based in the U.K., which is featuring an exclusive interview with Don on his experiences with the UMX. Sample comment from Don: "The console has a ‘warmer’ sound to it than others, with analog pre amps and VCA section and a very analog layout.”
Be sure to check out the entire interview here.
 The new NTL720 is one of the most exciting products developed by EAW in some time. It's a self-powered line array loudspeaker system so small that we call it the "baby line array module" (BLAM), but it packs a true three-way design and numerous other EAW patented and proprietary technologies into its very small footprint. The NTL720 made its live debut at the recent 2007 ET Live in Orlando - click here to check out photos of it in action.
Also here on EAW.com, there's a wide range of information about this new system:
NTL720 Info Page
NTL720 Product Page
NTL Preliminary Data Sheet (pdf)
NTL720 White Paper (pdf)
And, check out the November '07 issue of Live Sound magazine for an in-depth report on the NTL720.
 EAW's Moray McMillan (UK Sales Manager) recently caught up with Foreigner FOH Engineer Don Dodge as he travels Europe with the UMX.96 digital console - the board's maiden voyage across the pond. Don reports all is going exceptionally well, both with the tour in general as well as the performance of the console. Moray sends along the recent photo he took at right, showing Don prior to a recent concert at Shepperds Bush.
More dates remain on the Foreigner swing through Europe. Click here to see where and when the tour is appearing in the coming weeks.
 ET Live 2007 in Orlando was a whole lot of fun, but it was also highly productive as well, as thousands turned out in the beautiful weather to get a first-hand look at the numerous EAW advancements in action.
The huge stage, with live performances by Led Zeppelin tribute band Physical Graffiti, featured the new NTL720 "baby" line array modules (BLAM) making a laudable debut. The output-to-size ratio of this exciting new self-powered loudspeaker product proved most impressive, as well as high vocal intelligibility in evidence both with musical programming as well as during introductory remarks by EAW Brand Group Vice President Jeffrey Cox.
 Dave Rat (pictured left) was on hand to provide the mix on an EAW UMX.96 digital console, and he also saw the preliminary introduction of the first of the new EAW MicroWedge products in prototype form. (The new wedges and the console attracted quite the traffic at the house mix position.)
Meanwhile, new KF737 modules, bringing high-Q capabilities while fitting seamlessly within KF730 Series arrays, drew a wide range of rave reviews. Many in attendance also got their first look (and listen) at the new UX8800 digital processor with Gunness Focusing, utilized with the KF730 arrays. (The NTL720's have onboard DSP that includes Gunness Focusing.)
 And, yet another debut came in the form of the new SB1002 subwoofer, featuring convenient flying capabilities and much more.
Filling out the system, which was under the highly capable direction of Howard Burke, were KF650z sidefills and SM12 stage monitors. Harry Brill Jr. ran Smaart throughout the event, with Smaart designated as the official measurement system for the entire event. Stage Audio & Lighting Productions of Longwood, Florida, headed by Phil Kovacevich, provided systems and on-site support throughout the event.
For a photographic look at ET Live '07, click on the link directly below.
Continue reading "Product Debuts & Fun Both In Adundance At ET Live '07" »
 EAW loudspeakers have been specified and installed for the new American Spirit Gymnasium and Theater at Escondido (California) Charter High School, a state-of-the-art school serving students in the San Diego region. The systems for both the gym and theater were installed by Integrated Media Systems of Anaheim, with support from EAW rep firm Audio Geer.
The gym offers sound reinforcement supplied by eight EAW MK2366 compact two-way loudspeakers flown in pairs, positioned equidistantly and providing complete full-range coverage of all seating and floor areas.
 The theater features dual EAW DSA250i digitally steerable array loudspeakers, one flown to each side of the stage, supplying primary full-range coverage throughout the space. They're joined by an SB150P compact, 15-inch-loaded subwoofer that's flown centrally above the stage. Four EAW Commercial VRM12 stage monitors are also available.
We'll present more details regarding this interesting project here on Front Row in the very near future. Our thanks to Audio Geer for the preliminary information and great photos.
 A new performance audio system featuring EAW KF730 Series line arrays and UX8800 digital processing has gone live at Centennial Hall, home to UApresents, the largest performing arts presenter in southern Arizona.
The new system, implemented just in time for a 42-show 2007-08 season (kicked off by Dionne Warwick in concert), was designed and installed by Arizona Pro Sound of Tucson, working with key venue staff, including Operations Manager Gary Lotze.
The system includes KF730 line arrays, each with 11 modules, flown left and right, while eight SB730 subwoofers (in groups of four) on the stage deck. Six EAW JF80 compact loudspeakers provide frontfill. All loudspeakers are driven by Lab.gruppen FP7000 power amplifiers, with a UX8800 processor handling all DSP in addition to providing Gunness Focusing technology for absolute pristine sonic performance.
 New England-based sound company SPL Systems recently added dual EAW UX8800 dual-mode digital processors with Gunness Focusing, as well as 12 EAW KF730small line array modules, to its live system inventory.
Located in West Springfield, Massachusetts and founded/owned by Bill Forbes, SPL Systems has been providing full production services for live concert performances, corporate events, fairs, festivals, and event promoters throughout New England for more than a decade. The company also performs top-notch system installation and integration services.
Continue reading "SPL Systems Bolsters Inventory With UX8800, KF730" »
 The EAW UMX.96 digital console is making its European touring debut as the Foreigner tour and FOH Engineer Don Dodge move "across the pond" for the next two months, beginning with a show in Glasgow, UK, this coming Friday (November 9). The tour will make about 20 stops in the UK, Denmark, Latvia, Estonia, Germany, Switzerland, Hungary and Austria, and there will also be a few dates in South Africa.
Click here to go directly to the Foreigner tour itinerary.
 Attention all UX8800 users: a new version of EAWPilot software (v1.0.46.52) has been posted and is now available via the Downloads page here at EAW.com.
With this new version, the "Reset Input Channel Settings" dialog only comes up if the greybox selection is changed - not for amplifier or listening distance adjustments. Also, spin controls are fixed on both delay and greybox high-pass and low-pass filters (for real, this time), while disabled low-pass filters now have the frequency "greyed" out.
Further, compressor threshold handles are once again available in system mode, front panel setting changes now display correctly, and auto-assign works in several more scenarios. Click here to go directly to the Downloads page.
NOTE: Several of these fixes will only work if you update to firmware
build 52!
 At ET Live, held in conjunction with LDI 2007 in Orlando next month (November), EAW will be unveiling a wide range of exciting new and pending product developments – all working together as a full-scale live concert reinforcement system!
The fun starts with the newest loudspeaker design from EAW (more about this soon), which will be joined by flown KF730 Series line arrays as well as prototypes of another new loudspeaker, with Gunness Focusing and all other DSP courtesy of UX8800 dual-mode digital processors.
 Low-end will be provided with new, soon-to-be-released EAW SB Series subwoofers. Filling out the loudspeaker complement will be KF650z sidefills and SM12 stage monitoring. The entire system will be driven by Lab.gruppen amplification and tuned with new Smaart v.6; in fact, Smaart has been designated as the official measurement system for the entire event. (The scene at ET Live in Las Vegas last year is shown in the photo at left.)
Continue reading "Dynamic New EAW Developments At Upcoming ET Live!" »
 Want a discount on new Smaart v.6? Then visit the ongoing Mix Foundation TEC Awards Music & Sound Auction and put in a bid on a copy of Smaart v.6 donated by EAW!
The auction features new products, instruments and treasured music memorabilia, with proceeds benefiting foundation partner House Ear Institute in support of the Sound Partners Hearing Conservation Program and the House Ear Institute Teen Outreach Campaign "It's How You Listen that Counts".
The auction lasts for about another 24 hours, ending at noon (U.S. Eastern time) on Thursday, October 11. Update: The Smaart v.6 auction is now closed, with the winning bid coming in at $720.
 The intensive audio systems project at the new Guthrie Theater in Minneapolis is the featured cover story in the September '07 issue of Live Sound International (LSI) magazine. The article detailing the systems is presented over 11 pages, and it's interesting reading, with all systems in the A-list venue featuring EAW line arrays and loudspeakers.
Click here for a detailed audio tour of the Guthrie Theater.
 “Smaart has been one of our best investments as a sound company - we call it 'audio for our eyes'. And new Smaart v.6 is even better. The 'Repeat' feature is great for obtaining polarity information, saving a lot of headaches. Easily storing snapshots of frequency response is another invaluable feature, allowing us to conveniently keep all of our inventory 'in check' from show to show, year after year.”
Brent Milton
Owner, Pacific West Sound
Bakersfield, CA
 The following instructional article was graciously provided by Jeff Lange, who heads up Sonic Art LLC, based in Oshkosh, WI, a firm specializing in the development of audio, video and lighting systems for houses of worship. Our thanks to Jeff (pictured at left) for the article and photos.
The design of a new sound system for the sanctuary of The Pentecostals of the Fox Cities in Menasha, WI, was particularly challenging. This 500-seat auditorium has a 12-foot ceiling, dictating loudspeakers that are very compact in order to not detract from the room’s aesthetics.
To meet this requirement, we chose EAW MK8100 Series loudspeakers, with six of these cabinets flown in their horizontal cabinet position (with horns rotated), carefully placed in a distributed, decentralized arrangement. (Shown in the photo at right.)
 Largely due to compact design of these loudspeakers, frequency response doesn't extend much below 90 Hz. Therefore, we also needed subwoofers to reinforce frequencies beneath the 90 Hz point to meet a stated design goal of providing a system offering true full-range capabilities.
Continue reading "Inside Scoop: Subwoofer Isolation For Church Project" »
 The September '07 issue of
Front Of House (FOH) Magazine includes a "Road Test" review of new EAW Smaart v.6 filed by Mark Amundson, the publication's technical editor.
Mr. Amundson concisely spells out his favorite features on v.6, and doesn't find much fault. At the outset, he poses the apt question, "Why upgrade?" and then proceeds to inform readers in very clear terms about the numerous advantages, in his view, of v.6.
We thank FOH magazine and Editor Bill Evans for publishing the piece, and also thanks to Mark Amundson for taking the time to check out Smaart v.6 and share his observations. Click here to read the review.
 Eastern Acoustic Works (EAW) is pleased to announce that it will be the exclusive manufacturer and distributor of the renowned MicroWedge Series of stage monitor products under the terms of a new agreement between LOUD Technologies Inc. and MicroWedge developer Rat Sound Systems Inc. of Oxnard, CA.
The Perpetual License agreement between the two entities calls for current products to be branded “EAW MicroWedge,” fully supported by the resources of EAW. Further, Rat Sound Founder Dave “Rat” Levine, creator of MicroWedge and other acclaimed sound reinforcement designs, will be working closely with the EAW Engineering Department on the development of new MicroWedge models as well as other EAW touring products.
“In securing this preeminent floor monitor line for our worldwide customer base, EAW is once again demonstrating its commitment to true performance audio by bringing the best in both design and talent to the EAW brand,” explains Jeffrey Cox, Vice President of the EAW Brand Group, shown in the above photo with Dave Rat. “We continually populate the EAW family and brand relationships with experienced, talented visionaries who combine their unique skills to push audio forward. Our partnership with Dave is a prime example of this philosophy.”
Continue reading "EAW To Manufacture, Distribute MicroWedge Series" »
 Last week (September 9), Stock Audio & Light provided a high-end sound reinforcement system featuring dual EAW UX8800 digital processors in tandem with KF760 Series line arrays for a memorial concert by the Limburg Symphony Orchestra that marked the liberation of the Netherlands in World War II.
The concert, held on the grounds of the American Battle Cemetery and Memorial in Margraten, the Netherlands, was highlighted by a performance of Verdi’s Requiem, accompanied by the Vocal Collective, a 60-member choir from Belgium.
 Stock Audio, based in Geleen, the Netherlands, worked with the concert’s front-of-house engineer, Jo Smeets, to assemble a system providing enough headroom to reach a coverage area spanning beyond 150 meters (approximately 500 feet), while also capable of presenting a very natural sonic signature.
The sound team responded with a main system featuring dual line arrays, each comprised of six EAW KF760 modules above two KF761 wide-dispersion modules, flown stage left and right.
 Low-frequencies were reinforced with eight EAW LA400 subwoofers with bent horn technology, groundstacked in groups of four beneath the main arrays. All loudspeakers were driven with LabGruppen fp6400 power amplifiers, with a DiGiCo D1 serving as house console and a Midas XL4 for monitors, largely for pre-mixing string instruments.
Holland PA, EAW’s distributor for the region, supplied two EAW UX8800 digital processors with Gunness Focusing for evaluation with this system. During soundcheck the day prior to the concert, Stock Audio Owner Paul Pelen immediately noted the significant upgrade in sonic performance provided by the UX8800 units, and in fact, decided on the spot to purchase them.
Continue reading "Stock Audio: UX8800 Success Story At Orchestra Concert" »
 Two major college football stadiums are starting the season in style with new sound reinforcement systems that both incorporate EAW KF900 Series high-output loudspeakers capable of delivering solid, tight, full-range coverage from scoreboard locations.
Further, one of the systems - recently implemented by All Pro Sound at Auburn University's 87,450-seat Jordan-Hare Stadium - features processing via six EAW UX8800 digital processors.
 One UX8800 is connected by Ethernet, and one receives the analog audio feed, with both control and audio passed among the six processors via EAW U-Net. The KF900 Series cluster serving the stadium includes six KF930F, 12 KF920F, and 6 KF910F modules.
Meanwhlile, at brand-new 45,000-seat Bright House Networks Stadium on the campus of the University of Central Florida, SPL Integrated Systems has implemented a loudspeaker approach of 10 KF920F, four KF910F, four KF914F and two KF913F, joined by six BH2313 and four KF755 for near fill.
More about both of these exciting projects will be presented here soon.
 Joe Fustolo, Manager of the EAW Application Support Group, notes that Michael Perry (left) and Justin Walker have joined the ASG team as Application Support Specialists, a move that further enhances the pro audio industry's top customer technical support effort.
Michael comes to us from LOUD Technologies technical support and service, and based in Woodinville, he adds additional hours to our U.S. support basis. Also an active musician and sound system operator, he brings a great deal of relevant real-world experience to the table, not to mention also being very fluent in Spanish. Michael's primary focus is providing full technical support for all EAW Commercial products, in addition to assisting with the entire EAW line.
Justin, a previous employee with the EAW Service Department (not to mention an active musician), offers a good deal of experience and enthusiasm in pro audio customer support. He is based in Whitinsville, handling the bulk of service requests and product RMA's as well as providing basic technical support for all EAW loudspeakers.
Welcome aboard, Michael and Justin!
 Here's a handy roster of links to access Martyn "Ferrit" Rowe's blog entries as an EAW UMX.96 digital console makes its inaugural tour with Foreigner and FOH Engineer Don Dodge.
Day 1
Day 2
Day 3
Day 4
Day 5
Day 6
Day 7
Day 8
Day 9
Day 10
Note From Don Dodge
 We just received the following note from FOH Engineer Don Dodge, who's been utilizing the EAW UMX.96 digital console on its maiden touring voyage with Foreigner this summer. Don and Ferrit are pictured at left.
"The console is working out like a dream - I’m totally loving it! We’re blowing everyone’s mind with this board. It just sings. So many people coming up after shows to tell me how good it sounded.
"Ferrit has been incredible - what a fantastic guy. It’s really easy to learn from him, and he’s so smart it blows your mind. He’s been such a great help.
"Thanks very much to EAW and Jeffrey for trusting in me enough to run with your new 'baby'."
- Don Dodge
 EAW's Martyn "Ferrit" Rowe is providing us with live reports as an EAW UMX.96 digital console makes its inaugural tour with Foreigner and FOH Engineer Don Dodge.
Verizon Center, VA Beach
August 18, 2007
I’m writing this from the front lounge of the Foreigner crew bus that has been my home for a couple of weeks, and I thought I’d include some pics of the folks working so hard on this traveling show. (Click here to see more photos.) Nine buses, nine 53-foot semi’s and over 50 production and support people.
I’d like to give a shout out to some of the great people who make it happen out here. So, in no particular order: Don Dodge, Robbie Price, Rocko, Gary Luizzo (Styx FOH), Pilgrim (Leppard’s monitor engineer), Alphonso, Dave the bus driver, Dan the truck driver, the FOH Karaoke crew (Ted Bible, Ronan and the lovely Leslie), LD’s Kenji-san, Libby, and Cosmo. And - the Foreigner crew: Jody, John, Roy, Ted and Barry. Sorry in advance if I left anyone out. Rock on, my brothers and sisters.
Foreigner has the opening slot today, and for a bit of a change, they've updated the set list to include “I Wanna Know What Love Is" and "Feels Like The First Time". After the set, the Foreigner crew is driving down to Florida for a corporate gig while Def Leppard is taking a two-day break. So as soon as the gear is packed, it’s a tearful goodbye and then they're off.
I stayed until the end of the show to get the UMX.96 packed and onto Foreigner's truck, and then I’m off with the runner to catch a 7 am flight home. I’ll be catching back up with the tour when it comes to my home town, Las Vegas, in about a week’s time. In the meantime, click the link directly below to check more photos.
Continue reading "Ferrit's Blog - UMX.96 On Tour With Foreigner, Day 10" »
 EAW's Martyn "Ferrit" Rowe is providing us with live reports as an EAW UMX.96 digital console makes its inaugural tour with Foreigner and FOH Engineer Don Dodge.
Nissan Pavilion, Washington DC
August 17, 2007
I forgot to mention that the last show day was also the anniversary of the Ferrit’s hatching. The Foreigner crew surprised me with a birthday cake! The recording we did at the previous show went very well - the delay established on the UMX.96 outputs to line up the tracks was within two samples, so it was real easy to slip the tracks for perfect sync.
Today was hot and humid, and an afternoon rainstorm didn't help matters. We had the middle slot again, which was lucky since Mick Jones, lead guitar for Foreigner, was flying up from NY and the weather grounded his flight. He landed at the local airport, rushed to the venue and made it with moments to spare! Once again Foreigner played a blistering set and 50 minutes went by just like that.
 A bit of drama during the show - Tom Gimbel’s saxophone wireless mic wasn’t working but the onstage crew got the spare up and running before the solo in “Emergency”... and nobody noticed. The stage guys have a whole host of “what-if” procedures planned and it’s almost automatic, like a well-oiled machine, they just “clicked” into place.
We recorded the show again and the 25,000 screaming fans almost overloaded the mic tracks. As a result, the sample rate was upped to 96 kHz, and we also deployed a bigger hard drive.
Another rapid load out (under two hours), and on to Virginia Beach.
EAW's Martyn "Ferrit" Rowe is providing us with live reports as an EAW UMX.96 digital console makes its inaugural tour with Foreigner and FOH Engineer Don Dodge.
PNC, Holmdel, NJ
August 15, 2007
After a quick breakfast we find our way to the FOH position and get the boards set up. Today we're also going to establish a small recording rig - taking a left and right line out from the UMX.96 digital console, along with two ambience mics at FOH. These four tracks are routed to a ProTools LE via a Digidesign interface and a firewire hard drive.
Don sets up a pair of Matrix outputs and assigns Mix L and R to them; a small amount of compression is applied. Using Smaart’s delay locator, the distance from the PA to the mics is found, and this delay is added to the Matrix outputs. Now all four tracks are in sync.
Tomorrow is another day off so we'll get a chance to hear the recorded tracks - I’ll be letting you know how they turned out.
 Click on the image at right to view a very cool time-lapse of the complete show build for the recent concert by the London Symphony Orchestra in Daytona Beach, where Stage Audio & Lighting Productions of Longwood, Florida, deployed a system featuring EAW KF Series line arrays and UX8800 digital processing.
The time-lapse video was done by Jeremy Goldstein of i.n.i.t.i.a.l., who works as a much sought after free-lance audio engineer and technician, based in central Florida. Jeremy was on hand to lend his audio talents throughout the week at numerous Daytona performances leading up to the LSO grand finale at the Ocean Center. We'll have more coverage of sound for the event posted here soon. Our thanks to Jeremy for capturing and posting the time-lapse, which is very instructive in showing just how much effort goes into a successful first-class production.
 EAW's Martyn "Ferrit" Rowe is providing us with live reports as an EAW UMX.96 digital console makes its inaugural tour with Foreigner and FOH Engineer Don Dodge.
Jones Beach
August 14, 2007
After a day off, we’re all rested and ready to go. Today we have the middle slot, which means that once again we have only 20 minutes for changeover, and the first time Don gets to hear the system through the UMX.96 will be the intro track. How does he make sure that his system EQ is going to work for the room?
The trick is to check in with System Crew Chief Ted Bible and Def Leppard FOH Engineer Rowan McQue to see what’s happening during the system tune. There is an overall system EQ, and then each engineer puts his own personal preference curve, which in the case of the UMX.96 is the built-in RTA31 band available on each output.
Other good news - I think in all the years I’ve played this venue, it’s the first time it didn’t rain! Tomorrow we're going to set up a small recording rig and make a live recording - should be fun, interesting and instructive.
Special Report By Ben Olswang
In addition to being out on the road with Foreigner, another EAW UMX.96 digital console has just been put through its paces at the Capital Hill Block Party in Seattle, where it garnered high praise from all who used it under the most stressful of all mix positions: monitor world. The event also marked another successful run for the new EAW UX8800 digital processor with Gunness Focusing.
The Block Party featured three stages hosting live music, with sound provided by EAW and Mackie components. The main stage system, under the direction of Carlson Audio, offered coverage from two stacks (left and right) of EAW KF750s paired with four SB1000 subwoofers, with processing courtesy of the UX8800. A second, networked UX8800 provided delay lines feeding five towers made up of Mackie SA1232z and SWA2801z covering each of the four streets intersecting the stage.
 Also at the main stage, the UMX.96 ran eight stage mixes for EAW NT59 stage monitors, Mackie SA1232z/SWA1801z side fills, and an SA1521z plus SWA2801z combination for drum monitor. All processing was done in the console, including EQ, compressors, and gates on inputs, and limiters and graphic EQs on the outputs. This made load in a breeze - no patching required other than inputs and outputs.
Monitor Engineer Tom Meyers (who’s also a Mackie tech support guru) was at the controls of the console for the whole day through the hot summer sun. It was a true festival with five different bands throughout the day and only a half-hour changeover between acts. Each group was very different, ranging from a two-piece drum and keys combo to a hip-hop act with a full band to a power rock quartet.
Continue reading "UMX.96 & UX8800 Key To Systems For Seattle Block Party" »
 EAW's Martyn "Ferrit" Rowe is providing us with live reports as an EAW UMX.96 digital console makes its inaugural tour with Foreigner and FOH Engineer Don Dodge.
Mansfield, Massachusetts
August 11, 2007
Today Foreigner joined up with Styx and Def Leppard, with Foreigner and Styx taking turns to play the opening or middle slot. Today was Foreigner's turn to open. At 4 p.m., after all the semis have unloaded and lights, sound, video and staging crews have done their thing, Def Leppard appears for a soundcheck after a 10-day break.
At about 5, it's time for Foreigner to set up - their stage setup is on rolling risers that have been pre-built backstage. In less than 10 minutes, there's very quick line check, and here’s where the comprehensive channel metering on the UMX.96 comes into play. Don Dodge is able to rapidly confirm visually every channel.
 Doors open and at 7 p.m. the intro is rolling. Tonight’s set is a 50-minute version, and before I realize it, it’s over. The crew has 20 minuntes to get Foreigner off and Styx set up (which they manage with a minute to spare).
The Foreigner crew get their truck loaded, and we get to see some of the Def Leppard set before we leave to beat the traffic. Tomorrow: Hershey, PA.
EAW's Martyn "Ferrit" Rowe is providing us with live reports as an EAW UMX.96 digital console makes its inaugural tour with Foreigner and FOH Engineer Don Dodge. He's taking a break, but check back soon when he picks up the story.
Foxwoods Casino, Connecticut
August 5, 2007
Woke up outside the casino and stumble inside, looking for the Fox Theatre - this place is huge! We are greeted by the Production Manager, Robbie Price, and shown to catering and then it’s time for load in. Surprise - the Foxwoods crew have beat us to it, so everything’s already in, and it’s going to be an easy day. We chat with Steve Gamelin, Lead Audio Tech, and were soon hooked up, with the system purring along.
Once again I find myself giving extended tours of the console (maybe I should charge admission). We do the customary line-check with the roadie band - it’s an old Thin Lizzy tune today, then before I realize it, it’s show time. The band plays a blistering set, Jason seems intent on breaking the drum kit and songs like “Feels Like the First Time” and “Urgent” have the audience up and into the aisles.
 After the show tonight we part company with Don and the boys. They're off to do two fly dates without the desk, although “Digital Don Dodge” (D3) looked like he would check the console as baggage if he could take it with him. We meet up again in Boston for a run with Def Leppard and Styx, and I’ll tell you all about it here. (Thanks to Dana Bourke for these fine photos!)
EAW's Martyn "Ferrit" Rowe is providing us with live reports as an EAW UMX.96 digital console makes its inaugural tour with Foreigner and FOH Engineer Don Dodge. Check back in daily for the latest from Ferrit on how it's going.
Trump Casino, Atlantic City
August 4, 2007
Today finds us indoors at the Grand Cayman ballroom in “The Donald’s” casino. I thought it would be nice to get in from the weather and humidity today - I live in Vegas where high humidity is low double-digits, but the A/C was so cold I noticed my hands were a little blue.
We actually had a real soundcheck, where the boys - Mick Jones, Jason Bonham, Kelly Hansen, Jeff Jacobs, Tom Gimbel and Jeff Pilson - treated us to an extended medley of Led Zeppelin riffs.
 The show was once again a flawless rendition of the hits - “Dirty White Boy” and “Jukebox Hero” amongst others.
Don now seems really at home on the console and is starting to explore some of the extended features, such as the Smaart integration. (Note the photo at the top of this post.)
The Trump Casino A/V crew got us out in record time, and we're off to the Foxwoods Casino. (And a big thanks to Dana Bourke for these excellent photos.)
EAW's Martyn "Ferrit" Rowe is providing us with live reports as an EAW UMX.96 digital console makes its inaugural tour with Foreigner and FOH Engineer Don Dodge. Check back in daily for the latest from Ferrit on how it's going.
Senaca Niagara Casino Hotel, Niagara Falls
August 3, 2007
Wake up at about 9:00 am and scramble into the hotel for a quick shower and a spot of breakfast. My hotel room is on the 23rd floor and the view of the Falls is stunning. After I tear my eyes away, I notice a stage far below me in the corner of the parking lot and realize that it's going to be our new temporary home for today.
After setting up the UMX96, I spent about an hour going over the feature-set with various interested parties. I think someone is spreading the word because we even got some people from local sound companies who “heard” that the new EAW console was here and just popped along to have a quick look.
Today’s sound system, supplied by the Seneca Niagara Hotel and manned by their able crew, is an EAW730 rig with SB1000 subwoofers. After a quick system tune Don and his back line crew step through their paces and today’s rendition from the crew band appears to be a blues standard.
 The support band finishes up, the intro tape roles and Foreigner storms the stage. It’s during “Cold as Ice” I realize that these aren’t songs- they're anthems, and the 16,000 member audience are not only singing every word but are hanging on every guitar lick and keyboard solo. This puts immense pressure on the house engineer (that would be Don, pictured at right) to faithfully and accurately reproduce this for the audience - you cannot miss a single bit.
The layout of the UMX96, with a fader for every channel, means no hunting through pages to find what you want, everything is right under your fingertips. Another load-out and we're off to Atlantic City.
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